Songs that use the Phrygian Dominant scale
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- เผยแพร่เมื่อ 14 มิ.ย. 2024
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0:00 Introduction
1:13 Forty Six & 2 by TOOL
1:27 Analyse by Thom Yorke
1:49 Dream Brother by Jeff Buckley
2:01 Naughty Girl & Beautiful Liar by Beyoncé
2:38 Phrygian Dominant has an Arabic sound
3:40 blending Phrygian & Phrygian Dominant
5:04 Blinkist
6:18 the Double Harmonic scale
7:01 Phrygian dominant is a mode
7:43 Innuendo by Queen
8:18 Phrygian Dominant in Flamenco music
10:15 Break It To Me by Muse
11:07 Hava Nagila
12:03 Piano outro
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Hello David. How are you doing today
@@bourbon2242 I'm doing well! How are you?
@@DavidBennettPiano I’m good, thanks. You’re one of the few TH-camrs whose videos I drop everything to watch. Keep it up!
@@bourbon2242 Thanks!!
@@DavidBennettPiano Oh! I just noticed that you recently hit 700K subscribers!! Congrats!!
Since learning modes of other parent scales such as from Harmonic Minor or Double Harmonic Major, this has massively opened up interesting, creative options for my writing. I write in Phrygian Dominant quite a lot as it's a very cool mode! Definitely recommend this if you're stuck in a writing rut.
I wish people would explore other modes of the Harmonic Minor. I love Phrygian Dominant, but I feel like it's the only mode I ever hear from the Harmonic Minor. I want to hear more music in Ukranian Dorian or Lydian #9.
Have you ever tried modes of the Melodic Minor? Those can be really bizarre and interesting too.
@@rome8180 I have all the modes of all parent scales written down, but I definitely need to spend more time exploring them! Hungarian Minor is another I use from time-to-time (from the DHM scale), but will check out the ones you mention👍
“Stargazer” by Rainbow - one of the best examples of the Phrygian Dominant mode and one of the best rock songs of all time.
Gates of Babylon is a better example.
Ritchie Blackmore may have done more for the Phrygian Dominant mode than any other composer ever before him.
@@JoriDiculous yes, “The Gates of Babylon” is a bit more straightforward of an example, but the guitar solo and many other sections of “Stargazer” are excellent demonstrations of what Phrygian Dominant can do for a song.
And whoever is interested in an in depth analysis of Gates of Babylon, Doug Helvering just put out a video on it yesterday. Highly recommended.
@@EddieReischl I wondered why that sound was so distinctive. Thanks.
Regarding Pyaramid Song, my pet theory is that it's called like that because its rhythm is 3-3-4-3-3, which is also the number of edges of each face of a pyramid (every side has 3 faces and the base is a square with 4 faces)
You are truly a gifted teacher! You explain thing so we’ll and it makes sense! I’ve been playing for almost 2 years now and I’ve learned so much from your videos. I run your playlist on automatic while I’m cleaning my home and always learn something new just from listening.Thank you so much for sharing your expertise! Sending warm greetings from Miami.
Before I knew anything about how music works, I always associated Miserlou, White Rabbit, and Pyramid Song in my mind as being somehow similar or connected but for the life of me I could never have explained why. Now thanks to you I have an intellectual understanding of what my intuition was telling me!
“Misirlou” is interesting because it actually uses the lower leading tone (maj 7) as well as the upper one (b2)!
Wonderful as always... these 'song examples of a mode' videos are so great: thank you
😊😊😊😊😊😊😊😊
Flamenco portion on Queen's "Innuendo" features Steve Howe of Yes on flamenco guitar. Of course, when the flamenco melody is recapitulated in the hard-rock section afterwards, Brian May is playing lead guitar that time.
Finally someone pointed out the difference in the tonic in the use of the andalucian cadence in Flamenco vs other styles! Thank you David, excellent as always!
I always look forward to the ending of your videos like these when you put together something you've composed to demonstrate the sound. This one was a nice combination of relaxing and haunting!
It sounds alot like a Eric Satie composition I think David should give him a little credit
46 & 2, White Rabbit, Miserlou, Hava Nagila I love all these songs despite any of them being in a genre I really appreciate, I now understand why, I also think that is why I love system of a down, I'm sure they used phrygian dominant scale in some of their song or a similar scale.
I like to improvise some really basic flamenco on the guitar and I naturaly started playing on the same notes (with few changes) as miserlou, I know understand better why it works so well.
Thank you for this video
I'm glad I caught this within 24 hours of the release. This is awesome. Great scale. Thank you, David. Keep this up. Love all your videos I've seen.
This is absolutely my favorite TH-cam channel. Thank you for all your amazing videos, David!
Alanis Morissette's Uninvited has a verse in D phrygian dominant and a chorus in D mixolydian.
To conclude my Music graduation, I had to write a paper about a Arvo Pärt’s song called L’Abbé Agathon. At the end of the song, the soprano sings an odd musical phrase based on a scale that I couldn’t exactly describe. Now I know what it is. Can I go back 6 years in my life?
These videos help me appreciate and experience music that's been around me my whole life. Thanks for giving me a small taste of seeing music as musicians do. I feel like Dorothy opening the door and seeing a new world in technicolor.
You are such a great teacher, David, and love your composition at the end - really beautiful.
Lightbulb moment at 7:05, modes can exist from any starting scale, meaning that the modes we are most used to are just the modes of the major scale, and we can have modes of a harmonic minor scale and other scales! Thanks David :)
Any heptatonic scale has seven modes, and each of them is equally a relative mode of each of the other six. This stuff would make more sense to people if we reserved the word “scale” purely to denote a particular pattern of intervals, extending infinitely in both directions, with no particular starting or ending point, and no particular note designated as the tonic, and used “mode” to describe each of the various tonalities that the scale can assume depending on which of its notes our brain tonicizes. What typically gets misleadingly called “the major scale” (despite the fact it isn’t even the only mode of its own scale with a major sounding tonality) would instead be more accurately called “the diatonic scale, perceived in the Ionian mode”
We use this scale a lot in traditional Jewish music! It's a lot of fun to improvise with
Hava Nagila is actually a great example. By the way, for lyrical transcriptions the sort of raspy "h" sound should be written as "ch". It's a distinct sound in Hebrew
@@yeasstt Not in this case. You're confusing ה and ח.
@@danielguy3581 ah, my bad. It's been years since I've had to read hebrew. I tend to forget which is which
@@yeasstt No problems. The word for 'proof' in Hebrew is hokhakha,, with ה, כ and ח. If you don't manage to pronounce it, at least you'll your clear throat.
Muse: check! Radiohead: check! Queen: check
😃😃
@@DavidBennettPiano Seriously speaking, the way you talk about modes is just great, it suites both us who are already familiar with them (and works as a nice recap or shows more examples, sometimes unobvious) and those who are completely new to music theory. Thank you so much!
The word 'exotic' comes up a lot here, with all its awkward connotations, but seems perfectly appropriate here. Those of us who grew up around major and minor scales find other tonalities, particularly when not built on modes of those scales, to be exotic. Do people who grow up with Arabic or Flamenco music around them, in the home or on the radio, who presumably don't find those to be exotic, also find songs like the Pyramid song less exotic than other Radiohead songs? Do Western pop songs built on PD or other common Arabic scales/maqams ever find popularity in the Arab world, or do they pass unnoticed? Do they even sound watered down? Anyone here who grew up with Arabic music able to share their impression of White Rabbit or the Pyramid Song in terms of its exotic feel or lack of it?
You raise some interesting points that deserve more attention. Let's hope you have informed answers to your questions.
@@justme1492 Agreed. Would love to hear some answers to these questions. @davidbennettpiano :)
Interesting thoughts David!
As someone who is half arabic and half french, the "occidental" scales dont sound exotic at all, but the double harmonic scale and the phrygian dominant scale sound like the most consonant scales to me. I found the regular minor and major scales to be quite counterintuitive when i first learned them. Also, the regular phrygian mode sounds very occidental to me. Hope this helps ! It would be cool to have the opinion of someone who is 100% arabic tho
i am southern american, yet half of my family is spanish and they usually dance flamenco and other styles in family reunions, so to me at least it doesn't sound that exotic, in fact to me it's very consonant, yet it does feel very flamenco-ish sometimes
Your knowledge and ability to portray in an understanding manor is incredible. I have learnt alot for your videos and finally found out what my favourite scale of music is. Amazing channel great guy keep it up ❤
I really like your composition. Beautiful chord progression!
Your piece at the end is gorgeous
Another excellent video from a great channel! I was hoping you would mention "Come Out and Play" by the Offspring - I can't hear this scale without immediately thinking of that song.
Also the first part of Pay the man is in this mode
Yes! Just heard that song recently and came back here.
7:10 that is the best definition of modes ever. Tutors tend to over complicate. Thank you. Simply Moving the center of Gravity
I'd love if you did more analysis of traditional Jewish melodies. They're incredibly old and interesting. Look into Kol Nidre or other prayers.
Phrygian dominant is also known as "di fraygishe shtayger" (literally: the phrygian ladder/scale) in Yiddish
They’re mostly using the Ukranian dorian, fourth mode of harmonic minor
@@bamsuth9650 racism moment
@@tfwnoyandere speaking facts
@@bamsuth9650 you are being racist you troglodyte
Great video on this! More in depth than other ones I've used as research. Thank you!
Loved learning about this. Thank you!
Thanks for your videos which are really educational, and much appreciated.
Hey man, I really love your videos! They are education and entertainment at the same time. So good! Furthermore they inspire me to discover new music. Very refreshing :) Thank you so much!
Damn David, where have you been all my life?
I wish I learned all this while studying music 25 years ago, everything would've made so much more sense to me !
Thank you again for connecting the dots for me, finally!
Really enjoying your videos, thanks. Love your composition on this one.
Fantastic as always!! Thank you for such a great lesson with so many cool examples and concise explanation. Much love from Maine
Best original melody I think you've done so far!
so helpful! thanks David!
Perfect vídeo! Beautiful music in the end! 😊
Very clear and precise with excellent timed graphics
Phrygian dominant is one of my favorite scales due to features like the contrast between the major tonic chord and the darkness associated with phrygian, as well as the interplay between I, bII and v°. Glad to see it featured. 😊
Awesome ..nice reminders all the way through.
Wonderful composition of yours!
Wow great lesson! And awesome piece at the end!
Really enjoyed your composition at the end of the video.
I love your composition at the end.
Most beautiful your composition at the end.
I love these videos on the alternate modes, they're really great, great work! Would it be possible if you did another brightness-darkness video like you did on the normal modes but for the alternate ones please?
08:50 interesting how this relates to I Will Survive chord progression, specifically every other chord
Am Dm G C F B7 E(sus4) E
(call, response - call, response - call, questioning response? - suspended-wait-for-it then resolution)
Thanks Bruu
Another perfect class!!!
Thanks for the good info.
More scales/chords videos!!
The Phrygian Major Dominant scale is known as 'Freygish scale' in Klezmer music. You also hear that in Flamenco music too. 6:39 - 'Double Harmonic Scale' is a mode of the Hungarian Minor Scale, aka 'Egyptian Minor Scale', or 'Gypsy Run', which can bee seen s a harmonic minor w/ a raised 4th degree. Likewise, the Hungarian minor/ Egyptian minor/Gypsy minor scale, also exists in Arabic music, it is the same as the 'Nawa Athar' Maqam, and it also exists in South Asian and Romany music, under different names.
Analyse is one of my favourite songs. Thanks for explaining to me now why it is so daunting
I love the vibe of this mode
Beautiful mode of music.
I never thought of taking one of the other Minor scales, and treating them modally the same way we do with Major scale etc. Modes on other minor scales is brilliant, and ill be investigating those after this video. I thank you immensely.
Very interesting segment, David. Will have to delve into the history books to learn how this scale became the basis of Middle Eastern music. Thanks!
I was waiting for this
Thank you and please keep it going.
Nice composition Dave
Fantastic video
Nice video!
gracias
master
Great video again
Only in the past several months have I (finally) reached a point on piano where I can experiment with exotic harmonies and it clicks. I've seen the Phrygian dominant scale before, but you showed some really interesting examples of how to build chord progressions from it. This will keep me busy for a while.
Have to say, I didn't want your outro composition to end!
One of the coolest modes ever. An absolute maximalist scale when you want to prove more is more.
i'd say that a good chunk of the score for Dune (2021) would be in phrygian dominant, and it sounds SO EPIC
“The Man who stole the world” by David Bowie arguably begins, and frequently returns to, Phrygian dominant. That section moves between A7 and Dm, and (as is often the case) it’s somewhat ambiguous whether we’re in A Phrygian dominant or D harmonic minor (because, as always, it’s really both, or either)
Love these videos, please do more exotic modes
I love this mode - it’s so bold and urgent sounding. I actually am mixing a song right now called “Ruined Everything” that has an intro in G# Phrygian dominant (the song as a whole is mostly in G# phrygian). It really helps create that intense and dark atmosphere without reeling in melancholy in the process.
Also, a fun fact - in terms of number of major and minor intervals, Phrygian dominant is unique in that it is the only major scale composed otherwise entirely (that is, bar the 3rd) of minor and perfect intervals: m2, m6, m7, then P4, P5, and the lone M3. Phrygian minor has four minor intervals with its m3, and Aeolian minor has three minor intervals (m3, m6, m7), but it also has a M2 which creates so much of the melancholic effect alongside them in that scale.
It’s like Phrygian minor is darkness tonicized (unlike Locrian, which is very hard to tonicize and has the same intervals bar the unstable b5), and Phrygian dominant is just an acoustic or major atmosphere coupled with a maximally dark fog of minor surrounding its tonic. Aeolian dominant is not the same in darkness as it carries that melancholic nat 2 & b6, but Phrygian dominant sounds just so intense in its own way, thanks to the Phrygian urgency and boldness of the major tonic.
Also, it was an amusingly common scale in the 2000s with certain rap & R&B styles :) Hence “Beautiful Liar”… There was this one producer whose name escapes me who used it all the time, he produced “Baby Boy” by Beyoncé and Sean Paul, and some other hits too.
Thank you for the video David!
Scott Storch :) He produced “Naughty Girl” too!
Thank you! People always told me that this is the double enharmonic scale but I knew it wasn't, I just didn't know the actual name until your video!
I really like that outro piece!
As much as I love Phrygian Dominant, I wish people would explore other modes of the Harmonic Minor. I feel like it's the only one I ever hear. I want to hear more music in Ukranian Dorian or Lydian #9.
I was just telling my wife that there aren't enough Phrygian Dominant vids out there.
Pillow talk, eh?
The best mode!
One of my favorite modes.
Great video, thanks a lot! A nice 'Playbook' to study different modes might be the new King Gizzard LP called 'Ice, death, planets, lungs, mushrooms and lava', where they explore (as the first letter of the words in the title suggests) different modes on different tracks.
A great deal of Jewish liturgy and klezmer music is written in this scale (Avinu Malkeinu for example), especially in the Ashkenazi tradition. It is sometimes referred to as the Jewish Scale.
Man do do your job amazingly good :)
9:53 omg THANK YOU
Joe Satriani’s ‘Surfing With the Alien’ uses the Phrygian Dominant mode in the solo section:
C# Phrygian Dom / D# Phrygian Dom / F Phrygian Dom 😎🎸
Lots of metal uses Phyrigian Dominant or related scales. "Sails of Charon" by Scorpions is a good example.
Also "Caravan" by Duke Ellington and Juan Tizol.
Mr Malmsteen loved your video and concur. The Phrygian dominant mode is like air : you can't live without it. So beautiful and mysterious.
Joe Satriani also approves.
This is a scale that is used by many metal bands. Powerslave by Iron Maiden, the Siren by Nightwish, March of Mephiso by Kamelot, and much of Nile's discography are a few examples.
Yeah I was wondering if Powerslave was going to get a mention.
Plus 1 for mentioning Nile.
I was left wondering how he forgot the most iconic song using phrygian dominant (Powerslave)
I love Phrygian dominant and double harmonic major!
Play a dominant 7 chord with the minor 7th remaining static, and the three other notes - the notes of the basic major triad - each in turn doing a little semi-tonal wiggle one place to the right, and you’re in Phrygian dominant. You can do the Phrygian Dominant Wiggle on virtually any major chord in a chord sequence, regardless of its function, assuming it’s in a context in which sticking a minor 7th in it works (and unless there’s a major seventh or a sixth happening somewhere, you’re allergic to even really mild dissonance, you hate anything bluesy, or you’re right at the end of a song and you want complete, restful resolution, that’s pretty much always), and it’ll sound cooler.
You are the bestttttt
Great job, as always.
Thanks good video, spicy warm sound to me.
There's almost a sense of melancholy achieved by using this scale. It's spicy and exotic and, at times, can even be erotic, but also calming, whistful, and comforting. I've been improvising over a drone with this scale, swapping between the double harmonic minor and Phrygian dominant scale. It almost always ends depressingly, sometimes even with a Picardy third; fascinating when multiple topics within music theory come together to surprise and delight our eardrums.
I always see Thom Yorke or Radiohead in your videos, you've mentioned they're basically your favorite band. If I were as knowledgeable in music as you are I would want to put Dave Matthews Band songs in every video I could!
Edit: Speaking of, I believe one of their new songs, Madman's Eyes (which they only play live so far), is actually in this mode too. Minarets too.
First song that came to my mind was _Come Out and Play_ by The Offspring. That memorable guitar riff after the chorus goes up and down a B Phrygian dominant scale. B-C-D#-E-F# and back. (If you view it in isolation it doesn't matter if it's Phrygian Dominant or Double Harmonic, as the riff doesn't use that 7th)
I am using phrygian dominant and harmonic minor a lot. It's my second nature when I am playing... On the other hand I always wanted to know the theoretical background of it. Wonderful explanation! Thank you!
Please Make A Full Video about the Double Harmonic Major Scale!!! I Really Want to See more Examples of it Being Used.
That's a mix of Satie and Delibes, and you of course. Lovely and inspiring in the wings of Debussy.
DMB The Last Stop was the first song that came to my mind!
White Rabbit, Innuendo, Muse, it’s crazy how many of my favourite artists/songs use this
I always thought this was the "Hollywood shlock Egyptian" scale. You know like in the 1960s Batman series with Adam West, whenever super-villain King Tut appeared, they played a little tune in this scale. Also, Jewish Klezmer music uses it quite a bit. Actually, the ending David Bennett composition sounds like Chopin doing a little Klezmer.
Also for my fellow Extreme Metal fans, Nile use Phyrgian Dominant all the time to match their Egyptian and Middle Eastern lyrics and imagery
Bolt Thrower - The IVth Crusade does too. Either that or Double Harmonic Minor, I'm not sure. The first riff doesn't give you enough info, but it definitely uses the flat 2nd and major 3rd.
@@BlazinLow305 yeah that's true. We cant really know beacuse they don't play the seventh note at all
Dimmu Borgir - Blessings Upon the Throne of Tyranny switches between Phrygian and Phrygian Dominant