Call me nuts, but the second movement reminds me of Disney's Haunted Mansion with the ghosts twirling around in a big ballroom, like just after the 18:00 mark. That attraction came about in 1969, two dozen years after Rachmaninoff wrote this suite.
I love the opener, the powerful sound of the tam-tam with orchestra, especially flutes and clarinet; brilliant opening by Rachmaninoff. The whole work is brilliant!
Thanks for pointing this out! That piano part is actually an amendment that the composer made in a copy of the score in the Library of Congress. However, it isn't certain that the composer regarded it as a definitive amendment, which is likely why it isn't present in the official score.
@@BooseyHawkes ah thanks for answering! I remember hearing that chromatic scale in a performance from the Radio Filharmonisch Orkest years ago, and wondering where it came from. Glad to finally know the answer!
Want to get a closer look 👀? Purchase the score for “Symphonic Dances” here 👉bit.ly/32mgTig
0:00 - I. Non allegro
10:59 - II. Andante con moto (Tempo di Valse)
19:46 - III. Lento assai - Allegro vivace
I love the low Db pedal point around 26:10
Audition spots(ignore this):
2:13-2:45
5:38-6:46
15:51-16:16
17:20-18:22
31:18-32:06
Call me nuts, but the second movement reminds me of Disney's Haunted Mansion with the ghosts twirling around in a big ballroom, like just after the 18:00 mark. That attraction came about in 1969, two dozen years after Rachmaninoff wrote this suite.
Do you have a favorite moment in this glorious work? Comment below👇 with the time stamp.
5:17 💗🎶
11:31
The chorale in the 1st mvmt quoting his 1st symphony - 9:49
I love the opener, the powerful sound of the tam-tam with orchestra, especially flutes and clarinet; brilliant opening by Rachmaninoff. The whole work is brilliant!
20:11 hits hard and I lose my mind at 20:30.
There's a chromatic-ish scale in the piano at 2:04 that's not in the score. Is that a revision?
Can anyone tell me what's going on with 2:04 - 2:11? I seem to hear a scale in the piano(?) that is not in the score
Thanks for pointing this out! That piano part is actually an amendment that the composer made in a copy of the score in the Library of Congress. However, it isn't certain that the composer regarded it as a definitive amendment, which is likely why it isn't present in the official score.
@@BooseyHawkes ah thanks for answering! I remember hearing that chromatic scale in a performance from the Radio Filharmonisch Orkest years ago, and wondering where it came from. Glad to finally know the answer!
Absolutely beautiful edition!!!
I love the sound of the american orchestras, especially the brass and strings sound, and the recording engineers of course
8:33
14 5:17
Please do a score video of Prokofiev's Cantata for the 20th anniversary of the October revolution.
Unos