One of my favourite Macmillan compositions (some I find less interesting/accessible). My entry piece for those new to Macmillan would be “After the tryst” - a beautiful miniature for violin and piano based on the poem “The Tryst” by William Souter. Avoid TH-cam performances except Phillip Granell. Start with the first recording by Ruth Crouch on the Evelyn Glennie Percussion Concerto album. The more recent recording on “Different Worlds” is also very good.
@@markdowding1371 Hi, if you like this kind of pieces I recommend you Takashi Yoshimatsu, if you don't know him yet, he does very beautiful contemporary pieces in tonal/modal style. Hope you enjoy it!
Heavy, moving and intense. Epiphany level composition and performance.
Linda obra para Percussão e grande orquestra. Adorei os glissandos nas cordas e metais. MacMillan sempre surpreendente de contemporaneidade!!!
One of my favourite Macmillan compositions (some I find less interesting/accessible). My entry piece for those new to Macmillan would be “After the tryst” - a beautiful miniature for violin and piano based on the poem “The Tryst” by William Souter. Avoid TH-cam performances except Phillip Granell. Start with the first recording by Ruth Crouch on the Evelyn Glennie Percussion Concerto album. The more recent recording on “Different Worlds” is also very good.
Thanks for the recommendations!
Beautiful 🤩
Very good!
Wonderful! Proof that contemporary music can be tonal. 😎
Really?
Most of it is
@@battz99 Yes. Although I might say musical rather than tonal.
@@markdowding1371 Hi, if you like this kind of pieces I recommend you Takashi Yoshimatsu, if you don't know him yet, he does very beautiful contemporary pieces in tonal/modal style. Hope you enjoy it!
@@XmanuvmX Thanks for the recommendation!
Great músic, beutifil.
Excellent attempt.