1:22:54 This is an unique section in Mozart's symphonic music where the horn is playing a solo melody... with alterations?? Reminds me a bit of the third's act allegro from Thamos king of Egypt where the horn play the entire theme, even with the f note, which is already very tricky and risky, and here look what we got! Impressive and insanly rare.
The overture is so good, like the whole work is spectacular but I'm obsessed with the harmonies, the wind writing etc in the overture it's so brilliant
The soprano who plays the role of Elektra is truly exquisite. Her phrasing is impeccable and her adherence to the original score is surprising. It shows that loud is not always the best...
Thank you very very much for this video, I watched it over and over again during the last year, it's a great pleasure for me to have the orchestral score of my favourite opera ever! And the execution is the best available, i love Colin Davis and Araiza
Two pieces here in E-major, a key Mozart rarely used (as far as I know): 'Placido è il mar' and 'Zeffiretti, lusinghieri' - equally beautiful and both concerning weather elements (a calm sea, 'soave zeffiri', gentle breezes). He also used E-major in other instances where beautiful weather, sweet breezes and/or calm waves play a role: 'O selige Wonne!', the closing terzetto from act 1 of Zaide and of course 'Soave sia il vento' from Cosi fan tutte.
Amazing opera, thanks for the upload with the full score, that's a heck of a work 👌🏼👏🏼. For all enthusiasts, I have uploaded the live version with Pavarotti. Have e look.
Gran Sacerdote - Werner Hollweg La Voce - Harry Peeters Chor und Symphonieorchester des Bayerischen Rundfunks John Constable - cembalo Sir Colin Davis - conductor 1991 PHILIPS
To put the sheer length of this opera in perspective, I actually REMOVED an aria from my video- Idamante’s “No la morte”- because I did not want to destroy my computer.
1:22:54 This is an unique section in Mozart's symphonic music where the horn is playing a solo melody... with alterations?? Reminds me a bit of the third's act allegro from Thamos king of Egypt where the horn play the entire theme, even with the f note, which is already very tricky and risky, and here look what we got! Impressive and insanly rare.
One of my favorite operas.
🙋🎧👍👍✅
The overture is so good, like the whole work is spectacular but I'm obsessed with the harmonies, the wind writing etc in the overture it's so brilliant
2:13:15 is one of the most beautiful melodies ever written
CONCERTO for 2 Mandolines, Strings and B.C. in G major RV 532 andate
so similar
Hidden in a recitative... Sublime
The soprano who plays the role of Elektra is truly exquisite. Her phrasing is impeccable and her adherence to the original score is surprising. It shows that loud is not always the best...
I can see why Mozart was pleased with this particular opera. It is just lovely.
Indeed. Constanze Mozart said that this was his favorite of all the operas he ever wrote, with even Giovanni and Figaro considered.
@@simonkawasaki4229 ¹
It is indisputably his masterpiece.
A true Masterpiece indeed, one of Mozarts best!!!
Thank you very very much for this video, I watched it over and over again during the last year, it's a great pleasure for me to have the orchestral score of my favourite opera ever! And the execution is the best available, i love Colin Davis and Araiza
This opera is really awesome
Grazie per questo utilissimo video!!!
Si figuri!
1:05 just amazing
The strings accompaniment figure at 6:22 is just O.O
Thank you for all the work you put into this!
So very, very beautiful, my soul sings with pure joy, thanks for sharing!!😃👏🎵👍🙏
Two pieces here in E-major, a key Mozart rarely used (as far as I know): 'Placido è il mar' and 'Zeffiretti, lusinghieri' - equally beautiful and both concerning weather elements (a calm sea, 'soave zeffiri', gentle breezes). He also used E-major in other instances where beautiful weather, sweet breezes and/or calm waves play a role: 'O selige Wonne!', the closing terzetto from act 1 of Zaide and of course 'Soave sia il vento' from Cosi fan tutte.
Amazing opera, thanks for the upload with the full score, that's a heck of a work 👌🏼👏🏼.
For all enthusiasts, I have uploaded the live version with Pavarotti. Have e look.
Thanks!
Gran Sacerdote - Werner Hollweg
La Voce - Harry Peeters
Chor und Symphonieorchester des Bayerischen Rundfunks
John Constable - cembalo
Sir Colin Davis - conductor
1991
PHILIPS
Thank you. Will edit my description.
@@simonkawasaki4229 My pleasure! You're welcome!
고맙소
that Dmaj 7 texture tho
Ha, I presume you are referring to 1:06?
2:42-2:43 moonlight sonata. What an expression. Already approaches the level of Beethoven.
곡의 길이가 3시 30 분... 😱
모차르트는 가만히 있는 것 보다 작곡 할 때가 더 편해서
이게 가능할 듯
Wolfgang Amadeus Mozart, è stato un antesignano di Giuseppe Verdi.
35:00 is a very good moment
2:13:58
1:52:00
A gorgeous terzetto.
💥💥💥 0:00 💥💥💥
3:24:10
2:01:01 is Beethoven.
Almost later than that I think... Very romantic
@@rossini9mozart10 Honestly, it reminds me more of early Wagner(like The Flying Dutchman).
Why are some parts of the opera so long?
Varesco's libretto is quite long-winded.
To put the sheer length of this opera in perspective, I actually REMOVED an aria from my video- Idamante’s “No la morte”- because I did not want to destroy my computer.
@@simonkawasaki4229😂😂😂
to give you something trivial to complain about.
Mozart uses a very futuristic orchestral technique. Only if he didn't write down for public.
ein schwaches Werk mit einzelnen Höhepunkten
I strongly disagree with you!!! ☹️
1:56:54 WHAT AN END TO AN ACT!!!
1:22:19
1:56:53
2:01:01
2:11:51