COLLECTION OF KEYBOARD INSTRUMENTS: KIT ARMSTRONG AT THE C. BECHSTEIN FOUNDATION

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  • เผยแพร่เมื่อ 3 ต.ค. 2024

ความคิดเห็น • 9

  • @davcaslop
    @davcaslop 10 หลายเดือนก่อน +5

    Absolutely great playing. Very very very well chosen pieces for every instrument, I really enjoyed the video

  • @garykrieger7346
    @garykrieger7346 8 หลายเดือนก่อน

    Great video- he is so good

  • @parkthoven
    @parkthoven 6 หลายเดือนก่อน

    Really educating~~!

  • @josecubela9642
    @josecubela9642 5 หลายเดือนก่อน

    Wonderful video!!!

  • @kyleethekelt
    @kyleethekelt 6 หลายเดือนก่อน

    I never tire of hearing this sort of instrument. However, my fledgling identification skills were sorely tested because the presenter didn't verbally identify all the instruments by name, so I had to guess. I'm sure the maker's names must have been on-screen, but that is of no use when you can't see them. For instance, was the Mozart instrument a Hoffmann? Was the Beethoven one a Graf? Was the Liszt one an Errard? I did love the presentation as a whole, however. The description was so detailed that I wished I could have had a hands-on tutorial so I could fully conceptualise the different key actions being shown. It is somewhat ironic that this presentation - focusing on the sound of each keyboard action as it did - didn't provide all the information to those who could only listen. Superb playing, though.

  • @arthurstreeb-greebling1088
    @arthurstreeb-greebling1088 10 หลายเดือนก่อน +2

    Excellent video and performance

  • @zeldaoff699
    @zeldaoff699 9 หลายเดือนก่อน +1

    Excellent informative video about period instruments, in addition to impeccable execution and interpretation for each composer, leaving them well characterized ❤❤❤❤❤

  • @jasonchurch7396
    @jasonchurch7396 8 หลายเดือนก่อน

    So well presented and performed. Such a nice idea for this presentation. I always enjoy listening to Kit when I get the opportunity.

  • @RogerFleischer-p3f
    @RogerFleischer-p3f 9 หลายเดือนก่อน +1

    Thanks to Kit Armstrong, Bechstein, and others responsible for this marvelous set of recordings, there is now no doubt that, with the use of electronic amplification, all early keyboard works could be performed on replicas of the type of instruments for which they were written regardless of the size of the size of the hall in which they are performed.