Nunca había visto a Stocky en un plan tan gracioso, imitando con gestos deliciosos a los luchadores de Sumo y al réferi con sonidos exquisitos. ¡Qué gran momento y gran alegría de verle así! Bravo
@PiEndsWith0 The piece is saturated with new concepts of time. As the experience of the Japanese culture was new to him, and effected his outlook on concert music forever. The idea that the rhythm of one type of music can be used to modulate the other contributes to the general theme of time. The idea that he was taking pre-recorded sounds , which was new to him, means he was extracting a performance in time with the help of recording technology and placing it in a new context. A sound time machine as it were. I think the Japanese concept of time, and its slowness to fastness ratio, is fully realized in larger works like LICHT, wherein Stockhausen begins to create his own rituals, his own culture.
few lectures ago he talks about perception of time, in terms of contraction and expansion, and these sound like sources we hear in each exposition of given theme (sounds of objects mentioned throughout this lecture) or he might be having fun in the studio, given new tools, experiences, traditions.
Thank you so very much for publishing these!! One question - Stockhausen spends quite sime time explaining the japanese concept of time... which doesn't then seem to connect with anything within Telemusik.. ? (Or is it just me)
Hi tomas, thx for uploading these amazing videos. I have watched through 18 videos in this playlist and noticed that the final one was deleted due to copyright. Could you tell me the name of the deleted vid at least?
![Lecture 4 [Part 2/2] Karlheinz Stockhausen - Intuitive Music (IT) (1972)](http://i.ytimg.com/vi/yq3rbK1f7Fc/mqdefault.jpg)
![Lecture 3 [Part 1/3] Moment-Forming and Integration (MOMENTE) (1972)](/img/n.gif)
Nunca había visto a Stocky en un plan tan gracioso, imitando con gestos deliciosos a los luchadores de Sumo y al réferi con sonidos exquisitos. ¡Qué gran momento y gran alegría de verle así! Bravo
I love Stockhausen. Magnificent.
Thank you for the upload, thanks a lot!!
@PiEndsWith0 The piece is saturated with new concepts of time. As the experience of the Japanese culture was new to him, and effected his outlook on concert music forever. The idea that the rhythm of one type of music can be used to modulate the other contributes to the general theme of time. The idea that he was taking pre-recorded sounds , which was new to him, means he was extracting a performance in time with the help of recording technology and placing it in a new context. A sound time machine as it were. I think the Japanese concept of time, and its slowness to fastness ratio, is fully realized in larger works like LICHT, wherein Stockhausen begins to create his own rituals, his own culture.
Thank you for uploading this series. A great pleasure.
few lectures ago he talks about perception of time, in terms of contraction and expansion, and these sound like sources we hear in each exposition of given theme (sounds of objects mentioned throughout this lecture) or he might be having fun in the studio, given new tools, experiences, traditions.
Thank you for the upload!!
still love it!!
33:50 - 34:05 - This part always makes me laugh!
Thank you so very much for publishing these!!
One question - Stockhausen spends quite sime time explaining the japanese concept of time... which doesn't then seem to connect with anything within Telemusik.. ? (Or is it just me)
Hi tomas, thx for uploading these amazing videos. I have watched through 18 videos in this playlist and noticed that the final one was deleted due to copyright. Could you tell me the name of the deleted vid at least?