You're right, there's a lot of nonsense and hype about the importance of having the latest, greatest equipment to get a good shot. Camera, lens, light are the tools. Our own input creates a nuanced combination of ideas that makes our work unique. Cheers!
The video was well articulated, yet it lacked clarity on how the final image was produced. Arranging fruits in a bowl or plate is linked to the placement of the light source, the background setting, and the number of light sources required for contrasting shadows. Additionally, the camera and lens settings necessary to ensure optimal exposure and depth of field were not addressed. Furthermore, after capturing the photo, post-editing is crucial for the overall visualization.
Many thanks for this video. I am just getting into still life and found this very useful. Your presenting skills are spot on and I gained a lot from this. As I side note, I smiled at your comment about 2022 being a good one, almost 10 months in and its a ........one, Take care and keep up the videos.
Thank you for that, I have limited equipment and I really liked that you kept it simple with one light as that is about all I use. I love Still life, it is challenging and does take time to create something worthwhile. I have been given an equestrian hat and am trying to consider how to place that in a still life. Any suggestions would be very worthwhile, thank you
Hi Beverley, thanks for your comment. There is so much that you can do with one light, I worked that way for a long time. It showed me that creative thinking is better than all the equipment that the techies keep pushing. An equestrian hat - like a riding hat? That sounds interesting. I'd immediately start thinking about fabrics that represent that raw country feeling, maybe even go looking for a hoof iron to add to a composition. Make connections, see how they work with a couple of quick test shots using room light, or window light. That will help you visualise a stronger composition. Often, when I do a quick and spontaneous test shot without thinking of where I'll place the lighting, it shows me what's missing from my photo composition, that way I can develop a motif into something stronger. Thanks again, and all the best with the still life photography, Sean
Yes, if I remember correctly, most of the still lifes are taken with a 50 mm Sigma lens. Sometimes, I use an 85 mm which means I need more space between the camera and objects.
Not bad at all. The apple is essential in the composition, but didn't you think the damage on it was too visible ? Perhaps it was a creative choice. I was just thinking buying some fruits or vegs this weekend and try myself at this style of photography for once. Just for fun. By the way. I will most likely used my best lenses. Either the 35mm or the 135mm. Sadly, since I sold my 24-70mm, I don't currently have anything in between.
The damaged apple is intentional, slightly. Going with traditions created by artists like Caravaggio and co, I like the idea that fruit can represent "plenty", but it can represent, "decadence", especially when we see a piece of food left to decay. As far as lenses go, I like to experiment - I've done still lifes with wide angle lenses, and got up real close. The intention being to "pull" at the form slightly, and create the illusion of bending light and perspective. I think 35 mm is a great lens size for everything we look at in life. It's just a matter of finding a good position to create a good frame.
Thank you for sharing your knowledge,
thank you for watching
I really love this video it was nice and personal. ❤❤ keep it up
Thanks a million for the positive feedback. Always good to know what viewers feel about my way of presenting.
Thanks for the informative video.
You're welcome - I hope you enjoyed it.
I like home studios on the cheap. Don't have to have all the fancy equipment and you can still make some awesome photos.
You're right, there's a lot of nonsense and hype about the importance of having the latest, greatest equipment to get a good shot. Camera, lens, light are the tools. Our own input creates a nuanced combination of ideas that makes our work unique. Cheers!
The video was well articulated, yet it lacked clarity on how the final image was produced. Arranging fruits in a bowl or plate is linked to the placement of the light source, the background setting, and the number of light sources required for contrasting shadows. Additionally, the camera and lens settings necessary to ensure optimal exposure and depth of field were not addressed. Furthermore, after capturing the photo, post-editing is crucial for the overall visualization.
Thanks
Many thanks for this video. I am just getting into still life and found this very useful. Your presenting skills are spot on and I gained a lot from this. As I side note, I smiled at your comment about 2022 being a good one, almost 10 months in and its a ........one, Take care and keep up the videos.
Thanks for watching and the nice comments, Mike. Let's hope winter will be a good one!
Thank you for that, I have limited equipment and I really liked that you kept it simple with one light as that is about all I use. I love Still life, it is challenging and does take time to create something worthwhile. I have been given an equestrian hat and am trying to consider how to place that in a still life. Any suggestions would be very worthwhile, thank you
Hi Beverley, thanks for your comment. There is so much that you can do with one light, I worked that way for a long time. It showed me that creative thinking is better than all the equipment that the techies keep pushing.
An equestrian hat - like a riding hat? That sounds interesting. I'd immediately start thinking about fabrics that represent that raw country feeling, maybe even go looking for a hoof iron to add to a composition. Make connections, see how they work with a couple of quick test shots using room light, or window light. That will help you visualise a stronger composition. Often, when I do a quick and spontaneous test shot without thinking of where I'll place the lighting, it shows me what's missing from my photo composition, that way I can develop a motif into something stronger.
Thanks again, and all the best with the still life photography, Sean
Thank you for sharing your still life ideas. Is that a 50mm lens?
Yes, if I remember correctly, most of the still lifes are taken with a 50 mm Sigma lens. Sometimes, I use an 85 mm which means I need more space between the camera and objects.
Not bad at all. The apple is essential in the composition, but didn't you think the damage on it was too visible ? Perhaps it was a creative choice.
I was just thinking buying some fruits or vegs this weekend and try myself at this style of photography for once. Just for fun. By the way. I will most likely used my best lenses. Either the 35mm or the 135mm. Sadly, since I sold my 24-70mm, I don't currently have anything in between.
The damaged apple is intentional, slightly. Going with traditions created by artists like Caravaggio and co, I like the idea that fruit can represent "plenty", but it can represent, "decadence", especially when we see a piece of food left to decay.
As far as lenses go, I like to experiment - I've done still lifes with wide angle lenses, and got up real close. The intention being to "pull" at the form slightly, and create the illusion of bending light and perspective. I think 35 mm is a great lens size for everything we look at in life. It's just a matter of finding a good position to create a good frame.
Your metering would be great 👍
You're right, Sean
Hi, cool video, I watched it with pleasure, friendly like, come visit, I will be very happy, good luck and have a good weekend🤗🤗😍😍😉😉
Thanks for watching, I'll take a look. Sean
Your camera settings are a secret?? This is a tutorial, no?
No secrets going on here, just showing and telling. Sean