5 Best Affordable Netflix Approved Cinema Camera
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- เผยแพร่เมื่อ 31 พ.ค. 2024
- Netflix has a set of guidelines and requirements that cameras must meet in order to be used for filming content for their platform. These guidelines are in place to ensure that the footage captured is of high quality and meets the standards that Netflix has set. But those cameras don’t come in any cheap. In today’s video, we’ll find the 5 most affordable Netflix cameras you can use to create content for Netflix or other professional work without breaking the bank.
Netflix Camera Marathon: • 13 Netflix-Approved Ci...
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Best Affordable Netflix Camera Affiliated:
00:35 - Panasonic Lumix BGH1
01:55 - Sony FX3
03:11 - Canon EOS C70
04:23 - Sony FX6
05:30 - RED Komodo 6K
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***Video Sources:
@CanonUSA @ImagingbySony @PanasonicLumixVideo @reddigitalcinema
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#camerazone #netflix #cinemacamera - วิทยาศาสตร์และเทคโนโลยี
Nice Video. I find the comments below rather interesting. As a producer who made a low-budget indy film, and then licensed it to Netflix as a Netflix Original, and then DELIVERED the movie to Netflix with my wife, here is my two cents: you do need to pay attention to the specs when you are shooting. Our movie TREES OF PEACE hit the top 10 in 60 countries within 5 days of release, and it was released in 191 countries, in 32 languages in June 2022. We didn't know who we were going to license/sell the movie to when we made it, but Netflix was my main target because it allows my movie to be in front of 230 Million people worldwide. Full disclosure, I decided to shoot with Sony Venice and Rialto, because I was able to get the camera due to the contacts/kindness of Sony. But, if that didn't happen, I was going to shoot with Alexa. What I find among a lot of indy filmmakers is, most of them don't know how the distribution works, or delivery works, and they don't really plan for what happens after the movie is done. They just focus on making the film, and then they hope and pray it sells. Most of them don't even budget for the delivery, and delivering the movie to any distributor is NOT CHEAP. Delivering the movie to Netflix was extremely tedious, and their requirements are very stringent. Netflix delivery team was a dream to work with, but passing picture QC and sound QC is no joke. So put aside money in your budget because delivery will cost you money when you sell the movie. Now having said that, you DO HAVE to make a great film, or none of this tech stuff matters. An expensive camera in the hand of someone who does not know how to use it properly is worthless, and a skilled DP can make a $3k camera with some nice cinema lenses look like an amazing piece of art. So, focus on hiring a skilled cinematographer and gaffer, because the lighting is everything. Do Not skimp on hiring a great audio guy, because the sound is EVERYTHING. Now, back to the distribution topic. Can you sell a low-budget movie that isn't very well-shot on Netflix? Sure, that happens sometimes because of the subject matter, or awards run, but you most definitely went the aggregator route to put it on Netflix, and you most probably didn't recover your budget for your investors. That happens more often than you think, sadly. The game in Hollywood is heavily stacked against us indy filmmakers, and trust me on this. 90% of low-budget indies without named stars don't make money. There is a clear difference between a Netflix Original (by the way, you don't have to work for Netflix or be commissioned by Netflix for it to be a Netflix Original)...and movies that end up on Netflix on a 2-3 year licensing deal, but trust me, you did not recover your budget in that type of scenario. (There is always an exception to this, but those are one in a million scenarios) You basically had to give the movie away, just so you can tell people my movie is on Netflix. The problem is anyone who knows the business, and is an insider, will look your movie up, and instantly know what kind of deal you got. Btw, we had no ties to Netflix and I equity-funded the full feature, and yes, my investors are very happy with the return. Our movie launched multiple careers in Hollywood, and my wife and I paid everyone but didn't pay ourselves a dime out of the budget for 3 years while we produced this movie. Of course, now we will benefit due to the success of the film, but it took a tremendous amount of work to get this film made, and licensed. Now one may say, who cares about Netflix, there are others, but Netflix is your biggest and best option for indy filmmakers. HBO, Hulu, Disney, apple+, paramount+....try selling them your low-budget film and let me know what MG you got, IF they took your film at all. It's a sad state of affairs. Yes, you can go the Tubi route, but you def won't get an MG, and good luck getting your budget back based on ad rev share. Now if you have a big-name A-list star in your movie, it's a completely different game. But, how many indy filmmakers can bring an A-list star to the table on a low-budget indy feature? I always say if you fail to plan, you are planning to fail. So plan to sell your movie to Netflix, use the camera that meets their specs, and make the most amazing film you can make. Now, why did I write this novel here? As I was reading some of the comments below, I realize a lot of people that are saying things, or giving advice, have not actually sold a film to Netflix or anyone for that matter. If their movie was sold, they don't know the math behind it for sure and don't know if their investors got any money back. So I thought I would chime in. I hope this helps. I am not putting anyone down, just trying to help. I get the struggle 100%, and knowledge is power. The life of an Indy filmmaker is extremely tough, and making and selling a low-budget indy film is like hitting the lottery. So, to sum this book up, make a great film, use really good actors, and use Netflix approved camera because when you go to sell/distribute it, even if you sell it to someone else besides Netflix, the specs will help you with the distribution and their QC requirements. I wish everyone on this thread much success. Go make the most beautiful film you can, because, in the end, it's definitely worth it. This was a very nice video btw. Thank You.
Thank you for sharing your valuable thoughts! Hopefully, it'll help others to get the insides of the Film Making Business.
@@camerazone_ Thank You. You did an amazing job researching and presenting the facts. Very well-done video, and kept me watching. Even though I am a director and Producer, I know how to operate the camera, lighting, editing, color correcting, and the whole gamut, so I really appreciated the way you presented the video and the information you shared. Now I am not a master in any of those areas, but the knowledge helped me hire the right cinematographers, get the right camera, and hire the right technicians. My strength clearly lies in producing, directing, and acting, due to my past experience, and what I do for a living. I find this whole tech revolution so inspiring! I am the biggest fan of Robert Rodriguez, and what he pulled off 25 years ago with a film camera all by himself, is astounding. Now any one can tell a story, and launch their own career for very little money. So, once again, Thanks for a great post.
This might be, the MOST HELPFUL comment in the history of TH-cam.
I thank you good sir.
🙏🙌🔥💯🙂
Thanks for this comment first. Second, what's the name of this movie you produced? Third. I've worked with a few producers that have sell projects for Netflix and what they say is that selling a movie yourself with no distribution company is basically impossible, how did you get this done? And for last, most of the people searching this kind of info are struggling to do a small movie, thinking of getting one of this camera means they won't do the movie ever. So basically i believe people should focus on getting the movie made first and after 1 or 2 tries they will learn what is needed to get enough budget for the big one.
@@riffbaama The movie I produced is called TREES OF PEACE. You can find it in any country on Netflix since it's considered a Netflix Original. I always say people don't fail because they lack resources, people fail because they lack resourcefulness. As an independent filmmaker, you need to think outside the box. Build a small team of experts. For example, find a DP who owns one of these cameras, find a sound guy who owns his own sound gear, make them co-producer with you, and share future profits with them. Find some really passionate good actors, and go shoot the film. None of this is easy, but if it was easy, everyone would be Speilberg. You can also rent these cameras on KitSplit, or share grid, and make sure you pre-plan everything. Rehearsal is a must, and then when you are actually shooting, one or two takes, and move. Make the story visually stunning, with good sound, and good edit, and you will make your mark out there. Learn the tricks of low-budget filmmaking, there are tons of videos out there. Distribution is all about connections. Nothing is impossible, as I am the proof. I don't come from the industry, and I use to be homeless. On the other hand, I have been preparing for this moment for the last 20 years. I know how to shoot, edit, sound, color correct, direct, produce and act. I understand the business side really well. So, one can make excuses, or give up, because it's not easy, or keep grinding, and then do what I did. Today, all the streamers are asking me what I am doing next, and I have an open door with them. Why? Because I made an exceptional film. Also, I didn't take any money and worked relentlessly for 3 years, while I paid everyone else. Now that we are a success, my investors are very happy, and I will get paid well, but most importantly, my reputation has opened doors. I hope this helps. I didn't attend film school, I taught myself all this. How bad do you want this? That is what it comes down to. My first-time female writer/director Alanna, I met her on Instagram when she was struggling for 7 years to make this movie. 10 different producers came and went, but they could not make the film. Then when we met, I made it happen. I actually gave her my directorial funding and produced this movie because once I read the script, I knew this would be a hit movie. I also knew no one was going to let her make this movie. This is not your typical genre movie. BUT, this is the kind of movie that gets your respect from Hollywood agents, managers, and A-list talent. BTW, before I met Alanna, I had read over 4,000 scripts over the last 10 years. So I did my homework. I knew when I came out, I had to make an impression, or I would be stuck in low-budget hell forever. So I was very patient. End of the day, your movie has to stand on its own and be exceptional. I am all about quality, and I am not willing to cut corners on anything. That's why Netflix took our film. I hope this helps.
0:36 Lumix BGH1
1:58 Sony FX3
3:14 Canon C70
4:26 Sony FX6
5:32 RED Komodo
And you can add the Canon R5C to that list
include the prices
Don’t forget what accessories you’ll need. For example, the BGH1 is just a box. You’ll need to add a monitor/viewfinder just for starters. Some of the other cameras do come with more - but you’ll still need batteries, cards, cables etc.. if you don’t already have these, you’ll need to rent or purchase them and that will increase the cost as well.
True, thanks for the feedback!
Agree. I bought the Red Scarlet W brand new from Red years ago and paid $12k for the brain. After adding all the bare minimum accessories to make it shootable for production, the total comes to around $21k.
@@691tommyc So, you got suckered in by the "Red Myth," it would seem.
I Agree!
Unless Netflix is paying you to produce their content, you can do it with any camera you like and sell the product after. That list is only for production companies hired by them.
This comment should be at the top.. so misleading info and hype to buy Netflix Approved cameras ...
I highly doubt Nextflix would turn down one of the best documentaries just because they used a mid-grade 4K camera. No one cares if the audio and story is good.
S1H is Netflix approved and only $3k and the BS1H is approved as well for only $2500.
As others have stated, you don't need these cameras to sell your product to Netflix. That's a common misunderstanding from hopeful filmmakers. You can sell them anything if they want it. If it's an in-house film, backed and produced by Netflix, THEN you need an approved camera. At that point, you won't be worried about your budget.
right on! yup!
That means someone should go for what want for proper approved...
Blair witch project is another example that it doesn't matter what you shoot it with. If it's a good movie and Netflix wants it.. they'll take it.
This
I don't get why people are going for Netflix approved cameras. Unless you specifically shoot for Netflix lol.
Some may be in a position to where the footage they are capturing may need to be used on Netflix or a similar platform
@@TheRealShotClock24 Netflix doesn't care about your camera unless you're especially making inhouse movies.
People are under the assumption that that's all they need to put their films on Netflix, not realizing there's a whole movie shot on an iphone and Netflix bought it as an original
Netflixproofing is a great seller!
It can be for future proofing. So you can have that option down the line if you decide or not.
Netflix approved camera requirements is misunderstood, they ONLY apply to Netflix own productions, originals and series, which they pay for. Not to independent film makers or any productions outside Netflix. So don't be misled by the what to buy lists. As long as the content and quality are excellent, Netflix can license your film.
This video gives me a clear and concise baseline on where to start looking for my next camera. This is just what I needed. Thank you.
You're very much welcome!
Netflix and Amazon have nailed the “looks polished enough but lacks any soul” aesthetic.
You obviously need to see my watch list.
give me your watchlist
@@ScribblebytesWorldwide
Brethren. From Half Mile Films to you Guys. Thanks for all the information and details, on the 5 different cameras. That Netflix really requires for their platform. Thanks.
So none of the Blacmagic entry-level cameras (BPCC 4K/6K) are on the list even though they are being used professionally. Netflix is so full of isht!
So many scenes in '14 Peaks' on Netflix were solely shot on Go Pros. If your product is great and has a commercial value, Netflix will come running after you. Sound of course needs to be top-notch!
Facts! If anyone doesn't know the craft, good cameras won't cut it out for them.
wow the equipment for the video is really cool
Man.. they are seriously missing out by not including the BlackMagic cameras. They are as good if not better that some of these if not all. Amazing video quality, and so much more affordable to work with.
Thanks for sharing.
Yeah I was wondering the same thing...
BlackMagic cameras are Netflix approved, they just aren't on this list for some reason. I know the 6k Pro would make the Netflix compliance.
What is better for film making, A1 or FX3? Also in regards to over heating?
What about for music videos ? Are any of these worth getting?
Here is my .02. I have shot features. I shot them on 35mm. That was a lifetime ago. Today, if I wanted to shoot for Netflix I would go with my Blackmagic Ursa Mini 12k. Aside from the fact that I can shoot 4k at 240fps, shooting RAW and then cutting with DaVinci Resolve (also by Blackmagic) gets the best and simplest color adjustment in the industry. I will let you know more when I shoot something serious with this one.
Thanks for sharing with us!
Lucky fish
One could also get a used URSA 4.6K and a set of primes for less than the retail price of an FX6 body these days
What’s wrong with the Ursa Mini and the EVA 1?
Correction…the Canon C70 DOES shoot in RAW. It was added as a firmware update in March 2022. The 3 RAW settings options are RAW HQ, RAW ST, and RAW LT all in 12-bit.
Yes! Thanks for the feedback.
Netflix simply wants a camera that has Time Code ability and 10-Bit recording.
Pro Codecs are a rigid requirement as well and true 4k
GH6?
no... low noise in shadows, higher dynamic range and 10bit +
@@torsrive8920 I’ve seen Super Noisy Neflix shows (Magic for Humans), noise not an issue. Time Code, 10-bit, 4K. That’s it
@@OfentseMwaseFilms no
Love my BGH1 I’ve been shooting all my professionals projects in that little box.
Thank you so much for this interesting Review
Glad you enjoyed it!
It's nice to see my lil camera playing with the big boys! (Sony fx-3)
Hey, just thought to put it out there that Zcam also makes a really great Komodo-like cinema camera with the E2 S6 that shoots ProRes 422 and Raw video in 6k at 50fps.
Why the Blackmagic Pocket Cinema Camera 6k Pro is not listed.
Very nice colors in this Danish series on Netflix, especially the drone views of the city and forest.
I definitely agree with Panasonic’s LUMIX great technology. I feel like if you know what your doing as far as retaining quality in your images and have a camera that is impressive with how it handles that it shouldn’t matter which camera you use as long as the limitations of the camera are recognized and successfully dealt with. But it’s somewhat understandable what’s being said here. I barely got by with my Nikon as far as the cameras filming capabilities, they have a noise structure that somewhat resembles film grain compared with traditional 35mm film. So it’s definitely an interesting element of conversation what people view as the industry standard. I’m sure exceptions will be made if it’s a film that done well. But yeah it’s understandable the very fine lines between it all. Shouldn’t Black Magic cameras be on this list as well?
One thing to fix! Canon C70 does shoot Raw after the update that was introduced last year.
I was going to comment the same
THANKS FOR THE INFORMATION I LEARN A LOT TODAY THANKS
You're very much welcome!
Panasonic LUMIX S1H NETFLIX APPROVE TOO and so cheap now
I don't see the link for the red camera ?
You only need these cameras if you are working with Netflix. Sometimes for example they are filming a episode and the director might put a call out saying I need some footage of the city you will need to use a camera on their list.
However if you are filming your own movie you can use any camera you want.
Thanks for the feedback!
Didn't the C70 get canons RAW Light via an update? 4:13 the video says it doesn't have it.
Yes! We noted the feedback.
C70 15 stops of dynamic range? This is bullshit. It has 13 and most of the 13th stop aren't even usable. I work this baby at our company and know it pretty well. The Alexa Mini LF only has 14 stops (clean stops). Not only is this badly researched, it also feels like an ad for all these cameras.
Also like people in the comments already said these standards are for Netflix originals. If you sell your license to them they only care if it's good not what system you used.
Thanks for the feedback!
I'm surprised you didn't mention the Sony FX6's electronic variable ND Filter--probably the one feature that makes it truly unique!
Thanks for the feedback!
i have the fx6 and it is a pretty dope camera
The ND Filter is mentioned in the video. That is why I would buy it.
@@sarajennfunvideos208 Yes, but it's referred to only as a "built-in ND filter," but not as an electronic variable ND filter, which is one feature that really makes this camera, along with the FS5, unique! And here's a "fun fact to know and tell:" the very first Sony camera to feature an electronic variable ND filter was not the FS5, but the PXW-180, eight years ago!
IIRC You only need a Netflix approved camera if you're filming a Netflix original. If you're piece is not produced by Netflix or funded by Netflix then you can use any other camera, e.i you have a distribution deal with Netflix, rather than a production one.
Great. Are there lenses recommended for low budget filming?
There are many options for budget-friendly cine lenses, like 7Artisans 12mm, Viltrox 56mm.
I bought the sony Fx3 and i can tell you it's a great cinema camera and has a 16 bits raw output
Great choice!
RED Raven bro. Can't beat it.
What about the Panasonic GH6 ?
How about a smartphone with a 1" sensor that is capable of recording 8k RAW video? Would there be any chance of footage from this smartphone being approved by Netflix?
Who knows!?!
Some people seem to think that all they need to do is purchase a Netflix approved camera and Netflix will show their movie. It doesn't work like that. What's way more important is the quality at which it's shot and the content. Some seem to believe that they can shoot street traffic with one of these approved cameras and they'll become the next Spielberg.
Great info! What about the Canon R5C. This camera was accepted by Netflix as well...corrrect?
Yes, it's was added recently.
Content is king. Period
Z cam deserves to be approved. is a fantastic piece of gear
It is. Because it can deliver a 10bit ProRes codec file. As far as I know that is all they require besides log color and no grade, 4k or higher.
You forget to mention what you have to add to many cameras to make them functional, like the Lumix BGH1 and the Red Komodo. A pros and cons list would improve on that.
True! In this video, we just talked about the camera body.
Do you know how to use plurals?
Wow wonderful
These videos are terribly misleading. As others have pointed out, you only need an “approved” camera if you’re shooting Netflix produced original content. (And even then that’s not necessarily true)
Anyone can use any camera and still sell to Netflix.
Please help end this misconception.
This video is just a list of Affordable cameras. Regardless of you're producing for Netflix or selling afterwards, these cameras worth every penny. Hopefully you understand.
Yayyyy I have one of thesee. Neat.
Glad you liked it!
fx30 should be a 100% up there. Most affordable and in many cases has even better features then the fx3
it is on the list
😂😂 not better features
@@vemorvevo2099 je it actually has, talking about breathing comp, focus mapping and a couple of other helpful stuff.
Thats why i bought the FX30 instead of FX3 as my B-Cam. FX3 is just not worth the price imo. :)
I love S35
@@RobSemilliafx3 got focus breathing compensation since the last firmware bro. Sorry to tell you, but your decision was wrong.
cool cam
How about the Panasonic S1H???!! Yes I know the autofocus sucks, but the feature set and image quality is superb!
We'll post an updated video on this topic. Stay tuned!
watt about the gh5?
wish BMPCC 6K pro was also here
Best camera for the money!
I think it's not Netflix approved unfortunately
You can still produce content with whatever camera you like and sell it to Netflix. Their list is only for people shooting Netflix originals. It’s way easier to sell something that’s already done (preferably something that people like), than to pitch an unproven idea.
I have a blackmagic 6k and ita not good in low light horrible!
@@kevinmoorevisuals8781 Yes FSI Sensors are Cheap & Durable but surely less quantum efficient for low light.
Canon still uses FSI sensors on all of their new cameras except the R3 while Sony & other brands ordering sensor from Sony like Fuji, Nikon etc shifted to BSI Stacked sensor which is better in lowlight.
You need better Dual Native ISO & analog circuit gains to make FSI usable which I guess Canon is doing to make them relavant.
But what about Blackmagic PCC 6K Pro?
The FUJI X H(2) gear is a more affordable pro level option. This sounds more like an ad. NETFLIX is not a creator, nor should it advise or approve creators on the gear they should use. That is up to those who make the platform what gear to select that works best for them.
Netflix has created more feature films than you.
What about ASPECT RATIO? 2.35:1 ???
I guess you didn't say anything about blackmagic Ursa mini pro 4.5k for a reason
Iwud need someone .gimme connection on how ican get .A red camera .
Although I would have picked the RED Komodo out of your list, it is in no way "an affordable," camera, like the others on your list (Where's the S1H ?). The price you quote is for the body only, but to get the Komodo into a production setup (a la Netflix), then you are looking at closer to $20,000.00 by the time you add monitors, cage, lenses, batteries, and handle systems.
Thanks for the feedback!
so where was the fs7? The most affordable one?
What about BlackMagic pocket camera 4k or 6k
This camera is AMAZING!!
Why is the Ursa 12K not an approved Netflix camera?
Wow! I like some of those camera options…. 2 years ago I was sold on a BMD unit, but now I see the competition has caught up and even surpassed Black Magic and may I add at a cheaper price.
what about the sony fx30 is only $1700
Panasonic S1H should be on this list, given that it can be used without needing external monitor. Also on the Netflix list.
We'll post an updated vidoe. Stay tuned!
Isn’t Luminx a Panasonic?
There is also:
Blackmagic Ursa mini pro 12k
Netflix sets guidelines ONLY IF they are in CO production or PRODUCING the film, otherwise, you can shoot with a GoPro (and if its well done) Netflix may air it. Dont waste your time thinking these Cameras will open the doors for you. Get a used ARRI Alexa and you will be working....
4:37 what footage is this or source?
"Amazing stories" by Yutaka Enatsu(shot on FX6).
@@camerazone_ found it
Does the fx3 have a recording limit
approximately 13hours
@@camerazone_ thank you so much
The c70 can shoot raw. Both formats
Question is. How would you actually get your content onto Netflix. Anyone can get a camera
Couple Zcam models are too
Is BMPCC6k pro on the list?
Yes.
how about the dii ronin 4d
It does not matter what camera you use. The Netflix approved cameras are for those making a project funded by Netflix. You can film on any camera, and Netflix will buy it, if it is good. So unless they come to you and say we want you to make this film. It does not matter.
C70 can do Raw. Canon R5C is approved now and is cheaper than C70
No mention of the Panasonic S1H ?
Wednesday we'll post an updated video. stay tuned. And thanks for the suggestion!
@@camerazone_ s1H and the S5 2 are are the most video centric I’ve ever come across. Got the S5 2 a couple of weeks back, extremely impressive. Panasonic finally did it…
I think many things would be more important than the model of camera you use. Things like story, production, acting, editing, etc...
Agreed.
True. But there is no such thing as Netflix approved actors.
That is obvious. But when you are telling an investor that your little camera rig is approved for Netflix funding it is good enough to get funding from you mr investor.
I want to find a camera they used in the 90s
your voice 👌🏾
Netflix can’t wait to air a show that you made about your dog
Cool !
Glad you liked it!
Nice
I will definitely buy the Sony FX3. Oh! wait! I don't want to create any videos for Netflix.
What about Fujifilm Xh2s ?
not approved by Netflix.
Pity 😞 Is a fantastic cinematic camera with so much to offer . For people who can't afford . A high budget cinema camera ! They should consider it . Many people is choosing Fujifilm . I can't complain
ONe day my sigma fp will be on the list! :D
12bit raw uncompressed the image you can get....
We hope, one day Netflix will feature your content!
The Sony FX30 is $1,799, is Netflix approved, and has every feature that the FX3 does, just with a crop sensor
Not every feature, for me the Fx30 lacks the low light performance quite considerably in comparison to the fx3 which essentially has an A7siii sensor.
At this moment, the FX30 is not Netflix approved. It is rumored to be approved soon, but nothing currently stating such. In 2020, 30% of the movies shown on Netflix were shot with cameras that were not Netflix approved.
@@harryhall4690 its the other way around, the fx30 has alot of features thefx3 doesnt has. And talking about lowlight, you should get them both and test them, the difference is minor to not existing. Dont get me wrong, the fx3 is a great camera but since the fx30 came out there is no reason to buy it
@@RobSemillia it makes a massive difference when most of your work is for broadcast or streaming platforms like Netflix or Disney, the fx30 comes in under spec. Most production houses have tested, low light on fx3/A7Siii are pretty unbeatable when your footage is being grading for big budget productions, especially natural history where most of my work is. So much so that once dusk rolls round, the Red Gemini goes back into the bag and the A7S come out.
@@harryhall4690 I doubt you ever owned the fx30, cause if you claim to shoot with the a7siii you would notice that the difference in lowlight between fullframe (FX3 and A7siii) and apsc is really minor and completely irrelevant with good post production. I have owned the A7siii for 3 years now and i love this camera, but i find myself using the fx30 for most of my client work nowadays (even in lowlight for nightclub b roll) cause i cant see a difference in quality but its much easier on the otherhand to shoot with it. Im thinking about selling my A7siii and invest into better glas and a better gimble.
Would the Nikon Z9 make the list nowadays? It’s pretty stacked with features.
Hopefully.
@@camerazone_ Nope..Unlike Sony Nikon Doesn't Pay Netflix Billions To Be On the list... And Panasonic Cameras are really good and deserve to be there... I hope Z9 makes it to the list ♥️
There are two cheap and excellent Cinema Camera equipment missing in your article .
1. Kinefinity MAVO Edge 6K/8K 2.Z CAM 4k/6K/8K
Thanks for the feedback!
yea you totally missed out on the S1H.
finally i love camera zoneeeeeeeeeeeeeeeee,,,,,,,,,,,,,,,,,❤❤❤❤🖤🖤🖤🖤💔💔💔💔💔
Thanks for the support.
this is not camera,that is my heart beat
The most affordable Netflix-accepted camera is definitely the GH5s! 😝
That one guy was wearing a mask outside on the beach. What an NPC. LOL
So what, I make a short film send it to the producers at Netflix then what if it's good stuff...
You said the C70 can’t capture RAW but it can. It has been able to for quite some time now…. You need to do your research on these. It was able to do RAW before it even got Netflix approval.
Thanks for the feedback!
Bank broke at Zv1 😂 cheers much ❤
Add the Canon C200 to that list