Yes, that's one way of describing the parts of the maqam, common in qur'anic recitation. The qarar is the lowest part of the scale, the jawab is at the octave, and jawabul jawab is above the octave or the second octave. "Nawa" that you refer to is the note G (or "Sol" in solfege) which is the 4th note above the D (or "Re" in solfege) where you can sing Nahawand, Rast, etc. This lesson only covers the bottom part of the maqam - each Jins is one of those parts - so these are the melodies for the Bayati Qarar = Jins Bayati. For the whole maqam, please see my lesson #14 on Maqam Bayati Bayati Qarar = Jins Bayati Nawa = Jins Rast or Jins Nahawand on Nawa Jawab = Jins Bayati on the octave
fantastic, thank you, so much needed, when i started learning around 8 years ago, i discovered your maqamlessons website first! i am still at the beginning of the vid, maybe finally i will learn where this bayati noss bemol is! i can't seem to grasp it, maybe it is my ear, maybe because i awoke to music when orgue and other fixed note instruments, as well as youtube which sort of mixes all influences at once, makes it harder. again thank you
Don't worry too much about finding where the nuss bemol is at first. Allow it to gradually sink into your ears by repeating the melodies. The more of these little melodic phrases you learn and memorize (and you can even try to memorize a few short phrases from the song medleys I'm playing), the more your ears will naturally adjust and you'll start to hear it. Don't force it if you don't get it at first, and don't beat yourself up if you don't hear it or understand it right away. Follow what attracts your ear and allow your brain to change its shape as the melodies influence you. Then you'll end up with a perfect nuss bemol without even realizing it.
Why not use the piano? Just because of the lack of quarter tones? I think that Tigran Hamasyan gets around this by kind of doing a single trill between say C/C#. It doesn't give the same tone for sure, but quickly bouncing between them a single time gives me a feeling of a note in between. Sami, what do you think?
This is such an amazing resource thank you!
God bless you! I needed this for prayers 🙏🙏🙏
fantastic.
I was wondering if you could write (anglicized and Arabic) the song names so folks can chase them up an learn some?
thanks.
I second this!
i heard bayati maqoms have its own levell. like, bayati qoror, nawa, jawab , and jawabul jawab
Yes, that's one way of describing the parts of the maqam, common in qur'anic recitation. The qarar is the lowest part of the scale, the jawab is at the octave, and jawabul jawab is above the octave or the second octave. "Nawa" that you refer to is the note G (or "Sol" in solfege) which is the 4th note above the D (or "Re" in solfege) where you can sing Nahawand, Rast, etc.
This lesson only covers the bottom part of the maqam - each Jins is one of those parts - so these are the melodies for the Bayati Qarar = Jins Bayati. For the whole maqam, please see my lesson #14 on Maqam Bayati
Bayati Qarar = Jins Bayati
Nawa = Jins Rast or Jins Nahawand on Nawa
Jawab = Jins Bayati on the octave
Love it Sami
Thank you Elizabeth and thanks so much for watching!
WOW!!!!! This is great!@ Following along!!!
جميل جدا جدا ...
و كأنك المشايخ في اسلوب التلقين ... وهذا هو التعليم العالي للاحساس بالمقام و طعمة وتناوله و بعض الجمل الموسيقية المشهورة في الجنس
Hi! May i please ask a question: os Sabah's song Ahla bi hal talle in jins bayati? So many thanks for sharing your invaluable knowledge with us
Yes it's in Bayati
Amazing!
Thank you so much!
jika membuat tutorial berikn translate indo...salam dari indo
Sami the Sikah note in bayati on D is higher than in rast on C?
More often it is lower, but sometimes it is higher. Depends on regional context to some extent
Oh my eye !!!!
fantastic, thank you, so much needed, when i started learning around 8 years ago, i discovered your maqamlessons website first! i am still at the beginning of the vid, maybe finally i will learn where this bayati noss bemol is! i can't seem to grasp it, maybe it is my ear, maybe because i awoke to music when orgue and other fixed note instruments, as well as youtube which sort of mixes all influences at once, makes it harder. again thank you
Don't worry too much about finding where the nuss bemol is at first. Allow it to gradually sink into your ears by repeating the melodies. The more of these little melodic phrases you learn and memorize (and you can even try to memorize a few short phrases from the song medleys I'm playing), the more your ears will naturally adjust and you'll start to hear it.
Don't force it if you don't get it at first, and don't beat yourself up if you don't hear it or understand it right away. Follow what attracts your ear and allow your brain to change its shape as the melodies influence you.
Then you'll end up with a perfect nuss bemol without even realizing it.
Don't use the piano, please omg! hahah
Why not use the piano? Just because of the lack of quarter tones? I think that Tigran Hamasyan gets around this by kind of doing a single trill between say C/C#. It doesn't give the same tone for sure, but quickly bouncing between them a single time gives me a feeling of a note in between. Sami, what do you think?