We do IAC (a) when the tonic is in the soprano IAC (b) - 3rd or 5th is in the soprano and the chord itself is in root position IAC (c) - neither is in root position nor the tonic is in the soprano or the 3rd or the 5th is not in the soprano at all
Hi just to clarify, I thought that an Imperfect cadence was when a chord (usually I, ii, and IV) move into a V, and this works as a musical "pause". However, it seems that you are saying that an imperfect cadence is when there is a movement from V - I or vii - I. This is also the only TH-cam video I have seen that says so. Is this a different kind of syllabus?
Hello! I've also encountered it but im here to clarify, the cadence that you're talking about it "half cadence" which is the cadence that has I, IV or ii that ends on V (dominant), now im a music student, and in our school, Authentic cadence has two classifications which are the cadences mentioned in the video (Perfect and Imperfect), however, as i was trying to see videos of cadences in youtube, I saw that "half" cadence and "imperfect"cadence are the same, which are technically not, So if you're looking for the cadence that ends on V, its called the half cadence :)
E is being implied because it a missing 5th in a A7 chord. The notes we have are A C# and G and these perfectly outline a A7 with C# as the 3rd and G as the minor 7th. In general 5th can be omitted from seventh chords so the 5th is only implied in the chord. The 3rd is generally not removed as without it tonality becomes ambigious
This helps me so much!!! Do you or can you show videos on Analyzing a key in Roman Numerals and Realizing in Figured Bass? I have so much trouble with this...
Roman Numerals analysis and Realizing figured bass are some great topics. I had a difficult time with roman numeral analysis when I was first learning music theory. Thanks for the suggestions!! Look for these topics in future music theory videos.
I'm some random dude who studies music theory in his free time and these vids make perfect sense. You are a really good teacher my dude
thank you! It's helping me to study for the teacher certification exam!
I came here to learn about cadences but no...I learned much more!
I like using imperfect cadences as part of a melody or end of phrase like your first example, f-d-c-b flatwould sound good
I mean c-d-c-b flat
We do IAC (a) when the tonic is in the soprano
IAC (b) - 3rd or 5th is in the soprano and the chord itself is in root position
IAC (c) - neither is in root position nor the tonic is in the soprano or the 3rd or the 5th is not in the soprano at all
So, a Perfect auth cadence cannot have a 7 in the V chord?
I love your videos! Thank you
Thanks for watching!
Wonderful explaining.. Thanks 🤝🤝🤝👍👍👍👍👍🙌🙌👏👏
Hi just to clarify, I thought that an Imperfect cadence was when a chord (usually I, ii, and IV) move into a V, and this works as a musical "pause". However, it seems that you are saying that an imperfect cadence is when there is a movement from V - I or vii - I. This is also the only TH-cam video I have seen that says so. Is this a different kind of syllabus?
Hello! I've also encountered it but im here to clarify, the cadence that you're talking about it "half cadence" which is the cadence that has I, IV or ii that ends on V (dominant), now im a music student, and in our school, Authentic cadence has two classifications which are the cadences mentioned in the video (Perfect and Imperfect), however, as i was trying to see videos of cadences in youtube, I saw that "half" cadence and "imperfect"cadence are the same, which are technically not, So if you're looking for the cadence that ends on V, its called the half cadence :)
On the second problem, how do you know if something is implied? Like how that "E" was implied in the V7 chord?
E is being implied because it a missing 5th in a A7 chord. The notes we have are A C# and G and these perfectly outline a A7 with C# as the 3rd and G as the minor 7th. In general 5th can be omitted from seventh chords so the 5th is only implied in the chord. The 3rd is generally not removed as without it tonality becomes ambigious
could you give an example of vii to I please?
In 3:20 how is it in implied E? Thank you!
This helps me so much!!! Do you or can you show videos on Analyzing a key in Roman Numerals and Realizing in Figured Bass? I have so much trouble with this...
Roman Numerals analysis and Realizing figured bass are some great topics. I had a difficult time with roman numeral analysis when I was first learning music theory. Thanks for the suggestions!! Look for these topics in future music theory videos.
thanks sir
so helpful subscribe|)!