My "MUST HAVE" Equipment List For Media Composition
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- เผยแพร่เมื่อ 29 ก.ค. 2024
- What would make your "essential" list, entry level, investment level and bucket list?
Here's mine:
- Headphones
DT770 europe.beyerdynamic.com/dt-77...
DT102 europe.beyerdynamic.com/dt-10...
DT1990 europe.beyerdynamic.com/dt-19...
- Mics:
SM57 www.shure.co.uk/products/micr...
AKG 414 www.akg.com/Microphones/Conde...
Coles www.coleselectroacoustics.com/...
- Speakers
BM5a www.dynaudio.com/professional...
BM15a www.dynaudio.com/professional...
Barefoot barefootsound.com/micromain27/
- Vintage Synths
One of these but not at this price! www.ebay.com/itm/Wurlitzer-Mo...
MS20 www.thomann.de/gb/korg_ms_20_...
Jupiter 4 www.vintagesynth.com/roland/ju...
- Modern Synths
Moog Minitaur www.moogmusic.com/products/mi...
Moog DFAM www.moogmusic.com/products/df...
OB6 www.sequential.com/product/ob-6/
- Modular
Maths www.makenoisemusic.com/modules...
Magneto www.strymon.net/products/magn...
Rene www.makenoisemusic.com/modules...
- Effects
Fender Tweed shop.fender.com/en-GB/guitar-...
Big Sky (not Blue Sky!) www.strymon.net/bigsky/
Moogerfoogers www.ebay.co.uk/b/moogerfooger...
- Compression
Drawmer (DBX also good) www.drawmer.com/products/70s_...
33609 ams-neve.com/33609-2/
Vari Mu www.manley.com/pro/mslchp
- EQ
Maag www.maagaudio.com/EQ4-500.html
Massive Passive www.thomann.de/gb/manley_mass... and its plugin cousin www.uaudio.com/uad-plugins/eq...
GML www.proaudioeurope.com/outboa...
- Reverb
Space Echo en.wikipedia.org/wiki/Roland_...
EMT Plate reverb.com/uk/item/3943607-vi...
TC6000 www.proaudioeurope.com/outboa... - เพลง
Lots of references to the Moog Taurus, but I believe you meant the Moog Minitaur ... the Taurus is enormous and discontinued. Minitaur is the brother or sister to the Sirin in its appearance. Thank you for your videos.
Mister Valentin yes you’re absolutely right I’m mixing up my bovine knowledge with mythical characters.
I can't wait to hear you talk about the Moog Grandmother. Lots of cheap laughs to be explored.
@@TheCrowHillCo
@@mistervalentin8396 what’s the overriding opinion of the Grandmother? I haven’t gotten into modular at all, total synth noob (99% of my synth work is in the box). It looks cool haha, so I’m curious
@@mrnelsonius5631 I am always feeling like a noob myself. You don't need to use it with patch cables or with a modular set-up; it just sounds great with its limitations, it's satisfying to tinker with, the spring reverb really sounds fabulous. What I can recommend is to watch the plethora of videos on TH-cam of people demoing the Grandmother, and slowly form your opinion - see which comments people make about its feature set resonate with you. Listen to the sound demos ... I personally have often purchased items that other people use spectacularly only to realise once I was fiddling with it at home that the musicians who master these instruments are far more smart and technical than me and don't seem to mind memorising combination button presses! Elektron are a company that make great instruments, but they require you to buy into their vernacular and way of doing things. I personally like synths and drum machines that are intuitive to use, that let me dictate how to use them, that have a one-knob-per-function philosophy, and that allow you to do basic things easily. To that end the Grandmother is great fun, sounds fabulous, the keyboard feels great, the knobs are great quality, it feels like a proper instrument with it's robust build quality, it's compact, and it's more capable that it appears because of the patching possibilities, and the spring reverb is a legit part of the sonic signature. There is a new all-black version of the Grandmother if you prefer that style to the more quirky and vintage colour-scheme of the funky original. Have a happy new year! Stay safe!
ye taurus is the foot beast Adam Jones of TOOL uses
I love love love your videos. You have the utmost precision in communicating your thoughts and ideas. Your humour is brilliant too. Making fun of yourself communicates such warmth and humanity. You are a joy to watch and listen to. Thank you!
Christian. One very serious piece of additional advice to add to your list (Never go hungry. Never cancel a holiday. Never deprive your family for equipment.) and that is, NEVER get into debt for it.
I am sure that there a plenty of us here with rooms full of gear who will tell you that their highest earning works (that paid for all the subsequent gear), we're recorded on an ADAT, or something modest. There's time for buying stuff later.
This. I gotta chill out on buying stuff.
And it's so difficult to do.
I heard the same advice about heroin, mate. Works in theory an all.
I don't know any artists who haven't broken at least two of those rules;)
I read "never deprive your family of equipment" as a Freudian slip I suppose and immediately wiggled my tail affirmatively. "Honey, it's for all of us!"
Just gone and bought a Moog Grandmother. I’ve been inspired to get ‘out the box’ after watching your amazing videos. Humming and hawing over the last couple of weeks, nearly bought virtual analogue or digital synths with myriad features. I then I heard you again talking about an instrument having a soul. Then I knew what to buy. Just spent a blissful hour playing with the Moog. I felt like a kid again - wonderful experience
You've missed a very important "essential" investment - your skills. Both as a musician and a sound engineer - most of us are doing both jobs in our studios. You may be the best musician in the world but if you can't record your greatness correctly, it's going to sound like crap. I would recommend investing in personal development as much as investment in gear. If you can't spend the time to do a sound engineering course at college, get a subscription to Sound on Sound magazine - it has a lot of valuable information on recording and mixing techniques as well as great gear buying advice. Another good reason to do a good course is to make contacts in the music industry and with fellow musicians/producers. One of the best resources you can have is a third party that you respect, who can listen to your work and give you constructive advice.
Absolutely spot on. No point owning kit if you don’t know what you’re doing. Conversely, if you do know what you’re doing - you appreciate having the right tool for the job! Hand in hand. 😊
This is not a personal development video! It is more of those who want to spend on gear or equipments.
stfu Steve Bark
There is a phenomenon I’ve seen many times in synth forums, which could perhaps be called “Stradivarius envy”.
People playing synths, that wishes there was a real art to building synths, that the making of the instrument matter so much that hand built would mean that it had something extra. That there was a pinnacle of synth building or a holy grail, something that will stand the test of time. Something that would hold its value. Something that is the sound of subtractive synthesis, that everyone else only tries to mimic. And in many cases they try to put that label on Moog products, because the original Moog company came out with the Minimoog that pretty much formed the idea for self-contained subtractive synthesis. The problem is that a Minimoog on the inside is just electronics, there is nothing special there, nothing acoustical, nothing that would be affected by how the product was produced. And modern Moog synths uses mainly imported electronics from china that are only hand assembled in the factory so they not hand built (at best, that is, some seems to be mostly pre-assembled even before arriving at the Moog-factory).
That is one aspect of the “Stradivarius envy”.
Another aspect of “Stradivarius envy” that some people have a hard time accepting synth modules that then has to be connected to a playing interface (often keyboard), as if somehow having it all in a package would make it any more of a “real instrument”, like the sense one would get from an acoustical instrument where one can’t separate the sound generation from the instrument one plays.
That is of course not true either. Having a separate module works just as well as having it built in to a single package.
Some goes as far as thinking that there has to be a certain weight, and size to the synth, in order for it to feel like an actual instrument. Whereas in terms of electronics, that is of course not true.
This of course also means that some people can’t accept software synths as real instruments, no matter how well they sound.
In some cases hardware synths do have a better interface, but there are cases where it is the software that has the better interface, so it can’t even be said that it is the interface of the hardware that makes it a real instrument.
It all gets even worse, when considering that vintage synths, had imperfections in their electronics, that resulted in pitch drift, and distortions in wave-shapes. Things that engineers did their best to avoid, but the characteristics that came from those imperfections created a sound that many feel is more pleasing. I will not argue on whether or not it is more pleasing, but what that shows is that the old products that some feel are somehow better, are technically actually worse. And no matter how much skill was put in to the product, they could not perfect it. Today many modern synths have “analog feel”, “analog drift” or similar function, to emulate those imperfections, because synths are technically closer to perfect today, closer to what the engineers always tried to achieve.
But some are simply convinced by the “Stradivarius envy”, that the old ones are better made.
Pretty much the same phenomenon exists in the electric guitar world. Where people feel that some brands are just more real instruments than others. Sometimes the electronic is identical and sounds identical, but they are still convinced that the “original” is more of an instrument.
Even new pick-up designs that are technically better can be bashed upon, for not capturing the vibration of strings as well as older designs that are actually technically worse.
Yet again, the matter isn’t what type of sound one might prefer, but that technically the older designs simply weren’t the most perfect way to do it, just the best that could be done at that time, but therefor isn’t the pinnacle of pick-up design either.
I guess it can be argued that there is something similar when it comes to outboard gear, where people want there to be a pre-amp, that is the pinnacle of pre-amp design, but the best regarded ones are ones that introduces distortion (often called saturation). Similar thing with compressors. And people that believe in tape over digital recording. It is like there simply has to be something that is clearly the best, something that can be expensive, and hold its value. But I actually think I’ve seen more people accept the distortion (saturation) of emulations when it comes to this area compared to syths, perhaps because many of them has that “Stradivarius envy” in other areas and because of that has no desire to look for a “Stradivarius”-mixer, tape machine or compressor. Or perhaps it is a more progressive field? Or that because mixers and compressors and so on aren’t played somehow makes it easier to accept. Or perhaps because the function is clear, the task given to the hardware is clear and therefor it is easy to measure how it holds up, and see that it is the imperfections that made the sounds of the products, whereas with synths and electrical guitars, no one can clearly say that “this is the target”, since neither product sounds “natural”.
But still, it is there among a lot of people in the business.
Thanks Christian for the insight! I especially Iiked what you said about outboard reverb, that really hit home for me!
You have some of the best videos on this platform! Thanks for your effort it's really neato
Christian you are a legend. I promote you on every social I can, might not be like much but I'm doing my part. Knowledge has to be shared
These videos are golden, thank you
Completely agree with your assessment of Moog. My Moog Matriarch is the single most inspiring piece of gear I own and just oozes quality. Sometimes it's worth spending extra to get that feeling.
Thanks Christian! One of the most important videos you’ve made thus far.
Greetings from Germany!
The most important : get a good desk chair
Good chairs are pricey. I also seem to have a hard time finding ergonomic task chairs. I don't like arms if I need to pick up a guitar or bass to start tracking.
@@13strigoi69 I know, I haven't found an iconic, comfortable, armless chair. I have an obscure, inexpensive, no-namer that I love and will be very sad when it's life is over. It's not replacable.
@@jfo3000 I have a cheap office task chair, which doesn't even pretend to be ergonomic. :/ Herman Miller makes some nice chairs that can be ordered without arms but are too expensive for me at the moment.
@@13strigoi69 Herman Miller Aeron has removable arms and the second-hand market is affordable. You can find a lightly-used, office owned Aeron for $200-$300. I agree, a quality chair is the most important investment for long mixing or recording sessions.
Good call..
*Rude comment*
I disagree.
Huh? What is?
@@MACEASY2 you have to watch the video to get it.
I did @@anothercrappypianist, must have missed that bit or forgotten it. I am not about to plough through another 26min to find it, though!
@2:11
I love the education you provide, but I also love your dog!
Love this video! Some very good points made! And as a Minitaur owner, I can only agree!
Although slightly disheartened as this video has highlighted just how broke I am currently, I really enjoyed and appreciated this info - ever enlightening, and I love your philosophy on making music via hardware even more. Thanks!
A college professor friend told me a long time ago, "Only hypocritical cultures are truly interesting." And she listed Japan and the UK at the top of her list. I know this sounds a bit back handed but in fact she was talking about how comfortable we are (or aren't) wearing our contradictions on our respective sleeves.
Thanks for sharing yours Christian...repeatedly. You have my permission to skip the Brené Brown Ted talk on vulnerability. You've got that covered mate.
Really love your video's thanks to you I started making tracks for Production Music companies.
Keep up the awesome video's!!
Kind regard from the Netherlands ;)
Christian, bought my Wurly 200a 10 years ago for the amazing price of $250, and it's hands down the best investment in music equipment I have ever made. It was even $50 lower than original asking price because the guy had accidentally ripped out a speaker wire and adjusted the price accordingly! I would sell a lot of things, but NEVER that wurly. Love your channel!
Also on modern bucket list, recommend looking at the Sequential Prophet X - it's a hybrid digital synth with sampling/granular - amazing for sound design and very different. Also the GR-1 granular synth, which is a bit more niche too.
Really enjoying your channel. I am a video editor but a musician and have started to compose again after many years. (which I love) Thanks for the inspiration
You could have an entire electronic music career using nothing other than a MIDI controller, a DAW and Native Instruments Reaktor. You get tonnes of first-party synthesizers, samplers and effects, hundreds more through the Reaktor User Library, and I think Blocks is the most beginner-friendly modular synthesis software out there.
Hi Christian! I am here after Rick Beato's recommendation. Great work here!
Thaaaanks!
Your long right leg at 4:38 reminds me of the story I heard on a family holiday in Fort William in the early 80s. ‘The Haggis has one leg longer than the other so it can run away from danger more quickly on the slopes of the mountains.’
Steve Amadeo ‘And the only thing you catch them, is to chase them the other way around the mountain!’ That’s what I was told when visiting Scotland in the 80s’. 😉
Thanks for another wonderful informative rant...
I love the DT-770!
My first was a Juno 106S I got at Pony's in Misawa, Japan in 1985. Still have it. :)
Really interesting video Christian and Sandy, but... I think you've missed a pretty massive category hear - audio interfaces. Analogue/Digital (and vice versa) conversion is a huge potential bottleneck for the quality of the music we make, and I for one definitely learnt this lesson way too late. Having a pair of 414s (or even Coles) is incredible, but if you're losing detail and clarity in the conversion, it's a big waste.
For a long time, I valued input and output count way too much when having two great sounding inputs is invariably more useful. With that in mind, I have to recommend the UAD Apollo Twin - I almost never use their plugins but the quality of the preamps and converters I think is the best value for money at the moment (though I've not spent much time with the Clarett series which I hear are much better than focusrite's usual fare). Anyway, just my 2 pence on the subject!
Yup! It was interesting, ever since upgrading my converters from the UA ones to the Merging I find I am making much better choices and decisions even in my writing.
Exactly. Don't know how many YT studios I've seen w/ all these expensive vintage synths going thru some Behringer A/D converter.
Couldn't agree more about the Strymon big sky. Anything through this sounds great.
I very much enjoy how you have always conveyed how lucky, blessed and fortunate you are to be able to work with the world class equipment that you have earned over the years, but how completely unnecessary this equipment is in order to work in this field. You are much more down to earth and lack the superior attitude that many composers carry with them, which is certainly a strong factor in your success. Great choice in the Jupiter 4!
Its videos like this that give us amateurs a reason to continue making music,thank you very much Christian for your hard work,we definitely appreciate it,kind regards.
before you dismiss it completely I’ve just read that the DS Rev 2 responds to polyphonic aftertouch so really looking forward to trying that out with another master keyboard
love your videos, i recently bought my first real synth (moog grandmother semi modular), the sound, response time ,hands on feel not looking at a screen made me realise how far out of touch i had become with plugins.
You have a really great style of videos
Thank you for the great tutorial
...but having lot of beautiful vintage synths does give you inspiration. You don't need all this stuff but it makes it a whole lot nicer. Like those palettegear expression things: they don't work very well all the time but it makes the whole experience nicer, and that's a motivation.
i love the mother 32 sounds amazing ..keen for a DFAM to compliment it.
You are such an inspiration mate. Your help and advice is fucking invaluable to my compositional career. Thank you ✌🏽
This was helpful, can you do a updated version sometime soon.
brilliant! thanks Christian!
Great stuff as always Christian. My best investment was proper acoustic treatment for my room (GIK traps and panels). All the best gear in the world is going to be a bit bye-the-bye if your space sounds shite. Current items of note? DT880, Dynaudio LYD + S9, Apogee Ensemble, Avid S3, Komplete S88 MKII oh and I've just had a Intellijel Metropolis & we know who I blame for that...
Possibly a lot of guitar player watching feel Korean made guitars are of excellent quality. Really like your vids and I'm either learning more or agree with most of what you're imparting.
I’ve been teetering on this Moog Sirin. I’ve dove in now. Will be swimming soon
Can someone explain to me why you need a decent set of speakers if you have a decent set of headphones?
Hey Christian love the channel....if you haven’t heard, there’s a update for the Prophet 6 and it adds a “vintage mode” in place of the Slop knob....much more vibe. Cheers
Regarding the DT770 headphones... there appear to be three options 32 ohm, 80 ohm and 250 ohm - can anyone give a heads up as to which of these I should get for digital music production in a home studio, please.
I am officially your biggest fan after watching your orchestra programming videos on Spitfire Audio. Get in touch with me, Im a caricature artist and I'd enjoy working with you on a little "different" collaboration than you would usually do. BUT I've subscribed and hit that bell icon! Cant wait to see what else you got! I finished your video series on Spitfire Audio last night and tried out writing an orchestral piece last night and seriously, its the best work I've ever done and I am 100% blaming you and your wisdom. Or lack there-of, saying that you can create awesome music without art classes. You've changed my life and how I produce from here on out!
As far as modular goes I would recommend to get at least one Expert sleepers Disting mk4 quite early when building your rig.
the disting has so many algorithms that you can try many techniques before you buy... "Do i need a discrete sample and hold module?" try it out on the disting, "would I use a turing machine?" try it on disting, you can try so many different techniques before committing to buying a specific module to do it.
I would place the disting up there with Maths in the must have category, it really is "the Swiss army knife of modular"
not as your 1st module tho, for that i would say a semi modular that you can mount in your rack, SV-1 mother 32 0-coast etc which gives you the immediacy and lets you use your new gear from the get go.
And controllers, and keyboard...? The palette ... but your other faves ... would be really great to know!
Some years ago I started buying and selling synths just to be able to try as many as I could. I had a Yamaha DX 100, DSI Tetra, Korg Prophecy, Nord Micromodular, Kawai 100F and some FM rack synth I can't remember. My advice is: once you buy it don't sell it; I truly miss some of those synths. Now I have a Nord Electro 3, Arturia Microbrute and Behirnger TD 3 :')
Great videos Christian!
Hi Christian. Good vid! Is there a reason there is no Audio Interface on your list? A very underrated, inexpensive synth is the Novation Bass Station 2. Novation is a great company that supports their gear as they just added 2 amazing firmware updates to the synth so that it is now 2 voice paraphonic and the new AFX mode has amazing possibilities for sound design. Plus it sounds great as well.
Mr. Henson: At around the 13:47 mark you transition from your studio to outside. The sound is about the same. Is the outside audio raw or processed. I ask because it sounds very good. Would you please share the type of camera and if it's just the included microphone. Thank you.
Are the BM15s too big for a small home studio? 12 x 12 room.
Great video!
Thank you!
MS20 was my first synth in 1986- sold it in 1987 and bought the reissue in 2014 - although smaller it was like reuniting with an old lost friend
A well constructed pretty fair list of gear ✔
I love this! But as a guy who's primarily an audio mixer and editor I must say DO NOT sleep on the 414!!! It's the most versatile-but-not-as-costly-as-some-other-high-end-great-sounding-mics-that-you-know-you-think-you-just-have-to-have microphone out there. The sound of a 414 goes with everything. You will generally not feel like you could have done better when you use a 414. The SM57 and the 414 are the yin and yang of microphones. Everyone should have both.
Any suggestions for a mid-sized studio PC for the DAW & complex VSTs? AMD vs Intel? Core count? The latest PS Studio One Pro 4.nn exploits core counts now.
I didn't quite get why I should get a pair of Dt 102 if they sound so terrible. Can anyone explain that to me?
Excellent, I finally decided on the OB-6 a few months ago... I feel that ridiculous purchase is now justified. Cheers, Christian!
Didn't you recommend the DT 990 Pro some time ago in another video?
Having first been introduced to MIDI and electronic music making in the early 1980's, initially using an Amiga 2000 computer, I was a hardware geek for many years. I've lost count of the keyboards and rack mount synths and FX that I purchased and sold over the years. A few years ago I realized that software synthesis and FX has matched or surpassed hardware, to my ears. I now only have one 88 key MIDI controller/ synth (Korg Kronos X) and a 49 key MIDI controller (NI Kontrol S49), a Roli Seaboard Block and a Roland PAD-80 MIDI Pad Controller. I do have a seldom used Korg MPK-130 MIDI Pedal Board. I also have a Korg Wavedrum, which is unique. I now only have, mostly, unique rack mount hardware, e.g., a Yamaha VL1-m Version 2, and a Technics WSA1-r, both physical modeling synths. Also, a Waldorf microWAVE eXT (knob twiddlers dream), an e-MU Morpheus, a Roland V-Synth XT (which allowed me to sell my Roland D-550), an ASM Hydrasynth (one of the few purchased new) and a Roland Integra-7. The only remaining hardware FX unit is a Lexicon Vortex, which I would replace if there were ever a high quality plugin version. For I/O I use a tc electronic Digital Konnekt x32 paired with a tc electronic Finalizer Express as an A/D/A converter only, I don't use the "Finalizer" mastering functions. For all the rack equipment which doesn't have a digital output I have a pair of MOTU 24i/o's and one MOTU 828mk3. Between the latter and an ART TPSII I have four mic pre's. I have a couple of mics but do very little live recording. A Hafler 150 stereo amp (receiving analog audio from the Finalizer Express) feeds one powered sub-woofer via speaker level inputs and the output can be switched between a pair of Event 20/20 monitors at the workstation position and a pair of Alesis Point Seven speakers at the Kronos keyboard position. I do have a decent pair of Sony headphones but only use them for checking final mixes. There is also some MIDI I/O equipment of course. Last, but not least, is the piece of equipment I most credit with providing a low noise signal path throughout the digital and analog domain, which is a Furman It-1210 Balanced Power Isolation Transformer. All equipment, except the PC, is fed from the output of the isolation transformer. This completely electrically isolates everything from the AC mains power. A BPIT is among the first pieces of equipment I would recommend for anyone wanting to assemble a professional grade studio. Speaking of complexity, the Digital Konnekt x32 takes the cake in that department. It took me years to fully grok exactly how it is set up. It can accept digital audio in nearly any connector format and sample rate and output it in any other connector format and sample rate, as well as sending the digital inputs to the PC via Firewire. I suspect the complexity is one reason the product was discontinued, not to mention the price.
Question to Christian: What is the studio desk that you use? I'm looking for something that could hold an 88 keyboard.
Wow! Just had a flashback on the TC Electronics finalizer!!
I have a Mother-32 and is definitely amazing for that classic Moog sound, but it all depends on your workflow. In my opinion, the midi option on the Mother-32 provides the option for performing the device with a midi keyboard while the patchbay enables users to utilize Mother-32’s modular capabilities. Gateway into the modular synth world in my opinion.
Fantastic.
Think you mean the Moog Minitaur (same as the Sirin but with lower OSC) instead of the Moog Taurus (being the original Moog foot pedal bass synth from the 1970s/80s)...
Yes I do.Got a Vertigo VSM 2.Everything they say about it is true.
Amazing, love the content of the channel, huge thank you. All the best, Christian! PS. Hehe: "Metallica's Mexican Stratocasters"
Excellent video, educational, and wallet draining. My favorite spot was when you were sitting in the bushes and Oscar walks behind you and suddenly disappears via an edit. Had to rewatch the disappearing dog trick a couple times. LOL
That is a very nice view .
Might you advise on those three levels concerning midi keyboards please. 🙏
Sage advise indeed!
Christian, had you considered the Teenage Engineering modular synth as a starting point for getting into that world? I'm curious because I'm interested in testing the waters in that world but am not willing to spend thousands just to try it.
What video recording gear and editing software do you use?
Can i sample the first word in the video? :D
love your videos! ok, so it´s edinburgh. was wondering where you were doing the walks/hiking. anyway, greetings from iceland:)
One thing I would add to this list even though (or maybe because) I still know far too little about is a raid system. hard drives are probably the most important pieces ever.
What's the name of the modular looking midi fader controller that Christian is using?
Decent mics, what about a good mic pre?
"I haven't been on Grinder for ages". Brilliant! Haha!
Got me as well lol
Great list - that's going on file! Where can I find the Rick Beato vid you mentioned near the end? Help appreciated..
Probably this one: th-cam.com/video/MKJjLwMUPJI/w-d-xo.html
ShiningHourPop That would be it, many thanks.
Which external sound card would you recommend? Thanks
Behringer Vintage Time Machine (kind of an EHX Clone of course) (new 59, now 110 upwards), not to mention the BCR2000. What was the reward for finding again?
Thank you very much for your high quality Videos though!
So true.. I've seen this video long ago. Excellent.
Your a genius in your own right..
Your non obvious comedy is extremely good or maybe I just understand your humour too much
Interesting to go back to this video as it’s a year old I wonder if your list has changed much over the year. One thing that influences any outboard purchase for me is physical space. Quite often something will have to make way for a new piece of kit and therefore needs a long hard think beforehand. TH-cam has revolutionised how we look at and maybe even measure the value of something in my opinion. Something achieving the status of having ‘stood the test of time’ can, in part, be measured by its continued appearance in posts. Late to the party I’ve just purchased a Strymon Big Sky. Cue eyes to ceiling. Possible overused now but I’ve not met anyone with a bad word to say about it. Why did I devote valuable bench space to it? Well there comes a point where I just couldn’t watch any more soft focus ambient videos featuring it, I had to ‘feel’ the experienced. I’m set up ready for it’s arrival, synth string patch ready to receive so much shimmer reverb it makes me just melt into the carpet. Thanks for a great channel.
For those of us that can't get a Roland Space Echo, as much as I loooove that on Arnalds stuff, I highly recommend the AudioThing "Outer Space" as a pretty decent recreation for a smidgen of the price.
I have a real Space Echo and I get a lot more use out of Valhalla Delay.
@@mudsh4rk yep, hardware can’t be dropped on every channel like vsts can too. My outboard is mostly eye candy these days and for a bit of inspiration now and again
wait what's wrong with behringer? i just ordered a bcf 2000
I've had risotto today and it was great, by the way, today is Sunday.
What about an audio interface? Any suggestions?
Hi Sandy! Nice tips
What amps and speakers do you use for playback? I use Nordost power cables that cost alot, but them I'm into music..And yes they sound extremly good.
Mate , you are so entertaining... great stuff I used to work with Maggie years ago down at Snakeranch ...thinking of getting back in touch...if I do , lets have a pint of Stout.
In your programing for film video you use a piece of equipment that you fade in your strings to get swells out of. You said its really expensive but I didn't catch the name. Its some sort of expression volume control. What is it? Love your stuff a lot.
Why would anyone dislike this he's a genius
Always consider the sound you aim for and consider how unique you wish to become!
DT102 is a 400 ohm , DT252 is a 80 ohm, which one is more practical? Same question with DT770 which has 80 and 250 ohm version! Thanks a lot
I have Dynaudio BM15a's and have finally moved to Focal twins with a sub. Dyn's are far too smiley sounding. The BM 6's are better than the BM5's too but Focal have a huge range and pretty affordable. I'd also suggest looking at what Olafur Arnalds is using and not buying that equipment, simply because your job is to create a new sound world and not to copy someone else's. Everything else Christian said is valid and great advice.
New studio key light?
The Moogerfooger delay was a limited run. The BBD chip it's based on was a discontinued, 15v Panasonic, and because of the remaining stock available they only manufactured a few thousand (which was a big part of the marketing for it). Also it cost around $800 new at a time when the rest of the line was more like $300.