True Thomas lay on Huntlie bank, A ferlie he spied wi' his e'e, And there he saw a lady bright Come riding down by the Eildon Tree. Her skirt was o' the grass-green silk, Her mantle o' the velvet fyne. At ilka tett o' her horse's mane Hung fifty siller bells and nine. True Thomas he pull's aff his cap And louted low down to his knee: “All hail, thou mighty Queen o' Heaven! For thy peer on earth I never did see.” “O no, o no, Thomas,” she said, “That name does not belong to me; I am but the queen of fair Elfland That am hither come to visit thee.” “Harp and carp, Thomas,” she said, “Harp and carp along wi' me. And if ye dare to kiss my lips, Sure of your body I will be.” “Betide me weal, betide me woe, That weird shall never daunton me.” Syne he has kissed her rosy lips All underneath the Eildon Tree. “Now ye maun gang wi' me,” she said, “True Thomas, ye maun gang wi' me. And ye maun serve me seven years Thro' weal and woe, as may chance to be.” She mounted on her milk-white steed, She's ta'en True Thomas up behind. And aye whene'er her bridle rung The steed flew faster than the wind. O they rode on and farther on, The steed gaed swifter than the wind, Until they reached a desert wide And living land was left behind. “Light down, light down now, True Thomas And lean your head upon my knee, Abide and rest a little space And I will show you ferlies three. “O see ye not yon narrow road So thick beset with thorns and briars? That is the path of righteousness, Tho' after it but few enquires. “And see ye not that braid, braid road That lies across that lily leven? That is the path of wickedness, Tho' some ca' it the road to heaven. “And see ye not that bonny road That winds about the fernie brae? That is the road to fair Elfland Where thou and I this night maun gae. “But, Thomas, ye maun hold your tongue Whatever ye may hear or see. For if you speak word in Elfyn land Ye'll ne'er get back to your ain countrie.” Syne they came on to a garden green, And she pu'd an apple frae a tree: “Take this for thy wages, True Thomas It will gi' ye the tongue that can never lie.” “My tongue is mine ain,” True Thomas said, “A guidly gift ye wad gie to me! I neither dought to buy or sell, At fair or tryst where I may be. “I dought neither speak to prince or peer Nor ask of grace from fair ladye.” “Now hold thy peace,”, the lady said, “For as I say, so must it be.” He has gotten a coat of the even cloth And a pair of shune of velvet green, And till seven years were gane and past True Thomas on earth was never seen.
Actually, folklorists recently discovered that it originally had the same exact melody as Purple Rain .... go figure! See the article by P. Sinfield and R. Fripp in The Journal of Vernacular Semantics and Traditional Narratology Studies, Volume XII Issue 4, March 2017, published by the University of West Lubbock Press.
Francis Child rated Anna Gordon of Aberdeen's hand-written ballads, which included Thomas the Rhymer, as the most authentic he had witnessed. They've been digitised for the first time by the National Library of Scotland, link here: wee-windaes.nls.uk/manuscript-ballads/
True Thomas lay on Huntlie bank,
A ferlie he spied wi' his e'e,
And there he saw a lady bright
Come riding down by the Eildon Tree.
Her skirt was o' the grass-green silk,
Her mantle o' the velvet fyne.
At ilka tett o' her horse's mane
Hung fifty siller bells and nine.
True Thomas he pull's aff his cap
And louted low down to his knee:
“All hail, thou mighty Queen o' Heaven!
For thy peer on earth I never did see.”
“O no, o no, Thomas,” she said,
“That name does not belong to me;
I am but the queen of fair Elfland
That am hither come to visit thee.”
“Harp and carp, Thomas,” she said,
“Harp and carp along wi' me.
And if ye dare to kiss my lips,
Sure of your body I will be.”
“Betide me weal, betide me woe,
That weird shall never daunton me.”
Syne he has kissed her rosy lips
All underneath the Eildon Tree.
“Now ye maun gang wi' me,” she said,
“True Thomas, ye maun gang wi' me.
And ye maun serve me seven years
Thro' weal and woe, as may chance to be.”
She mounted on her milk-white steed,
She's ta'en True Thomas up behind.
And aye whene'er her bridle rung
The steed flew faster than the wind.
O they rode on and farther on,
The steed gaed swifter than the wind,
Until they reached a desert wide
And living land was left behind.
“Light down, light down now, True Thomas
And lean your head upon my knee,
Abide and rest a little space
And I will show you ferlies three.
“O see ye not yon narrow road
So thick beset with thorns and briars?
That is the path of righteousness,
Tho' after it but few enquires.
“And see ye not that braid, braid road
That lies across that lily leven?
That is the path of wickedness,
Tho' some ca' it the road to heaven.
“And see ye not that bonny road
That winds about the fernie brae?
That is the road to fair Elfland
Where thou and I this night maun gae.
“But, Thomas, ye maun hold your tongue
Whatever ye may hear or see.
For if you speak word in Elfyn land
Ye'll ne'er get back to your ain countrie.”
Syne they came on to a garden green,
And she pu'd an apple frae a tree:
“Take this for thy wages, True Thomas
It will gi' ye the tongue that can never lie.”
“My tongue is mine ain,” True Thomas said,
“A guidly gift ye wad gie to me!
I neither dought to buy or sell,
At fair or tryst where I may be.
“I dought neither speak to prince or peer
Nor ask of grace from fair ladye.”
“Now hold thy peace,”, the lady said,
“For as I say, so must it be.”
He has gotten a coat of the even cloth
And a pair of shune of velvet green,
And till seven years were gane and past
True Thomas on earth was never seen.
Thank you for sharing!
I used to have this album and I'll be eternally grateful to the friend who gave it to me.
R.I.P. buddy.
Wonderful to transmit such on old and beautiful song! Thank you kindly!
Many, many thanks for your time and effort in sharing all of these wonderful ballads!
Wonderful ❤
Gorgeous. Just what I was looking for tonight.
This is the original tune, as far as anyone knows. I love this recording.
Actually, folklorists recently discovered that it originally had the same exact melody as Purple Rain .... go figure! See the article by P. Sinfield and R. Fripp in The Journal of Vernacular Semantics and Traditional Narratology Studies, Volume XII Issue 4, March 2017, published by the University of West Lubbock Press.
Francis Child rated Anna Gordon of Aberdeen's hand-written ballads, which included Thomas the Rhymer, as the most authentic he had witnessed. They've been digitised for the first time by the National Library of Scotland, link here: wee-windaes.nls.uk/manuscript-ballads/
@@amaxamon is there somewhere online where that can be accessed?
Much as I love this excellent true rendtion I can't get Rambling Sid Rumpo out of my imagination. At least there are no bogling forks in this...
No 356 in The New Oxford Book of English Verse, missing verses 15-16, however a truly chilling reading😊
I came here from a link in a veggie tales video...
Do you know how can I have the scripts? I want to understand
I would like to see the thing I tapped. for. instead of s revolving circle.
What are you talkin about its just one song
How many people are here because they're reading COHF?
COHF? I got it from A Clockwork Princess.
I came in from Lords And Ladies.
Jenny R me!
Fire and Hemlock
He missed a couple verses