It's wonderful to hear beautiful phasing, and wonderful musicality in a Young player. These are traits missing in much of today's playing. It has become so mechanical. BRAVO. KEEP ON SINGING THROUGH YOUR TRUMPET.
Thank you very much!! I think you're right that a lot has become mechanical. So I try to play musically and hopefully others will get away from being so mechanical.
This was done so well that it was nostalgic, to be honest. though this is one song that for me- you really need the full orchestra backing of the original to get that certain feel for it to enable the ability to adlib.
I always love to hear stuff like that :) I think I did have the option to use the original backing for this one. I'm can't remember why I didn't. It might have been the range. Sometimes the range is just too low to project when it's a song based off a female solo. The male solos tend to sit better on a trumpet.
@@thetrumpetman I know- going up the octave can be difficult- even more so for french horn than any other brass instrument. Plus- its a good idea to try to avoid it because in the brass section it is good to avoid doubling octaves- in the sense of a trombone and a trumpet having the same note one or more octaves apart outside concert A and Concert Bb- the reason being is because it will cause both horns to sound a quarter flat if the intonation isn't rather suburb if the double octaves last longer than a few notes. In practice, if dealing with trumpet and a recorded backtrack, going up or down to as much as a major third will typically do the trick- unless you don't have your chromatic scale down pat. Changing the key can sometimes cause some rather difficult chromatic passages.
It came on a CD that was with this sheet music book: www.amazon.com/Disney-Solos-Trumpet-Symphony-Orchestra/dp/063400073X/ref=sr_1_6?dchild=1&keywords=disney+trumpet&qid=1619097704&sr=8-6
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It's wonderful to hear beautiful phasing, and wonderful musicality in a Young player. These are traits missing in much of today's playing. It has become so mechanical. BRAVO. KEEP ON SINGING THROUGH YOUR TRUMPET.
Thank you very much!! I think you're right that a lot has become mechanical. So I try to play musically and hopefully others will get away from being so mechanical.
thank you from all the French trumpeters and the world
It's great to hear from the French trumpeters :D
Amazing, you really nailed the sway of the song, really enjoyable to listen to! Keep 'em coming!
Thank you! I shall try.
The Trumpet music is a blessing being I was a trumpeter for years thank u God bless your tallants
I appreciate it :) Thank you :)
this really warms my heart
childhood memories
I'm happy to hear that :)
its so wonderful to play along. Thank you
You're welcome! I'm glad you're able to play along :)
Recognised it straight away. Thanks!
You're welcome! It's a nice one to do. I've played it at a park before.
Eine tolle Nr. Klasse gespielt.
👏👏👏👍👍👍
Thank you very much!
This was done so well that it was nostalgic, to be honest. though this is one song that for me- you really need the full orchestra backing of the original to get that certain feel for it to enable the ability to adlib.
I always love to hear stuff like that :) I think I did have the option to use the original backing for this one. I'm can't remember why I didn't. It might have been the range. Sometimes the range is just too low to project when it's a song based off a female solo. The male solos tend to sit better on a trumpet.
@@thetrumpetman That's where you transpose the octave or change the key. (something that audacity is good for).
@@Harlem55 True. I've done that before for other songs. Sometimes doing the octave thing can be quite a blow.
@@thetrumpetman I know- going up the octave can be difficult- even more so for french horn than any other brass instrument. Plus- its a good idea to try to avoid it because in the brass section it is good to avoid doubling octaves- in the sense of a trombone and a trumpet having the same note one or more octaves apart outside concert A and Concert Bb- the reason being is because it will cause both horns to sound a quarter flat if the intonation isn't rather suburb if the double octaves last longer than a few notes. In practice, if dealing with trumpet and a recorded backtrack, going up or down to as much as a major third will typically do the trick- unless you don't have your chromatic scale down pat. Changing the key can sometimes cause some rather difficult chromatic passages.
Hi, It's amazing how beautiful you play. Please post soundtrack only of your movies so anybody will try play as you :)
Thank you :) I'm not planning on doing it that way, but I understand people wanting me to do it like that :)
Muchas gracias 🎺🎺🎺
You're welcome :)
I’m a very very fan French
Thanks for being a fan! It's great to hear from someone who is French :)
Mi piacerebbe acquistare la base di questo brano. E' disponibile?
It came on a CD that was with this sheet music book: www.amazon.com/Disney-Solos-Trumpet-Symphony-Orchestra/dp/063400073X/ref=sr_1_6?dchild=1&keywords=disney+trumpet&qid=1619097704&sr=8-6
Molto bravo ma assai lontana dalla canzone vera e l arrangiamento molto approssimativo
Thanks :)