I mean is ok, sponsorship and everything, but why always messing with the stereo image on the master buss, and addressing eq on buss and not individual channels I mean idk am I missing someth
cuz mixing and mastering engineers are diffenert people in the big leagues thus each of them must do their thing 100% and take into account everything within their reach. and btw eqing on master with wide bands might be a gamechanger sometimes. think of it as a final instagram filter
Cause it's faster sometimes and gives same results. But then again, that looks more like a Mix Bus processing chain, not like a Mastering processing chain.
@@Nirossen appreciate you watching! Yes I’m aware lol, I usually have de-essing there in the chain, but I guess on this song there wasn’t any sibilance, so I had soothe to do general taming to be done on different frequencies outside of the “de-essing” frequencies. Made this video fast in one take, with no prep. if I could redo it, I would have!
@@SilentToasters should always do your mastering in a seperate session with the bounced 2track or the instrumental bounced out as one file and the vocals bounced out as another file to give an extra tiny bit of seperation
Gulfoss is way more subtle and more suited to make tiny changes on the master. Soothe2 is a bit more versatile and can be used on heavier stuffs. Imo, Soothe2 is way more superior when it comes to resonance suppression and Gulfoss is better at balancing the spectrum on the master.
@@charly__ Gulfoss is amazing for what it's meant to be used. The only comparable plugin is the new alternative in Ozone 10. It adds more than it removes and in a really smooth way that you cannot really put your finger on. You can't really say what it does, but it sounds better. Soothe is mostly hit or miss for me... it's the best for sidechain and low end multiband style eq/comp, but terrible on vocals to remove harsh resonances as it removes a lot of the soul in the recording. What's even worse is the hype around it for this kind of situations and then beginners use it thinking that's the way to do it and... you end up with squashed vocals and don't know why.
I worked as an assistant mix engineer on 2 songs on an artists album that charted #1 on Billboard. The Album is called “Legends Never Die” and the artist name is “Juice WRLD” 🫡
@@anonymousbrowser4448 Skrillex was the main mixer for "Man Of The Year" with me assisting and Manny Marroquin was the mixer on "Life's A Mess" although the majority of the mixing before it went to Manny was done with Heavy Mellow and Rex Kudo with me assisting
Here’s what it says when you ask google (Although I learned this in audio schools) btw for everyone who reads these comments and want to learn correctly- “De-Essing during mastering should occur before other forms of processing, and should definitely occur before any additive forms of processing that may amplify sibilance. This means that de-essing during mastering should be one of the first, if not the first insert in your mastering signal chain.”
This DOPE!!!! Thank You!!
-0.05 is nothing, you need at least -0.3 to account for conversion overs
I meant to say -0.5
VSX!!! YES!!! Thanks so much for the master buss reveal!
I mean is ok, sponsorship and everything, but why always messing with the stereo image on the master buss, and addressing eq on buss and not individual channels I mean idk am I missing someth
cuz mixing and mastering engineers are diffenert people in the big leagues thus each of them must do their thing 100% and take into account everything within their reach. and btw eqing on master with wide bands might be a gamechanger sometimes. think of it as a final instagram filter
Proper EQ on the master glues the mix
@@shdsky makes sense
@@redblock1382 at the end of the day, you can do whatever you want with sound as long as you understand it and know what you're doing.
Cause it's faster sometimes and gives same results. But then again, that looks more like a Mix Bus processing chain, not like a Mastering processing chain.
bro said de-essing but had soothe on sub frequencies...
@@Nirossen appreciate you watching! Yes I’m aware lol, I usually have de-essing there in the chain, but I guess on this song there wasn’t any sibilance, so I had soothe to do general taming to be done on different frequencies outside of the “de-essing” frequencies. Made this video fast in one take, with no prep. if I could redo it, I would have!
what is up with these super-uncomfortable tables? jaycen joshua use it too but I'm wondering what's the point
Haha Idk if they’re uncomfortable per say, but they roll around the room and can adjust to go up and down in height if you want to stand up and work
The God Particle is a beast
its eats my cpu lmaoo
@@SilentToasters same hahaha
@@SilentToasters should always do your mastering in a seperate session with the bounced 2track or the instrumental bounced out as one file and the vocals bounced out as another file to give an extra tiny bit of seperation
What headphones are those? It’s hard to see on TH-cam in portrait mode
steven slate vsx headphones
On the span do you use k-14?
0:30 what's the difference between Soothe and Gulfoss?
Gulfoss is way more subtle and more suited to make tiny changes on the master.
Soothe2 is a bit more versatile and can be used on heavier stuffs.
Imo, Soothe2 is way more superior when it comes to resonance suppression and Gulfoss is better at balancing the spectrum on the master.
@@arkarmoethouk2445 lovely explanation, thx!
@@charly__ Gulfoss is amazing for what it's meant to be used. The only comparable plugin is the new alternative in Ozone 10. It adds more than it removes and in a really smooth way that you cannot really put your finger on. You can't really say what it does, but it sounds better. Soothe is mostly hit or miss for me... it's the best for sidechain and low end multiband style eq/comp, but terrible on vocals to remove harsh resonances as it removes a lot of the soul in the recording. What's even worse is the hype around it for this kind of situations and then beginners use it thinking that's the way to do it and... you end up with squashed vocals and don't know why.
Dope!
😂 you mad funny.....keep em coming ....the comment section just got me tearing up 😂
Glad you enjoyed
What number #1 billboard song did you mix? 🤨
I worked as an assistant mix engineer on 2 songs on an artists album that charted #1 on Billboard. The Album is called “Legends Never Die” and the artist name is “Juice WRLD” 🫡
@@mixedbycolt cool thanks! what songs? :) who was the main mixer?
@@anonymousbrowser4448 Skrillex was the main mixer for "Man Of The Year" with me assisting and Manny Marroquin was the mixer on "Life's A Mess" although the majority of the mixing before it went to Manny was done with Heavy Mellow and Rex Kudo with me assisting
my boyyy
beast!
Thank You!
i am very much confused by this lol
good video thanks
Glad you enjoyed it
If you've ever wondered what the English phrase "taking the piss" means. This.
Happy to get a hater 🎉📈
@@mixedbycolt Not hating at all! Funny
Woah woah hold up a second. You should always start with de-essing on the master?!
Ya, absolutely not.
It’s step 1 in any chain (at least it’s supposed to be on the “rule books” and feel free to google that rule haha
Here’s what it says when you ask google (Although I learned this in audio schools) btw for everyone who reads these comments and want to learn correctly- “De-Essing during mastering should occur before other forms of processing, and should definitely occur before any additive forms of processing that may amplify sibilance. This means that de-essing during mastering should be one of the first, if not the first insert in your mastering signal chain.”
@@mixedbycolt so obviously not every track needs it. Also, just combine it with your subtractive eq step since it's the same idea.
@@BobbyBriscoeBeats Definitely, in MIXING that’s exactly how to approach it! Only apply de-essing if and when needed.
SonoBus is better than listen to
You got any song with this master bus so i can hear what it sounds like?
no, this is probably his video to complete the paid promotion contracts 🤣