A Master Study of SARGENT's Lady Agnew
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- เผยแพร่เมื่อ 13 ก.พ. 2022
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Description: Lady Agnew of Lochnaw is perhaps Sargent's most captivating portrait. It launched his career as a successful society portrait painter and we are going to extract as many insights as possible during the master study.
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About me:
My work focuses on the human figure. I've given drawing and painting workshops and demos throughout the United States and Europe. I have been making realist drawing and painting tutorials for two years now that I release through my Patreon page. - แนวปฏิบัติและการใช้ชีวิต
I've seen the original in the Scottish national gallery in Edinburgh several times and it's stunning. The hand at her side is especially incredible, it's really only three or four strokes. We don't really think of Sargent in the same vein as like Monet or Pissarro but he was an impressionist master.
One habit to train yourself out of, if you want that Sargentish looseness and grace, is making several back and forth brushstrokes every time you touch brush to canvas. That's pretty normal for a more academic heavily modeled look like what Stephen normally does, but it takes away from the effortlessness of a Sargent, or a Zorn. Train yourself to make one steady, confident stroke and then step back and ask whether it works without needing to be brushed out. Most of the time it does.
I am fortunate enough to live about 10 minutes walk from this astounding work of art. It is even more captivating in real life :)
Hi, It's actually "Bodhisatva"
@@harshadk4264 yes I’m well aware how to spell it, it was already taken hence my modification
I’m jealous.
I have learned so much. Thank you!! She is part of a special exhibit called Fashioned by Sargent at the MFA in Boston. I have gone to see the exhibit twice.
That’s my family history in the painting. I’m an Agnew of Lochnaw Clan
Stunning, you're really a master stephen!
Thank you! Cheers!
Lovely study. I especially liked your point about how doing a study is an invaluable journey into better understanding an artist’s work. It can be an exhaustive but immensely rewarding experience.
Absolutely!
it is so incredible how fast you did her drawing. I struggle a lot to do her eyes!
Been painting 30 years. All good advice
Portrait of Lady Agnew has always been one of my favourite Sargent portraits. Now having watched you recreate this masterpiece really rings true how much of a great portrait painter Sargent really was. I expect you felt that too having followed his journey painting it. Great work, Stephen. Would love to see you recreating a Rockwell portrait too in a similar manner.
So inspiring! Really grateful for your work in putting this kind of quality lesson out there
Easily my most loved painting. I noticed her eyes being "off" long ago but it adds to the beauty. By the way, in the only known photograph of her you can clearly see the misalignment in her eyes. I have always wondered if she had a problem with vision
Thank you very much Stephen! And the way you take the marks at the beginning is clear and instructive.
The rhetorics of this video are better than usual. Great narrative over the video!
This was an excellent demonstration of the attention to detail necessary when painting a masterpiece like Lady Agnew. I'm curious why you did not show the gap between the bottom of each iris and the lower eye lid. In Sargent's painting we can see the sclera below each iris and the lower eye lid but I don't see it in your painting.
Such a helpful video, thank you!
Lady Agnew is my favorite ❤. Great job!!!
Sargent was one of my favorite artist.
Same.
Thank you for your valuable approach and masterful comments.
I love your way how you teach. My language is Spanish but I’m learning thanks a close captioning thanks
Thank you sharing for this lesson, knowledge and words! Impressive!
My pleasure!
Thank you! this was just wonderful man! and your voice is really calm, perfect for me to relax, pay attention and learn!
Glad you enjoyed it!
Thanks for reminding me Stephen, it is a wonderful way to study.
Absolutely!
Thank you so much. This is the perfect content I've been looking for years. Inspires me to pick up my brushes
Glad I could help!
U did a breathtaking job
Thank you so much for this video. One of my favorite Sargent portraits.
Thanks for watching!
Great video!
Awesome, looking forward to following along with this. CHeErS Stephen!
Hope you enjoy it!
I have seen all kinds of mastercopies of Lady Agnew, but yours is truly respectfully the greatest closest at all, no words needed, and so quick and amazingly like the original painting❤
Wow, thank you!
Your painting of Lady Agnew and your comments were inspiring, however I was waiting for you to correct her left eye to being it up just a smidge to being it even with her right eye. Sargent painted them even with each other.
This was the most well explained video of copy the masters I've seen do far. So clear, you almost made it look easy... Easier lol... Great content, great value. Thank you so much. I'm gonna give it a try ❤
Wow, thanks!
Fantastic video! You are so good at articulating what you see. I am an art teacher and I learned lots, especially about value and the art of blending. I liked the hairline comment, totally makes sense. Thank you 😊
Glad it was helpful!
This is SO helpful thank you!!
You're so welcome!
It's fantastic demo work sir 👌🌼💐🙏👍
Many many thanks
awesome
thanks Stephen! great video!
Glad you liked it!
I was thinking all along when is he going to do the nose. Funny that we don't see anything like that, I've had it myself. But your work is TOP! Thanks;
Hi Stephen. Absolutely wonderful video. Thank you! When you say Sargent opts for harmony vs over modeling, would you mind showing visual examples of over modeling? I feel it would be so very helpful to many of us if you would consider offering that option in future videos. This video made my day. Can’t wait to visit your Patreon. 🙂
you are the GOAT my friend.
Great👏👏👏❤❤
Me ha gustado su exposición del tema y el desarrollo de la pintura, mucho donde aprender y meditar, falta saber los colores que ha empleado. Un saludo
Thank you! :) Great! :)
Welcome!
Beautiful. Thank you for showing a Sargent study. I really want to paint and draw in his style -- for me, he is the epitome in portrait work! I hope you share a few more studies of his work. And just a side note, unfortunately I have relyed on an art projector to get the exact likeness - how can I go from that to being able to get a likeness without such a major crutch? Do you use the sight method?
This was really well timed. I'm starting my coursework and I picked him as my 2th artist also English is not my first language so please correct me :)
очень здорово))
Amazing presentation- everything is so well thought out. We see the subject, the palette and the master. Master’s narrative is clear and to the point ! Thank you so much ♥️- it is so inspiring that I wanted to do this study 😍 I wonder could you do a study for flora painting by Henri Fantin Latour please 💕
Wow, thank you! Latour sounds like a great idea.
Stunning! I love it! What type of canvas are you using in this portrait?
What are the colors on your pallet?
I wish I was an oil not a watercolour painter. Still I get to learn lots from your wonderful teaching
Thank you so much 😀
Very interesting. I have noticed the highlight in the nose but first and foremost the lighter, bigger mass underneath it from just below the bridge, which brings forward the whole tip of the nose. Don't know if you would agree about that but to me it seems to make a noticeable difference.
Excellent demo! What brand of paints do you use?
Hey, awesome work! I was just curious, when you did the initial color pass I’m sure you used linseed oil to make it glide easier. But when you were modeling it and making sure the blocks of color “blend” into one another, did you use medium then?
I use very little medium at any time- makes the paint too slippery for my taste.
@@stephenbaumanartwork Thank you for the answer! :)
How the graffite is not affecting the colors? You fix the drawing with something?
good work i subscribe
Thanks for the sub!
Hello im new, what is your surface that you are drawing/painting on, great work love it and i learned much thank you...
Oil on linen adhered to panel
What colors were on your palette for this painting?
This is really great, I just had a question- how long did it take you to get used to an organized workflow when painting by yourself? I found it somewhat easier to keep a “clean” work process while at art school but when I paint on my own I often get lost by skipping steps because I get distracted by something more interesting that should have been done later on. Also I kinda find that it’s less of a problem with drawing but I’m not sure if this is a common thing.
It took some years of working on my own- the catch is that I worked at the academy teaching and painting for 12 years after graduating so it was a long tome before I really left school.
Its very common. Its faster and yields a better result to stick to your plan. Otherwise your painting will get muddy and look too tight. Good luck. Requires some self discipline
Limited palette works, well
Mr Bauman, Is it ok to use graphite on a Canvas? Since Graphite is a lubricant I am wondering if it will move up after a while and be visible over the oils?
There are some questions around this practice. I have not seen the evidence of negative impact.
👨🎨🎨😍🌟
Stephen, if you complete a Master Copy as you, can the painting be offered be sale?
What palette are you using!
?*
Loved the lesson. Questions:
- Why do artists trim their pencils to such long points? I see no advantage.
- Why the immediate hat switch? It was funny that you were talking about colors and chroma... And poof!
Tnx!
Lots of us atelier types sharpen this way- stays sharper longer and keeps you from choking up on the pencil.
Cleft shadow missing… 👍
As a learning from this study, I would've opted for more opaque underpainting sans diluting the pigment.
That is interesting- I don't really use much oil at all. Really it only has t do with the slickness of the oil ground. Also, in terms of layering oil paint that 1st layer should be able to dry very fast and thoroughly.
@@stephenbaumanartwork Thank you for the response. My main point is that Seargant's painting is absolutely opaque whereas our sketch in this video isn't. I'm just a learner, and it's only my observation. Please share your expert opinion.
What colors you used?
Flake White and Ivory Black from Williamsburg Oil Colors. Vermillion Extra, Alizarin Crimson Lake Extra, and Old Holland Yellow-Brown from Old Holland. Another color that you will often find in my basic palette is Raw Umber. If I use a more extended palette I will incorporate some of the following: Cobalt Blue, Ultramarine Blue, Cadmium Yellow Light, and/or Viridian.
@@stephenbaumanartwork ,Thanks.
Very instructive video! As a Portrait Artist using oils, unless I painted the eyes first with the Expression Desired and then the mouth then no matter how much I could have painted the rest of the image first, blocking-in,rendering etc, if the expression of the eyes and in accord with the expression of the mouth was not that desired then it would all be waste.of time and effort. Have you seen John Howard-Sanders video of him painting this painting by Sargent? - "John Sanders Videos."
first
It seems to me that the eyes are not in the correct position...
Sargent was a ala prima painter doe
Are you sure?
@@stephenbaumanartwork goddammit I forgot to delete this comment
@@stephenbaumanartwork Im pretty sure I heard or read he painted alla prima somewhere but its stupid to assume he painted all of his paintings with the same fast technique and its also unreasonable to assume you have to draw with the same technique while studying one of his paintings
😣 P r o m o s m!
Sorry. Close but not really. What would be impossible to replicate is the myriad of angles and spatial relationships, which convey this woman's personality in this, our beloved, Lady Lochnaw. Why attempt the impossible? There are reasons why the original is estimated to be worth L40 million. I suppose you get points for trying....
Okay Mary Anne, it’s just a master study. Study.
Camera position is distorting you face.