There are plenty of world class musicians, but only a small percentage of them are able to extemporize, using non-tempered scales in free time, with the consistent level of quality you'll find in the work of Evan Parker, Barry Guy and Paul Lytton, who have produced outstanding work for decades. These gentlemen are Rare Birds. As musicians of this caliber stretch themselves toward new musical experiences, so the listener must also stretch, and that is what makes this music especially valuable.
Tego koncertu na razie nie. Sporo świetnych projektów tych muzyków (ale w innych konfiguracjach) wydała Fundacja Słuchaj. Polecam stronę fundacji na Bandcamp, można posłuchać i kupić. Warto też posłuchać ostatnich pozycji Barry Guy, Evan Parker, Paul Lytton: Live At Maya Recordings Festival, Music For David Mossman - Live At Vortex London, Concert In Vilnius.
I have worked with Evan, this kind of music is my least favourite. It's driven, full of mass energy, but musically it doesn't turn me, the Free Jazz thing, it used to more so.
What work did you do with Evan Parker? " It's driven, full of mass energy, but musically it doesn't turn me, the Free Jazz thing, it used to more so." This is not especially cogent sentence structure, Mr Grew. Likes/dislikes/favorites, are quite subjective. Your critical acumen is in need of sharpening. Meanwhile, great music is lost on you.
Hi Eric. I have done about a dozen gigs with Evan and a couple of recordings on his label. Grutronic "Together in Zero Space" Didn't mean to be critical. It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all. I have singularly done this music all my life, I'm 60 now.😃
@@StephenGrew "It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all." Is this video of your playing an example of what you're saying here?
@@StephenGrew " Didn't mean to be critical." There's nothing wrong with being critical, as long as you point to the work and make specific observations, objections, offer substantive questions. "It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all." This is not particularly clear, I don't know what you're talking about ("a Free Jazz element"?) Are you saying you prefer, or insist on, bar lines? I'm stumped.
There are plenty of world class musicians, but only a small percentage of them are able to extemporize, using non-tempered scales in free time, with the consistent level of quality you'll find in the work of Evan Parker, Barry Guy and Paul Lytton, who have produced outstanding work for decades. These gentlemen are Rare Birds. As musicians of this caliber stretch themselves toward new musical experiences, so the listener must also stretch, and that is what makes this music especially valuable.
Love this band. This is free improvised music of an excellent sort.
i saw you at the strathallan hotel in the 80s fantastic thanks
amazing in every way, thanks for uploading
Free the jazz!
💿💿💿💿
would like to see this with better sound...
można to jakoś dorwać na oficjalnym nośniku?
Tego koncertu na razie nie. Sporo świetnych projektów tych muzyków (ale w innych konfiguracjach) wydała Fundacja Słuchaj. Polecam stronę fundacji na Bandcamp, można posłuchać i kupić. Warto też posłuchać ostatnich pozycji Barry Guy, Evan Parker, Paul Lytton: Live At Maya Recordings Festival, Music For David Mossman - Live At Vortex London, Concert In Vilnius.
@@kmachowina wciąż szukam tego koncertu na oficjalnym nośniku...
I have worked with Evan, this kind of music is my least favourite. It's driven, full of mass energy, but musically it doesn't turn me, the Free Jazz thing, it used to more so.
What work did you do with Evan Parker? " It's driven, full of mass energy, but musically it doesn't turn me, the Free Jazz thing, it used to more so." This is not especially cogent sentence structure, Mr Grew. Likes/dislikes/favorites, are quite subjective. Your critical acumen is in need of sharpening. Meanwhile, great music is lost on you.
Hi Eric. I have done about a dozen gigs with Evan and a couple of recordings on his label. Grutronic "Together in Zero Space" Didn't mean to be critical. It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all. I have singularly done this music all my life, I'm 60 now.😃
@@ericmalone3213 th-cam.com/video/N4GNY_3zIS0/w-d-xo.html
@@StephenGrew "It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all." Is this video of your playing an example of what you're saying here?
@@StephenGrew " Didn't mean to be critical." There's nothing wrong with being critical, as long as you point to the work and make specific observations, objections, offer substantive questions. "It's just a Free Jazz element that I least prefer in Some of the Freely Improvised music. Something I have experienced in my own playing over the years... that's all." This is not particularly clear, I don't know what you're talking about ("a Free Jazz element"?)
Are you saying you prefer, or insist on, bar lines? I'm stumped.
Water boarding
great call, man!