00:00 - Introduction 00:49 - Derivation of the circle of fifths motion ("C5") 02:28 - Diminutions of bass voices in C5 * 03:23 - of upper voices * 03:47 - of all voices 04:18 - Example in 2 voices 04:39 - Circle of fifths with 6th chords (down 3, up 2): basic structure * 05:00 - Block chords in 4 voices 05:28 - Trio style, two examples * 06:06 - with simple "broken" diminution * 06:37 - with passing and neighbour tones * 06:58 - bass diminution example 07:28 - The 9th in harmonies above this bass * 07:57 - with diminutions in the bass + inverted upper voices * 08:17 - with diminutions in the upper voices 08:38 - Ligature del basso (tied bass) * 09:55 - connection with C5 10:10 - Diminutions with tied bass * 10:39 - Further resources * 10:58 - Diminution from Durante * 11:31 - Two voices in LH, diminutions in RH 12:08 - Conclusion: these three bass lines are related and invertible. Practise! Thanks for this, Michael! Fantastic work as always. I love this longer explication of this point that you made in the earlier video about Insanguine 7. The harpsichord sounds great! I'm jealous that you can access this almost anytime you're at work 😀
@@en-blanc-et-noir You're welcome, Michael! I don't mind adding timestamps when I can; you already put all the work into making the actual video, and I'm super grateful for that!
Thank you for your video, Michael! I’ve just been wondering about the term “circle of fifth” meaning “Quintfallsequenz”. Do you have any idea if there is a more appropriate English expression for it (to not mix it up with the “Quintenzirkel”)?
Amazing. This is way out of my pay grade, but when you said it was Circle of Fifths, I felt I should be able to realize this. Maybe I'm dreaming, but is that bad?
For years I've been trying to understand the arpeggiated 7th chords after the opening of Bachs d minor cello suite. Thank you for this video! Edit: on a second look it seems to be more similar to the 4 voice version you talk about. Different inversion with the 4ths/5ths movement in the base but the harmony is the same
0:56 Faux Boudon Worthy of careful study! Great video! Makes me want to get a piano or harpsichord!! Guitars and Fiddles are all I have here. Harpsichord sounds great.
I've just discovered your channel. And it's inspiring. I play jazz and am a big fan of Bach. I need to study your videos in closer detail. It contains many hints on how to learn and practise baroque improvisation. Thank you for your efforts in making these videos.
Thank you :DD... But I can't quite follow your suggestion: in my taste this is unnecessarily overcautious. Where did you learn to avoid the tritone in a situation like that? I mean: theres a lot of way more harsh things (esp. in 17th century music). I'd argue this is just common daily bread situation: accented passing note. Even from the perspective of a counterpoint-bad-cop: highly legal stuff.
00:00 - Introduction
00:49 - Derivation of the circle of fifths motion ("C5")
02:28 - Diminutions of bass voices in C5
* 03:23 - of upper voices
* 03:47 - of all voices
04:18 - Example in 2 voices
04:39 - Circle of fifths with 6th chords (down 3, up 2): basic structure
* 05:00 - Block chords in 4 voices
05:28 - Trio style, two examples
* 06:06 - with simple "broken" diminution
* 06:37 - with passing and neighbour tones
* 06:58 - bass diminution example
07:28 - The 9th in harmonies above this bass
* 07:57 - with diminutions in the bass + inverted upper voices
* 08:17 - with diminutions in the upper voices
08:38 - Ligature del basso (tied bass)
* 09:55 - connection with C5
10:10 - Diminutions with tied bass
* 10:39 - Further resources
* 10:58 - Diminution from Durante
* 11:31 - Two voices in LH, diminutions in RH
12:08 - Conclusion: these three bass lines are related and invertible. Practise!
Thanks for this, Michael! Fantastic work as always. I love this longer explication of this point that you made in the earlier video about Insanguine 7.
The harpsichord sounds great! I'm jealous that you can access this almost anytime you're at work 😀
Thx so much Alessandro! I wanted to do it myself but just managed to upload and planned to to that the other day! But THANKS anyway! :DD
@@en-blanc-et-noir You're welcome, Michael! I don't mind adding timestamps when I can; you already put all the work into making the actual video, and I'm super grateful for that!
A video I've been searching for all my life
That two voice example at 4:27 almost sounds like it came out of Handel’s Passacaille in G Minor HWV 432! I absolutely love it
ha! ...because it's exactly that diminution! I guess it's a standard, I heard it as well several times being used by routined baroque improvisers!
Well done you.
Grand Merci !
I'll need to keep this video on repeat for a decade lol very good structure!
Thanks man! :D
Brilliant as always, Michael!
Thanks, Nikhil! :D
Very nice!!! Thank you so much! I wish I could have a PDF of the examples!
Thx, Peter! You can drop me a line per mail - you'll find the adress on the channel main site.
Sick Harpsichord!! Awesome presentation informed by the latest scholarship. Red pill never tasted so sweet!
this is fantastic...
Amazing, feel the urge to transpose!
Exactly!
Wow amazing concepts. thanks for this sir. It is really amazing. How may one get some of these baroque pieces in this video please?
Danke schön!
Hi Handel? The Passacaglia from HWV432?
I hope I could encounter this video earlier
Thank you for your video, Michael! I’ve just been wondering about the term “circle of fifth” meaning “Quintfallsequenz”. Do you have any idea if there is a more appropriate English expression for it (to not mix it up with the “Quintenzirkel”)?
Circle of fifth sequence?
Pheeww... I dunno, I always thought it's somewhat synonymous, which is rather strange for germans!
Loving this channel, several of these videos I rewatch on a regular basis.
EHRE!
These videos are so cool.
Super !,,
Cheeky bastard, love it.
LOL thanks man! :DDD
Amazing. This is way out of my pay grade, but when you said it was Circle of Fifths, I felt I should be able to realize this. Maybe I'm dreaming, but is that bad?
Merci l'algorithme de me faire découvrir la meilleure chaîne TH-cam visiblement, incroyable contenu !
:D je ne parle pas de Francais, mon ami. Mais merci!
i barely understand half of it but your videos are very nice!
Thx Herbert, your name sounds German though... Also: vielen Dank! :D
You should have the harpsichord lid always open when you are playing.
next time :D
Excellent, I'm practising this right now! .👍🏾
feeling the urge to transpose yet? :D
For years I've been trying to understand the arpeggiated 7th chords after the opening of Bachs d minor cello suite. Thank you for this video!
Edit: on a second look it seems to be more similar to the 4 voice version you talk about. Different inversion with the 4ths/5ths movement in the base but the harmony is the same
Love those Picardy thirds.
Insane leçon, thank you very much
Wow yes sir …Thank you kindly
I'm a brokie as of now, but whenever I get money (should be in a year or two) you are getting some.
You are a god for putting this out for free.
hahaha :D alright
0:56 Faux Boudon
Worthy of careful study! Great video! Makes me want to get a piano or harpsichord!! Guitars and Fiddles are all I have here. Harpsichord sounds great.
thanks, John! :D
Bravo 👏
Thank you! :DD
I've just discovered your channel. And it's inspiring. I play jazz and am a big fan of Bach. I need to study your videos in closer detail. It contains many hints on how to learn and practise baroque improvisation. Thank you for your efforts in making these videos.
happy when it‘s helpful
What a fun video. A small thought :) 4:12 to suspend the bass la to be dotted and by so avoid the tritone do fa#, and have the do align with mi
Thank you :DD... But I can't quite follow your suggestion: in my taste this is unnecessarily overcautious. Where did you learn to avoid the tritone in a situation like that? I mean: theres a lot of way more harsh things (esp. in 17th century music). I'd argue this is just common daily bread situation: accented passing note. Even from the perspective of a counterpoint-bad-cop: highly legal stuff.
Superschön Michel. Sehr nerdy aber wollte immer wissen was als nächstes kommt. Sehr liebevoll gemacht❤️
sweet... Berni! :D
You’re incredible EBEN
:D
Awesome content ! Thank you !