@@lawofseven1465 comparing our personal tastes under the presumption of "education" was not my objective. I mean, it does complicate on my side that I used the term "as a matter of fact" lol. But I do remember that when I was starting in music I always went to something to do with a minor sonority, because it easily sounded more "profound", while major was more difficult to "relate" to. So I'll just rectify that this is what happens in my experience.
@@Right_SuneI’m the same way, except improvising in minor is still very natural, just less totally appealing I suppose. I think the difference is now I understand how minor key signatures and harmonic ideas are very limited in their emotional scope. I find myself stuck sounding like Beethoven with a more impressionistic harmonic style in minor keys because it’s just anger and motion. Major, however, sort of opens up the door to a greater level of sadness oddly enough with the minor four chord and brief modulations to the relative minor keys. I always wanted to hold on to my initial intuition that minor is better and deeper than the cheekiness of major, and I still think that’s true in a sense, but you have to “earn” the pleasures of minor harmonies through the naïveté of major harmonies in order to avoid making stale, uninspired music.
This sounds wonderful, I think it'd be cool arranged for organ. Also I think a little more variation in the bass line could add a lot to it. But as it is, its delightful.
i imagine you could get a lot more creative with an organ’s bass line because *foot pedals* although to be honest I don’t know what the range of the pedals are
It’s really interesting to see how every key really does convey a completely different emotion. You can almost create a character in your mind for every single key in the video.
Each key gives a different emotion only relative to the prior key. E major on its own is the same as D major, but E major played after D major gives a different feeling, and vice-versa. This is equal temperament. In other temperament and tuning systems there are different innate emotions.
Very Neo-baroque, but also sounds like something that could come from that era. Really liked the modulations and variations towards the end, with my favorite part being the last 4 measures. I think It'd be nicer and interesting if there are slurs for the rh semiquavers, some other articulations and maybe more pedals ( even for parts where the lh is in quavers ).
How to recreate sheet music: Put theme in musescore, then Ctrl+C and Ctrl+V 24 times and press up/down arrow x amount of times. Just joking, it's cool :)
От до мажора каждое проведение в одноимённом миноре, затем в мажорной доминанте, снова в одноимённом миноре и т.д.))) Интересный тональный план, одноимëнный мажоро-минор))) И так по всем 24 тональностям))) В конце снова вернулись к до мажору)))
@themobiusfunction it seems just challenging enough that it would be a great way for pianists to get over the idea of "difficult" keys. They're just different. Different keys, slightly different fingerings.
Its really italian piece. First we hear vivaldi and at the and we hear left hand playing octaves with right hand playing arpeggios just like in Clementis études
As a Scarlatti listener myself, I find this very funny because Scarlatti rarely used Circle of Fifths progression. And I know that's not true because I have listened to all of his 555 sonatas, and the majority of them barely had any type of Circle of Fifths progression.
disagree with all other comments. this is clearly a handel piece
Average Händel Sequenz
Indeed, it reminds me of Handel's Passagacilia. I noticed how this is a circle of fifths, and the first thing I reffered it to was that piece.
@@rubinivincent1305 That passacaglia is LITERALLY JUST the circle of fifths progression, yeah.
This is literally pure sugar.
I couldn't have said it better myself :D
Major :😐
Minor :🤩
What? Major is pretty good as well. As a matter of fact, the more you get into music the more you realize the charm of major sonorities.
@@DanielSilva-gc4xz such a classical classical music moment that you'd imply their personal taste is just not as educated as yours 💀
@@lawofseven1465 comparing our personal tastes under the presumption of "education" was not my objective. I mean, it does complicate on my side that I used the term "as a matter of fact" lol. But I do remember that when I was starting in music I always went to something to do with a minor sonority, because it easily sounded more "profound", while major was more difficult to "relate" to. So I'll just rectify that this is what happens in my experience.
@@DanielSilva-gc4xz I used to ALWAYS compose/improvise in minor, even when I tried to compose in major.. now minor composing is really hard for me!
@@Right_SuneI’m the same way, except improvising in minor is still very natural, just less totally appealing I suppose. I think the difference is now I understand how minor key signatures and harmonic ideas are very limited in their emotional scope. I find myself stuck sounding like Beethoven with a more impressionistic harmonic style in minor keys because it’s just anger and motion. Major, however, sort of opens up the door to a greater level of sadness oddly enough with the minor four chord and brief modulations to the relative minor keys. I always wanted to hold on to my initial intuition that minor is better and deeper than the cheekiness of major, and I still think that’s true in a sense, but you have to “earn” the pleasures of minor harmonies through the naïveté of major harmonies in order to avoid making stale, uninspired music.
Are you Vivaldi?
I think he is :3
no
“no, I will not be putting a link to sheet music here” - OK!!!
This sounds wonderful, I think it'd be cool arranged for organ. Also I think a little more variation in the bass line could add a lot to it. But as it is, its delightful.
i imagine you could get a lot more creative with an organ’s bass line because *foot pedals*
although to be honest I don’t know what the range of the pedals are
@@anidiot4702Usually on modern instruments C to g'
A fine example of how just memorizing chords isn't likely to lead to interesting, or fulfilling music.
It’s really interesting to see how every key really does convey a completely different emotion. You can almost create a character in your mind for every single key in the video.
nope
Major is still major, minor is still minor, regardless of the key
@@vhegonot every major sounds innocently happy some are are bittersweet some convey something else
Each key gives a different emotion only relative to the prior key. E major on its own is the same as D major, but E major played after D major gives a different feeling, and vice-versa. This is equal temperament. In other temperament and tuning systems there are different innate emotions.
Only because you hear them in relation to other keys.
damn just listening to a c5 progression over and over is so satisfying
Think I had an eargasm
This sounds like it could fit well in an 8 bit soundtrack if it was chiptune
The final Coda was very good.
0:54 I hear gravity falls
simple, yet done splendidly
Very Neo-baroque, but also sounds like something that could come from that era.
Really liked the modulations and variations towards the end, with my favorite part being the last 4 measures.
I think It'd be nicer and interesting if there are slurs for the rh semiquavers, some other articulations and maybe more pedals ( even for parts where the lh is in quavers ).
Using for my class tomorrow
This piece actually connected all the worlds and composers. Bravo!
Wow I can actually play it by ear!
this would be a great warmup exersize
Just this is enough for me. Another circle of fifth song that cherish my ears❤ Thanks a lot! These type of songs is sooooo hard to find lol😂
gonna learn this beauty
Major is a chord progression reminiscent of Bach's Invention No. 12. I personally like it very much.
Reminds me of both Vivaldi and Bach
wow!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Great job!
Baroque.
Why didn't I find your channel earlier? Damn you TH-cam algorithm!!!
How to recreate sheet music: Put theme in musescore, then Ctrl+C and Ctrl+V 24 times and press up/down arrow x amount of times.
Just joking, it's cool :)
От до мажора каждое проведение в одноимённом миноре, затем в мажорной доминанте, снова в одноимённом миноре и т.д.))) Интересный тональный план, одноимëнный мажоро-минор))) И так по всем 24 тональностям))) В конце снова вернулись к до мажору)))
Is it Key variation and fifth chord progression variation? i guess?
goofy little baroque invention typa piece
To me it doesn't sound anything like an invention because it has no counterpoint (it does still sound Baroque)
Very nice!
This needs to be in every etude book for intermediate players!
I'm not sure if any intermediate player (or player in general) would *not* be bored by this
@themobiusfunction it seems just challenging enough that it would be a great way for pianists to get over the idea of "difficult" keys. They're just different. Different keys, slightly different fingerings.
@@rsaettone5 minutes of doing the same rhythm would kill any beginning/intermediate pianist lmao
@@swagjam1 Bach's Prelude in C Major is the same rhythm for roughly 3 minutes. This just seems like a more difficult version of the same idea.
@@rsaettone yea guess ur right 🤷♂️
ignore what i said lmao
that's a BOP!
average vivaldi piece
Lowkey i rlly want the sheet music. But i understand if you dont want this to be clumped with the rest of your compositions.
Its really italian piece. First we hear vivaldi and at the and we hear left hand playing octaves with right hand playing arpeggios just like in Clementis études
absolutely hypnotic
Acho que realmente vou estudar isso. Irá me ajudar a dominar melhor essa progressão tão cativante e clássica.
Italian influences 😂❤
this comment section is so random lol
I would do C# Major or g# minor, but not both.
Sequence
no sheet music >:(
hi
@@LisztAddicthi
why did i listen
Guys, we might have found the reincarnation of J.S Bach!
Where's the counterpoint, though?
how baroque of you
why no sheet music? :[
some bits sound like this piece: th-cam.com/video/j0ZaS4t4fTk/w-d-xo.html
Not really
@@themobiusfunction I mean I'm not complaing but I ment more of the piano solo bit y'know
omg
Average rococo piece
okay
@@themobiusfunction I just wrote a rococo-style piece so it was fun seeing the same chord progression but just over and over again lmao
Lol I'll click on anything these days
why did you make this video?
1: Why not
2: I also have no idea
why you dont put the sheet music?
Okè
Vivaldi who?
Vivaldi is an Italian composer of the Baroque era
@@themobiusfunction Oh yes I know, I try to say you are excellent :) Loved this
Every scarlatti sonata ever
Not really
As a Scarlatti listener myself, I find this very funny because Scarlatti rarely used Circle of Fifths progression. And I know that's not true because I have listened to all of his 555 sonatas, and the majority of them barely had any type of Circle of Fifths progression.
you changed the key on the 3rd beats instead of putting it in 2/2 >:o
I changed the key on the first beats.
@@themobiusfunction in the finale it changes keys twice per measure but it’s written as accidentals instead of 2/2
@@anidiot4702 Putting it in 2/2 would make it harder to read
Jesus Christ uses music to help us.....
okay
Okay
Ο θεός μας αγαπά, φίλος
okay