How 'The Fugitive' Uses Staging to Build Tension: A Filmmaker's Analysis

Welcome to our deep dive into the brilliant staging and blocking of the 1993 classic thriller, "The Fugitive," starring Harrison Ford. In this video, we meticulously break down the use of long shots (oners) and how the masterful blocking and staging create a seamless build-up of rising action and climax, the building blocks of a movie, in a short period.
From the intense opening scenes to the riveting chases, "The Fugitive" keeps audiences on the edge of their seats. We explore how the director uses these techniques to enhance the storytelling, drawing viewers deeper into Dr. Richard Kimble's desperate quest to prove his innocence.
"The Fugitive" is a 90s classic thriller that stands the test of time. Its clever use of tension, compelling performances, and innovative filmmaking make it a must-watch. Join us as we dissect these elements, providing insights into how they contribute to the film's enduring success.
As an aspiring director, I’m on a journey to learn from the best in the industry. By breaking down iconic scenes and understanding the craft behind them. And then making small exercises and projects to get better myself. I'm honing my skills and hoping to inspire others to do the same. Post film school and no films school and film enthusiasts unite! Let us create a community of filmmakers and viewers who learn, share, and collaborate to bring our cinematic visions to life.
Thanks for watching! Subscribe, like, and comment to be part of the community. Learning to think like a film director and let's come together to create and share our films.

[@deebugger]

The sandwich scene was brilliant! I still remember how I reacted to it when the movie first came out. The perp taking a bite (thus signaling that he joined forces with the “bad” cops) is a great reward to the food delivery setup. Overall one of the great movies of the 90s.

[@dollyintomeaning]

That was a beautiful reveal were chalk full of those kind of thrillers.

[@royce8413]

Great video! Nice efforts here, I’m wishing you good luck on your channel!

[@dollyintomeaning]

Thank you!!!!

[@ToiletClogger1945]

this is great dude. just subbed. Thanks!!

[@dollyintomeaning]

Thanks!!!

[@xain86k70]

nice breakdown

[@dollyintomeaning]

Thanks! my favorite was seeing how clearly blocking can be used to feed the story arc of a scene.

[@jasontodd6779]

Your channel should have more sub.

[@dollyintomeaning]

One of things I'm trying to do with this channel is create a group of learning directors to give feedback on work at various stages: scripts, storyboards and cuts. More subs would be great to make that happen. If you are interested in being apart of a cohort email me at [e-mail]

[@jasontodd6779]

Do you have any other channel or have you tried to promote your work on other platforms?
TH-cam is great but it is better to expand your internet presence across multiple platforms.

[@dollyintomeaning]

@@jasontodd6779 appreciate the advice, for now I'm just on TH-cam

[@RobPanico]

My second fav movie and you've nailed an analysis of one of its many strengths. Great video and channel, keep it up!

[@dollyintomeaning]

It's a darn good movie a perfect 90s film. I'm curious what your favorite is.

[@RobPanico]

@@dollyintomeaning another Harrison Ford vehicle produced by Warner Bros.: Blade Runner

[@artisticnoob5855]

This was a very well made analysis man ! Definitely gonna binge through your other analysis 👍🏼 Subbed !!

[@dollyintomeaning]

Welcome aboard!

[@Darrenmcinnes70]

Good stuff.

[@dollyintomeaning]

Thanks! Nice production design on "dig.dug.dead." The zoom in on the radio was also a nice touch! I'm looking to create a directors group, kind of like a writer's group, but for directors. Film makers giving feedback on each others storyboards, beat lists and cuts that sort of thing. If interested email me at [e-mail].

[@Darrenmcinnes70]

@@dollyintomeaning hey thanks for watching, I appreciate it. That sounds like a good idea but if you saw my storyboards you might rethink everything….lol.

[@AbhishekGupta-rg2jv]

Can you tell which black and white john wayne movie is that ?

[@dollyintomeaning]

1:59 It's actually "High Noon" with Gary Cooper it's one of those old timeless movies. I highly recommend it. If you are interested I did a breakdown on how glances can be impactful from it: th-cam.com/video/ERk_b8ozN60/w-d-xo.html

[@AbhishekGupta-rg2jv]

@@dollyintomeaning Thank you so much.