Yeah, I feel like C’Mon C’Mon is going to be like The Farewell, and other incredible dramas that inexplicably disappeared when the awards started to come out.
@@thefilmseeker A24‘a campaigning has been pretty shitty lately. They had The Farewell, Uncut Gems, and The Lighthouse all in one year, and they screwed the pooch on all of them. This year, it looks like they’re putting all their campaign money on Macbeth, so C’mon C’Mon might get left behind.
@@thefilmseeker Ahh, yes. He's a great option that hopefully gets in. I was just thinking more along the lines of the Belfast boys and Leto. I like Smit-McPhee as well.
He’s seeming like a strong runner-up, since Cumberbatch is more of a critics’ darling IMO. But as soon as Will Smith starts giving speeches I expect he’ll run away with the W
Have you seen the winners of the Sunset Circle Awards? They're given out by a group of film journalists with an emphasis on awards coverage, like Sasha Stone of Awards Daily. They made refreshing choices. Best Picture: ''Dune.'' Best Director: Denis Villeneuve (''Dune''). Best Actor: Andrew Garfield (''tick ... tick ... BOOM!''). Best Actress: Kristin Stewart (''Spencer''). Best Supporting Actor and Supporting Actress; Jamie Dornan and Caitriona Balfe, from ''Belfast.'' Best Screenplay: ''Being the Ricardos.''
I have thought Macbeth might still have a shot - the ratings from critics are really high. And they have only released 2 under a minute teasers, so we don't really know what might tempt the audiences. On the down side it's Shakespeare, which will limit the audience. And releasing it on Christmas? Nothing says holiday like a Shakespearean TRAGEDY? So box office will probably be very low. But the question is - will academy voters watch it and respond the way critics did? Also, with the Best Picture expected line up thinning out (Gucci out, Ricardo's probably out, C;mon not looking likely, and Don't Look Up and Nightmare Alley hanging by a thread) there may be a slot. Plus the Academy may like to have one "high brow" film that is so beautifully shot and features a stellar cast of talent. And what about the actress playing the witches for supporting actress?
Eh. There's so many Shakespeare adaptions and there will continue to be more. I get that this is a very well directed one but still it's nothing new. I like it but I don't think it should even get nominated for best picture. It'll be a decision that I see aging horribly.
Cant say I have seen too many Best picture worthy films yet....or at least ones that the Academy would nominate that is. So I would be very happy to see Coda get in. If it does ill be rooting for it over Belfast.
I went as a guest to a SAG screening of CODA back in September and EVERYONE was raving about it after. I know this is a guild and not the Academy, but this means the support is strong and will very likely continue to be. Plus the fact that it was the first film shown at Sundance this year and still won means something.
thats interesting. coda parents are definetly getting in for supporting and now im also thinking about emilia jones in lead (besides being a crowded category)
I've had CODA in my predictions the whole way, glad I didn't give up on it (knock on wood). Not convinced about Tick Tick... Boom in Best Picture. It depends what the industry awards do.
@@nate-it9xq I think “The Power Of The Dog” is super inaccessible. Most of the voters talk about how they started a film but lost interest and didn’t finish it. I could see “Dune” fall victim to that, but especially “The Power Of The Dog.”
If I need to do a reboot of the hundred greatest films of all time list neither did 1297 2007 in not to my knowledge 2017 you redo it lots of movies lots of great films that come out since then
@@manantial773 CODA is nowhere close to a masterpiece, you can't call someone's taste bad when making absolutely basic declarations like that. It's just a nice movie, that's all. Need to consider those bland visuals and the too-easily resolved conflict and unrealistically successful audition (she isn't even a great singer).
Award season is sadly 40% quality 60% momentum/press . I agree In the highest should be in the conversation especially in my opinion over West side story. But the colorism contervrsy and it killed its chances
@@notchuckproductions5029 that controversy was just blown out of proportion by a bunch of bitter pot stirrers. And I hate that people just went along with it so as not to hurt anyone’s feelings 🙄 Anyone who saw the movie saw a wide representation of people. Latinos come in all shades from fair skinned to deep, rich complexions. And funny enough I don’t see that same representation in West Side Story. The lead Latina is not dark skinned either. But where are all the same people who whines about In The Heights?!?! 🤷🏻♀️ absolutely ridiculous!!
@@manantial773 Just because someone doesn’t like a movie, doesn’t make them a racist… Stop misusing and dragging the racism card into every other topic, just to soothe your bruised ego…
I don't get the hype with tick tick BOOM, that movie is very poorly done. It's like Lin Manuel has a LOT of power in Hollywood, otherwise it doesn't make sense. CODA, in the other hand is a great movie and I think it will get a best picture nom.
Funny, I think both those movies are about equal as far as quality, and I don't really wanna see either of them in the BP lineup (CODA especially is such a safe, boring choice).
Yeah, I feel like C’Mon C’Mon is going to be like The Farewell, and other incredible dramas that inexplicably disappeared when the awards started to come out.
Critics Choice has to save it.
Nothing "inexplicably" about it. Just A24 fumbling the bag as is their norm these days, Minari notwithstanding.
@@thefilmseeker yeah…you certainly have a point there.
@@thefilmseeker A24‘a campaigning has been pretty shitty lately. They had The Farewell, Uncut Gems, and The Lighthouse all in one year, and they screwed the pooch on all of them. This year, it looks like they’re putting all their campaign money on Macbeth, so C’mon C’Mon might get left behind.
@@duckywinks You spittin'
I know I’m not the only one thinking this but I’m just gonna say that if CODA is in for Picture (a seemingly likely “if”) I think Troy Kotsur can win.
I really hope he does. He's so much better than the other "contenders" right now, in my opinion.
@@sand4273 Jason Isaacs
That would be a shame
@@thefilmseeker Ahh, yes. He's a great option that hopefully gets in. I was just thinking more along the lines of the Belfast boys and Leto. I like Smit-McPhee as well.
I think it's a two-way race between Kotsur and Smit McPhee. I think people are severely overrating The Belfast actors' chances of winning.
Don't kill me pls for saying this, but given how well Tick, Tick...Boom! has been doing, I could seriously see Andrew Garfield contending for the win!
He’s seeming like a strong runner-up, since Cumberbatch is more of a critics’ darling IMO. But as soon as Will Smith starts giving speeches I expect he’ll run away with the W
@@guysimchony309 Probably, but I will keep this in the back of my mind too. Andrew can be charming as well.
Nomination
@@guysimchony309 not with BAFTA ... and they're the reason Hopkins won
I’ve been say this ever since I saw his performance he is Will Smith’s biggest competition!!!! Yes that’s right I have him ahead of Cumberbatch lol
Have you seen the winners of the Sunset Circle Awards? They're given out by a group of film journalists with an emphasis on awards coverage, like Sasha Stone of Awards Daily. They made refreshing choices. Best Picture: ''Dune.'' Best Director: Denis Villeneuve (''Dune''). Best Actor: Andrew Garfield (''tick ... tick ... BOOM!''). Best Actress: Kristin Stewart (''Spencer''). Best Supporting Actor and Supporting Actress; Jamie Dornan and Caitriona Balfe, from ''Belfast.'' Best Screenplay: ''Being the Ricardos.''
I have thought Macbeth might still have a shot - the ratings from critics are really high. And they have only released 2 under a minute teasers, so we don't really know what might tempt the audiences. On the down side it's Shakespeare, which will limit the audience. And releasing it on Christmas? Nothing says holiday like a Shakespearean TRAGEDY? So box office will probably be very low. But the question is - will academy voters watch it and respond the way critics did? Also, with the Best Picture expected line up thinning out (Gucci out, Ricardo's probably out, C;mon not looking likely, and Don't Look Up and Nightmare Alley hanging by a thread) there may be a slot. Plus the Academy may like to have one "high brow" film that is so beautifully shot and features a stellar cast of talent. And what about the actress playing the witches for supporting actress?
Eh. There's so many Shakespeare adaptions and there will continue to be more. I get that this is a very well directed one but still it's nothing new. I like it but I don't think it should even get nominated for best picture. It'll be a decision that I see aging horribly.
Cant say I have seen too many Best picture worthy films yet....or at least ones that the Academy would nominate that is. So I would be very happy to see Coda get in. If it does ill be rooting for it over Belfast.
I like Belfast but it’s kinda predictable
Estoy feliz de ver ahí a Licorice Pizza
🤐
Where is Mass? Really?
So sad what happened to this movie.
Ever since IMDB shut down their message board, I haven't seen any decent Oscar discussions/ feedback etc Thanks for the channel.
marlee matlin and troy kotsur are super in imo
The Last Duel still one of my favorites of the year and it ain’t going anywhere ?
😂
I know, right
Better get to your Golden Globes predictions quickly the nominations drop in 4 days
I think Atlanta Film Critics got it close to perfect. I can see a non netflix title take BP as usual like Licorice Pizza, maybe Belfast.
2021 is shaping up to be a very boring awards lineup...
I went as a guest to a SAG screening of CODA back in September and EVERYONE was raving about it after. I know this is a guild and not the Academy, but this means the support is strong and will very likely continue to be. Plus the fact that it was the first film shown at Sundance this year and still won means something.
thats interesting. coda parents are definetly getting in for supporting and now im also thinking about emilia jones in lead (besides being a crowded category)
Loving so many uploads 😍
How this channel doesnt have way more viewers is tottally beyond me. Please never stop making videos
It's gonna happen eventually
I've had CODA in my predictions the whole way, glad I didn't give up on it (knock on wood). Not convinced about Tick Tick... Boom in Best Picture. It depends what the industry awards do.
Hmmm...Drive my Car?
Belfast, C mon C mon, Tick Tick Boom were the best this year…..btw where can I watch CODA….
terrible line-up
AFI top ten of the year not of all time. These 2 wouldn't know those movies.
Am I first yay!
I’m not underestimating “The Tragedy Of Macbeth” anymore. I’m even putting in Joel Coen for Director.
Well they always snub something that gets in at the AFI and I think Macbeth is the most likely
... who are you gonna snub then? Branagh, Spielberg, PTA, Villeneuve, Campion.
@@nate-it9xq PTA, Campion, and Villeneuve could all easily not make the cut. I’d actually be shocked if it was that lineup-
@@monkeyangelo717 Ok I don’t think Campion is INvunerable but... easily? I don’t see reason to take out any of them.
@@nate-it9xq I think “The Power Of The Dog” is super inaccessible. Most of the voters talk about how they started a film but lost interest and didn’t finish it. I could see “Dune” fall victim to that, but especially “The Power Of The Dog.”
extremely boring list
Isn't Spencer considered a British film?
it was produced by Neon, which is an American company but I'm not sure what the criteria are haha
@@goseeaboutagirl it was not produced by Neon. They bought the US distribution rights and that’s it.
If I need to do a reboot of the hundred greatest films of all time list neither did 1297 2007 in not to my knowledge 2017 you redo it lots of movies lots of great films that come out since then
Are you guys going to review the New York Film Critics Awards that just came out?
I've been wondering the same.
@@jerryoliver2254 The brothers totally trashed "House of Gucci" - yet - the New York Film Critics gave Best Actress to Lady Gaga. Hmm.
Wow apple is gooooood on awards this season... CODA is bad movie
CODA is a masterpiece, your taste is bad.
@@manantial773 happy 4 U , your taste is perfect 👌
@@manantial773 CODA is nowhere close to a masterpiece, you can't call someone's taste bad when making absolutely basic declarations like that. It's just a nice movie, that's all. Need to consider those bland visuals and the too-easily resolved conflict and unrealistically successful audition (she isn't even a great singer).
no está?....
No In The Heights??? Regardless of the low box office numbers it was still a great film 🙌🏻 it got universally great reviews. Such a shame 🤦🏻♀️
Award season is sadly 40% quality 60% momentum/press . I agree In the highest should be in the conversation especially in my opinion over West side story. But the colorism contervrsy and it killed its chances
@@notchuckproductions5029 that controversy was just blown out of proportion by a bunch of bitter pot stirrers. And I hate that people just went along with it so as not to hurt anyone’s feelings 🙄 Anyone who saw the movie saw a wide representation of people. Latinos come in all shades from fair skinned to deep, rich complexions. And funny enough I don’t see that same representation in West Side Story. The lead Latina is not dark skinned either. But where are all the same people who whines about In The Heights?!?! 🤷🏻♀️ absolutely ridiculous!!
Eh. It's good but most of these flims would be better than it.
warner bros dont care about this movie anymore, sadly
"Tick Tick BOOM!" must win Best Picture. It took sooooo much work and talent to make that picture.
What happened to “The Card Counter”? Totally ignored
A lot of audiences did not like it from what I can find not my opinion but that’s what I can find.
No, I’m not American enough
I've literally never heard of a Coda until a couple weeks ago!
And why King Richard it was a chore!
King Richard a chore? You must be racist. It is a terrific film, very entertaining, felt like 90 minutes long.
@@manantial773 pretty quick to jump to that conclusion buddy. Maybe Travis just didn’t connect with the story?
So tired of people who assume someone is racist/sexist for not liking a movie.
@@manantial773 Just because someone doesn’t like a movie, doesn’t make them a racist… Stop misusing and dragging the racism card into every other topic, just to soothe your bruised ego…
the lost daughter is nowhere to be seen. makes me wanna think about colman odds
Nope I'm from Italy
I don't get the hype with tick tick BOOM, that movie is very poorly done. It's like Lin Manuel has a LOT of power in Hollywood, otherwise it doesn't make sense. CODA, in the other hand is a great movie and I think it will get a best picture nom.
Totally agree, Andrew Garfield was good but the rest of tick tick boom wasn’t that great. Coda was really good though
Funny, I think both those movies are about equal as far as quality, and I don't really wanna see either of them in the BP lineup (CODA especially is such a safe, boring choice).
while i loved tick tick boom, i do think lin's influence is carrying this movie. maybe andrew's narrative has influence too
I didn't love coda but it was solid. I'm not really a musical person which is why I didn't care for tick tick boom or in the heights.
no BELFAST?? are they kidding?
Only American movies are eligible for it and Belfast is not an American production.
It won the special award