Interesting way to play it guys...I always love to see creativity! Hey I see one of you has a Maz 38! So with the PRS and humbuckers, where do you most like to have your EQ (Treb,Mid,Bas) and your cut set at if I can ask? I find noon-ish is where EQ kind of likes me with HB's. (Unless I want more mids then I push mid up to taste and drop bass a little. Sorry for the non Glorious day Q, but I love to see what other Maz players are doing. (I am always edge of breakup so when I dig in I get that nice transparent light OD, and backing off I can go completely clean if I ever wanted to> ) WHich I never do haha!
+Barend Botha Sorry Barend, we're putting our time and effort into making videos right now. If you or another viewer wants to make tabs or charts, we'll be glad to share them!
I have always used the term "diamond" to describe really digging in to a chord and letting it ring out until the next chord change. "Diamonds" are usually used to end a section of a song to lead into the next section, i.e. Chorus --> Verse or Outro --> Ending. I hope that helps!
We just use standard tuning. For basically all the worship music that we play. But feel free to experiment and see what you can come up with! And... in case you're asking a different question... Yes. We always recommend tuning before you play.
I was just checking on what tuning you guys were using. It sounded like Eb to me. I know that on the original recording both guitars are tuned to Drop D.
That makes sense. For us though, in the context of playing a worship set we rarely do anything but standard tuning. We don't normally have time to retune or switch guitars between songs, so we try to find ways to play the songs we play in standard tuning. Keeps things consistent and simple so our guitarists can nail the parts we want them to play, and lets them have a little more free head space to be in a worshipful mindset while they are playing. One less thing to worry about.
+rblyle382 I strum the way I do on the one string to get more attack and bite out of it. If you pick it like a single string it sounds flat and not present. It gives you more clarity, punch and note definition to strum.
Worship Tone Lab not trying to be argumentative but you can get a strong attack without exerting as much energy. Unnecessary movements such as those are what lead to guitarists having joint issues down the road. Just a suggestion and take it for what it's worth but try less movement, especially in the wrist and instead increasing the strength of your pick grip. It'll hit the strings with more rigid force and produce the attack you mention without having to flail your arm and wrist.
Our church just stated playing this song, awesome tutorial! Thanks super helpful!
Guys this was a beautiful tutorial! It's really helpful to us worship guitarists! Please keep them coming! Thanks!
THANK YOU!! I’ve been trying to figure out what he’s been doing on that bass E string for the longest time. Thank you thank you!! Sooo helpful
I found out on Friday evening we were doing this song, thanks to this tutorial I was able to get the lead down! Thank you!!
+derryckw Glad to hear it!
Thanks, guys! This'll help my band out a lot!
This is really helpful! Thanks for showing us.
I do the same thing for the intro. Throw some heavy dotted 8th on it and it sounds so incredible.
Thank you Guys so much. Truly it was is great help. Love the way you'll teach
Hey man, thanks. Really appreciate it.
Excellent! Thanks guys.
Interesting way to play it guys...I always love to see creativity! Hey I see one of you has a Maz 38! So with the PRS and humbuckers, where do you most like to have your EQ (Treb,Mid,Bas) and your cut set at if I can ask? I find noon-ish is where EQ kind of likes me with HB's. (Unless I want more mids then I push mid up to taste and drop bass a little. Sorry for the non Glorious day Q, but I love to see what other Maz players are doing. (I am always edge of breakup so when I dig in I get that nice transparent light OD, and backing off I can go completely clean if I ever wanted to> ) WHich I never do haha!
No question,but thankyou for your teaching
Awesome, I'm subscribing. Got the tabs / charts for the lead parts posted anywhere?
+Barend Botha Sorry Barend, we're putting our time and effort into making videos right now. If you or another viewer wants to make tabs or charts, we'll be glad to share them!
@@WorshipToneLab I don’t have a swells pedal what do you recommend
@@rubenmainor5410 Use the volume knob on the guitar to swell in. Basically the same thing
Thanks so much!
We play this song in B
Great tutorial guys! What key are yall playing in
+rick l D Major
Also, are you using standard tuning? Don't see it in description and don't recall hearing hall say it.
+rblyle382 Both guitars are in standard tuning.
What does the term (what sounds like) "diamonds" mean? I've heard Lance Gatch use it and I've never grasped it
I have always used the term "diamond" to describe really digging in to a chord and letting it ring out until the next chord change. "Diamonds" are usually used to end a section of a song to lead into the next section, i.e. Chorus --> Verse or Outro --> Ending. I hope that helps!
Casey Thoren "diamonds" in notation would simply mean a whole note.
What pickups are on the strat bridge?
Seymour Duncan Lil’ 59
which pedal do you use
They are listed in the description now! Sorry for the delay!
Tuning????
We just use standard tuning. For basically all the worship music that we play. But feel free to experiment and see what you can come up with!
And... in case you're asking a different question... Yes. We always recommend tuning before you play.
I was just checking on what tuning you guys were using. It sounded like Eb to me. I know that on the original recording both guitars are tuned to Drop D.
That makes sense. For us though, in the context of playing a worship set we rarely do anything but standard tuning. We don't normally have time to retune or switch guitars between songs, so we try to find ways to play the songs we play in standard tuning. Keeps things consistent and simple so our guitarists can nail the parts we want them to play, and lets them have a little more free head space to be in a worshipful mindset while they are playing. One less thing to worry about.
Asies está chido xd
Why would you strum the intro like that if it's just one string?
+rblyle382 I strum the way I do on the one string to get more attack and bite out of it. If you pick it like a single string it sounds flat and not present. It gives you more clarity, punch and note definition to strum.
Worship Tone Lab not trying to be argumentative but you can get a strong attack without exerting as much energy. Unnecessary movements such as those are what lead to guitarists having joint issues down the road. Just a suggestion and take it for what it's worth but try less movement, especially in the wrist and instead increasing the strength of your pick grip. It'll hit the strings with more rigid force and produce the attack you mention without having to flail your arm and wrist.