I can't believe that this was recorded in 1964. It's so clear and it's like they are playing this NOW. I applause to the beautiful piece and brilliant performance
If anything, the best recordings from the 50's and 60's have MORE immediacy and depth than modern digital recordings. Digital recordings have a certain surgical clarity and cleanness, to be sure, but the recordings of this earlier era sound infinitely more lifelike and alive and varied, as though you are in a space with the performers, soaking up their sound in real time.
It's so sad these doesn't have more views or commentaries. I'm a lurker most of the time, so I just view without liking or commenting but to see such a beautifully crafted video showcasing such a beautiful piece is so rare and good, and having it go unnoticed is so sad. I hope you keep these coming, I love them.
+Diffomega Yes I will! Remember that I only quite recently re-uploaded all my videos (if you followed my channel), so it will take some time to grow back to it's former status! Thank you for your comment, anyway.
No....this took a few decades to 'grow' on me....I'm finally starting to 'get it.' NYTimes' Tomassini was correct in placing Debussy in his pantheon of giants......
Dear Diffomega, i think that music lovers just abbandoun the video because of the publicity. I had to call all my love for this incredible composer-piece for being able to listen to it till the end.
sunrise sunset If you consider modern ‘progressive’ “academic” music, so to speak (aka non-pop music) what you tend to see is a lot of elongated musical ideas without shape, form or melody, perhaps based entirely on musical textures, but not much melody or structure. I truly believe that this may be ahead of our time, as PrometheusClown said, because I think that to continue working in some form of academic musical direction nowadays we need to return back to about 1930 and erase all modernistic, excessively primitive music-like noise that dominates the so-called ‘academic musical scene’ nowadays. This is my conviction (perhaps not as ‘soft’ an idea as an opinion), but don’t take this to heart if it offends you. These thoughts aren’t meant to offend anybody.
Serenade and finale is so ingenious. Its like watching a Picasso painting. So much odd shapes and colors yet it still makes a cohesive whole... its years ahead of its time.
+Ron Barlo Haha well, I'm glad that I could help you out in that case :) Btw, check out my video of Leo Ornstein - Cello sonata no. 2, also a short cello sonata that could use some more performances, it's very good!
I think the piano playing by Françaix is just wonderful, and it is great to have a composer's view of this piece. I wish there was more fantasy on the 2nd movement. An excellent version nevertheless! Vive Claude de France!
The work's untrammelled beauty deepens as I listen to it more. The two moments in Finale when the chromatic theme somehow surfaces always evoke memories of the Étude No.10, pour les sonorités opposées. These cannot be sounds of this world...
Whenever I find a nice piece on your channel, I always go around to listen for different interpretations, but you always seem to choose the one I enjoy the most. Pretty cool.
Wow this piece sounds amazing, I love the jazz nuances throughout the piece, maybe Debussy was inspired by the emerging genre of Jazz in this piece?. This is what i love about Debussy his music never goes stale, he always find new and interesting ways to write the music he does.
Yes, and honestly blues and jazz in generally. There is an interesting connection between the Parisian composition schools of the late nineteenth and early twentieth centuries and the rise of American music (a la Barber, etc.). Technically, it did go both ways I guess, but the real innovation came from composers like Debussy and Moussorgsky that used Asian-inspired sounds within an ever-evolving neo-classical, neo-Romantic, and impressionistic paradigm. That chromaticism and evolution gives way, quite naturally, to jazz idioms.
It is amazing when you think of the complex processes and influences that go into the formation of a genere or musical style, it is never as straight-forward as we think. Thanks for the info.
Claude Debussy:d-moll Gordonkaszonáta 1.Prológus:Lento - Poco animando - mollare - Animando poco a poco (Agitato) - A Mouvt (ampiamente declamato) - mollare - Rubato - (Quasi cadenza) - spremendo - mantenuto - mollare (Poco animando) - Lento 00:00 2.Szerenád:Moderatamente animato - mollare - Fouco - Accelrando poco a poco - Molto ritenuto - Vivace (precedente mouvt) Meno mosso poco - mollare - Rubato - Quasi lento - mollare 05:02 3.Finálé:(Animato - Leggero e nervoso) - Molto ritenuto - Rubato - Poco stretto - Rubato - Poco a poco stretto - Rubato - sul cavalletto - mollare - Con fouco ed appasionato - Sempre - Lento. Molto rubato con morbidezza - mollare(sulla chiave) - sul cavalletto - Molto ritenuto - mollare - Appasionato ed animando -Largo (la mezza piú lento) 08:52 Maurice Gendron-gordonka Jean Françaix-zongora
a master class in composting for the cello, the orchestrations of the two instruments is genius. But, unlike his piano etudes and many other compositions of his that I can not live without, this one reminds me of 'mock' oriental sentimentalisation.
Fetishization of the music of other cultures was fashionable at the time. It’s not necessarily bad, but it can come off as shallow, poorly understood, and gimmicky.
The sacatto note at the end of the Prologue is almost funny and a bit bothering. It's like a little critter peeking out of it's hole and quickly hiding, never to be seen again.
Don't understand why the pianist does not follow the dynamic markings in the opening theme, which is written with crescendos and explicit dynamic changes. I'm okay with a little poetic license, especially if the musician seems to draw out something interesting in the music, but in this case he fails to express the simplest intention of the composer and adds nothing of interest.
That's disrespectful. He's the one playing the piece man, if anything he gets the final say, not Debussy, and he should decide how the music sounds, ya feel?
I can't believe that this was recorded in 1964. It's so clear and it's like they are playing this NOW. I applause to the beautiful piece and brilliant performance
Yeah I was surprised too. I underestimated the recording capabilities of back then.
If anything, the best recordings from the 50's and 60's have MORE immediacy and depth than modern digital recordings. Digital recordings have a certain surgical clarity and cleanness, to be sure, but the recordings of this earlier era sound infinitely more lifelike and alive and varied, as though you are in a space with the performers, soaking up their sound in real time.
One of the best cello sonatas ever written, in my opinion
Totally agree with you
Me too!
Really love it
Chopin op 65 and cello sonates Beethoven
The most lyrical is Rachmaninoff, in my opinion
It's so sad these doesn't have more views or commentaries. I'm a lurker most of the time, so I just view without liking or commenting but to see such a beautifully crafted video showcasing such a beautiful piece is so rare and good, and having it go unnoticed is so sad. I hope you keep these coming, I love them.
+Diffomega Yes I will! Remember that I only quite recently re-uploaded all my videos (if you followed my channel), so it will take some time to grow back to
it's former status! Thank you for your comment, anyway.
I look forward ansiously for it.
No....this took a few decades to 'grow' on me....I'm finally starting to 'get it.' NYTimes' Tomassini was correct in placing Debussy in his pantheon of giants......
Diffomega List is better 😏
Dear Diffomega, i think that music lovers just abbandoun the video because of the publicity. I had to call all my love for this incredible composer-piece for being able to listen to it till the end.
That first movement is profound
*every movement
Yes, but the harmonic fantasy of the second movement is another aspect of Debussy's genius and is very great too.
Love you Mr. Debussy..
I feel like this is way ahead of its own time and our time.
ahead of for ever, if you look how things changes
well, definitely not ahead of our time.
sunrise sunset If you consider modern ‘progressive’ “academic” music, so to speak (aka non-pop music) what you tend to see is a lot of elongated musical ideas without shape, form or melody, perhaps based entirely on musical textures, but not much melody or structure. I truly believe that this may be ahead of our time, as PrometheusClown said, because I think that to continue working in some form of academic musical direction nowadays we need to return back to about 1930 and erase all modernistic, excessively primitive music-like noise that dominates the so-called ‘academic musical scene’ nowadays.
This is my conviction (perhaps not as ‘soft’ an idea as an opinion), but don’t take this to heart if it offends you. These thoughts aren’t meant to offend anybody.
Been listening to some Impressionistic sonatas. Life's never been better.
This is a great gift to cello lovers
This work is deep and graceful.
What a gorgeous performance - two superb artists.
still and for always my favourite
This splendor of words can not attach it
The diversity of Debussy is immeasurable
I get a kick out of Debussy’s various works
Serenade and finale is so ingenious. Its like watching a Picasso painting. So much odd shapes and colors yet it still makes a cohesive whole... its years ahead of its time.
I agree: thanks for taking the time to do this. It's very helpful to me as
I'm teaching this to a student and I never learned the piece myself!
+Ron Barlo Haha well, I'm glad that I could help you out in that case :) Btw, check out my video of Leo Ornstein - Cello sonata no. 2, also a short cello sonata that could use some more performances, it's very good!
Loooove it. One of the best cello sonatas.
Bravo! This is beautiful, full of wonder. I didn't know he had written any cello sonatas.
Saw this performed live once! The experience was transcendent.
Proud to be the 1000th like
This sonata is just so striking. I don't know what else to say except that.
the 2nd mov is soo weirdly beautifull
The cello entrance in the 1st mov.👏Love the 3rd movement!!!! 🎻🎹🎶❤❤
The genius of melody
I think the piano playing by Françaix is just wonderful, and it is great to have a composer's view of this piece. I wish there was more fantasy on the 2nd movement. An excellent version nevertheless! Vive Claude de France!
Though a bit too forward in the mix sometimes, obscuring the cello.
Superbe Debussy. Quelle piece magnifique!
why is this so beautiful ? this is too much beauty for one piece ! what the hell , debussy ?!
Thanks, for putting time and effort into the video. It sounds as if I was there at the concert!! SOO REALISTIC!
Thank you, my pleasure! Check out my other videos if you like this type of video :)
olla-vogala ok, thank you, will do
The work's untrammelled beauty deepens as I listen to it more.
The two moments in Finale when the chromatic theme somehow surfaces always evoke memories of the Étude No.10, pour les sonorités opposées. These cannot be sounds of this world...
This is gorgeous
Whenever I find a nice piece on your channel, I always go around to listen for different interpretations, but you always seem to choose the one I enjoy the most. Pretty cool.
Masterpiece. Masterfully played.
Wow the pianist is Jean Françaix! A very interesting French composer!
so good! I want to play this within a couple years
Played it yet?
Gorgeous performance
Now that is what i call a serenade
A wonderful piece, Debussy creates a whole new sound for the 'cello
I sometimes think sadly about those sonatas he didn't write
Be joyous God gave Debussy to us, at all.
of which there were 3 of
Debussy is just overrated.
Ricardo da Mata care to explain why?
@@josephalvarez5315 Listen to Haydn's opus 76 and try to see.
Thanks for this great performance and for the music sheet !!!!
For 1964 this recording is fantastic!
Thanks for the score, this is the one of my favorites.
Thank you so much for doing this videos.
+Fernando Reyes My pleasure :)
Wow this piece sounds amazing, I love the jazz nuances throughout the piece, maybe Debussy was inspired by the emerging genre of Jazz in this piece?. This is what i love about Debussy his music never goes stale, he always find new and interesting ways to write the music he does.
Other way around, actually.
Yes of course that would make sense, are you referring to composers such as Gershwin etc?
Yes, and honestly blues and jazz in generally. There is an interesting connection between the Parisian composition schools of the late nineteenth and early twentieth centuries and the rise of American music (a la Barber, etc.). Technically, it did go both ways I guess, but the real innovation came from composers like Debussy and Moussorgsky that used Asian-inspired sounds within an ever-evolving neo-classical, neo-Romantic, and impressionistic paradigm. That chromaticism and evolution gives way, quite naturally, to jazz idioms.
It is amazing when you think of the complex processes and influences that go into the formation of a genere or musical style, it is never as straight-forward as we think. Thanks for the info.
That's undoubtedly true! I agree with everything you've said. Thank you for your comments.
this is weird but interesting. My congratulations. Cello part is fabulous.
If a Monet painting was turned from painting into music, this would be it.
imagine this song in the twilight of your years.... so moving and nostalgic
Claude Debussy:d-moll Gordonkaszonáta
1.Prológus:Lento - Poco animando - mollare - Animando poco a poco (Agitato) - A Mouvt (ampiamente declamato) - mollare - Rubato - (Quasi cadenza) - spremendo - mantenuto - mollare (Poco animando) - Lento 00:00
2.Szerenád:Moderatamente animato - mollare - Fouco - Accelrando poco a poco - Molto ritenuto - Vivace (precedente mouvt) Meno mosso poco - mollare - Rubato - Quasi lento - mollare 05:02
3.Finálé:(Animato - Leggero e nervoso) - Molto ritenuto - Rubato - Poco stretto - Rubato - Poco a poco stretto - Rubato - sul cavalletto - mollare - Con fouco ed appasionato - Sempre - Lento. Molto rubato con morbidezza - mollare(sulla chiave) - sul cavalletto - Molto ritenuto - mollare - Appasionato ed animando -Largo (la mezza piú lento) 08:52
Maurice Gendron-gordonka
Jean Françaix-zongora
Beautiful ! Thank you for posting :)
Beautifully performed, a unique piece, nothing like this.
Debussy was so ahead of his time. He even predicted anime
Thank you so much!
Should be forbidden to have commercials in between this beautiful piece imo. Thank you for sharing though.
What a recording
He was in my pain at this time of life
Himmel und Erde, danke!
6:56 - when you can't defeat the boss so you hand the controller over to your big bro
Fabulous interpretation!
a master class in composting for the cello, the orchestrations of the two instruments is genius. But, unlike his piano etudes and many other compositions of his that I can not live without, this one reminds me of 'mock' oriental sentimentalisation.
I'm just a humble 21st- century progressive. I hear pentatonic scale, therefore "'mock' oriental sentimentalisation". Such an intellectual am I.
Fetishization of the music of other cultures was fashionable at the time. It’s not necessarily bad, but it can come off as shallow, poorly understood, and gimmicky.
@@zacharyknutsen8094 And how exactly does this piece fetishize the music of other cultures in any way?
5:05 to 5:19 so modern!
Bravi!!!
It was super good
Im using this for a school project
Я в смешанных чувствах..
Это очень смелая музыка!
superb
I cannot find the sheet with both cello and piano part anymore. Could you please help me or upload it?? Thanks
9:31 the lick
wait for it
there will be twoset comments flooding soon
Here we are!
I listened to this in the car... I drive a sonata.
10:55 HOW
Is the pianist the composer Jean Françaix?
Yes!
The sacatto note at the end of the Prologue is almost funny and a bit bothering. It's like a little critter peeking out of it's hole and quickly hiding, never to be seen again.
Isn't Françaix the one who orchestrated the Chopin preludes?
Yes, you`re absolutely right, he orchestrated and performed in 1969.
Debussy teases us with THE LICK at 9:30 :D
Yay found this comment! 😄
Almost !
The advertisement break at 9:00 is really offensive.
Jean Françaix, the composer?
3:49 elegant
Belleza
I grief the sonatas he never wrote
i am here for the second movement
3:06-3:24
9:25
9:00
8:35
ベートーベンのピアノ伴奏チェロソナタよりも好き
古い録音の音だ
🎉
What. What. What. !!!
dutilleuxのチェロ協奏曲の独奏パートは、これを参考にしてる
4:35
You upset me with your stare
Don't understand why the pianist does not follow the dynamic markings in the opening theme, which is written with crescendos and explicit dynamic changes. I'm okay with a little poetic license, especially if the musician seems to draw out something interesting in the music, but in this case he fails to express the simplest intention of the composer and adds nothing of interest.
The pianist, Jean Françaix, died in 1997 so you can't ask him anymore unfortunately...
That's disrespectful. He's the one playing the piece man, if anything he gets the final say, not Debussy, and he should decide how the music sounds, ya feel?
@@joshklamka834 No.
10:43
Ma nav mera çi kez nine?
adds in the middle of the music??
Great piece! I don’t understand why the pianist plays often staccato legato and vice versa. Make no sense to me.
I slept through this piece... is that a sign of a good or bad piece?
I don’t know about this piece… what a shame.
Modern Femboys would go crazy over this
It's like Stravinsky almost but better
no hay nada como la música clásica la mayor invención de los hijos de adán
so many adds
Malditos anuncios
i dont know if its you or youtube-o-la so put a "visit advertisers" right in the middle of a piece... you be goibg beoke...
To hell with your damned ads!
Ling-ling brought me here
Yup
Pubblicità di m...a😡
This is so decadent and poor...
Poor is your comment.
@@satosmi9408 This is called criticism, dear amateur 😉
@@Rickriquinho Dear moaner, whining is not quite criticizing.
@@satosmi9408 To accept everything without critical thinking is amateurism 😉
@@Rickriquinho😂Cute