I first read Levarie and (Ernst) Levy's book Tone in 1980. A few years later, a friend of mine built a 256-key keyboard synthesizer modeled on the Pythagorean Table, which I first encountered through Tone. Levy in his Harmony bases his theory on the corner 36 cells of 256 cells of the Table. If you had a room of resonating objects containing a source tone and all its undertones, you would realize the undertones aren't just psychological but are all the possible tones that could set the source tone vibrating; the overtone and undertone series if used properly sees the source tone as the bridge between created and creator. The type of diagrams of possibilities I have been developing over decades has certain similarities' to the equal tempered model you are showing here. If so-called "just intonation", which is not really a scale but a system of resonating sounds, were understood all the theory you are demonstrating would be pushed to an entirely more expansive level that no one is talking about at this time.
Who are? Do you have a website? I knew two people who worked with Levy. One of them, Ernest McClain, said I deserved to have know Levy personally. The other was responsible for the creation of the first translation of a work of Hans Kayser into English. I'd like to have many lengthy discussions with you.
I am very grateful for this music theory you shared！Thank U！
Wow, this is definitely a new way to look at harmony; I can’t wait to apply it in my compositions! Of course Jacob Collier’s already done it…
Thank you for you comments. I'll make an in-depth video on the subject with better audio soon!
Really helpful!
The volume was very low
I first read Levarie and (Ernst) Levy's book Tone in 1980. A few years later, a friend of mine built a 256-key keyboard synthesizer modeled on the Pythagorean Table, which I first encountered through Tone. Levy in his Harmony bases his theory on the corner 36 cells of 256 cells of the Table. If you had a room of resonating objects containing a source tone and all its undertones, you would realize the undertones aren't just psychological but are all the possible tones that could set the source tone vibrating; the overtone and undertone series if used properly sees the source tone as the bridge between created and creator. The type of diagrams of possibilities I have been developing over decades has certain similarities' to the equal tempered model you are showing here. If so-called "just intonation", which is not really a scale but a system of resonating sounds, were understood all the theory you are demonstrating would be pushed to an entirely more expansive level that no one is talking about at this time.
Frickin' cool!
Who are? Do you have a website? I knew two people who worked with Levy. One of them, Ernest McClain, said I deserved to have know Levy personally. The other was responsible for the creation of the first translation of a work of Hans Kayser into English. I'd like to have many lengthy discussions with you.
I don't have a website. Send me your email and i'll write to you! Would be great to discuss music theory with you.
@@sorthpiano Can I send it to you privately rather than post my e-mail here.
My email should be on the channel now. Under the tab 'About'
Im interested but i cant hear audio