I had no problem with the slow pacing of the film , the acting in British films is always first rate and this is no exception and Joan is still lovely to look at. I liked it.
I agree the pace is slow in the beginingt but I specifically selected to watch this film for this reason along with the intelligent wisdom behind the protagonist like a typical 1980's headteachers type character. It's a beautiful film. I love the peaceful warm summer atmosphere in natural daylight of the English countryside and rural village community expressed beautifully in pastels of yellows, pinks and oranges and rich shades of reds such as burgundy, cardinal, ruby red, carmine and scarlet that associate the theme of witchcraft, power and danger. The pastels later become saturated hues in lower contrast and hard lighting within gothic settings alongside the same shades of red. Filmed in what seems to be 16:9 tv and video ratio the medium wide shot angles (master shots) capture the green pastures of the landscape and characters from top to bottom while at other times from mid chest to just above the head (medium close ups ) to avoid showing distractions but capturing character details such as costume, hair and facial expressions that express emotions.
The scene where Joan Fontaine collapses at the sight of the voodoo mask was a dream. They explained that the doctor found her unconscious in the hallway and took her to the hospital.
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I had no problem with the slow pacing of the film , the acting in British films is always first rate and this is no exception and Joan is still lovely to look at. I liked it.
I agree the pace is slow in the beginingt but I specifically selected to watch this film for this reason along with the intelligent wisdom behind the protagonist like a typical 1980's headteachers type character. It's a beautiful film. I love the peaceful warm summer atmosphere in natural daylight of the English countryside and rural village community expressed beautifully in pastels of yellows, pinks and oranges and rich shades of reds such as burgundy, cardinal, ruby red, carmine and scarlet that associate the theme of witchcraft, power and danger. The pastels later become saturated hues in lower contrast and hard lighting within gothic settings alongside the same shades of red. Filmed in what seems to be 16:9 tv and video ratio the medium wide shot angles (master shots) capture the green pastures of the landscape and characters from top to bottom while at other times from mid chest to just above the head (medium close ups ) to avoid showing distractions but capturing character details such as costume, hair and facial expressions that express emotions.
Very nicely put. I agree it's a super gorgeous film
The scene where Joan Fontaine collapses at the sight of the voodoo mask was a dream. They explained that the doctor found her unconscious in the hallway and took her to the hospital.
Thanks mate, yeah makes the most sense