Wie umwerfend doch so ein feines Stück Musik klingen kann, wenn es von einem Weltklasse-Orchester wie dem Symphonieorchester des Bayrischen Rundfunks gespielt wird. Da ist kein noch so kleinster Raum, der nicht mit Inhalt gefüllt wird. Fantastisch und anrührend.
Ich verbinde mit dieser wundervollen Komposition von Schostakowitsch "München" und alles, was München in mir auslöst. Darum ist diese Aufnahme von "Second Walz", an diesem Ort, der das Tor zur Altstadt mit der "Münchner Freiheit" verbindet, musikalisch gespielt mit Freude und sinnlicher Hingabe, die liebste. München ist für mich die Stadt des Herzens ❤️ Tja, und könnte ich einmal im Leben mit "DEM Mann" meines verschwiegenen Herzens diesen Walzer tanzen... Ich wäre der glücklichste Mensch auf Erden...🌹😉
Beautiful conducting !!!!!!!!!!! I love this session !!!!!!!! I would like to go to Munchen to enjoy Munich Orchestra as possible with Mr.Conductor: Manfred Honeck !
Recordings are a wonderful thing, and I would never want to be without them. But they can limit our receptivity. I speak as a musician. So, long live the infinite variety of live performance! For example, a number of comments here refer to this performance being too fast; and several of them reference the fact that this is a German orchestra. But that perspective suggests that folks have learned a piece through one recording, or through a handful of recordings in similar style. All too easily, one ends up feeling that this is the "real" experience (after all, it's infinitely repeatable), rather than being aware of the enormous variety that any really good piece of music can offer. If I had to guess which recording many commentators have liked most, and through which they possibly got to know this piece, it would be the following one. Superb orchestra - Amsterdam Concertgebouw conducted by Riccardo Chailly. Very laid back, one-in-a-bar rhythm, even though it's significantly slower than this Munich performance. Much harder to do - and done so well. No wonder this particular recording has been a best-seller. th-cam.com/video/-tOLyiLGNTw/w-d-xo.html But here's a Russian recording, made in 2004. It's faster than this Munich one, a lot more driven than the Amsterdam one, and it gets faster as it goes along. (Hmmm. Not sure what I think of that last quality.) The general style of playing is very different also - very long string lines (that's very Russian!), and a lighter touch to the chords on each beat. [Edit, 2022 - this recording seems to have disappeared from TH-cam. But here's a more recent Russian one, not nearly as polished, but having many of the same qualities. th-cam.com/video/4hJ-5slareY/w-d-xo.html ] And here's another Russian one, from the Moscow-based Russian Philharmonic Orchestra, conducted by the very-Russian Konstantin Krimets. It's a tad slower than the Munich, open-air one, much more heavily accented, but with the characteristically Russian, long-lined string phrasing. th-cam.com/video/4_YtQSX1Kp8/w-d-xo.html It's good to know on what basis we have preferences, for a preference can have authority outside ourselves only if it can be justified.. Otherwise it's just "Well I like it this way". Human nature gives us liberty to have preferences; but it's good if we can talk about them on a level deeper than that. It doesn't require expertise; but it does require a bit of thought.
@@MaeLSTRoM1997 Thank you for such a healthy reply. I've been a bit surprised at the number of upticks given to my over-long comment. But it's more rewarding to encounter a thoughtful written response, be it negative or (as in your case), positive. Thank you!
@@Zeutomehr Thank you. It's an issue that has, for many years, been a prominent aspect of my thinking about musical experience. I'm 72, and worked in music all my life. But I was brought up in a place with no electricity. So all music had to be home-made. This was just one of many reasons why I have always tended to prefer live performance to recordings. That said, I am deeply grateful to have recordings available nowadays. Yet that mixture of experience has made me acutely aware of how, even if one is pretty adept at reading a musical score, recordings can "fossilise" one's concepts of how a piece should go.
Bravo. Bravíssimo. Linda a condução e execução. A alegria e a leveza do maestro contagiam a orquestra. Amo essa peça, já ouvi diversas vezes, mas essa é a melhor de todos
This is a very beautiful version! The Germans do have great classical music playing skills! This version sounds very similar to Russia's Mariinsky orchestra version, which played the first version of this great piece. Bravo!
Mintha Oszter Sándort láthatnám pár pillanatra az elején. Aztán egy fél pillanatra egy vörös kabátos huszárt. Lenyűgöző a zene. És az operatőr a rendező. Az egész élet benne van. Csodálatos !!!!!
help with music homework? I got you •you can see a double bass in the first 3 seconds of the video •a saxophone is playing the main melody for the first 20 seconds •there are 3 beats in a bar in this waltz •the dynamics at 1:17 are fortissimo- very loud •this is an orchestra ensemble hope I helped &you can ask me if you need any more help💕
I think it's a bit fast. Don't know much about the classical music details but I'm thinking that way: This piece made for waltz dancing which could partially be a bit fast but not so much, otherwise people cannot fit their steps to it. The Bayerischen Orchestra play it in a symphonic running way especially at the beginning and the first half which may be considered just a little fast.
This piece just keeps getting better and better each second it passes.
Der schönste Walzer, der je geschrieben wurde!
Wie umwerfend doch so ein feines Stück Musik klingen kann, wenn es von einem Weltklasse-Orchester wie dem Symphonieorchester des Bayrischen Rundfunks gespielt wird. Da ist kein noch so kleinster Raum, der nicht mit Inhalt gefüllt wird. Fantastisch und anrührend.
GORGEOUS, one of the best live versions I've heard on TH-cam by far.
try andre rieu maastricht
I just adore the contrast between the quieter soli sections and the lush string tutti ones! Such richness!
Die schönste Musik, die ich je gehört habe. Herzerwärmend ❤❤❤
gyönyörű zene.Köszönet az előadóknak és főleg a zeneszerzőnek.
Ich verbinde mit dieser wundervollen Komposition von Schostakowitsch "München" und alles, was München in mir auslöst. Darum ist diese Aufnahme von "Second Walz", an diesem Ort, der das Tor zur Altstadt mit der "Münchner Freiheit" verbindet, musikalisch gespielt mit Freude und sinnlicher Hingabe, die liebste.
München ist für mich die Stadt des Herzens ❤️
Tja, und könnte ich einmal im Leben mit "DEM Mann" meines verschwiegenen Herzens diesen Walzer tanzen... Ich wäre der glücklichste Mensch auf Erden...🌹😉
😊
Merci, pour ce moment de grâce.
Beautiful conducting !!!!!!!!!!!
I love this session !!!!!!!!
I would like to go to Munchen to enjoy Munich Orchestra as possible with Mr.Conductor: Manfred Honeck !
I totally agree!
Recordings are a wonderful thing, and I would never want to be without them. But they can limit our receptivity. I speak as a musician. So, long live the infinite variety of live performance!
For example, a number of comments here refer to this performance being too fast; and several of them reference the fact that this is a German orchestra. But that perspective suggests that folks have learned a piece through one recording, or through a handful of recordings in similar style. All too easily, one ends up feeling that this is the "real" experience (after all, it's infinitely repeatable), rather than being aware of the enormous variety that any really good piece of music can offer.
If I had to guess which recording many commentators have liked most, and through which they possibly got to know this piece, it would be the following one. Superb orchestra - Amsterdam Concertgebouw conducted by Riccardo Chailly. Very laid back, one-in-a-bar rhythm, even though it's significantly slower than this Munich performance. Much harder to do - and done so well. No wonder this particular recording has been a best-seller. th-cam.com/video/-tOLyiLGNTw/w-d-xo.html
But here's a Russian recording, made in 2004. It's faster than this Munich one, a lot more driven than the Amsterdam one, and it gets faster as it goes along. (Hmmm. Not sure what I think of that last quality.) The general style of playing is very different also - very long string lines (that's very Russian!), and a lighter touch to the chords on each beat. [Edit, 2022 - this recording seems to have disappeared from TH-cam. But here's a more recent Russian one, not nearly as polished, but having many of the same qualities. th-cam.com/video/4hJ-5slareY/w-d-xo.html ]
And here's another Russian one, from the Moscow-based Russian Philharmonic Orchestra, conducted by the very-Russian Konstantin Krimets. It's a tad slower than the Munich, open-air one, much more heavily accented, but with the characteristically Russian, long-lined string phrasing. th-cam.com/video/4_YtQSX1Kp8/w-d-xo.html
It's good to know on what basis we have preferences, for a preference can have authority outside ourselves only if it can be justified.. Otherwise it's just "Well I like it this way". Human nature gives us liberty to have preferences; but it's good if we can talk about them on a level deeper than that. It doesn't require expertise; but it does require a bit of thought.
This is the most wholesome comment I've seen on youtube in a very long time
@@MaeLSTRoM1997 Thank you for such a healthy reply. I've been a bit surprised at the number of upticks given to my over-long comment. But it's more rewarding to encounter a thoughtful written response, be it negative or (as in your case), positive. Thank you!
this is a very insightful comment into a phenomenon that I've started to notice with myself. Thank you very much for this piece of "thought-food"!
@@Zeutomehr Thank you. It's an issue that has, for many years, been a prominent aspect of my thinking about musical experience. I'm 72, and worked in music all my life. But I was brought up in a place with no electricity. So all music had to be home-made. This was just one of many reasons why I have always tended to prefer live performance to recordings. That said, I am deeply grateful to have recordings available nowadays. Yet that mixture of experience has made me acutely aware of how, even if one is pretty adept at reading a musical score, recordings can "fossilise" one's concepts of how a piece should go.
This orchestra's performance is nothing short of amazing
This comfort calms the heart of humanity
Bezvremenski, savršeno! Bravo Šostakoviču!
Не знаю! Мне этого не понять.видать и не успею в этой жизни.какая музыка и муза ,..
@@nicolaeiabanji3915 Pozdrav iz Hrvatske!🙂
Bravo, Schostakowitsch!
Um M)124568
Its actually Shostakovich
@@arniepaks different languages
@@marcoslays well yeah but nationally his name is rightly spelled different
@@arniepaks he was russian so basically "shostakovich" is wrong too
Συγχαρητήρια κ. υπέροχος...... κρίμα που έχω μόνο δύο αφτιά. 👍
Mr. Honeck style remembers pretty much Kleiber's. What a great performance. Bravo!
Yes, that's right. Manfred Honeck and Carlos Kleiber were very close friends and Mr. Honeck is a great admirer of Mr. Kleiber.
incredible energetic performance, and the right tempo not too slow, too fast, amazing rubato, absolute perfection
Out of sheer depression and agony doth cometh the most beautiful of compositions!
Gracias, maestro. Una russian classica por las hombres y el mundo. Paix, musica, amor. Not war.
Bravo. Bravíssimo. Linda a condução e execução. A alegria e a leveza do maestro contagiam a orquestra. Amo essa peça, já ouvi diversas vezes, mas essa é a melhor de todos
Браво , Вальс ! Браво , Шостакович ! Браво , Россия !!!!
Браво Советский Союз!
Một bản nhạc tuyệt vời bay bổng, hùng tráng, nhẹ nhàng và nồng cháy như chim hót... Thank you very much Ad 🤗🎥🎼🎵🎶🎻🎺🎷📯👏❤
Bellooo, un gran compositor del siglo XX, hermosa melodía, no me canso de escuchar
This is a very beautiful version! The Germans do have great classical music playing skills! This version sounds very similar to Russia's Mariinsky orchestra version, which played the first version of this great piece. Bravo!
Люблю этот Вальс прекрасный!
Bravo🚕🏰 good city!
Замечательное исполнение. Молодцы!
Orchestra is up to Conductor , I feel deeply from this Play !
Beautiful !!!
A melhor interpretação que já ouvi por aqui...
Beautiful Munich!
marvellous !
Sublime, belleza!
I love the interpretation! beautiful (:
2:56 joder que cambio más brusco hasta temblé
Me encanta esta melodía
Undoubtedly, but, definitely, all original musical instruments, playing together, in perfect harmony.
It's as though they've married two orchestras to preform this waltz. Magnificent.
I want to see this conductor at the Musikverein New Years Concert!!
So powerful,, mhhhhh,,,, i love it
Bellissima!!!!
Mintha Oszter Sándort láthatnám pár pillanatra az elején. Aztán egy fél pillanatra egy vörös kabátos huszárt. Lenyűgöző a zene. És az operatőr a rendező. Az egész élet benne van. Csodálatos !!!!!
Это ШОСТОКОВИЧ, господа. Великий и НАШ.
Pięknie zagrane.
pleasing to the ears...
stupendo walzer!💕
Yes it is really fast but it kind of has it's own charme. I like the original version a little bit more but this one is also very good
Please tell me what the 'original' version is.
@@anthonyclark4732 I'd suggest the "original" virsion is played by the Andre Rieu orchestra.
Master Performance ✨
I could waltz forever
Magnífico!
MARAVILHOSO!!
Me encanta Manfred Honeck, sin palabras!!!!
Magnifique !!
Чудно 🤗
Emocionante y majestuoso a partes iguales.
Grandioso como un ser humano puede tener el talento para hacerme sentir en las nubes amo russia su cultura y su patriotismo
Wow today also same Best Conducting !!! from Japan .
Recently everyday I visit this screen !!! from Japan .
ここのところ毎日こちらに訪れてしまう！！！ 日本から。
Gracias maestro genial felicidades bendiciones
❤Великолепен всегда ❤
The conductor sure looks like he's having a blast!
Quel enthousiasme ... Bravo !!!
ES HERMOSO 👁️👄👁️
Many Thanks!
today, i feel gentle and magnificent play !!
Felicitări,Bravo e superb.
This is the only video i need on yt
help with music homework? I got you
•you can see a double bass in the first 3 seconds of the video
•a saxophone is playing the main melody for the first 20 seconds
•there are 3 beats in a bar in this waltz
•the dynamics at 1:17 are fortissimo- very loud
•this is an orchestra ensemble
hope I helped &you can ask me if you need any more help💕
와 지린다 성공해서 꼭 보러가야지
Elegance on its best performance.
Спасибо
Bonita melodía , escúchala con los ojos cerrados y es una delicia saludos
Beatifull!!!
Russia is a riddle wrapped up in an enigma!!❤️❤️
Valtz n 2, Maravilloso romántico y muy sensual, es mí preferido hoy siempre,😍
I would love to be there omg 😶👏👏👏
Grandisso stochovick il mio preferito
Bravo!!👏👏👏
Why the wonderful and great Conductor, Mr Manfred Honeck, is not even mentioned?
Voila :-)
Bravo 👏🇧🇷
it took me to an other world
I think it's a bit fast. Don't know much about the classical music details but I'm thinking that way: This piece made for waltz dancing which could partially be a bit fast but not so much, otherwise people cannot fit their steps to it. The Bayerischen Orchestra play it in a symphonic running way especially at the beginning and the first half which may be considered just a little fast.
hasan celik even faster it’s still a waltz you can perfectly dance to it, just a little bit faster
The tempo is absolutely perfect.
Genial,emocionante
This is the first modern song that actually sounds like the real song, except for some of the echoes.
So wunderbar
Stupendo!!!!
Wonderful
Maravilloso!!!☺️☺️☺️
Maravilloso gracias bendiciones
Riccardo Chailly mit Berliner Philharmoniker am 2011 Waldconzert, ist die best version!
Que hermoso 😍😍😍😍
Danke munich
дуже добре!
Que lindo!
Bellísima !
q triste q no haya videos de su autor con esta obra
In love! 😻
0:02 wow katy woolley (principal horn of royal concertgebouw) plays bass too! lol
Boiling water releases a lot of pressure in the form of steam when compressed
when Honneck embraces his inner Kleiber, it's just funny🙂
something sad i love it Those must deserving of Love, our never made happy by it.
Super waltz “2”
Definitivamente necesito ir a uno......