Misirlou is great, though Phrygian dominant. Your videos on the modes are very good, especially when you run through chord progressions that work well and provide examples in actual songs 👍
th-cam.com/video/48Hpl10peI0/w-d-xo.html hello this is a link to two instrumentals the first made in C phrygian and the second in F# phrygian. its for the composer Ziad al rahbani...its a holy goddam trip (the arrangements the ambiance) please let me know what do u think about it. oh btw, these 2 pieces are fusion between: Jazz, oriental, funk, disco, classical...thanks and waiting ur reply
you have one of the best simple explanations of modal harmony on youtube. would really like to see this same format of video for the other modes of the melodic minor scale. thank you for creating these videos!
I love the consistency in how you present your information. I'm going through all your videos about the modes and I like how you present the videos in the same format. It really allows the fundamentals to sink in, particularly with how you explain the tertiary links in the same exact way for each video
I first 'discovered' the Phrygian mode of C vy accident, before even knowing what modes were, by applying the W and H intervals of C Major in reverse. Loved the tonality of course and when combined with the C Major itself you do get that beautiful flamenco vibe
The Andalusian Cadence of Flamenco and other Spanish is Phrygian Dominant and there are numerous examples. Am G F E7 would be an example of the progression in E Phyrigian Dominant. The Tonic is E Dominant. You could have made more a mention of that. Otherwise great video.
Great video! May I ask, what software do you use to display the chords like you have here? What a useful visual! Aha, never mind, looks like you said it at the end! I'll check out the diagrams. ☺️
Phrygian songs in order; Tarkan- Olurum Sana Nancy Ajram - Ma Tegi Hena Amr Diab - Nour el ain Panjabi Mc - Mundian to bach ke Adult swim - Rick And Morty Theme Tune Lena Chamamyan - Cha'am
A song in E phrygian, occasionally raised F-s, so the V can be used, but never as a cadence avoiding E minor sound. Cadences always from II to i What do you think? Look up the song Elevate from kazohin.
The choice of mode may be intentional, or you may recognize the mode once the ideas start flowing. My video on the modes in the circle of fifths (editing now) will explain modes in more detail.
How about Ultra Phrygian and Superphrygian / Phrygian flat 4 ? I have problem with functional harmony of harmonic Major /ionian b6 progressions,how to use it etc we have dimminished chord on ii and vii ...and "iv", if we play (in C ionian b6) f,a-flat b and "vi" B dim,D dim,F dim,Ab dim. "vii" is rootless dominant in natural Major "ii" is sub dominant ii but in harmonic Major "ii" is dimminished chord vii,iv and vi also so,we have four rootless dominants? Three diatonic and one nondiatonic?
I have seen chord progression charts utilising the roman numerals to assist in mapping logical movments for major & minor scales. Is there one that is specific for Phrygian also?
I haven’t yet posted the video referenced at the 11 minute mark. Though I’ll post more on this to clarify-both the harmonic minor scale and how secondary dominants are used in progressions.
This loop shows all notes of the mode arranged into a sequence of tertian intervals (that is, all major-third and minor-third intervals). And once in this configuration, you can see the movement of a progression within the contained region of harmonic space. In the "Modes" playlist, the "Ionian Mode Chords" video explains this looping configuration a bit more starting at 7:17.
![Demonstrating The Modes of Harmonic Minor [MUSIC THEORY / SCALES]](http://i.ytimg.com/vi/qk8uobP4uJE/mqdefault.jpg)
What's the best song written in Phrygian?
Misirlou is great, though Phrygian dominant. Your videos on the modes are very good, especially when you run through chord progressions that work well and provide examples in actual songs 👍
Misirlou is excellent. (I actually never knew the name of that tune until now.) it has a very distinct sound. And thanks for your feedback!
Creeping death's die riff is the perfect example of creating that group doom effect from the phrygian mode.
@@priyanshuacharya5672 I like it.
th-cam.com/video/48Hpl10peI0/w-d-xo.html hello this is a link to two instrumentals the first made in C phrygian and the second in F# phrygian. its for the composer Ziad al rahbani...its a holy goddam trip (the arrangements the ambiance) please let me know what do u think about it. oh btw, these 2 pieces are fusion between: Jazz, oriental, funk, disco, classical...thanks and waiting ur reply
you have one of the best simple explanations of modal harmony on youtube. would really like to see this same format of video for the other modes of the melodic minor scale. thank you for creating these videos!
Excellent! Best lesson I have ever seen on using modes to write music.
Piano helps big time with music theory. And guitar too. Thanks 😎👍👌💯🎸🎸
I love the consistency in how you present your information. I'm going through all your videos about the modes and I like how you present the videos in the same format. It really allows the fundamentals to sink in, particularly with how you explain the tertiary links in the same exact way for each video
from the bottom of my heart THANKS YOU amazing will check out your community
Awesome -- I'm very glad you are here. 🤘
Such great visualizations! Thank you!
I first 'discovered' the Phrygian mode of C vy accident, before even knowing what modes were, by applying the W and H intervals of C Major in reverse.
Loved the tonality of course and when combined with the C Major itself you do get that beautiful flamenco vibe
Merci beaucoup for this. I'll bookmark it for later after I get my chops.
Greatest music theory course in my mind, only thing missing is piano midi view🎉
The Andalusian Cadence of Flamenco and other Spanish is Phrygian Dominant and there are numerous examples. Am G F E7 would be an example of the progression in E Phyrigian Dominant. The Tonic is E Dominant. You could have made more a mention of that. Otherwise great video.
(I.e) The Boots Song by Come Outside, Shape Japer's Song by The Numberjacks and Rude Ralph's Song by Horrid Henry
Thankyou so much 😅 ❤ 🎉 I and start to hear chord progressions very exciting and inspiring Wow this is wonderful Sheila Duke 😂😊😅
Absolutely brilliant teaching
Such a good explanation I needed✨👌
Really clear explanation. Thank you!
Great video! May I ask, what software do you use to display the chords like you have here? What a useful visual!
Aha, never mind, looks like you said it at the end! I'll check out the diagrams.
☺️
Phrygian songs in order;
Tarkan- Olurum Sana
Nancy Ajram - Ma Tegi Hena
Amr Diab - Nour el ain
Panjabi Mc - Mundian to bach ke
Adult swim - Rick And Morty Theme Tune
Lena Chamamyan - Cha'am
Awesome! I'm going to give all of these a listen.
Whohooooo
these songs are amazing! Turkish sounds, very orient and I can smell a bit of greece
Hi Mike, great videos ! Very helpful :)
Hey, Myles -- thanks! I'm glad these are useful! Cheers.
Great! Thanks for this mate! 🎸🔥
AWESOME 👏 THANKS 🙏 SOOOOOOOOO MUCH 🙏🙏🙏👏👏👏👏👏👏
Sure thing -- cheers.
Great Channel! Keep on going and you will grow :) Keep it up!
Thank so much! Building trust with the algorithm definitely takes time. :) Lots more coming. Cheers!
A song in E phrygian, occasionally raised F-s, so the V can be used, but never as a cadence avoiding E minor sound. Cadences always from II to i What do you think? Look up the song Elevate from kazohin.
Before producing a song, is it wise to decide what mode I want to write in? How do I know which one to choose?
The choice of mode may be intentional, or you may recognize the mode once the ideas start flowing. My video on the modes in the circle of fifths (editing now) will explain modes in more detail.
How about Ultra Phrygian and Superphrygian / Phrygian flat 4 ?
I have problem with functional harmony of harmonic Major
/ionian b6
progressions,how to use it etc
we have dimminished chord on ii and vii
...and "iv", if we play (in C ionian b6)
f,a-flat b
and "vi"
B dim,D dim,F dim,Ab dim.
"vii" is rootless dominant in natural Major
"ii" is sub dominant ii
but in harmonic Major "ii" is dimminished chord
vii,iv and vi also
so,we have four rootless dominants?
Three diatonic and one nondiatonic?
I’m excited to walk through these more interesting scales/patterns and the harmonies that build on them. They definitely make for some cool sounds. 🤘
@@mikegeorge360 It mean that You make video about ionian b6 mysteries? :D
I have seen chord progression charts utilising the roman numerals to assist in mapping logical movments for major & minor scales.
Is there one that is specific for Phrygian also?
11:00 What is that other video? I'm still confused on the relationship between scales in regards to how secondary dominants work.
I haven’t yet posted the video referenced at the 11 minute mark. Though I’ll post more on this to clarify-both the harmonic minor scale and how secondary dominants are used in progressions.
@@mikegeorge360 Thank you.
@8:38 How Come You Arrange The Chords In That Trapezoid Configuration?
This loop shows all notes of the mode arranged into a sequence of tertian intervals (that is, all major-third and minor-third intervals). And once in this configuration, you can see the movement of a progression within the contained region of harmonic space. In the "Modes" playlist, the "Ionian Mode Chords" video explains this looping configuration a bit more starting at 7:17.
Do you think this song Survival by Muse is also in phrygian?
Will you do a Lydian mode video? Love these video
Thanks! Yes, I’m editing the Lydian mode video now.
Good my teacher
nice video 👍
Thank you-I’m glad it’s helpful. 🤘
THE One by muse
amazing vid
This is what sets the real song writers apart from the obvious ones
Man how do you guys remember
@@sync2597 remember what?
@@diggeroldmate8122 all of this
hu 🤔interesting
Grace Slick needs auto tune.