ฝัง
- เผยแพร่เมื่อ 28 ส.ค. 2016
- A complete performance of La Sylphide with Eva Evdokimova, the one true Sylph. James is Peter Schaufuss, Madge is the notable character dancer Niels Bjørn Larsen. Also dancing Margot Clarke, Nicholas Johnson and artists of the London Festival Ballet (later known as English National Ballet)
Apologies for the occasional subpar sound quality. Stay with it... it does get better and it's totally worth it!
![CAMPปลิ้น | EP.79[1/2] แก๊งไทบ้านพาบุกเมืองบั้งไฟโก้ ยโสธรรรร!!!](http://i.ytimg.com/vi/Ldr3_fvTEXk/mqdefault.jpg)
My heart! Ohhhh how I miss seeing true artistry like this of Eva Evdokimova...it is such a rare thing these days.
Eva Evdokimova is the most exquisite Sylph I've seen, even better than Fracci. Her gorgeous footwork, the airy lightness and ballon of her jumps, her soft, boneless arms, the way she dances with her fingertips, her musicality, her pure, sweet temperament. She is all magical spirit, truly not of this mortal world.
this film brings us to old and good era of antic 19th century.
Oh my God what a great gift! Thank you for the greatest La Sylphyde partnership ever.
How I agree. I have only just discovered this La Sylphide. Everything is wonderful, but the leads are breathtaking.
Огромное Вам спасибо!!! Ева Евдокимова просто нереальная Сильфида!!
Lucky enough to see her Sylphide and her Giselle Never forgot them superb
Maravilhosos, muito obrigado por compartilhar!!!
¡Qué maravilla! ¡Bravísimo! Todos impresionantes y Evdokimova extraordinaria. Gracias por subir esta fantástica Sylphide.
Well, I never saw Marie Taglioni or Lucile Grahn dance, of course, but this is probably the closest I'll ever get. Technique such as this is rare to come by these days. It's all about tension, forcefulness, and posing rather than moving now. Not to speak of the lack of épaulement.
In my opinion, the worst part of dancing this ballet focusing on the extensions -as most nowadays dancers do- is that they often make the body look heavy in jumps. The Sylphide is a winged creature, she's supposed to be light on floor.
@@beatiroide I think it’s a lack of coordination. Dancers nowadays are too flexible to be strong. The classical ballet coordination is simply not there. If one needs to twist his/her arms before taking off in pirouette, he/she hasn’t learned to dance ballet correctly from the get go.
うわぁ〜🙀
貴重なフィルムですねぇ〜😺
ブルノンビルの作品は大好きです😻
本当に貴重な物をありがとう😻
日本の猫より
Absolutely spellbinding.
Eva is absolutely beautiful. I remember her coming to open classes at the Dance Centre Covent Garden
Truly great dancers!
This is such a treasure omg
Ballet and VHS - a great combo.
Thank you!
0:00:27 Start
0:02:24 p4 Allegro non tanto 6/8 section
0:04:20 No.2 Andantino, Gurn's entrance
0:05:50 No.3 Allegro. Friends entrance
0:06:54 Andantino. Effie's solo
0:10:21 Allegro con fuoco assai
0:11:13 p15 Meno Allegro (Andantino)
0:23:44 Effie's 2 solo
0:24:25 Gurn's solo
0:25:02 James joins in (Tempo di Marcia)
0:26:04 No.6 Pas de deux & reel (mother)
0:26:52 Andante siciliano (Reel, James, Effie & Sylphide)
0:28:52 Allegro Reel (Effie & James)
0:29:26 James * Effie 1st step
0:29:37 Everyone
0:29:57 3rd step
0:31:38 Coda
Eva the finest Sylph ever lucky to see this with the same cast at the coliseum and also them both in Giselle
THANK you for this TREASURE!
l saw live in london this cast included bjorn larsen ,also saw them in many other works ,eva was lovely ,and what to say about peter? he was absolutely tremendous
pediatrapaola although I've never seen her on live, Eva is my favourite Sylphide. Along with Kirkland and Osipova! Just look at airy sissones!! What can I say about Schaufuss? Tremendous performer and James is one of his best roles!! This is a DREAM cast! Those were the days... with Baryshnikov and Bujones in US, Schaufuss and Dowell in Europe, Vassiliev in Russia!
Susanna Viale peter on the contrary of the most of danish dancers was not good only in the style of his school ,he could match anybody in any ballet ,he was as good as baryshnikov but being not a russian defector with all the free pubblicity from a clamorous defection in full cold war time had to work the double to get half fame .belive me l saw live both them in many works and in many classics and peter was an hard bone to bite also for misha
Her smooth, soft ballon was unmatched in this ballet that requires great strength and control. Nobody equalled her in that. Amazing to see. Thank you so much!
absolutely she was outstanding in the role and peter too
Wow, enjoyed this really a lot. The Scottish wedding dances were great, and great casting/acting/dancing! Thanks.
. Eva... the best.
l saw live in london with this cast included bjorn larsen ,nobody can match eva and peter in this work
and often underrated by many
Eva Evdokimova is great, but I prefer Natalia Osipova as the Sylphide - she is wonderful.
Merci pour cette archive exceptionnelle. Sauriez-vous m'indiquer en quelle année cela a été filmé ?
Thanks for this exceptionnal document. Could you tell me when was this performance?
The best !
Could you tell us, please, where is it performed?
The dancers are from the London Festival Ballet (later known as English National Ballet) and the film has an English director so I assume it was performed somewhere in the UK, probably London.
Remisent of Scotland all characters well placed
THE BEST!
💖💖💖💖💖💖💖
😍😍😍
Me, a naive-newbie-ballet-fond-girl: "Aw! This is so easy, they don't have unbelievable extensions, I can do it too!"
Always me: jumps around like a chicken and maybe ends up in the hospital
May I join in ? (;
Ridiculous
IS THIS FOR SALE ANYWHERE? THE TWO ARE PERFECTION...
GREAT question!
Would like the seyfide to return the life so the witches spell is broken
Year?
Performed on August 25, 1979. Broadcasted on BBC2 TV in 1980.
@@tsochengkimo Thanks!
Do you know who the choreographer was?
August Bournonville 1836 (4 years after Taglioni's)
52:55
18:26
52:22
I think Nicholas Johnson plays Gurn
It was Niels B. Larson.
@@susannevollmer2347 no, he plays Madge
Would like to see Xander Parish in the roles of James
Лучше Жослин Тесмар никто не станцевал партию Сильфиды!
She is wonderful, but this 'edition' is ridiculously corrupt with considerable interpolations, some of which look like Bournonville and some of which do not. Bad video direction too, with way too many tight shots which makes hash of the wonderful ensemble dancing.
Schaufauss recreated lost dance and mime scenes from the original for this production !!! So not corrupt at all getting back to the original
@@siegfried923 How do you know this? I'd like to believe it. The unfamiliar material IS in a compatible style, with a lot of feathery but not ostentatious 'grace notes" one does not see in the usual unembroidered edition, the RDB perform. The geometric group dances are festive, intricate, and musical -- they do diffuse the dramatic drive, but not unacceptably, IMHO. [Perhaps after watching this version several times I'll wish the additions away, but at first glance it seems to me that the principals hold the threads together so powerfully that it's a celebration of the ensemble -- though i DO miss the impetuosity that makes James's sudden decision to bolt with her come as a shock even to the audience.]
@@1psoas9 Schaufauss was interviewed before this production and had done research into both the score and notation for his recreation. It was also written at length in the synopsis in the programme of this production which I was lucky enough to see live at the Coliseum with these too in these roles. . Mary Skeaping did a similar thing to Giselle for the same Company reintroducing both music and mime scenes to that ballet. On scene being the mime scene for Berthe, Giselles mother warning Giselle and her friends of the Wilis. this scene is now back in most productions, very often Mime sequences relied on dancers who had performed them passing them on as rarely added to the notation, so all to often left out of some productions and eventually forgotten. It is possible Mime was considered boring in some productions in the mid 20th Century
@@siegfried923 Thank you: wow, you were there, saw them live. Special thanks for the report on Schaufuss's research. The "new" wedding material certainly looks compatible with the inventions one already knew.... and it's nice to see Effie have more vivacity than the bare-bones RDB variation, which makes her look REALLY boring, poor thing. It never seemed plausible to me that the contrast with the Sylph had to be so great. And the Sylph's lovely mime scene -"I've followed you since childhood, kept you close to my heart as you grew boy to man and went hunting in my woods', it's a knife in my heart, how could you love her?' is so lightly done, and so musical, it's the counterpart to her dance of joy with clapping hands -- there's a difference between dance and mime, but it's no more distinct than the colors of the rainbow, one shades into the other softly.
@@1psoas9 what a wonderful comment, thanks! I did grasp the general sense of 'the Sylph to James' mime scene but did not grasp the full meaning! Thank you very much for the explanation...