I’m 15 years old and recently started producing, I recently bought some rack effects so I have just bought a patch bay as it is supposed to be the best way to use the effects, and this is the best tutorial I have seen, thanks for the help
@@LeChapeauMusicYou don’t need to own it to learn to use it bro If you work anywhere you’ll need these basics Patch bays are inexpensive Also learn ProTools even if it is not you DAW of choice It is still the “Industry Standard” Regardless of what other may say Pro shops and mixing houses are not going to change what they know and have been using for years because another DAW has some new tricks or novelty workflow
Great video! I'm picking up where I left off 8 years ago, getting back into my home recording projects. I tried the "in the box method, and decided it wasn't for me. Nothing against it, I'm just a 1990's kid who got into the hardware component workflow, and can't let it go. Up until the past few years everything I used was pretty much consumer based stuff. I taught myself, and picked up what I could from other guys along the way. Now I'm upping my game, and collecting/piecing together semi-pro, and pro level gear from the late 80's up until the early 2000's... a hybrid mix of analog, and hard disk/digital components. I've thought about setting up a patch bay for years, but the way I'm doing things now, it has become a necessity. Especially since I'm opening up my studio to a few friends, and select local bands/musicians. I thought I had a pretty good grasp on the basic idea, and functionality, but this vid has confirmed what I (thought) I knew, as well as cleared up any questions I may have had. Excellent tutorial. Very concise, and easy to understand. Between yourself, Glenn from Spectre Sound (F**K YOU, GLENN!!!), and Steve Albini, I've learned a lot. If only there was affordable gear, internet, and the wealth of knowledge that you all so generously offer, back in 96 or so... Either way, great work, and thanks for sharing all the info!
Thank you for your very detailed and precise explanation on patching on a console! Your passion for recording and helping others really comes through with this video!!
I appreciate the breakdown in a commercial setting. Already setup a few patchbays in a few studios but actually seeing how most modern commercial grade studios are thinking about the patch sets and what is useful is great. Not to mention seeing the common way people are color coding their patchs is extremely helpful.
Hi Matthew Martin Wow! Fantastic! Glad to be able to help! Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
All this free education! Thanks for the knowledge you're sharing. I have a patch bay but never really had it set up the way that makes the most sense. Now I know the easiest way to hook all my outboard gear up through my patchbay. I'm self taught when it comes to recording. Learned everything I know by reading, trial and error, and now through youtube. I've learned a lot, have picked up a few skills here and there, but always have more to learn.
Hi Warren, I am currently in my second month at CRAS - there is so much to learn, but it is made far less daunting knowing that in addition to the awesome instructors I have, I also have you as a resource and it really is a blessing! Thank you sir for all you do for the Audio community!
Just bounced over here from the show you did on the Working Class Audio Podcast. I gotta say you are one righteous dude, really enjoyed what you had to say. Thanks so much for all that you give!
Hi Jj Jones Aw shucks Thanks very much for your great comment I really appreciate it! Matt at Working Class Audio Rules!! I had a great time on his show!! Have a marvellous time recording, many thanks Warren
I learned years ago that the waterfall idea was how patch bays worked and that is how I setup mine. All outputs are on the top of each unit and inputs are on the bottom. So I am scratching my head a little on this but Im sure there are exceptions to any rule.
Absolutely the best description of how to set up patch bays in an efficient and functional way. The first one where I haven't been left scratching my head. Thankyou sir, you are marvellous :)
Just yesterday I bought my first patch bay rack! what a great timing. I wanted to get all connections of my gear from the back of the rack to the front so I can change if required easily rather than accessing the back of my desk for access. Most likely set as normalized. Great to have explanation of different modes of patch bay like open and normalized etc, and what type of equipment in/out would use those modes. Maybe the next video? Thanks again.
Hi RecordingStudio9.com Thanks very much for your great comment I really appreciate it! Yes I'm sure I will be doing in depth videos very soon! Have a marvellous time recording, many thanks Warren
+Produce Like A Pro Peace. i recently got a old soundcraft Ghost and Im puzzled on ho to connect the channel inserts to the patchbay ie what cables and what patchbay mode?
Been watching your videos and other SSL console videos...SSL console is the top of my list now after I buy a new project car. Never thought patch bays would get me all lit up and ready to work
Thanks for the video! Patch bays always give me a giant headache, although I'm getting used to the 4000 at the studio I go to school at, and this helped a lot for learning it
I've been wanting a video on this forever! THANK YOU! Always happy to see anything on signal path and workflow. Would love to see a video on how people use outboard gear with their DAW being that I never see people messing with cables, just clicking around in protools.
Thank you Warren for the affirmation that I have my patchbay wired, at least somewhat "normal"!! lol Thank you so much for taking the time to share your knowledge. I always enjoy your videos. Joel, Studio 52
A big thanks Warrren ! Your content is so interesting and valuable. It enables people that never have the chance to work in a big studio to learn from all this great knowledge and skills ! Personally, I really love your attitude and your caring ! Thanks, man ! :-)
Great job Warren. You just clarified a couple things I was trying to get my head around for my studio build this fall. Thanks a bunch! Keep up the great work!
Hey Warren :). In regards to this video, I was wondering how you got phantom power to the mics? I'm assuming through the patch to the pre amp? if so, which is the proper way to connect and feed the mic? I was under the impression you couldn't run 48v through a patch bay.
@@Gerkozielman In a perfect world, but there's still a high risk correct protocol won't always be followed, especially in the middle of a busy season and humans will always make mistakes. I'm not a pro in a studio but I've just read that a TRS mic patchbay runs a high risk of breaking your precious expensive ribbon mic or pre amp.
@@plummetplum you are correct, TRS will short each time you plug/unplug. Bantam connectors on pro Patchbays do not however. One reason pro level Patchbays cost five times more than your behringer ultrapatch! If you run phantom through a TRS bay, just be regimental with your phantom power on/off status. And also don’t accidentally patch it to your vintage synth outputs!
I was thinking to myself sometimes "how do they wire the old school studios with tons of gear in the chain" and guessed it must be some routing board. Today I learned it is called a patchbay :-) Man, I like your style and energy very much. Subscribeb, cheers
I feel grateful for the time you've dedicated to your videos. I only regret you didn't address the issue of phantom power potentially going through TRS/patchbays and that could easily damage gear (and also a comparasion with XLR patchbays would have been interesting). It's a topic that has been widely comented on Gearslutz but I can't really make up my mind on how is it dangerous and how to prevent any problem. Thanks again.
I was wondering the same thing. In this setup, are the microphones going directly into the patchbay, and then normalized to go into the console's preamps? And then you break that if you want to use an outboard pre?
Hi Warren, this is helping me straight away from the get go so thank you. I want to share a work flow route I'm taking as I'm worried I may cause damage due to my lack of knowledge after watching you route the microphone at the start of this video. I have the following setup for my vocalist's microphone in my band: 1. Dynamic mic cable into mic in on channel 1 of Soundcraft Spirit Studio 16-8-2 2. Y insert cable into channel 1 insert 3. Insert Send and return into back of patchbay and normalised A1 and B1 with balanced TRS patch leads on a balanced patchbay. I believe this is so far so good as if no additional equipment plugged into front of A1 and B1, it returns to the channel path unaltered. 4. Patching from the front, I run into a vacuum tube pre amp then a compressor. My question is, why do you take you mic lines though your external processing equipment but then back into Line In on the channel rather than Mic In? I wouldn't know to do this. Is it wrong to plug a microphone directly into patchbay, patch through external effects and processors and pre amps then patch back into the mic in on the mixer? Would this cause damage to the pre amps if an external pre amp is already lifting the signal? I want to avoid breaking anything but I seem to have more control over mic inputs in the channel path than I have for line inputs. Also should I go through the gate/Limiter/Compressor unit before the valve tube pre amp or after, how does it affect things and does it matter? Thanks and hopefully you can set me on the correct path. Chris
Yo Warren! Plz can you do a comparison of Digital plugin- brick wall limiters vs Analogue outboard brick limiters. I believe it's important, because many bedroom producers will not be able to afford high end outboard limiters and it will be nice to hear the difference in loudness , clarity and distortion between these 2 platforms, Luv ur videos. Concise, educational and informative. Keep up the good work!
This is splendid. At the RSC Theatre Sound Department, Barbican, London, we wired in several 'Mults' , but called them 'Parallel'..... essentially : passive splitting and (a bit naughty 😋) passive summing. We had a 40 into 16 into 24 custom E-Type Cadac. On the patch bays we specified a buffered PFL bus output and PFL bus input. Thanks again for this video. 😊😊😊
Thanks Warren, for another great video. Very informative and I wish I had seen something like this 16 years ago before I used a patchbay for the first time. Never actually used a mult though, so that was new to me (and a cleaver feature). Still use a patchbay (6,35mm/ 1/4" TRS) in my humble home studio, (though I don't have a big nice SSL console , well no console at all) since it's such a great thing to not have to plug/unplug back in my rack. :)
Great Lesson, this is a very important piece of gear for a recording studio, and learning the correct way to implement it can be confusing. But your detailed teaching helped. THANKS.
wow !! i think its scary how you all guys using big consoles . and i only use my midi keyboard and a daw + audio interface ... im a student right now . so when i work . i will build my own studio . and you are helping me to learn some new stuff ! Thank you for your hard work making videos and tutorials !!!!!
Hi MK.PRODUCTIONS Thanks very much for your great comment I really appreciate it! I do at least 50% of my work or more on my lap top these days! I use Logic to play keys parts and do programming for instance! Have a marvellous time recording, many thanks Warren
Great explanation of patch bays- as I would expect from you - fantastic ! I'd love to properly go through the ins and outs of my small setup to see if it could be made easier with a patch bay - I only have 4 ins and outs (Akai EIE Pro) but I've managed to simplify some things using inserts so that CH 1 and 2 are permanently hooked up to a 2 channel compressor (DBX 266xs) which can be bypassed on either channel. I have couple of channel strips (Aphex Project Channel) and (Presonus Studio Channel) which are run as XLR /line straight into the unit then XLR out to whichever input I decide and a late 17th century Alesis Quadraveb glaring at me from the corner - it would be great to be able to just mix and match at will - is this enough gear to warrant a patch bay and also control monitoring and cue from a Presonus Monitor Station ? Mates rates on consultancy fees ! If any of Warren's other disciples have ideas I'd love to hear them too - pint on me if local to Reading ! Do you know of any other good resources on this subject ?
Hi Craig Dove Thanks very much for your great comment I really appreciate it! A small patch bay could be useful, however you are at the cusp of definitely needing one, are you thinking of expanding your equipment more? If you are definitely expanding your gear then I would recommend getting a patch bay. Have a marvellous time recording, many thanks Warren
Watching for a second time after making a diagram for my patchbay and you do such an incredible explaining! In particular I was getting tripped up as some say to always have outputs be on top. That makes sense for interface I/o but not for compressors and EQs. Going to reconfigure my diagram with hardware inputs on top and outputs on the bottom. Makes so much more sense! Thank you again!
Warren, I've got an idea for a future episode. Patchbay use ... part II. I really appreciated the one episode you did at an educational facility, where you talked about "the waterfall" kind of relationship of the patchbays. Very helpful, and thank you. But it would be great to get some implementation practices from you. EXAMLE: When phantom power crosses a preamp patch ... it's it safe to connect/disconnect via patch cable. I get different opinions about that. Channel muting ... does that matter. Can you harm a mic who's channel is wired to a pb and then to a preamp that is powered? Can you harm a preamp who's i/o are wired to a pb ... can connect/disconnect? When is a pb helpful? 1/4 or TT? db25 or connection of choice? I'd also like to hear what you've blown-up w/ a pb ... those stories are always fun : ) Really appreciate all you do for the world wide recording community Warren. All the best friend. Ron Flack Canton, Ohio
hola Warren, esta super el video, funciona igual con Bay Patch de Plug? es lo mismo? o es de mejor calidad la de ese estudio por el tipo de conectores??
Hi El Cuartito Feo, Muy buena pregunta ! bahías de conexión de alta calidad sin duda le dará los mejores resultados ! Tener un registro de tiempos maravillosa , muchas gracias Warren
Hi, thank you for the great video. So helpful! Specially since Duality is popular AND it represents most of the features you might see on the similar consoles. Let me please clarify just one things and it's about MULTS 29:59 Form my understanding there are 2 MULTS. 1st one takes 1 signal and splits it in to 2 equivalents. And the 2nd MULT does the opposite - takes 1 signal and merges it to just one. Please correct me if I'm wrong. Thank you!
Great video Warren from a fellow Northern Englishman lol. Also wanted to echo some of the points below about how one connects a patch bay to ones interface and equipment etc. It would me mega useful my brother, ktf, Jay
Hi Jason Chinnian Haha Of course! Long live Carlisle!!! Yes I think doing a video on connecting equipment will be really useful!! Have a marvellous time recording, many thanks Warren
What an Absolutely Awesome introduction series, you have given me SO Many "Ah HA" moments, I'm going to be lost for days playing :-) I'm So Glad I subscribed & Truly want to thank you for sharing your wisdom & knowledge. Your a Legend! :-) Looking forward to all your other tutorials & vids
Great video, Warren. Thanks for taking the time to do this. I'm going to have to watch it again to get more of the tips and tricks. I loved the added bonus of the vocal parallel compression. What kind of settings would you use for the softer passages? Thanks and keep up the great work.
Hi Jed Wunderli Great question! I would treat both the softer and harder sounding vocals with the same settings only one hits compression only on the soft side and one on the harder side. Have a marvellous time recording, many thanks Warren
The best way to describe patch bays i learnt from my teacher was just like a 'waterfall' output to input, the water flows down the stream and lands to another input, but instead of water, its just signal. It's funny cause we have an SSL duality aswell, but we have a separate patch bay on the racks instead of connected to the console. means lots of turning around and checking phantom and neck twisting to see if you're getting signal
Another great vid, I love that patchbay...just a question, do all those connections introduce any measureable electrical noise? It seems like the patch leads you were using were just the standard non balanced mono leads so I could only assume that the connectors and leads are of a quality that at least, minimizes any interference or noise. Cheers mate.... Andrew
Hi Oz Macca the cables I used were balanced TT Cables. I'm wondering if the video didn't properly show that? Have a marvellous time recording, many thanks Warren
I just watched this and noticed the same. His dbx bay must be wired backwards...otherwise what he is saying would not work. All this tutorial did was add to the confusion.
Could you please explain how the channel inserts are set up in the back of a patch bay? I’m guessing you would just come out of the channel direct insert with a TRS Y cable to the different point of the patch bay, would greatly appreciate an answer, thanks Warren really love learning from your videos, you are awesome!
One thing I'd like a deeper understanding about is how to hook them up in the back. I've never used a patch bay, mostly because I'm a 100% software based studio that has no outboard gear except for monitors a Focusrite 2i2 and an M-Audio Oxygen 49. It just kind of confuses me how patch bays work with nothing patched in the front. when you have stuff plugged in the back to the patch bay, when you say normalized, does that mean it automatically flows from the top part of the patch bay through the bottom part of the patch bay? I don't know how to explain my question.
Hi Studio 7-22 Yes that is exactly! Right! The input at the top goes directly to the output at the bottom when it is Normalled! If you plug in either at the top or bottom you 'break' the normal! Have a marvellous time recording, many thanks Warren
This is a great video. I have a few questions. Firstly, I am assuming that the SSL has it's own preamp/compressor/eq for each channel? You spoke a lot about using outboard compression etc. Does this mean that in this event, you can bypass one of those components on the desk's channel strip and then utilize only the outboard effect/compression etc? Especially the preamp? Can you bypass the entire channel and thus only really be using the fader? I do not understand the utility of the desk then. Why then need the desk and the HDX system? Seems like overkill if you're going to bypass the desks features. Secondly. I see that this patchbay is a TRS patchbay. Does this mean that all that outboard gear is connected to the patchbay via TRS? What about the XLR connections? Does this not lessen the quality of the recording? I also read somewhere that running mics through a TRS patchbay to then be fed through to the preamp is a faux paux. In the event that patchcables are disconnected while phantom power is still on, the mic risks being damaged? Please advise. This is probably the most informative channel on this subject. Jesus Christ so much information.
Hi +Raytheon Orion Thanks for the great question! The great thing about a console like this is it can changed for anyone's work flow, for instance Andy Wallace don't use any outboard and uses all of the dynamics in the console. Other people will use 90% of the consoles EQ and Compression etc but insert a different compressor on a single instrument. The alternate compressor or eq simply appears on an insert switch on the console, it's actually quite easy to compare the internal and external compressor and choose one that best suits your ears! Mics always appear on the patchbay from the different tracking room's 'mic panels' that they are coming from. I hope that helps and clarifies? Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Produce Like A Pro Thanks for the response. I understand the first part. Was not aware of this "insert" attribute. This invariably bypasses the onboard eq/compression right? The second part though, inside the control room, do the mic panels here go from xlr connectors to trs connectors [like a snake] then into the patchbay? Thanks again. Really great work!
Hi +Raytheon Orion The insert is more, it can add to the existing Compression and EQ if necessary or you can bypass the EQ or the Compressor, or Expander/Gate or any combination! You can choose where you place the dynamics pre or post EQ, which is a huge thing for the SSL as many guys EQ heavily and then hit it hard into the Compressor for that punchy sound it's famous for! The variations are huge and allow for a lot of tonal and sonic soundscapes!! It's pretty fantastic and why the SSL was the most successful mixer for 2 or 3 decades! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Keep up the good work man. Great channel and thanks again for the insight. I particularly enjoy guitarist-centric studios. Also, if you could find someone with a sprawling modular, that would be an interesting visit. Stay up.
Hi Warren, thanks for such a great video. I just have 1 question, I'm going to start using patchbay and I'm stucked a little bit. There is a rule of patchbays, that ALWAYS outputs should be on the top, inputs on the bottom. But when you connect the gear (compressors for example) on 3:38, some inputs/outputs look like "Mic In | Line In | Line Out" on the top and the same row on the bottom for other device. Is that fine to setup a patchbay like that? Doesn't that break any rule? Thanks, Andrey
I understand how a mult can work for splitting a single audio signal into multiple copies, but I've never seen a mult used to merge multiple signals into a single signal. Wouldn't you need a mixer for that?
Hi Warren, Great video! Wondering if there are still shots available of the labeling on the SSL console in the video... it's a bit hard to read at times. Thanks!
Great video. Thank you. The one part I don’t understand is if on an 8 channel mult, if channel 1 feeds channels 2,3&4 and channel 5 feeds 6,7&8 , how can you go into 5 & 6 with the compressor outputs?? I thought only 5 was an input and 6 is an output of 5? What am I missing?
That was very useful thanks. I'm into my 4th watching.Now that I have a Firewire connection to my Mackie 'ONYX1220' so much more of what you say makes sense to me - all 12 channels go into the Tracktion DAW at the same time and I can start getting "..... crazy ....." with my tracks & plugins. Brilliant. Now you have introduced the patch-bay maybe I can get some use out of the Lex the Ali & the Beh assortment of hardware which doesn't get used currently. Would you be posting some more stems to practice with anytime soon?
Hi Richard Mellersh Thanks very much for your great comment I really appreciate it! Yes there is session available for you to mix if you sign up for www.producelikeapro.com Have a marvellous time recording, many thanks Warren
I see the traditional patchbay quite intuative and I didn't know about a normalized fuction which is helpful... Although I could easily find a recall session a absolute overwhelling night mare... Do you think this channel could do a review of the Flock Patch XT? as this would make that process such a breeze
Hey Warren, just a quick question, I noticed when you were using the mults that on mult one, the jack all the way on the left was an input, and the middle left and middle right were outputs. However, on mult two, the far left and middle left jacks were both inputs and you used the middle right as an output. How can the mult jacks be set up as both inputs and outputs?
Hi foxlox Great question!! Yes it's 1 and 3, so I can go in 1 then out 2 and 3, then in 2 and 3 and out 1, make sense? Have a marvellous time recording, many thanks Warren
Produce Like A Pro What mic and pre would you recommend for a Kazoo soloist, or should I just DI the kazoo? Just joking, mate. Great video, fantastic info.
Hi Martin Thiermann Thanks very much for your great question I really appreciate it! I would suggest you always have phantom turned off until you have the patch completed and also don't go into record or keep the track muted. Have a marvellous time recording, many thanks Warren
Produce Like A Pro First I want to say thank you so much for make this awesome complete lesson video, really helpful! But let me excuse just to ask a simple basic question, so the computer on the studio use two different audio interface for tracking (Pro Tools hardware interface & SSL console)? Thank you
Hi Ferial Iyal Thanks very much for your great question I really appreciate it! The computer is connected to an audio interface which sends audio out to the SSL console. Does that makes sense? Have a marvellous time recording, many thanks Warren
Hi +Ferial Iyal Yes the computer is connected to the audio interface, the audio interface sends audio to SSL console. Have a marvellous time recording, many thanks Warren
Where in the chain does Phantom Power get added for mics that need it? Also, thanks for the video. Helps a lot with understanding the patchbay connection modes.
Hi Warren. First I just want to thank you about everything you do, about feeding my recording addict soul. I have a question, well maybe they are several. They may seem a bit obvious but I'm not sure. So, when you are using a insert point on your console you are sending an unbalanced signal, so is there any lost of quality and maybe high-end with longer leads like with the guitar? I know that guitars are sending instrument level signal and correct me if i'm wrong but i think that the insert points sends line level signal. Does this prevent the signal from signal lost? I don't have a studio yet but I would like to build one in the future and I think if you have you know your rack gear behind you and everything patched on a patch bay and then to the board it may get something like 6 meters of cable per unit ( you know the cable from the desk to the patch bay, thorough the patch core then to the unit and all the way back) and say if you want to run maybe an EQ and compressor that's approximately 12 meters, which i know from guitar (because for now I'm more of a guitarist than a recording guy) matters. So, my basic question is "Is there any signal lost that would affect the sound and if yes how is this fixed in the professional world of recording." I want to apologise for my english because i'm 15 and i'm still learning and again thank you for everything which you are doing.
Hi ca6ert jfzz Your English is great!! Thanks very much for your great comment I really appreciate it! The insert single is balanced line level from the console, I would definitely keep your gear relatively close and avoid excessive cable runs, but signal quality loss would only be an issue on very long cable runs. Have a marvellous time recording, many thanks Warren
Hi Warren! Thanks so much for these videos. Couldn't possibly pay you enough for this great wisdom!! I'm going to ask a noobish question: do patchbays negatively affect sound? If so, what patchbays should a studio purchase? Are there brands to go to or to avoid? Thanks again! Mycroft
Hi Warren! I´m really confused about a fact in this video: You plug the mic 1 into X81 1 Input, and then, you connect another cable from the X81 2 INPUT to the Dbx input????? It should be from X81 1 LINE OUT (On the right) to DBX INPUT? Sorry about my english.... THANKS
Hi +Samuel Tornero Thanks for your great question! I believe you're asking about the mult? I come from the pre to a mult then out to 2 different compressors and then mult back into one input! I hope that makes sense? Have a marvellous time recording and mixing, many thanks Warren
Hi +Produce Like A Pro, not really. I´m talking about 3:38 actually. In theory the signal path is MIC->X73 1->DBX Comp->Channel 1 ? Thanks for answering.
+Samuel Tornero I noticed this too. It's likely the studio has a customized patch layout for some of their outboard gear. Your eyes weren't tricking you. :)
+Samuel Tornero You can see him patch into the X81 input on the top row of that patch bay section. He then patches from the corresponding patch point underneath, clearly labelled X81 OUTPUT, this then goes to the input of the 160. The process is repeated, this time coming out of the 160, and into the console line input. This is what you are seeing happen at 3:38. In a typical patch bay, outboard gear such as compressors, EQs, reverbs, and delays are connected to the patch bay so that the inputs are situated OVER the outputs. It can be confusing because console ins and outs, AUX sends and returns, Mic pres, Pro Tools (DAW) or Tape ins and outs, and the mic lines coming from the live room are usually situated outputs over inputs (or the opposite way of outboard gear). Keep in mind that a large format patch bay like the one he is working on is made up of multiple units that each contain two rows (a top and a bottom) Hope that helps!
+Steve Viola i understand you, i can see the labels. As well, the patch point underneath the 160 input is named as 160 output, but underneath x81 1 input is labeled as x81 2 input. he have should connect X 81 1 Line Output(two patch point to the left from the input) to dbx160 input. May be the outboard gear have a strange "custom" setup in that patch bay. To be clear, I have never tried to belittle the knowledge of Warren, I think that is a great source of information and inspiration
Thanks for this Warren! Just a question (hopefully you will see this comment), when we break the signal flow from the mic lines and insert another pre Amp in the chain then back into the line inputs, does it bypass the console's pre amp? It feels like the signal gets "double amped" if I may say, since it will still pass through the consoles pre amps.. Unless I got it wrong. Kindly guide about this..
You can run phantom but make sure to apply phantom power after you have patched and cut it if you are going to re-patch. You run a high risk of shorting while patching and it's a lot worse with phantom applied. Hope that helps.
I've never needed more than 24 channels simultaneously, but my monitoring set up could get pretty complicated with a 5 + or more piece band , with everyone needing their own headphone mix.
Hi Warren, marvellous video! Would you kindly explain how the external mic pres are connected in this set up? How is phantom power handled with the TT setup? Cheers, Benny.
Hands down THE best patch bay tutorial I have come across. You sir are gifted at the art of imparting knowledge. Thank you.
Hi william wilson Wow you are far too kind!!! Have a marvellous time recording, many thanks Warren
I’m 15 years old and recently started producing, I recently bought some rack effects so I have just bought a patch bay as it is supposed to be the best way to use the effects, and this is the best tutorial I have seen, thanks for the help
I'm 15 years old right now and I'm never going to be able to afford such a thing 😂😂😂
@@LeChapeauMusicYou don’t need to own it to learn to use it bro
If you work anywhere you’ll need these basics
Patch bays are inexpensive
Also learn ProTools even if it is not you DAW of choice
It is still the
“Industry Standard”
Regardless of what other may say
Pro shops and mixing houses are not going to change what they know and have been using for years because another DAW has some new tricks or novelty workflow
This video was my introduction to Produce Like a Pro shortly after its release. It’s *still* the best patch bay tutorial on TH-cam.
Great video! I'm picking up where I left off 8 years ago, getting back into my home recording projects. I tried the "in the box method, and decided it wasn't for me. Nothing against it, I'm just a 1990's kid who got into the hardware component workflow, and can't let it go. Up until the past few years everything I used was pretty much consumer based stuff. I taught myself, and picked up what I could from other guys along the way. Now I'm upping my game, and collecting/piecing together semi-pro, and pro level gear from the late 80's up until the early 2000's... a hybrid mix of analog, and hard disk/digital components. I've thought about setting up a patch bay for years, but the way I'm doing things now, it has become a necessity. Especially since I'm opening up my studio to a few friends, and select local bands/musicians. I thought I had a pretty good grasp on the basic idea, and functionality, but this vid has confirmed what I (thought) I knew, as well as cleared up any questions I may have had. Excellent tutorial. Very concise, and easy to understand. Between yourself, Glenn from Spectre Sound (F**K YOU, GLENN!!!), and Steve Albini, I've learned a lot. If only there was affordable gear, internet, and the wealth of knowledge that you all so generously offer, back in 96 or so... Either way, great work, and thanks for sharing all the info!
Thank you for your very detailed and precise explanation on patching on a console! Your passion for recording and helping others really comes through with this video!!
Wow! Thanks ever so much! That means a lot
I appreciate the breakdown in a commercial setting. Already setup a few patchbays in a few studios but actually seeing how most modern commercial grade studios are thinking about the patch sets and what is useful is great. Not to mention seeing the common way people are color coding their patchs is extremely helpful.
Hi Matthew Martin Wow! Fantastic! Glad to be able to help! Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
All this free education! Thanks for the knowledge you're sharing. I have a patch bay but never really had it set up the way that makes the most sense. Now I know the easiest way to hook all my outboard gear up through my patchbay. I'm self taught when it comes to recording. Learned everything I know by reading, trial and error, and now through youtube.
I've learned a lot, have picked up a few skills here and there, but always have more to learn.
Hi Warren, I am currently in my second month at CRAS - there is so much to learn, but it is made far less daunting knowing that in addition to the awesome instructors I have, I also have you as a resource and it really is a blessing! Thank you sir for all you do for the Audio community!
Just bounced over here from the show you did on the Working Class Audio Podcast. I gotta say you are one righteous dude, really enjoyed what you had to say. Thanks so much for all that you give!
Hi Jj Jones Aw shucks Thanks very much for your great comment I really appreciate it! Matt at Working Class Audio Rules!! I had a great time on his show!! Have a marvellous time recording, many thanks Warren
I learned years ago that the waterfall idea was how patch bays worked and that is how I setup mine. All outputs are on the top of each unit and inputs are on the bottom. So I am scratching my head a little on this but Im sure there are exceptions to any rule.
Absolutely the best description of how to set up patch bays in an efficient and functional way. The first one where I haven't been left scratching my head. Thankyou sir, you are marvellous :)
This is an incredibly useful video. Exactly what we need to know, clear explanations, no BS. Thank you so much Warren.
Just yesterday I bought my first patch bay rack! what a great timing. I wanted to get all connections of my gear from the back of the rack to the front so I can change if required easily rather than accessing the back of my desk for access. Most likely set as normalized.
Great to have explanation of different modes of patch bay like open and normalized etc, and what type of equipment in/out would use those modes. Maybe the next video?
Thanks again.
Hi RecordingStudio9.com Thanks very much for your great comment I really appreciate it! Yes I'm sure I will be doing in depth videos very soon! Have a marvellous time recording, many thanks Warren
I needed this video a few years ago! I was only dealing with 16 channels but my confusion was complete
Perfect! I've been watching videos all day and none explained this clearly. Thank you so much!
oh man, this is the lesson i have been waiting for forever, warren ur a maaaarveelous freakin' legend
Aw shucks thanks Ehsan!! You rock! Glad to be able to help! Have a marvellous time recording and mixing, many thanks Warren
Respect Warren! I love the way you teach, very knowledgeable and humble. Cheers!
Hi +Trak Lite Aw shucks! You Rock!! Have a marvellous time recording and mixing, many thanks Warren
+Produce Like A Pro Peace. i recently got a old soundcraft Ghost and Im puzzled on ho to connect the channel inserts to the patchbay ie what cables and what patchbay mode?
Warren you are THE BEST! Thanks mate, my students and I benefit greatly from your videos. Cheers!
Wow! Thanks ever so much! I really appreciate it
Been watching your videos and other SSL console videos...SSL console is the top of my list now after I buy a new project car. Never thought patch bays would get me all lit up and ready to work
That’s great to hear! Thanks ever so much for sharing
Thanks for the video! Patch bays always give me a giant headache, although I'm getting used to the 4000 at the studio I go to school at, and this helped a lot for learning it
I've been wanting a video on this forever! THANK YOU! Always happy to see anything on signal path and workflow. Would love to see a video on how people use outboard gear with their DAW being that I never see people messing with cables, just clicking around in protools.
Thank you. This is internet's best lesson so far
Thanks Warren another cracking video. Always wanted to know more about this stuff as have only worked on audio interface and PC systems.
Warren… you rock. I am gonna join your membership because all of your videos are fantastic. Thank you
Thank you Warren for the affirmation that I have my patchbay wired, at least somewhat "normal"!! lol
Thank you so much for taking the time to share your knowledge. I always enjoy your videos.
Joel, Studio 52
Hi Joel Glaser Glad to be able to help!! Have a marvellous time recording, many thanks Warren
A big thanks Warrren ! Your content is so interesting and valuable. It enables people that never have the chance to work in a big studio to learn from all this great knowledge and skills ! Personally, I really love your attitude and your caring ! Thanks, man ! :-)
Great job Warren. You just clarified a couple things I was trying to get my head around for my studio build this fall. Thanks a bunch! Keep up the great work!
Hi Danny MacNevin So glad to be able to help!! Have a marvellous time recording, many thanks Warren
Hey Warren :). In regards to this video, I was wondering how you got phantom power to the mics? I'm assuming through the patch to the pre amp? if so, which is the proper way to connect and feed the mic? I was under the impression you couldn't run 48v through a patch bay.
Hi +michael emm Thanks for the great question! I run Phantom through my patch bay with no issues. Have a marvellous time recording, many thanks Warren
@@Producelikeapro Hi Warren, so you have no issues when the TRS is unplugged with the phantom power being shorted?
@@plummetplum phantom power doesn't have to shorted when you leave it off
until you are done patching right ;-)
@@Gerkozielman In a perfect world, but there's still a high risk correct protocol won't always be followed, especially in the middle of a busy season and humans will always make mistakes. I'm not a pro in a studio but I've just read that a TRS mic patchbay runs a high risk of breaking your precious expensive ribbon mic or pre amp.
@@plummetplum you are correct, TRS will short each time you plug/unplug. Bantam connectors on pro Patchbays do not however. One reason pro level Patchbays cost five times more than your behringer ultrapatch! If you run phantom through a TRS bay, just be regimental with your phantom power on/off status. And also don’t accidentally patch it to your vintage synth outputs!
So grateful for this man to exist
I was thinking to myself sometimes "how do they wire the old school studios with tons of gear in the chain" and guessed it must be some routing board. Today I learned it is called a patchbay :-) Man, I like your style and energy very much. Subscribeb, cheers
I feel grateful for the time you've dedicated to your videos.
I only regret you didn't address the issue of phantom power potentially going through TRS/patchbays and that could easily damage gear (and also a comparasion with XLR patchbays would have been interesting). It's a topic that has been widely comented on Gearslutz but I can't really make up my mind on how is it dangerous and how to prevent any problem.
Thanks again.
I was wondering the same thing. In this setup, are the microphones going directly into the patchbay, and then normalized to go into the console's preamps? And then you break that if you want to use an outboard pre?
Hi Warren, this is helping me straight away from the get go so thank you.
I want to share a work flow route I'm taking as I'm worried I may cause damage due to my lack of knowledge after watching you route the microphone at the start of this video.
I have the following setup for my vocalist's microphone in my band:
1. Dynamic mic cable into mic in on channel 1 of Soundcraft Spirit Studio 16-8-2
2. Y insert cable into channel 1 insert
3. Insert Send and return into back of patchbay and normalised A1 and B1 with balanced TRS patch leads on a balanced patchbay. I believe this is so far so good as if no additional equipment plugged into front of A1 and B1, it returns to the channel path unaltered.
4. Patching from the front, I run into a vacuum tube pre amp then a compressor.
My question is, why do you take you mic lines though your external processing equipment but then back into Line In on the channel rather than Mic In?
I wouldn't know to do this. Is it wrong to plug a microphone directly into patchbay, patch through external effects and processors and pre amps then patch back into the mic in on the mixer?
Would this cause damage to the pre amps if an external pre amp is already lifting the signal?
I want to avoid breaking anything but I seem to have more control over mic inputs in the channel path than I have for line inputs.
Also should I go through the gate/Limiter/Compressor unit before the valve tube pre amp or after, how does it affect things and does it matter?
Thanks and hopefully you can set me on the correct path.
Chris
Thank you for introducing me to the concept of mults Warren 25:49 !! Such a handy and versatile option.
Yo Warren!
Plz can you do a comparison of Digital plugin- brick wall limiters vs Analogue outboard brick limiters.
I believe it's important, because many bedroom producers will not be able to afford high end outboard limiters and it will be nice to hear the difference in loudness , clarity and distortion between these 2 platforms,
Luv ur videos. Concise, educational and informative.
Keep up the good work!
That whas great! Thanks from a comercial studio in Brazil Warren ;)
Big fan here!
Hi Emil Shayeb Aw shucks!! Thanks very much for your kind words I really appreciate it! Have a marvellous time recording, many thanks Warren
This is splendid. At the RSC Theatre Sound Department, Barbican, London, we wired in several 'Mults' , but called them 'Parallel'..... essentially : passive splitting and (a bit naughty 😋) passive summing. We had a 40 into 16 into 24 custom E-Type Cadac. On the patch bays we specified a buffered PFL bus output and PFL bus input. Thanks again for this video. 😊😊😊
Thanks Warren, for another great video. Very informative and I wish I had seen something like this 16 years ago before I used a patchbay for the first time. Never actually used a mult though, so that was new to me (and a cleaver feature).
Still use a patchbay (6,35mm/ 1/4" TRS) in my humble home studio, (though I don't have a big nice SSL console , well no console at all) since it's such a great thing to not have to plug/unplug back in my rack. :)
Hi ***** So glad to be able to help!! I love 1/4" TRS Patchbays! Have a marvellous time recording, many thanks Warren
Great video, just got me a patchbay and you confirmed that I'm doing things right.
Thanks for another great video!
Hi TRIPLE Great!! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Great Lesson, this is a very important piece of gear for a recording studio, and learning the correct way to implement it can be confusing. But your detailed teaching helped. THANKS.
Wow! What a great video! Thank you for taking the time to do this. I really learned a lot from it. I found my new studio love - mults....
Hi +GargoilNation Thaks very much!! I really appreciate it!! Have a marvellous time recording and mixing, many thanks Warren
wow !! i think its scary how you all guys using big consoles . and i only use my midi keyboard and a daw + audio interface ... im a student right now . so when i work . i will build my own studio . and you are helping me to learn some new stuff ! Thank you for your hard work making videos and tutorials !!!!!
Hi MK.PRODUCTIONS Thanks very much for your great comment I really appreciate it! I do at least 50% of my work or more on my lap top these days! I use Logic to play keys parts and do programming for instance! Have a marvellous time recording, many thanks Warren
we used the same duality board in school.. pretty amazing board, gives us the opportunity to work with a full analog mix an as digital(daw) controller
Hi +Zaki El Horan Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
3 minutes into this video and I've already learned a thing, even with over 20 years of experience with recording gear
Awesome! A little bit confusing for me cause some of the patchbays ins were located above the outs of the same rack. Learned a lot anyway
Great explanation of patch bays- as I would expect from you - fantastic !
I'd love to properly go through the ins and outs of my small setup to see if it could be made easier with a patch bay - I only have 4 ins and outs (Akai EIE Pro) but I've managed to simplify some things using inserts so that CH 1 and 2 are permanently hooked up to a 2 channel compressor (DBX 266xs) which can be bypassed on either channel. I have couple of channel strips (Aphex Project Channel) and (Presonus Studio Channel) which are run as XLR /line straight into the unit then XLR out to whichever input I decide and a late 17th century Alesis Quadraveb glaring at me from the corner - it would be great to be able to just mix and match at will - is this enough gear to warrant a patch bay and also control monitoring and cue from a Presonus Monitor Station ?
Mates rates on consultancy fees !
If any of Warren's other disciples have ideas I'd love to hear them too - pint on me if local to Reading !
Do you know of any other good resources on this subject ?
Hi Craig Dove Thanks very much for your great comment I really appreciate it! A small patch bay could be useful, however you are at the cusp of definitely needing one, are you thinking of expanding your equipment more? If you are definitely expanding your gear then I would recommend getting a patch bay. Have a marvellous time recording, many thanks Warren
Another great video to learn! I was lookin' for something like that and bum - Waren came out to the rescue ;) Cheers from Poland!
Excellent lesson. And mad english swag. How come these types of engineers always sound way cooler than I do when I talk about this stuff?
Tragic Star cos we english 😂 everyone love our accents and swagger
Watching for a second time after making a diagram for my patchbay and you do such an incredible explaining!
In particular I was getting tripped up as some say to always have outputs be on top. That makes sense for interface I/o but not for compressors and EQs.
Going to reconfigure my diagram with hardware inputs on top and outputs on the bottom. Makes so much more sense!
Thank you again!
Thanks Warren! Just came into an Ssl Console and this was super helpful.
Glad it helped!
Warren,
I've got an idea for a future episode. Patchbay use ... part II.
I really appreciated the one episode you did at an educational facility, where you talked about "the waterfall" kind of relationship of the patchbays. Very helpful, and thank you.
But it would be great to get some implementation practices from you.
EXAMLE:
When phantom power crosses a preamp patch ... it's it safe to connect/disconnect via patch cable. I get different opinions about that.
Channel muting ... does that matter.
Can you harm a mic who's channel is wired to a pb and then to a preamp that is powered?
Can you harm a preamp who's i/o are wired to a pb ... can connect/disconnect?
When is a pb helpful?
1/4 or TT?
db25 or connection of choice?
I'd also like to hear what you've blown-up w/ a pb ... those stories are always fun : )
Really appreciate all you do for the world wide recording community Warren. All the best friend.
Ron Flack
Canton, Ohio
I am going to school for Sound Production and your videos are helping tremendously!
Best patch bay tutorial. I've seen. Awesome!!!!
Thanks ever so much!! Have a marvellous time recording and mixing, many thanks Warren
Great video Warren! Can you do an in depth video where you explain how you hooked up your console to your DAW, especially the hardware aspect?
Hi Warren I'm very grateful of this videos, I have learn so much.
What about the remaining four lessons?
Greetings!
Hi Christian!! Haha yes busted!! I need to find time to complete them!! Have a marvellous time recording and mixing, many thanks Warren
+Produce Like A Pro Haha its ok, Im enjoying the other videos. Many thanks
Greatest video of all time.
Aw shucks thanks very much Dylan!! Have a marvellous time recording and mixing, many thanks Warren
Really great to see some info on advanced patching of a pro setup. Thanks Warren!
hola Warren, esta super el video, funciona igual con Bay Patch de Plug? es lo mismo? o es de mejor calidad la de ese estudio por el tipo de conectores??
Hi El Cuartito Feo, Muy buena pregunta ! bahías de conexión de alta calidad sin duda le dará los mejores resultados ! Tener un registro de tiempos maravillosa , muchas gracias Warren
Eyy I go to school here :D I'm starting my Intro to Pro Tools class in a few days.
Did you become the next Sylvia Massey?
@@conorm2524 Even better: I graduated AND work at the school now :)
@@FoxWood That's amazing!
Buzzing for you living the dream.
Hi, thank you for the great video. So helpful! Specially since Duality is popular AND it represents most of the features you might see on the similar consoles. Let me please clarify just one things and it's about MULTS 29:59 Form my understanding there are 2 MULTS. 1st one takes 1 signal and splits it in to 2 equivalents. And the 2nd MULT does the opposite - takes 1 signal and merges it to just one. Please correct me if I'm wrong. Thank you!
Great video Warren from a fellow Northern Englishman lol. Also wanted to echo some of the points below about how one connects a patch bay to ones interface and equipment etc. It would me mega useful my brother, ktf, Jay
Hi Jason Chinnian Haha Of course! Long live Carlisle!!! Yes I think doing a video on connecting equipment will be really useful!! Have a marvellous time recording, many thanks Warren
Hi Warren +Produce Like A Pro. Thanks for the reply. Keep making great inspirational videos!
Thanks very much +Jason Chinnian Have a marvellous time recording, many thanks Warren
The best explanation about using patch bays! Thanks Warren!!!! I finally get it!
What an Absolutely Awesome introduction series, you have given me SO Many "Ah HA" moments, I'm going to be lost for days playing :-)
I'm So Glad I subscribed & Truly want to thank you for sharing your wisdom & knowledge. Your a Legend! :-)
Looking forward to all your other tutorials & vids
HI +Rui Dos Santos Aw shucks! Fantastic! So glad to be able to help!! Have a marvellous time recording, many thanks Warren
Great video, answered a lot questions about patch bays. Thanks again Warren.
Hi +Dennis Brunet So glad to be able to help! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Great video, Warren. Thanks for taking the time to do this. I'm going to have to watch it again to get more of the tips and tricks. I loved the added bonus of the vocal parallel compression. What kind of settings would you use for the softer passages? Thanks and keep up the great work.
Hi Jed Wunderli Great question! I would treat both the softer and harder sounding vocals with the same settings only one hits compression only on the soft side and one on the harder side. Have a marvellous time recording, many thanks Warren
How many cascading connections can you make before signal degradation becomes audible?
Excellent video. so useful as I am planning setup multiple patch bays to get my console rocking! Thanks Warren
@28:23 are you summing the two 1176 outputs via the mult?
The best way to describe patch bays i learnt from my teacher was just like a 'waterfall' output to input, the water flows down the stream and lands to another input, but instead of water, its just signal. It's funny cause we have an SSL duality aswell, but we have a separate patch bay on the racks instead of connected to the console. means lots of turning around and checking phantom and neck twisting to see if you're getting signal
Hi +Vearus08 Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
Another great vid, I love that patchbay...just a question, do all those connections introduce any measureable electrical noise? It seems like the patch leads you were using were just the standard non balanced mono leads so I could only assume that the connectors and leads are of a quality that at least, minimizes any interference or noise.
Cheers mate.... Andrew
Hi Oz Macca the cables I used were balanced TT Cables. I'm wondering if the video didn't properly show that? Have a marvellous time recording, many thanks Warren
I thought inputs were on bottom outputs on top? It looks like your dbx compressor is the other way around?
I just watched this and noticed the same. His dbx bay must be wired backwards...otherwise what he is saying would not work. All this tutorial did was add to the confusion.
Thank you, you gave me years worth of ideas in 20 minutes
THANKS ALOT I JUST FINISHED THE LESSON I LEARNED ALOT I JUST STARTED MY JOURNEY SO ILL KEEP GOING AND GOING
Could you please explain how the channel inserts are set up in the back of a patch bay? I’m guessing you would just come out of the channel direct insert with a TRS Y cable to the different point of the patch bay, would greatly appreciate an answer, thanks Warren really love learning from your videos, you are awesome!
One thing I'd like a deeper understanding about is how to hook them up in the back. I've never used a patch bay, mostly because I'm a 100% software based studio that has no outboard gear except for monitors a Focusrite 2i2 and an M-Audio Oxygen 49. It just kind of confuses me how patch bays work with nothing patched in the front. when you have stuff plugged in the back to the patch bay, when you say normalized, does that mean it automatically flows from the top part of the patch bay through the bottom part of the patch bay? I don't know how to explain my question.
Hi Studio 7-22 Yes that is exactly! Right! The input at the top goes directly to the output at the bottom when it is Normalled! If you plug in either at the top or bottom you 'break' the normal! Have a marvellous time recording, many thanks Warren
This is a great video. I have a few questions.
Firstly, I am assuming that the SSL has it's own preamp/compressor/eq for each channel? You spoke a lot about using outboard compression etc. Does this mean that in this event, you can bypass one of those components on the desk's channel strip and then utilize only the outboard effect/compression etc? Especially the preamp? Can you bypass the entire channel and thus only really be using the fader? I do not understand the utility of the desk then. Why then need the desk and the HDX system? Seems like overkill if you're going to bypass the desks features.
Secondly. I see that this patchbay is a TRS patchbay. Does this mean that all that outboard gear is connected to the patchbay via TRS? What about the XLR connections? Does this not lessen the quality of the recording? I also read somewhere that running mics through a TRS patchbay to then be fed through to the preamp is a faux paux. In the event that patchcables are disconnected while phantom power is still on, the mic risks being damaged? Please advise.
This is probably the most informative channel on this subject. Jesus Christ so much information.
Hi +Raytheon Orion Thanks for the great question! The great thing about a console like this is it can changed for anyone's work flow, for instance Andy Wallace don't use any outboard and uses all of the dynamics in the console. Other people will use 90% of the consoles EQ and Compression etc but insert a different compressor on a single instrument. The alternate compressor or eq simply appears on an insert switch on the console, it's actually quite easy to compare the internal and external compressor and choose one that best suits your ears! Mics always appear on the patchbay from the different tracking room's 'mic panels' that they are coming from. I hope that helps and clarifies? Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Produce Like A Pro Thanks for the response. I understand the first part. Was not aware of this "insert" attribute. This invariably bypasses the onboard eq/compression right? The second part though, inside the control room, do the mic panels here go from xlr connectors to trs connectors [like a snake] then into the patchbay?
Thanks again. Really great work!
Hi +Raytheon Orion The insert is more, it can add to the existing Compression and EQ if necessary or you can bypass the EQ or the Compressor, or Expander/Gate or any combination! You can choose where you place the dynamics pre or post EQ, which is a huge thing for the SSL as many guys EQ heavily and then hit it hard into the Compressor for that punchy sound it's famous for! The variations are huge and allow for a lot of tonal and sonic soundscapes!! It's pretty fantastic and why the SSL was the most successful mixer for 2 or 3 decades! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Keep up the good work man. Great channel and thanks again for the insight. I particularly enjoy guitarist-centric studios. Also, if you could find someone with a sprawling modular, that would be an interesting visit. Stay up.
Hi +Raytheon Orion Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
LARS! Wonder if Lon still works their,.great engineer and teacher. Thanks for the video
Hi +Jazzyman I didn't meet Lon, but maybe they were there? Have a marvellous time recording, many thanks Warren
Hi Warren, thanks for such a great video.
I just have 1 question, I'm going to start using patchbay and I'm stucked a little bit.
There is a rule of patchbays, that ALWAYS outputs should be on the top, inputs on the bottom. But when you connect the gear (compressors for example) on 3:38, some inputs/outputs look like "Mic In | Line In | Line Out" on the top and the same row on the bottom for other device.
Is that fine to setup a patchbay like that? Doesn't that break any rule?
Thanks,
Andrey
Hi Warren! Do you have plans to do a video about Pro Tools HD I/O systems and how your DAW coexist with your Console back and forht? Thanks!
Hi Alex Floyd Torhov yes that's a great topic and I will cover it! Have a marvellous time recording, many thanks Warren
I understand how a mult can work for splitting a single audio signal into multiple copies, but I've never seen a mult used to merge multiple signals into a single signal. Wouldn't you need a mixer for that?
I agree, you definitely shouldn’t parallel the outputs of two different compressors together.
Hi Warren, Great video! Wondering if there are still shots available of the labeling on the SSL console in the video... it's a bit hard to read at times. Thanks!
Great video. Thank you. The one part I don’t understand is if on an 8 channel mult, if channel 1 feeds channels 2,3&4 and channel 5 feeds 6,7&8 , how can you go into 5 & 6 with the compressor outputs?? I thought only 5 was an input and 6 is an output of 5? What am I missing?
That was very useful thanks. I'm into my 4th watching.Now that I have a Firewire connection to my Mackie 'ONYX1220' so much more of what you say makes sense to me - all 12 channels go into the Tracktion DAW at the same time and I can start getting "..... crazy ....." with my tracks & plugins. Brilliant. Now you have introduced the patch-bay maybe I can get some use out of the Lex the Ali & the Beh assortment of hardware which doesn't get used currently.
Would you be posting some more stems to practice with anytime soon?
Hi Richard Mellersh Thanks very much for your great comment I really appreciate it! Yes there is session available for you to mix if you sign up for www.producelikeapro.com Have a marvellous time recording, many thanks Warren
I see the traditional patchbay quite intuative and I didn't know about a normalized fuction which is helpful...
Although I could easily find a recall session a absolute overwhelling night mare...
Do you think this channel could do a review of the Flock Patch XT? as this would make that process such a breeze
Hey Warren, just a quick question, I noticed when you were using the mults that on mult one, the jack all the way on the left was an input, and the middle left and middle right were outputs. However, on mult two, the far left and middle left jacks were both inputs and you used the middle right as an output. How can the mult jacks be set up as both inputs and outputs?
Hi foxlox Great question!! Yes it's 1 and 3, so I can go in 1 then out 2 and 3, then in 2 and 3 and out 1, make sense? Have a marvellous time recording, many thanks Warren
Produce Like A Pro What mic and pre would you recommend for a Kazoo soloist, or should I just DI the kazoo? Just joking, mate. Great video, fantastic info.
Haha Howard Hedger Of course an original AKG C12 or Telefunken 251, nothing less for the Kazoo! Have a marvellous time recording, many thanks Warren
Really nice video! How do you handle phantom power on the patchbay? Doesn’t cause an unplugging under phantom power a short circuit?
Hi Martin Thiermann Thanks very much for your great question I really appreciate it! I would suggest you always have phantom turned off until you have the patch completed and also don't go into record or keep the track muted. Have a marvellous time recording, many thanks Warren
I love this episode... definitely helped me with my patchbay setup! Thx a zillion Warren!!
Produce Like A Pro First I want to say thank you so much for make this awesome complete lesson video, really helpful! But let me excuse just to ask a simple basic question, so the computer on the studio use two different audio interface for tracking (Pro Tools hardware interface & SSL console)? Thank you
Hi Ferial Iyal Thanks very much for your great question I really appreciate it! The computer is connected to an audio interface which sends audio out to the SSL console. Does that makes sense? Have a marvellous time recording, many thanks Warren
So do you mean the routing is Computer, Audio Interface and go to SSL console input? Thank you Produce Like A Pro
Hi +Ferial Iyal Yes the computer is connected to the audio interface, the audio interface sends audio to SSL console. Have a marvellous time recording, many thanks Warren
Ok thank you very much for all your explanation and great answer, really appreciate it! Produce Like A Pro
H +Ferial Iyal Very glad to be able to help! Have a marvellous time recording, many thanks Warren
The most wanted and hard to find tip.
Hi +estacadugan Agreed! Happy to be able to help! Have a marvellous time recording, many thanks Warren
Where in the chain does Phantom Power get added for mics that need it? Also, thanks for the video. Helps a lot with understanding the patchbay connection modes.
Thanks for a good lesson, as i am mostly doing sound in church it is good to know.
Hi +Andreas Lindholm Thank you very much! Have a marvellous time recording, many thanks Warren
Hi Warren. First I just want to thank you about everything you do, about feeding my recording addict soul. I have a question, well maybe they are several. They may seem a bit obvious but I'm not sure. So, when you are using a insert point on your console you are sending an unbalanced signal, so is there any lost of quality and maybe high-end with longer leads like with the guitar? I know that guitars are sending instrument level signal and correct me if i'm wrong but i think that the insert points sends line level signal. Does this prevent the signal from signal lost? I don't have a studio yet but I would like to build one in the future and I think if you have you know your rack gear behind you and everything patched on a patch bay and then to the board it may get something like 6 meters of cable per unit ( you know the cable from the desk to the patch bay, thorough the patch core then to the unit and all the way back) and say if you want to run maybe an EQ and compressor that's approximately 12 meters, which i know from guitar (because for now I'm more of a guitarist than a recording guy) matters. So, my basic question is "Is there any signal lost that would affect the sound and if yes how is this fixed in the professional world of recording."
I want to apologise for my english because i'm 15 and i'm still learning and again thank you for everything which you are doing.
Hi ca6ert jfzz Your English is great!! Thanks very much for your great comment I really appreciate it! The insert single is balanced line level from the console, I would definitely keep your gear relatively close and avoid excessive cable runs, but signal quality loss would only be an issue on very long cable runs. Have a marvellous time recording, many thanks Warren
Produce Like A Pro Thank you that was bothering me for long time. Thank you again for everything.
Hi ca6ert jfzz great! Thank you!! Have a marvellous time recording, many thanks Warren
Hi Warren! Thanks so much for these videos. Couldn't possibly pay you enough for this great wisdom!!
I'm going to ask a noobish question: do patchbays negatively affect sound? If so, what patchbays should a studio purchase? Are there brands to go to or to avoid?
Thanks again!
Mycroft
Hi Warren! I´m really confused about a fact in this video: You plug the mic 1 into X81 1 Input, and then, you connect another cable from the X81 2 INPUT to the Dbx input????? It should be from X81 1 LINE OUT (On the right) to DBX INPUT?
Sorry about my english....
THANKS
Hi +Samuel Tornero Thanks for your great question! I believe you're asking about the mult? I come from the pre to a mult then out to 2 different compressors and then mult back into one input! I hope that makes sense? Have a marvellous time recording and mixing, many thanks Warren
Hi +Produce Like A Pro, not really. I´m talking about 3:38 actually. In theory the signal path is MIC->X73 1->DBX Comp->Channel 1 ? Thanks for answering.
+Samuel Tornero I noticed this too. It's likely the studio has a customized patch layout for some of their outboard gear. Your eyes weren't tricking you. :)
+Samuel Tornero You can see him patch into the X81 input on the top row of that patch bay section. He then patches from the corresponding patch point underneath, clearly labelled X81 OUTPUT, this then goes to the input of the 160. The process is repeated, this time coming out of the 160, and into the console line input. This is what you are seeing happen at 3:38. In a typical patch bay, outboard gear such as compressors, EQs, reverbs, and delays are connected to the patch bay so that the inputs are situated OVER the outputs. It can be confusing because console ins and outs, AUX sends and returns, Mic pres, Pro Tools (DAW) or Tape ins and outs, and the mic lines coming from the live room are usually situated outputs over inputs (or the opposite way of outboard gear). Keep in mind that a large format patch bay like the one he is working on is made up of multiple units that each contain two rows (a top and a bottom) Hope that helps!
+Steve Viola i understand you, i can see the labels. As well, the patch point underneath the 160 input is named as 160 output, but underneath x81 1 input is labeled as x81 2 input. he have should connect X 81 1 Line Output(two patch point to the left from the input) to dbx160 input.
May be the outboard gear have a strange "custom" setup in that patch bay.
To be clear, I have never tried to belittle the knowledge of Warren, I think that is a great source of information and inspiration
Thanks for this Warren! Just a question (hopefully you will see this comment), when we break the signal flow from the mic lines and insert another pre Amp in the chain then back into the line inputs, does it bypass the console's pre amp? It feels like the signal gets "double amped" if I may say, since it will still pass through the consoles pre amps.. Unless I got it wrong. Kindly guide about this..
What about running phantom power through the patch bays, do I need a special patch-bay for my mic pres
You can run phantom but make sure to apply phantom power after you have patched and cut it if you are going to re-patch. You run a high risk of shorting while patching and it's a lot worse with phantom applied. Hope that helps.
Soo its okay for the patchbay you just don't want to be disconnecting is while the phantoms going through it,gottcha
Complication made simple. THANK YOU THANK YOU THANK YOU. I know really know what all this is all about. Warren the Rock star. Thanks again
Warren, have you seen the video Patchbay Basics Part 2 by @SLCAUDIO the format is gold. So easy to understand. It compliments your video well.
I've never needed more than 24 channels simultaneously, but my monitoring set up could get pretty complicated with a 5 + or more piece band , with everyone needing their own headphone mix.
Thanks for sharing!
Hi Warren, marvellous video! Would you kindly explain how the external mic pres are connected in this set up? How is phantom power handled with the TT setup? Cheers, Benny.