Thanks so much for taking the time and effort to put this together, the animated visuals couldn't of been easy to make but go a long way with helping one's understanding.
Thank you for this video.. I will study it. I had read the theory book of Ernst Levy and the way you explain this concept with the graph makes it easier to grasp. I will share the video.
Hey. Thanks. One of the better videos on negative harmony I've found. Has anyone experimented with the idea of having a different axis point beyond the 5th? Would they still even be called negative Harmony or does it become something else? Or is any axis flipping "negative"?
4:21 but what the axis BF means in practice. Does it represent a certain scale? When (ie in which scale, key) could I transpose this triad like that? Is Midpoint represented by B or F or both ? Or, eg, is B a midpoint of a major scale and F is a midpoint of its relative minor scale?
All major/minor triad possibilities should be covered but make sure to remember symmetric property (i.e. if looking for VI remember to read right to left as well) Major and Minor Scales Diatonic Triads I = i ii = bVII iii = bVI IV = v V = iv vi = bIII vii° = ii° Nondiatonic Triads bII = vii bii = VII II = bvii biii = VI III = bvi #IV = #iv #iv = #IV
Thanks! I'm working on that! I think it's something with my nasal septum/sinus + a bit of overcompression! Next one (in a few days) will be better! ;-)
Someone had WAY too much spare time,that came up with this,🤔seriously, I would advise just to disregard this mess,and stick to understanding "modal interchange,and a good ear,I've even playing jazz for years and I dont think I've met someone who actually cared about this,Now the LCC is a whole nother deal, THAT is worth checking out,
wow, such an underrated video! thank you!
Wonderful explanation! So clear and sound!! Congrats and many thanks!!!
Thank vou!
Thanks so much for taking the time and effort to put this together, the animated visuals couldn't of been easy to make but go a long way with helping one's understanding.
Thanks!
Thank you for this video.. I will study it. I had read the theory book of Ernst Levy and the way you explain this concept with the graph makes it easier to grasp. I will share the video.
Hey. Thanks. One of the better videos on negative harmony I've found. Has anyone experimented with the idea of having a different axis point beyond the 5th? Would they still even be called negative Harmony or does it become something else? Or is any axis flipping "negative"?
Great video, thanks!
Very informative...thanx!
Great video!!!
Thanks for a great explanation!
4:21 but what the axis BF means in practice. Does it represent a certain scale? When (ie in which scale, key) could I transpose this triad like that? Is Midpoint represented by B or F or both ? Or, eg, is B a midpoint of a major scale and F is a midpoint of its relative minor scale?
All major/minor triad possibilities should be covered but make sure to remember symmetric property (i.e. if looking for VI remember to read right to left as well)
Major and Minor Scales Diatonic Triads
I = i
ii = bVII
iii = bVI
IV = v
V = iv
vi = bIII
vii° = ii°
Nondiatonic Triads
bII = vii
bii = VII
II = bvii
biii = VI
III = bvi
#IV = #iv
#iv = #IV
thank you!!!
Valeu Pedro! Bem legal!!!!
Very cool! What is that clicking noise though? Is that your lips? You might be overcompressing
Thanks! I'm working on that! I think it's something with my nasal septum/sinus + a bit of overcompression! Next one (in a few days) will be better! ;-)
cottin mouth
Someone had WAY too much spare time,that came up with this,🤔seriously, I would advise just to disregard this mess,and stick to understanding "modal interchange,and a good ear,I've even playing jazz for years and I dont think I've met someone who actually cared about this,Now the LCC is a whole nother deal, THAT is worth checking out,
🥵❤❤❤❤❤
Really informative but difficult to hear proprerly over the spit noises