00:00 - History of casso continuo 4:54 - What is a figured bass? 7:45 - Historic books on (how to perform) basso continuo 9:58 - Bach as a continuo player 11:17 - Bach continuo examples on the harpsichord 18:17 - Secco and accompagnato recitative 19:32 - Tuning (historic and present) 21:23 - Organ temperature and affect on tuning
I know I can't be the only young person in the world whose soul burns with passion for music of the Renaissance and Baroque and who wants so badly to learn to play continuo well and play with ensembles! Please keep sharing your knowledge with us!
@@Xxxxxxx-i7o I'm well aware of the delights of those composers-complexity and difficulty are, however, not the two criteria I measure music by. Music of the Baroque and late Renaissance is, to me at least, much more beautiful and honest.
Gracias Maestro. Bach es para mi un amigo mi viejo, no sé . Usted hace todo facil de entender y dan ganas de estudiar Un saludo afectuoso y agradecido desde Buenos Aires
En ik vind het een grote eer Ton Koopman in ons midden te hebben: in mijn ogen de beste leerling van Gustav Leonhardt. Een grandioos musicus en een zeer aimabel mens. Hopelijk blijft hij nog heel lang actief in de muziekwereld.
Outstanding Mr Coopman! I have just listened to your embellishments with the Minuete in G by Bach from Anna Magdalena's nite book. There is a real science to the art of embellishment that I can only think you have improvised along certain rules. I would love to know more about this style. Regards.
Sorry to contradict, but Heinichen's treatises *are* mostly about basso continuo. Improvisation and composition were given a few chapters only! Virtually all German basso continuo sources after 1728 mention Heinichen with great respect, saying what great books the man wrote on Basso Continuo! JSB himself sold copies of Heinichen's second treatise in his own home!
The master's fingers inspire! "You are free to do what you want...." To supplement historical understanding, try Derek Remes, and his free dissertation on Bach's pedagogy, and the many recent studies of Partimento.
He is'not always aimabel sometimes he is even ruth . If the media is there of course he's gentle. But undisputed one of the best player and conductors ther is.
Ton Koopman, music theory and English subtitles = perfection
Innumerable thanks to the AmsterdamBaroque for this and other videos.
00:00 - History of casso continuo
4:54 - What is a figured bass?
7:45 - Historic books on (how to perform) basso continuo
9:58 - Bach as a continuo player
11:17 - Bach continuo examples on the harpsichord
18:17 - Secco and accompagnato recitative
19:32 - Tuning (historic and present)
21:23 - Organ temperature and affect on tuning
I know I can't be the only young person in the world whose soul burns with passion for music of the Renaissance and Baroque and who wants so badly to learn to play continuo well and play with ensembles! Please keep sharing your knowledge with us!
Better study the music of Bruckner, Wagner and Richard Strauss. More complex and difficult than most of the music who performs Mr Koopman. Trust me.
@@Xxxxxxx-i7o I'm well aware of the delights of those composers-complexity and difficulty are, however, not the two criteria I measure music by. Music of the Baroque and late Renaissance is, to me at least, much more beautiful and honest.
Luca Ogliari, for someone seeking to learn continuo playing, Buckner, Wagner, and Strauss have nothing to impart.
You are not :)
What a privilege to learn from the great Ton Koopman! Thank you and a blessed Easter.
What an absolute pleasure coming across this video this morning! Many thanks for sharing this priceless video with the Master.
Gracias Maestro. Bach es para mi un amigo mi viejo, no sé . Usted hace todo facil de entender y dan ganas de estudiar
Un saludo afectuoso y agradecido desde Buenos Aires
We get to hear the voice of expertise behind the wonderful interpretations
Deze vlogs zijn goud waard. Ik kan echt uren en uren naar maestro Ton Koopman luisteren.
I saw him 4 years ago, in Bachelona festival in Spain ! What a pleasure!
I really like these vlogs. Ton Koopman is a well of knowledge and friendliness.
What a beautiful, light and exciting touch, I am so touched...
Grazie Ton ti aspettiamo in Italia......non mancare
What a pleasure listening to Mr. Koopman! Thanks
Grazie mille Maestro! È così utile ed un vero piacere.
Hartelijk dank voor deze vlog, heer Koopman - groet van een fagotist in Ierland die de Basso Continuo nooit goed onder knie heeft kunnen krijgen.
Grazie per queste lezioni Maestro!
En ik vind het een grote eer Ton Koopman in ons midden te hebben: in mijn ogen de beste leerling van Gustav Leonhardt. Een grandioos musicus en een zeer aimabel mens. Hopelijk blijft hij nog heel lang actief in de muziekwereld.
Outstanding Mr Coopman! I have just listened to your embellishments with the Minuete in G by Bach from Anna Magdalena's nite book. There is a real science to the art of embellishment that I can only think you have improvised along certain rules. I would love to know more about this style. Regards.
Sorry to contradict, but Heinichen's treatises *are* mostly about basso continuo. Improvisation and composition were given a few chapters only! Virtually all German basso continuo sources after 1728 mention Heinichen with great respect, saying what great books the man wrote on Basso Continuo! JSB himself sold copies of Heinichen's second treatise in his own home!
Net zoals we het nu een eer vinden om met fantastische muzikanten te mogen muciseren. Dank u wel!
Leçon de maître. Merci beaucoup.🎶🎶🎶🎶☀️🎁🍾🎉
Priceless viewing. Wonderful.
Thank you very much for your inspirational videos!
En voor ons is het een grote eer om naar Ton Koopman in zijn werkkamer te mogen luisteren....!
Happy Easter, Master Ton Koopman!❤️
Wonderful programme
Dank je wel Ton, het was weer erg verhelderend.
Ik kijk ook nog steeds uit naar de vlog over het kerkorgel, maar ik heb geduld.
The master's fingers inspire! "You are free to do what you want...." To supplement historical understanding, try Derek Remes, and his free dissertation on Bach's pedagogy, and the many recent studies of Partimento.
dankje wel voor de video
Extraordinario
Passionnant!
Thank you.
What a pleasure!
Heel leerzaam en interessant. (:
Grande Mestre!
Can anyone tell me which section of St. Matthew's Passion the figured bass played at 5:01 is from?
I think it’s no. 33, from pt. 2 (“Und wiewohl viel falsche Zeugen herzutraten …”).
Interesting informations :) thank you
thank you!
wonderful
Is Ton echt al 76 of een jonge hond van 23?
Ik versta geen woord Nederlands, maar het is net zo interessant.
There are english subtitles!
@@daanmollema6366 Thanks, I didn't know that function.
Please give lectures on the music of Johann Adolf Hasse.🎼👍
Who's this Josossian Bach?
6:05 wished there was a piano instead of an organ
De eerste gitaristen.
hier speekt de vakman...
He is'not always aimabel sometimes he is even ruth .
If the media is there of course he's gentle.
But undisputed one of the best player and conductors ther is.