There's something special about what Roland did with these Old Circuits. I can't say how close Behringer came to recreating them, but it truly seems close! Thanks for this example :]
@@telantas Thank you friend, I think the filters are faithful recreation of the original Roland System 100 ones, I wouldn’t know if they’ve used the same in the crave being that that is a recreation of a Moog
Cheers Gary, I’m very well thanks, hope you are too, would be great to catch up with you soon, hopefully our paths will cross at Awakenings or such like 👍
Thank you It’s just the basic System 100 modules from Behringer, from left to right are CP1A psu, 112 VCO, 121 VCF, 130 VCA, 140 EG, 182 Sequencer, & 150 sample/hold. Output is going through a Boss PS-2 delay pedal into desk mixer.
@@mathematicwaveformrecordings hello and thanks for watching and commenting. Well done on getting the Sys100m rig too. As for tuning I use an old guitar tuner, tune the oscillators to A440 (concert pitch) first, if they aren’t in tune nothing you do will be either, then tune each note the 182 is playing to a tone within a key, you’re then going to get an in tune sequence, my key change on this is being done by the LFO, set to a square wave and very slow, depending on the sequence key it’ll change it to a desirable alternative or it won’t, it’s trial and error but lots of fun exploring it.
@@mathematicwaveformrecordings I think its the simple nature and the authenticity of these B Sys100 modules that give them their appeal and sound characteristics. Ive got much more modular gear since getting ths starter rg and enjoying the process of making music with modular.
@@mathematicwaveformrecordings hello friend, unfortunately you can’t do different tempo sequencers on one 182 module, with a second 182 you can trigger it from the first and adjust the running tempo of it accordingly. Even using a clock divider you can’t alter the tempo of the two sequencer runs in a 182 module.
Looks and sounds great, I'm looking into behringer modular, but dont know much about it. this may be a silly question but, is the audio out a single 1/4 inch jack which goes to an amp or mixer or is it more complicated? Thanks Tim.
Thank you 🙏 And it’s not a silly question, I was exactly the same when I first got this case, usually on Eurorack modular the jacks are 3.5mm so audio outputs might need a jumper lead (small to big jack). You can send audio to a small modular mixer or a desktop mixer or in fact direct to a PC interface, the VCA output in a modular system such as this will do it.
@@conceptdevices I don’t know there is something in the melody and bit the way how Tom Ellard his sequences build plus the sound character. Well done 👍
How much time did you have to spend getting this sequence to sound in tune? It looks extremely fiddly. I'd is there a quantizer at the far end that's hard to see?
@@SomeOne-pd6vm hello and thanks for watching, I’ve not got a quantiser in the system so it was all tuned and possibly took about 30 minutes the hardest part of the tuning was getting the slow LFO pitch (the thing I’ve used, that is transposing the notes) to play the notes at a recognised scale against the first run of notes. The envelopes are changing note decay and as such it’s all going into a delay pedal which is sort of holding extra notes over after the LFO has transposed them, so it’s a short double up creating a fluent overall sound
I need an overhead shot to appreciate the details
There's something special about what Roland did with these Old Circuits.
I can't say how close Behringer came to recreating them, but it truly seems
close! Thanks for this example :]
Thank you for watching it and your comments
Oh man! That's a pretty nice patch, and Behringer 100 sounds incredibly great!
Thank you 🙏
Those are such great sounding modules. I only have the 110 so far.
The Dream Is Always The Same
This is very nice. I wonder what type of filter is on these modules. Doesn't sound like the 24 dB/octave filter on the Craves.
@@telantas Thank you friend, I think the filters are faithful recreation of the original Roland System 100 ones, I wouldn’t know if they’ve used the same in the crave being that that is a recreation of a Moog
Sounds very good. I'm impressed
Thank you my friend ❤️
An impressive jam. 👍👍
Thank you 🙏, this was when I first got into modular and the Sys100m skiff was a good starter kit
Great sound and arpeggio !
I subbed :)
Thank you and thanks for subscribing 🙏
@@conceptdevices 🙂
Excellent jam. 👍👍
Thank you friend
Terrific demo Martyn. Hope you’re good. 👍🏻
Cheers Gary, I’m very well thanks, hope you are too, would be great to catch up with you soon, hopefully our paths will cross at Awakenings or such like 👍
Are you on Twitter?
@@GaryNMorgan yes matey
Fantastic, Martyn!
Thank you very much Shane. ❤️
I'd love to get all these modules but I seem to recall the originals vaguely.
There’s a good selection to get and they’re a lot cheaper than similar equivalent modules
Sounds sweet. Could you possibly post a list of modules you are using? The ones on the left are hard to see.
Thank you It’s just the basic System 100 modules from Behringer, from left to right are CP1A psu, 112 VCO, 121 VCF, 130 VCA, 140 EG, 182 Sequencer, & 150 sample/hold. Output is going through a Boss PS-2 delay pedal into desk mixer.
@@mathematicwaveformrecordings hello and thanks for watching and commenting. Well done on getting the Sys100m rig too. As for tuning I use an old guitar tuner, tune the oscillators to A440 (concert pitch) first, if they aren’t in tune nothing you do will be either, then tune each note the 182 is playing to a tone within a key, you’re then going to get an in tune sequence, my key change on this is being done by the LFO, set to a square wave and very slow, depending on the sequence key it’ll change it to a desirable alternative or it won’t, it’s trial and error but lots of fun exploring it.
@@mathematicwaveformrecordings I think its the simple nature and the authenticity of these B Sys100 modules that give them their appeal and sound characteristics. Ive got much more modular gear since getting ths starter rg and enjoying the process of making music with modular.
@@mathematicwaveformrecordings hello friend, unfortunately you can’t do different tempo sequencers on one 182 module, with a second 182 you can trigger it from the first and adjust the running tempo of it accordingly. Even using a clock divider you can’t alter the tempo of the two sequencer runs in a 182 module.
Looks and sounds great, I'm looking into behringer modular, but dont know much about it. this may be a silly question but, is the audio out a single 1/4 inch jack which goes to an amp or mixer or is it more complicated? Thanks Tim.
Thank you 🙏 And it’s not a silly question, I was exactly the same when I first got this case, usually on Eurorack modular the jacks are 3.5mm so audio outputs might need a jumper lead (small to big jack). You can send audio to a small modular mixer or a desktop mixer or in fact direct to a PC interface, the VCA output in a modular system such as this will do it.
Behringer do a reasonably priced output mixer module that has 1/4 jacks too if you have the funds and room in the case
@@conceptdevices Thanks for the info, so have I got this right, all the sounds from the modules can come out of one jack output, at he same time? :)
@@DisciplinedCommotion yes, that’s right, I put mine into two mixer channels to give me a left and right spread
@@conceptdevices cheers. :)
Fantastic stuff that Martyn! Lovely sounding sequence and the Sys 100 sounds amazing :)
Cheers Peter, its a very sweet machine, still very much a learning process and patching to see what it is capable of
@@conceptdevices Yep sounds really good, impressive! I have a software one and that can do all manner of sounds... So, itll be a journey!
Nice seqences 💫
Thank you Daniel 👍
@@conceptdevices Welcome Martyn! ; th-cam.com/video/ckIuASqS0D8/w-d-xo.html
Oh no, must resist going full modular 😅. This sounds so good 😭.
Thank you and going full Modular is quite low cost when starting with the Behringer system’s
🤙🤙🤙
Thanks 🙏
I like that too. What effects are you using?
Thank you, and it’s just a Boss PS2 delay pedal
The sequence reminds me a bit Severed Heads .
Not heard that
@@conceptdevices I don’t know there is something in the melody and bit the way how Tom Ellard his sequences build plus the sound character. Well done 👍
@@ChromosomeSyndicate Thank you very much ❤️
TEE. Whats the sequencer ?
It’s the Behringer 182 System100m module
How much time did you have to spend getting this sequence to sound in tune? It looks extremely fiddly. I'd is there a quantizer at the far end that's hard to see?
@@SomeOne-pd6vm hello and thanks for watching, I’ve not got a quantiser in the system so it was all tuned and possibly took about 30 minutes the hardest part of the tuning was getting the slow LFO pitch (the thing I’ve used, that is transposing the notes) to play the notes at a recognised scale against the first run of notes. The envelopes are changing note decay and as such it’s all going into a delay pedal which is sort of holding extra notes over after the LFO has transposed them, so it’s a short double up creating a fluent overall sound
whats driving it?
Two sequences off the 182 module
thanks @@conceptdevices
How many voices does this system have
It’s got 3 my friend
@@conceptdevices rad
Nice patching.
Thank you my friend
1:40 of dead air is too much
That’s the John Cage start 😀