Every time a vaporwave song comes on my Spotify I always have to find the actual sample, it's always way better than a lazy looped piece of a good song
You can't feel nostalgia for a vaporwave song that's not even a teenager yet lmfao. Have some more respect to the classics that weebs have run a train on.
@@KamenRaiden There is no minimum requirement for what makes you nostalgic. If you were in a different time of your life when you heard the song, you can feel nostalgia.
@@la_win69 well, the album it's from is called "F-1 Grand Prix World", not to mention they probably made this under the commission of Fuji TV as they were the F1 broadcasters in Japan at the time. Also, the album features a song that doesn't even belong to T-Square (the last song in the album "In This Country").
Jazz fusion is a pretty large genre. There are lots more artists/groups of equal or even higher quality. I personally would recommend Return to Forever, Mahavishnu Orchestra, Pat Metheny Group, and Mile Davis' fusion projects.
@@lars1588 I would also recommend them, but it's safe to say they can be an acquired taste. I've listened to a lot of music (specifically jazz-inspired) before coming to these, and I had an easier slide into their particular spices and flavors. Pat Metheny's work, however, is so imaginative and styled that it will be appealing to most fusion listeners; the guy knows how to let the song flow!
Ik it came out in 2014 but that was my jam in 2022, Macross basically carried me through the whole summer And inadvertantly introduced me to jazz fusion
I feel like some of the folks talking about the "sampling" in Macross' "Horsey" aren't 100% on why it's kind of a disingenuous thing for them to do. Normally in sampling you flip part of a recording and do something different and unique with it that makes it your own. Macross literally just take the melody of this tune wholesale and use it as the melody of their tune, it's not just flipping a sample or copying a chord progression which is free reign for anyone to do, if you WHOLESALE just take a melody from someone else's song, the result is a remix... or a re-imaging or whatever you wanna call it. When you form your entire song around taking the melody straight from another song, it just feels disingenuous to me to call that your song.
ปีที่แล้ว +13
Future funk can absolutely have some incredibly lazy sampling, but I don't think this is really an example of that. Sampling is a spectrum, from totally unrecognizable collaging (Face to Face by Daft Punk, or much of the Avalanches' first album) to repurposing a melody into a new context (like this.) Some of the best beats and sample flips ever are "simpler" flips that are not too different from the Horsey sample -- e.g. Big Boi - Shine Blockas, Nas - Represent, Eminem - My Name Is, etc. I do think there is a line, though, between "simpler" sampling and "lazy" sampling. Selfish High Heels is a really bad example of the latter IMO -- it's basically taking the entire chorus of Dress Down and layering some additional drums and filtering effects to it. Horsey differs IMO because it uses a substantially smaller snippet of Circuit Wanderer, puts it in a very different context (hip house instead of jazz fusion), and the vocals add a *lot*.
For years I thought Macross came up with that brilliant little synth melody. But I should have known better from that RIPOFF artist. Glad to locate the real genius.
@@anonymous-anonymous-anonymous Lol, my bad. But honestly, it's not only Macross. And besides, from what I can see (since I'm no Macross fan) is that his themes are usually from the 80s-90s. I wouldn't be surprised if an artist flips a sample for the nostalgia effect.
This is glorious. Was originally listening to Macross 82-99 Horsey.
This original really makes me super nostalgic.
Every time a vaporwave song comes on my Spotify I always have to find the actual sample, it's always way better than a lazy looped piece of a good song
@@Jake-im2lvtrue
You can't feel nostalgia for a vaporwave song that's not even a teenager yet lmfao.
Have some more respect to the classics that weebs have run a train on.
@@KamenRaiden There is no minimum requirement for what makes you nostalgic. If you were in a different time of your life when you heard the song, you can feel nostalgia.
Still dont know why this masterpiece isnt on spotify already...
or any digital store font in the US
It's because of the licensing.
@@thehwguy4293 explain, you tellin me this doesnt belong to T-square or sum'?
@@la_win69 well, the album it's from is called "F-1 Grand Prix World", not to mention they probably made this under the commission of Fuji TV as they were the F1 broadcasters in Japan at the time. Also, the album features a song that doesn't even belong to T-Square (the last song in the album "In This Country").
Listening to this gave my Honda Jazz an extra 50BHP boost down the highway.
started listening bliss3three a year ago and found out they sampled a bunch of jazz fusion stuff and it helped me discover so much music!
frr brooo i love bliss3three
real indeed
Nujabes cover
you gotta listen to macross-82 99 A Million Miles Away!!! it’s such a good vaporwave album full of vaporwave and jazz/funk fusion :D
Goodness, this is such an amazing song. T-Square's got some amazing stuff, and it's a shame that their work isn't very well known these days.
T square and casiopea are the pinnacle of music man I swear they should be using their music as therapy
+masayoshi takanaka
tatsuro yamashita
kazuhito murata
kingo hamada
toshiki kadomatsu
you & the explosion band
Jazz fusion is a pretty large genre. There are lots more artists/groups of equal or even higher quality. I personally would recommend Return to Forever, Mahavishnu Orchestra, Pat Metheny Group, and Mile Davis' fusion projects.
@@lars1588 I would also recommend them, but it's safe to say they can be an acquired taste. I've listened to a lot of music (specifically jazz-inspired) before coming to these, and I had an easier slide into their particular spices and flavors. Pat Metheny's work, however, is so imaginative and styled that it will be appealing to most fusion listeners; the guy knows how to let the song flow!
@wilfordwyatt1228 s kiyotaka and omega tribe is good too
Y’all know what brought me here 🐴
Lmaooo
Macross 82-99 music goes so hard
It’s the year of the horse that’s running freely 🐎
Adam tha shinobi
YESSSSS
Ik it came out in 2014 but that was my jam in 2022, Macross basically carried me through the whole summer
And inadvertantly introduced me to jazz fusion
love this sample
bliss3three
聴いてて気持ちよくなっちゃう！
1:12
so real
Possibly one of the hardest riffs ever
so this was celestial city
this song play in my head whenever I go to local dealership
1:11 best part
gran turismo vibes
it heat
this and east city from gran turismo 2 is my fkin jam song !
It's crazy
straight into the "o shit now i remember" playlist
1:10 ohhhh that's what this is from
This really makes me want to boot up some Virtua Racing
insane
Amazing quality!
Idk why but a want a “moon base alpha” cover of this song
Especially the synthesizer chorus
This remember to mario kart games classics.
Funny you mentioned Mario, since Sister Marian was used for the Overworld theme.
bruh wtf I did NOT expect the melody to sneak in like that hahahah
Took me way too long to track down the song after the original post got deleted.
this sounds like a sonic mania soundtrack!
♥
Synth solos:
3:14
4:18
really fast part:
3:36
Alright so I heard macross and then bliss3three and found out they both sampled this awesome song!
Weebs love their stupid fucking vaporwave. Have more respect for the classics that the dirty fucking weebs have run a train on
🏇
Macross!
People that came here from horsey: 💃
People that came from KENTENSHI: ( ・_ゝ・)
People that came from YoMama2612: 💃
Does anyone know songs similar to this? like with that synth style at 1:12
horsey by macross
c3l3stial_city
The brass-meets-synth vibe of this song made me think of "Shoreline Drive" by Sammy Nestico th-cam.com/video/CUmIguuPgA8/w-d-xo.html
Oh i got a good one! Try " Breakin away " by Shakatak. Tell me what you think of it!
@@ArYaSeNic you god
4:26 THE LICK (again)
tippity
dat intro.....TangoLine, IS that you?!
My friend's Taladega race watch party brought me here
2:40
This sounds like Divine Bloodlines from Castlevania: RoB.
This sounds like Kuala Lumpur during Mahathir's premiership in 1991...
me huele a que macross estuvo aquí
Tienes buen olfato, amigo
y si jsjasjasjasj
😅 is anyone here horse oriented¿?
I feel like some of the folks talking about the "sampling" in Macross' "Horsey" aren't 100% on why it's kind of a disingenuous thing for them to do. Normally in sampling you flip part of a recording and do something different and unique with it that makes it your own. Macross literally just take the melody of this tune wholesale and use it as the melody of their tune, it's not just flipping a sample or copying a chord progression which is free reign for anyone to do, if you WHOLESALE just take a melody from someone else's song, the result is a remix... or a re-imaging or whatever you wanna call it. When you form your entire song around taking the melody straight from another song, it just feels disingenuous to me to call that your song.
Future funk can absolutely have some incredibly lazy sampling, but I don't think this is really an example of that. Sampling is a spectrum, from totally unrecognizable collaging (Face to Face by Daft Punk, or much of the Avalanches' first album) to repurposing a melody into a new context (like this.) Some of the best beats and sample flips ever are "simpler" flips that are not too different from the Horsey sample -- e.g. Big Boi - Shine Blockas, Nas - Represent, Eminem - My Name Is, etc.
I do think there is a line, though, between "simpler" sampling and "lazy" sampling. Selfish High Heels is a really bad example of the latter IMO -- it's basically taking the entire chorus of Dress Down and layering some additional drums and filtering effects to it. Horsey differs IMO because it uses a substantially smaller snippet of Circuit Wanderer, puts it in a very different context (hip house instead of jazz fusion), and the vocals add a *lot*.
🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓
@Yeah the vocals are super important too. I think depending on how little you change the song, you should put the original creator in the title
For years I thought Macross came up with that brilliant little synth melody. But I should have known better from that RIPOFF artist. Glad to locate the real genius.
Someone hasn't heard of "sampling other songs".
@@loustact - someone else hasnt heard of "FLIPPING" a sample. macross' use is just... LAZY.
@@anonymous-anonymous-anonymous Lol, my bad. But honestly, it's not only Macross. And besides, from what I can see (since I'm no Macross fan) is that his themes are usually from the 80s-90s. I wouldn't be surprised if an artist flips a sample for the nostalgia effect.
L take
@@lowintellecttrash6737 Maybe... Idk