super! quel beau toucher qui caresse si delicatement le clavecin . quelle belle façon de rendre expressif et musical un instrument sur lequel c'est si difficile à rendre .
Merci Justin de cette approche du clavecin si délicate. On ne peut s'empêcher de repenser à Couperin qui disait souvent à ses élèves qu'il préférait toujours la douceur à trop de rapidité ou à la violence...
The playing - excellent; the instrument - one of the best; the sound engineering - sensitive and well balanced; the camera work - average to boring. The deliberate blurring of the mechanism is a misguided device, hard on the eyes and difficult to follow the reasoning for, and I do not want super close-ups of the artiste's face. That's too personal.
It is called : inegalité, No measering intended here. It is called 'style luthé' Breathing through-out the peace. Almost abstract by intention but with rubato by tension and relaxing per frase .......
Sorry, inegalité NECESSITATES a pulse from which the "swing" operates. This kind of distortion here, which is the prevalent fashion, totally annihilates the pulse. What remains can no longer be discerned as sarabande. Historically informed playing this is not. It makes me seasick.
Where is the historical proof that the measuré notation of this piece can be freely ignored, allowing such extreme rubato that it is no longer measured, and the pulse is wiped out? www.academia.edu/36526699/A_Measured_Approach_to_J.S._Bach_s_Stylus_Phantasticus_2017
I disagree. I hear and feel the sarabande clearly throughout. A slow 3 beat, with emphasis on the second beat. There is some liberty with strict tempo, but it coincides with the harmonic progression and cadences.
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Beautifully executed video and equally beautiful performance, brava.
j'adore le style non mesuré tout dégingandé de ce très beau morceau si bien rendu par taylor!
super! quel beau toucher qui caresse si delicatement le clavecin .
quelle belle façon de rendre expressif et musical un instrument sur lequel c'est si difficile à rendre .
Que c'est beau !! Bravo !
JUSTIN, PLAYS WITH A WONDERFUL MUSICAL SENSE OF STYLE, THE HARPSICHORD ALSO SOUNDS GREAT. CONGRATS.
Bravo❤
You have one absolutely regal instrument.
Merci Justin de cette approche du clavecin si délicate. On ne peut s'empêcher de repenser à Couperin qui disait souvent à ses élèves qu'il préférait toujours la douceur à trop de rapidité ou à la violence...
merveilleux extraordinaire!!
Hi Justin, the composer's name is Jean-Henri d'Anglebert. It is “Henri” for Henry in French.
i was about to point that out lol
🌈🎶
un beau toucher délicat et inspiré du clavecin.
His melodies get diluted in his ornamentation and rhythmic freedoms. He has wonderful potential but he has a big step yet to take.
The playing - excellent; the instrument - one of the best; the sound engineering - sensitive and well balanced; the camera work - average to boring. The deliberate blurring of the mechanism is a misguided device, hard on the eyes and difficult to follow the reasoning for, and I do not want super close-ups of the artiste's face. That's too personal.
Where's the pulse? What's the meter? I'm listening the second time through and still can't figure it out...
It is called : inegalité,
No measering intended here.
It is called 'style luthé'
Breathing through-out the peace.
Almost abstract by intention
but with rubato by tension and relaxing
per frase .......
Sorry, inegalité NECESSITATES a pulse from which the "swing" operates. This kind of distortion here, which is the prevalent fashion, totally annihilates the pulse. What remains can no longer be discerned as sarabande.
Historically informed playing this is not. It makes me seasick.
Where is the historical proof that the measuré notation of this piece can be freely ignored, allowing such extreme rubato that it is no longer measured, and the pulse is wiped out?
www.academia.edu/36526699/A_Measured_Approach_to_J.S._Bach_s_Stylus_Phantasticus_2017
The Emperor has no clothes.
I disagree. I hear and feel the sarabande clearly throughout. A slow 3 beat, with emphasis on the second beat. There is some liberty with strict tempo, but it coincides with the harmonic progression and cadences.