The middle part has been beautifully Mereauxified. I love that at m.79, it starts sounding like a very cautious and nervous manner of playing, as if it were a freshly learned piece. How. Does. One. Make. The. Soulless. Machine. Sound. Cautious. And had a good laugh at m.132, too!
The connection between S.136 no. 4 and S.139 no. 4 is what S.136 consists of. Liszt just rewrote it in intervals and added the theme. This motif, however, is not represented in this work.
@@GUILLOM in the Méreaux exercises for piano (which are notoriously difficult, if not impossible), there is a study (one of the last ones, if not the last [there are 60 in the set]) that resembles the Schumann toccata uncannily, only the left hand is all octave jumps; hence my parallel: it is a nrw work but it bases itself on other piano literature while making the original piece evan more difficult than it already is.
The middle part has been beautifully Mereauxified. I love that at m.79, it starts sounding like a very cautious and nervous manner of playing, as if it were a freshly learned piece. How. Does. One. Make. The. Soulless. Machine. Sound. Cautious.
And had a good laugh at m.132, too!
Marc-André Hamelin would appreciate this version, as it is sometimes similar to his own composing style... Perhaps ask him to play it?
Upvote
@@yorkzie7593 hi yorkzie
I was sceptical at first. But this is just genius. The voicing is incredible.
What’s really cursed is how the rhythms are notated.
bruh
3:34 I love how you have mixed the version of this part in s.137 with the transcendental studies version
Premieres in 3 hours, and already based
3:01 gave me ptsd, thought you were gonna do a la campanella
the original of this piece is harder
Standing ovation! Full of rhythmical finesse and harmonical prowess. Thank you!
OCTAVES INTENSIFY
OH.....MY......GOD!!!!!!!!
nicezeppa
damn, 4:53 hits just as hard in this version!
not gonna lie, to me, it hits harder in this version; I love the lower octave in the left hand and the clusters
The clusters was because I merged the grace notes with the on-beat chord
i like how 3:07 - 4:00 was turned into Scriabin
S100 reference at 1:26?
04:19
I'll listen to the rest of this later. If i think it's possible to play, I'll learn it someday.
Curseppa
Gosh i love this arrangement of yours❤❤!! Is there a synthesia visualizer version of this by any chance?
surely I could have a MIDI for this lol or the pdf. (both would be good lol) or whichever one you're able to do. [I love this arrangement lol]
Chasse Neige reference at 5:09?
Lol, that wasn’t meant to be a chasse-neige reference, I just offset the right hand by a 16th note
@@ValkyRiver Also thanks for featuring my video in the description!
The connection between S.136 no. 4 and S.139 no. 4 is what S.136 consists of. Liszt just rewrote it in intervals and added the theme. This motif, however, is not represented in this work.
Damn… Wow!
The supreme curse of Mazeppa… 😱😱
you did to this piece what méreaux did to the schumann toccata. well done
What
@@GUILLOM in the Méreaux exercises for piano (which are notoriously difficult, if not impossible), there is a study (one of the last ones, if not the last [there are 60 in the set]) that resembles the Schumann toccata uncannily, only the left hand is all octave jumps; hence my parallel: it is a nrw work but it bases itself on other piano literature while making the original piece evan more difficult than it already is.
as if the original isn't cursed enough :/, jokes apart this is great!
Type of thing yuja wang would play
the original is already pretty cursed
Who composed this song? Is it a Liszt?
Composed by Liszt, modified by the person who made the video.
WTF
So that's the left hand alone version right ?
This is a two-hands version, not LH alone
@@ValkyRiverthat was a joke