Great review and information. There is a LOAD of great guitars being made. You all have the bases covered for any acoustic need. Thanks for all the hard work!
The woods used on the Yairi guitars are air dried, (as opposed to kiln dried), for several years before becoming a guitar. Mr. Yairi collected tone woods for decades and built a huge stockpile of wood that is aging and waiting to be used.
Bought my first real dread in 1981 and it was a “second” alvarez,,it had a scratch on the back you could barely see,,love that guitar and still have it…yairi’s are awesome…
I admire the Yairi for the way they're doing their own thing. The bridge design is very clever; trying to get the best of a floating bridge without the hassles.
Good and timely video, guys. Trying to wrap my brain around these two Alvarez series. Would love to hear a comparison between the Eastman E20OO and the Laureate Parlor, when you get one in. Thanks.
After listening to Alvarez comparison app I chose to buy a Yairi parlor all Mahogany which had more clarity than the Laureate which I thought I would like. Thanks guys for your work. Love your channel.
In my opinion, the Yairi line of Alvarez is really in a class all it's own, especially in its tonal qualities. And the tonal qualities is really due, in large, to the unique bridge construction (that break angle is envious to other manufacturers, I'm sure) You do a super job explaining and such on your videos, thank you all very much ☺️👍🎼
Totally, the Yairi stands out. I would have been try the neck profile before buying either one. I've already purchased nice guitars from TAS below and above these prices with good tone and necks. Thanks
I picked up a Yairi FYM 70 this past Christmas. The build quality of this guitar is impeccable. I would put it up against a Santa Cruz that I used to own or the Boucher that I now own.
@@kamarienedwards1757 The Yairi FYM is made with very nice material and the build quality is exceptional. My Boucher is a HG 26. if I put the two guitars side-by-side, and played the exact same notes, I'm not sure you would hear the Yairi because the projection of the.Boucher is so pronounced. I don't know why this is the case unless it is the Adirondack top on the Boucher. It's the only guitar I have ever owned with an Adi top and the projection is just incredible.
Now I’ve got a really good question for you guys because I’m shopping for guitars in the Laureate price range. How do they compare with Yamaha’s Red Label fsx5 and fgx5? They are almost at the exact same price point. Which do guys prefer?
Good info. A better sound comparison, though, would be between two 14 fret models. It's nice that the Acoustic Shoppe will carry these lines as most dealers only have a few Regent and Artist series models to try.
I’m a guitar nut so I like them both either model would serve a person well depending on how much you want to spend . I think the Laureate is for those that need the price point and can not break tradition . That can be a hard task once something is in one’s head it is hard to get out .
The Laurette is a good guitar. I know Alveraz is doing its best to build it like a bench made guitar by using the best materials. But in the end it's still a production guitar. All decisions are made to spec before the guitars are built. No adjustments once it hits the production line. Yairi is a step by step process to bring out the best in the materials through the entire build. On a recent Alveraz video a Laurette parlor and a Yairi parlor were compared. One strum on the Yairi showed the signicant difference in clarity and sustain.
The Yairi model looks like a Masterworks Dreadnought DYMR70, which can be purchased for $2,999. I own a Laureate LF70e, which cost $1,399 new. You can’t really compare the quality of the sound output of a new Laureate when the Yairi cost $1,600 more, is constructed by hand, and is using, most likely, aged woods that the Yairi workshop has in abundance. And yet, the sweetness coming out of the Laureate is surprisingly good. The construction is flawless and easily recognizable that top quality woods were used, but I don't think they are aged much, if at all. I’ve only had the Laureate for 4 months, but it is beginning to open-up, resonate and project more and more. I have a feeling that further aging and maturing will transform any of the Laureate series into monster instruments, worth much more than their initial price would suggest. If you own one, you just have to be patient.
will Either put neck dots if asked?? Also I put a 10 dollar tone bar on my DY61.. I am amazed at the sound change . for 10 dollars you might want to try one . Im putting one on my D-18 tomorrow. Best upgrade ive ever found for the money. My dy61 has the Laureate bridge. its a signed 1981 Yairi.
13:00 The villagers are trying to continue their traditions and keep their society running as the world around them changes…where have I seen this musical? 😂
Too expensive for you, perhaps. Most other popular guitar makers charge two to three times more than equivalent instruments made by Alvarez (and Yamaha).
Not really ugly just different. And it serves its purpose. I recently watched a video where a guy who works for Alveraz said that there are spare Alveraz Yairi bridges at the shop but they have NEVER had to replace one. That's because there is zero upward pull on the bridge. So I would definitely get used to the look versus having to pay to reglue a regular bridge. Which happens with Martin, Taylor, etc.
@@johnjones-uc3ni : another benefit which luthiers have noted is that the design of the bridge plate allows a fuller contact of the strings to the top which improves and magnifies sustain and volume. To that I can attest when playing my Yairi FYM66HD all-mahogany OM guitar.
Great review and information. There is a LOAD of great guitars being made. You all have the bases covered for any acoustic need. Thanks for all the hard work!
Thanks so much for the kind words, that really means a lot to be acknowledged! 😄
The woods used on the Yairi guitars are air dried, (as opposed to kiln dried), for several years before becoming a guitar. Mr. Yairi collected tone woods for decades and built a huge stockpile of wood that is aging and waiting to be used.
Bought my first real dread in 1981 and it was a “second” alvarez,,it had a scratch on the back you could barely see,,love that guitar and still have it…yairi’s are awesome…
I admire the Yairi for the way they're doing their own thing. The bridge design is very clever; trying to get the best of a floating bridge without the hassles.
Good and timely video, guys. Trying to wrap my brain around these two Alvarez series. Would love to hear a comparison between the Eastman E20OO and the Laureate Parlor, when you get one in. Thanks.
After listening to Alvarez comparison app I chose to buy a Yairi parlor all Mahogany which had more clarity than the Laureate which I thought I would like. Thanks guys for your work. Love your channel.
Thanks so much for the feedback and for watching!
In my opinion, the Yairi line of Alvarez is really in a class all it's own, especially in its tonal qualities. And the tonal qualities is really due, in large, to the unique bridge construction (that break angle is envious to other manufacturers, I'm sure)
You do a super job explaining and such on your videos, thank you all very much ☺️👍🎼
Alvarez makes some nice sounding guitars.yall are the best love the acoustic shoppe videos
Totally, the Yairi stands out. I would have been try the neck profile before buying either one. I've already purchased nice guitars from TAS below and above these prices with good tone and necks. Thanks
The new Compare tool Alvarez has is fantastic. A person can hear models compared to each other and help decide on a purchase (or want)
All Alvarez’s guitars sound so sweet 🎉
I have an Alvarez ARDA 1965 Anniversary Model slope shoulder. Great guitar.
I picked up a Yairi FYM 70 this past Christmas. The build quality of this guitar is impeccable. I would put it up against a Santa Cruz that I used to own or the Boucher that I now own.
High praise
I’ve seen so many videos about Boucher and if you’re giving the yairis this much praise I have to check it out
@@kamarienedwards1757
The Yairi FYM is made with very nice material and the build quality is exceptional. My Boucher is a HG 26. if I put the two guitars side-by-side, and played the exact same notes, I'm not sure you would hear the Yairi because the projection of the.Boucher is so pronounced. I don't know why this is the case unless it is the Adirondack top on the Boucher. It's the only guitar I have ever owned with an Adi top and the projection is just incredible.
Good day 🌻. Tricia S David from Trinidad West Indies...
Now I’ve got a really good question for you guys because I’m shopping for guitars in the Laureate price range. How do they compare with Yamaha’s Red Label fsx5 and fgx5? They are almost at the exact same price point. Which do guys prefer?
Yairi vs Eastman. No videos on this. Do you guys have an opinion (000 model preferred)?
I like the Yairi sound best.
Good info. A better sound comparison, though, would be between two 14 fret models. It's nice that the Acoustic Shoppe will carry these lines as most dealers only have a few Regent and Artist series models to try.
I’m a guitar nut so I like them both either model would serve a person well depending on how much you want to spend . I think the Laureate is for those that need the price point and can not break tradition . That can be a hard task once something is in one’s head it is hard to get out .
The Laurette is a good guitar. I know Alveraz is doing its best to build it like a bench made guitar by using the best materials. But in the end it's still a production guitar. All decisions are made to spec before the guitars are built. No adjustments once it hits the production line. Yairi is a step by step process to bring out the best in the materials through the entire build. On a recent Alveraz video a Laurette parlor and a Yairi parlor were compared. One strum on the Yairi showed the signicant difference in clarity and sustain.
The Yairi model looks like a Masterworks Dreadnought DYMR70, which can be purchased for $2,999. I own a Laureate LF70e, which cost $1,399 new. You can’t really compare the quality of the sound output of a new Laureate when the Yairi cost $1,600 more, is constructed by hand, and is using, most likely, aged woods that the Yairi workshop has in abundance. And yet, the sweetness coming out of the Laureate is surprisingly good. The construction is flawless and easily recognizable that top quality woods were used, but I don't think they are aged much, if at all. I’ve only had the Laureate for 4 months, but it is beginning to open-up, resonate and project more and more. I have a feeling that further aging and maturing will transform any of the Laureate series into monster instruments, worth much more than their initial price would suggest. If you own one, you just have to be patient.
will Either put neck dots if asked?? Also I put a 10 dollar tone bar on my DY61.. I am amazed at the sound change . for 10 dollars you might want to try one . Im putting one on my D-18 tomorrow. Best upgrade ive ever found for the money. My dy61 has the Laureate bridge. its a signed 1981 Yairi.
I wish the laureate came without a pickup.
Me also !
How does the Laureate compare to the Yamaha LL16?
Meds are important. Take them. Forget all this yada puberty - go get one in your paws and hear the SOUND. Up close and real. Your money.
I don’t think the pickguard is finished over on Yairi. I’m pretty sure they’re inlaid.
Nope, finished over. I have the DYM60HD and it's taken me a while to get accustomed to not seeing a dark pick guard.
The Yairi sounds better.
Laureate sounds fuller
lols, john...... "YAH-YIREE"......
13:00
The villagers are trying to continue their traditions and keep their society running as the world around them changes…where have I seen this musical? 😂
Both are too expensive for a Chinese/Japanese made guitar
Japanese guitars are top quality. Don’t have any idea where your bullshit comes from.
@@jconner3891 Well Like everyone., I have my opinion.. I am sure you have your opinion also
I'd take Japanese craftsmanship over usa built
@@billdedrick1914 well it’s not based on any facts. But ok ✌️✌️✌️✌️❤️
Too expensive for you, perhaps. Most other popular guitar makers charge two to three times more than equivalent instruments made by Alvarez (and Yamaha).
That Yairi bridge is so ugly it hurts my eyes… sorry!
Not really ugly just different. And it serves its purpose. I recently watched a video where a guy who works for Alveraz said that there are spare Alveraz Yairi bridges at the shop but they have NEVER had to replace one. That's because there is zero upward pull on the bridge. So I would definitely get used to the look versus having to pay to reglue a regular bridge. Which happens with Martin, Taylor, etc.
@@johnjones-uc3ni thanks for the feedback…
@@johnjones-uc3ni : another benefit which luthiers have noted is that the design of the bridge plate allows a fuller contact of the strings to the top which improves and magnifies sustain and volume. To that I can attest when playing my Yairi FYM66HD all-mahogany OM guitar.
I'll take the skilled Luthers in Japan for $500.00 Alex.😂😂😂