Always felt this to be one of the crowning glories of Mozart's orchestral compositions. The andante is profound indeed! Beautifully performed here in the trying conditions of the pandemic. We know Mozart loved the viola, and it shows! What a shame he was never able to write a solo concerto for this instrument in his maturity!
There is no such thing as a hit or miss with Mozart's works All is splendid, great. The only issue would be the quality of the performance and the acoustics This performance‘s splendor of words can not arrive
1779 Annus Horribilis per Mozart? Era partito due anni prima per un vaggio pieno di ottimismo era ritornato senza sua madre deceduta a Parigi, e pure purtroppo rifiutato da Aloysa Weber della quale si era innamorato (conoscendola a Mannheim), tremendamente deluso per non aver trovato una collocazione professionale più consona alla sue qualita' e legittime aspirazioni Mozart doveva rassegnarsi a ritornare a fare il servitore del detestato principe-arcivescovo. Come rispose allora Mozart? Fra le altre compose la Messa dell'Incoronazione K.317 la Sinfonia n. 33 in si bemolle maggiore K. 319 la Serenata "Posthorn" K. 320 Nulla al confronto pero' con la immediatamente successiva Sinfonia concertante in mi bemolle maggiore per violino, viola e orchestra K. 364: straordinario capolavoro, splendida composizione scritta pensando alla meravigliosa orchestra di Mannheim, da poco a Monaco al seguito del duca Karl Theodor Grandi musicisti per i quali Mozart poteva scrivere palesando tutto il suo genio Non e' la "solita" musica scritta per Salisburgo, dove aveva l'impressione di scrivere "solo per le sedie", come era solito dire Basta ascoltare il secondo movimento, una musica dove il nostro esprime tutto il suo dolore, la sua commozione per quello che aveva patito (uno dei pochi casi nei quali possiamo con una certa sicurezza dire che eventi biografici hanno ispirato una musica) per comprendere quanto fosse cambiato il nostro ragazzo prodigio ora divenuto uomo Pure il terzo movimento esprime una istanza personale, e' come se Mozart dicesse "la vita continua ed allora vediamo di goderne per quanto possibile" Ed allora forse il suo annus horribilis non e' forse da considerare un annus mirabilis? Bambino ancora non cresciuto, ritorna da Parigi uomo adulto E con la consapevolezza di un adulto affrontera' i casi successivi della sua vita, indirizzera' con ambizione consapevole la sua carriera, scrivera' la sua favolosa musica
Thank you very much for your performance. This is the most beautiful and perfect style that I have seen. Congratulations to the soloists and orchestra too.
What a breathtaking tempo on the Presto...the entire recording is a must have. Two perfectly splendid masters of their respective instruments...gorgeous tone quality! One could imagine Mozart to be there, directing joyfully, in spirit!
Je n'ai jamais vu une interprétation aussi touchante. L'expression faciale de Sarah est très significative. Les deux instruments communiquent leurs sentiments
One of many things I love about this performance is the eye contact between the two soloists, which brings out visually the romantic duet aspect of the work. In most videos the violist hardly seems aware of the violinist standing next to them. Maybe the fact that Rachlin and McElravy are husband and wife has something to do with it.
It's amazing how much the sound of one particular viola changes when in a different player's hands.... as much as I love McElravy's graceful (and very Mozartian) playing, it does sound like she's a violinist dabbling with the viola. Rachlin plays the very same Storioni viola in a clip with Janine Jansen (here: th-cam.com/video/GZmiZaMJCsQ/w-d-xo.html ), playing the same piece, and he makes it sound so deep, growly and beefy. He almost gets a cello sound out of it! It's nice to see Rachlin playing the violin part for once as well. Great performance overall!
Were they using the same bow? There are so many variables in recorded music (not to mention what youtub does to the sound) that it's difficult to compare. You'd have to hear the two musicians playing in the same place recorded with the same mic setup (and same sound mastering). But I'll check out that clip! I once heard Walter Trampler play this piece with Jaime Laredo & boy did he ever have a big sound - and a big viola!
Superb. Ascult cu mare placer muzica marelui compozitor Mozart. Felicitari J.Rachlin, felicitari S.McElravy pentru maestria cu care interpretati aceasta Sinfonie, felicitari intregii orchestre. Superb.
Simply beautiful harmony and synchronization. Artistry at its unconditional best. This is the type of symphonic music that was my companion as I studied while in law school decades ago.❤
ABSOLUTELY STUNNING! CELESTIAL..THE BEST! Viola and Violin meshed perfectly...every nuance of this marvellous work of music was honoured by the conducting Maestro! A truly moving experience! Heartfelt thanks!!!!!
Forget about the plethora of coughing in this piece it's reflex action. This rendition is the benchmark of Symphonia Concertante any day! Thanks to God the pair are husband and wife.
The K. 364 finale always struck me as too frivolous and lite to work as a proper finale but, if nothing else, it helps ceremoniously bring matters to a close. The serious questions --- the critical concerns -- have been contemplated and decided in the lopsidedly "meatier" 1st and 2nd movements and we are invited to hang on a little while longer so that any un-dotted i's are so dotted, any uncrossed t's are crossed at last, business cards are exchanged by any so inclined, and everyone is made aware of the airport they're flying out of in the morning. K. 364 is structurally wonky since its finale, nice enough as it is, not only feels perfunctory next to its more substantive siblings but also entirely deflates the air of majestic dignity and the "aiming for nothing less than the sublime" musical drive characterizing movements I and II. This is sharp contrast to III which, with its shorter length, and lacking entirely in the soaring drama and aching lyricism it has the misfortune to follow, has an impact akin to the theater's lights coming on shortly before the audience needs to head home. The problem is, after the heavenly strains of movements one and two, the finale inconsiderately smacks us back down to Earth with its complete disinterest in the sort of loft and quasi-eathereality in the preceding movements that even Mozart's divine talent can't sugarcoat a feeling of "loss" pervading the movement, a sense of there having been a Fall which the finale's gayety and good-cheer can neither mask nor adequately compensate for (thus does the finale's jocosity take on the flavor of the party where the host doesn't realize he's having more of a good time than his guests who are itching to leave.) As it's nonetheless one of Mozart's most graceful and moving concert works, there is some risk of appearing churlish in being so vocally negative about a finale that appears insubstantial perhaps only under the light of the Olympian strivings of the other material. Which is another of saying the work is structurally unsound and Mozart should have known better. I say let he who holds out as churlish the want to stay put in Heaven after being let through its pearly gates show his face and make his farcical charges at the lovers of Art who seek elevation and transcendence that, I say, we find in the first two movements of the K.364 but not in its "let's get this show over" finale which I don't claim is entirely without charm and, at the end of the day, could be a victim of both the work's structure and also of the expectations and hopes unfairly thrust upon it by an an ever more insatiable audience demanding ever MORE intensity, MORE sublimity, MORE sequences/moments/passages which "Stir Our Hearts and Move Our Souls and Bring Us to Tears And Give a Glimpse of the Divine and the Otherworldly" blah blah blah. "Just take shrooms already" you want to tell them but, alas, that opportune moment when you can gracefully push psychedelics never quite comes and you, being brought up right, have the class and good taste to know that you mustn't force it, that it's bad taste to force it, that if you have to force it then it means it's pretty much over buddy boyo and thereafter you'll be seen as One of Those Who Just Doesn't Get It and Probably Never Will.
MAGISTRAL interpretación de la célebre Sinfonía Concertante del genial compositor W.A. Mozart por esta orquesta noruega. Mención especial para los prestigiosos solistas el lituano Julian Rachlin y la canadiense Sarah McElravy. BRAVO !!! Saludos desde España,
This beautiful performance is captivating and intriguing and exhilarating The Wonderfulness and Greatness of Mozart’s music is immeasurable and unspeakable and beyond description
AI can find K206 original of this simfonia concerto K364 from, we lost cello concerto K206. This music is very similar K206. This music is for violin and viola K206 is only for cello. I wish AI can find it from K364. It must be beautiful.
Esta música despliega la magia que vvifica el espíritu; es uno de los sellos de la maestría de Mozart y a la vez, la cauda infinita de resplandores, insuflados por la energía del eterno compositor austriaco.
This performance was an absolute masterpiece. I'm no expert in music but I learnt a few things from this video. : 1. That the conductor can be an absolute boss and take part in the performance as well 2. That there's this really cool concept of dual lead violinists playing different pitch which made so much sense in the context of this song (usually there's only one solo musician in the spotlight) 3. And that music can actually move me to tears How I wish I was there in the hall to experience this spectacle, i'm definitely going to be looking out for any local concerts in my area to hopefully recreate the same emotions this video gave me
La sinfonía concertante de Mozart es maravillosa.Siempre la vuelves a oír.Esta fantástica versión hay que felicitar a todos en especial a los dos espléndidos solistas.Siempre sientes al olerla como si tu alma se viera envuelta de una gran fortaleza.Gracias,Mozart.
Si fuera posible que alguien me tradujera al español las dos respuestas que me han dado a mi comentario sobre la Concertante de Mozart,lo agradecería muchísimo. Gracias.
I love the sound of the violin, I love this symphony, it is a beautiful work, it relaxes me in a way that makes me feel such satisfaction, thank you very much, the best of Mozart.
Mozart's music and Mozart's works' spectacular performers' performance are unfathomable, immeasurable and beyond description , and full of admiration, tribute and deep emotion , and comfortable to the ear and the mind . I just am intoxicated with their inspirational performance in Japan
Œuvre de Mozart magnifiquement interprétée . Moment plein d'émotion par la beauté de cette symphonie concertante que j'aime beaucoup . Quel génie ce Mozart , on ne se laisse jamais !
I bought a cd years ago. Columbia recording. At the end the viola and violin were rising together like birds circling up like a helix, then coming together. Thank you, nice but not what I was trying to find. Thank you.
Was that the one that permitted composers realize that Mozart copied on Joseph Bologne by its high notes ? But this orchestra is breath taking ! Bravo !
![Mozart - Sinfonia Concertante in E-flat major [K. 364]](http://i.ytimg.com/vi/-JAAQqVnpR8/mqdefault.jpg)
Always felt this to be one of the crowning glories of Mozart's orchestral compositions. The andante is profound indeed! Beautifully performed here in the trying conditions of the pandemic. We know Mozart loved the viola, and it shows! What a shame he was never able to write a solo concerto for this instrument in his maturity!
医師会オーケストラのコンミス、30歳の開業医です。
私はビオラも嗜みますが、この作品はバイオリン・ビオラ奏者の羨望の曲でもあります。
弦楽５部と管楽の編成ですが、モーツァルトの協奏曲作品群には、常にホルン2台仕様指定有り、これが音楽の厚みを創る、スパイスのような存在です。
映像の演奏は、２人の
演奏シルエットも美しく、盛夏の朝の揚羽蝶と深紅花の対話のような、スケール感大きく、ブグローの絵画表現を彷彿する、完成度高い演奏です。カメラアングルも素晴らしい！
ヴァイオリンと、ヴィオラの対話が美しいです。
まるで、愛しい恋人たちの語らいを観るような情感豊かな音色です。
それを、包み込むような温かいオーケストラの音色は幸せな気持ちになります。
モーツァルトの、協奏交響曲 K364は至高の曲です。
Wonderful! I LOVE when the violinists enjoy themselves so much! ❤
Toda la música de Mozart es tan maravillosa que es una suerte que podamos oírla a través de TH-cam.. Gracias
Muito bom mesmo
If there is a musical piece that express all the tragedy, pain, sorrow, beauty and dignity of life is the second movement of this wonderful creation
Really impressive Mozart work! The orquestra and both soloist sound so beautiful.
Maravilha
There is no such thing as a hit or miss with Mozart's works
All is splendid, great.
The only issue would be the quality of the performance and the
acoustics
This performance‘s splendor of words can not arrive
Tempo, bowing, phrasing differs considerably from th-cam.com/video/GZmiZaMJCsQ/w-d-xo.html . I prefer by far the cited interpretation.
1779 Annus Horribilis per Mozart? Era partito due anni prima per un vaggio pieno di ottimismo era ritornato senza sua madre deceduta a Parigi, e pure purtroppo rifiutato da Aloysa Weber della quale si era innamorato (conoscendola a Mannheim), tremendamente deluso per non aver trovato una collocazione professionale più consona alla sue qualita' e legittime aspirazioni Mozart doveva rassegnarsi a ritornare a fare il servitore del detestato principe-arcivescovo.
Come rispose allora Mozart? Fra le altre compose la Messa dell'Incoronazione K.317 la Sinfonia n. 33 in si bemolle maggiore K. 319 la Serenata "Posthorn" K. 320
Nulla al confronto pero' con la immediatamente successiva Sinfonia concertante in mi bemolle maggiore per violino, viola e orchestra K. 364: straordinario capolavoro, splendida composizione scritta pensando alla meravigliosa orchestra di Mannheim, da poco a Monaco al seguito del duca Karl Theodor Grandi musicisti per i quali Mozart poteva scrivere palesando tutto il suo genio Non e' la "solita" musica scritta per Salisburgo, dove aveva l'impressione di scrivere "solo per le sedie", come era solito dire Basta ascoltare il secondo movimento, una musica dove il nostro esprime tutto il suo dolore, la sua commozione per quello che aveva patito (uno dei pochi casi nei quali possiamo con una certa sicurezza dire che eventi biografici hanno ispirato una musica) per comprendere quanto fosse cambiato il nostro ragazzo prodigio ora divenuto uomo Pure il terzo movimento esprime una istanza personale, e' come se Mozart dicesse "la vita continua ed allora vediamo di goderne per quanto possibile" Ed allora forse il suo annus horribilis non e' forse da considerare un annus mirabilis? Bambino ancora non cresciuto, ritorna da Parigi uomo adulto E con la consapevolezza di un adulto affrontera' i casi successivi della sua vita, indirizzera' con ambizione consapevole la sua carriera, scrivera' la sua favolosa musica
Alot of extra detail in the strings. A benefit to having a conductor/violinist I guess :). Beautiful sound recording and performance.
This is one of my favourite pieces of music. Well played!
One of mine too! Mozart at his deepest, yet full of life!!
6:25-7:40 is the best part for me, absolutely godly
この音色・イヤホン・で聴くのは勿体ないです 是非大型スピーカーで,２楽章アンダンテは引き込まれますね。素晴らしい二重奏・美しい会話・・・
Wonderful energy . Loved it.
she plays the viola maginificent!
Sono d'accordo. Ma anche il violino.
A magnificent performance full of strength an feeling. Perfect sound register. Soloists and all instruments sound wonderful.
Thank you very much for your performance. This is the most beautiful and perfect style that I have seen. Congratulations to the soloists and orchestra too.
Acho que quando Mozart compôs
esta Sinfonia estava entre anjos e querubins.
Francisca,es muy posible.
Non c'è dubbio!
Muito obrigada pelo elogioso comentário.
5:21 11:25 are so powerful... Suddenly the melody becomes more powerful and "deep". Excellent playing, thanks for sharing the performance online.
Great performance, great audio, bloody noisy audience.
Thanks for posting this wonderful performance. Made my day!
What a breathtaking tempo on the Presto...the entire recording is a must have. Two perfectly splendid masters of their respective instruments...gorgeous tone quality! One could imagine Mozart to be there, directing joyfully, in spirit!
Incredibly heartbreaking awesome 💖👍
More than Perfect ‼️👍👍🤗
Oh if one could live for decades to enjoy all these masterpieces, if not they can be taken by his soul to the other world with joy.
My Goodness....This is absolute beauty
Himmlisch schöne Musik , meisterhaft interptetiert von Dirigent und Orchester!💯💯💪💪💕💕
Je n'ai jamais vu une interprétation aussi touchante.
L'expression faciale de Sarah est très significative.
Les deux instruments communiquent leurs sentiments
Excellent performance, thank you.
One of many things I love about this performance is the eye contact between the two soloists, which brings out visually the romantic duet aspect of the work. In most videos the violist hardly seems aware of the violinist standing next to them. Maybe the fact that Rachlin and McElravy are husband and wife has something to do with it.
Esecuzione passionale e tecnicamente ineccepibile grazie maestri...by leoni anna (pianista)
(1:35 - 2:01) *estoy seguro de que este pasaje llegó a Mozart durante una buena sesión de sexo.* 😊
It's amazing how much the sound of one particular viola changes when in a different player's hands.... as much as I love McElravy's graceful (and very Mozartian) playing, it does sound like she's a violinist dabbling with the viola. Rachlin plays the very same Storioni viola in a clip with Janine Jansen (here: th-cam.com/video/GZmiZaMJCsQ/w-d-xo.html ), playing the same piece, and he makes it sound so deep, growly and beefy. He almost gets a cello sound out of it!
It's nice to see Rachlin playing the violin part for once as well.
Great performance overall!
Were they using the same bow? There are so many variables in recorded music (not to mention what youtub does to the sound) that it's difficult to compare. You'd have to hear the two musicians playing in the same place recorded with the same mic setup (and same sound mastering). But I'll check out that clip! I once heard Walter Trampler play this piece with Jaime Laredo & boy did he ever have a big sound - and a big viola!
Superb. Ascult cu mare placer muzica marelui compozitor Mozart. Felicitari J.Rachlin, felicitari S.McElravy pentru maestria cu care interpretati aceasta Sinfonie, felicitari intregii orchestre. Superb.
Simply beautiful harmony and synchronization. Artistry at its unconditional best. This is the type of symphonic music that was my companion as I studied while in law school decades ago.❤
A glorious glorious glorious piece of Mozart’s oeuvre - sunny side up throughout!
ABSOLUTELY STUNNING! CELESTIAL..THE BEST!
Viola and Violin meshed perfectly...every nuance of this marvellous work of music was honoured by the conducting Maestro! A truly moving experience! Heartfelt thanks!!!!!
My favorite version of this masterpiece!
Fantastic! Body language says it all. Strength.
Great music and great musicians, but the audience didn't cooperate. Too much coughing during some of the most profound sounds of the piece.
Forget about the plethora of coughing in this piece it's reflex action.
This rendition is the benchmark of Symphonia Concertante any day!
Thanks to God the pair are husband and wife.
The K. 364 finale always struck me as too frivolous and lite to work as a proper finale but, if nothing else, it helps ceremoniously bring matters to a close. The serious questions --- the critical concerns -- have been contemplated and decided in the lopsidedly "meatier" 1st and 2nd movements and we are invited to hang on a little while longer so that any un-dotted i's are so dotted, any uncrossed t's are crossed at last, business cards are exchanged by any so inclined, and everyone is made aware of the airport they're flying out of in the morning.
K. 364 is structurally wonky since its finale, nice enough as it is, not only feels perfunctory next to its more substantive siblings but also entirely deflates the air of majestic dignity and the "aiming for nothing less than the sublime" musical drive characterizing movements I and II. This is sharp contrast to III which, with its shorter length, and lacking entirely in the soaring drama and aching lyricism it has the misfortune to follow, has an impact akin to the theater's lights coming on shortly before the audience needs to head home. The problem is, after the heavenly strains of movements one and two, the finale inconsiderately smacks us back down to Earth with its complete disinterest in the sort of loft and quasi-eathereality in the preceding movements that even Mozart's divine talent can't sugarcoat a feeling of "loss" pervading the movement, a sense of there having been a Fall which the finale's gayety and good-cheer can neither mask nor adequately compensate for (thus does the finale's jocosity take on the flavor of the party where the host doesn't realize he's having more of a good time than his guests who are itching to leave.) As it's nonetheless one of Mozart's most graceful and moving concert works, there is some risk of appearing churlish in being so vocally negative about a finale that appears insubstantial perhaps only under the light of the Olympian strivings of the other material. Which is another of saying the work is structurally unsound and Mozart should have known better. I say let he who holds out as churlish the want to stay put in Heaven after being let through its pearly gates show his face and make his farcical charges at the lovers of Art who seek elevation and transcendence that, I say, we find in the first two movements of the K.364 but not in its "let's get this show over" finale which I don't claim is entirely without charm and, at the end of the day, could be a victim of both the work's structure and also of the expectations and hopes unfairly thrust upon it by an an ever more insatiable audience demanding ever MORE intensity, MORE sublimity, MORE sequences/moments/passages which "Stir Our Hearts and Move Our Souls and Bring Us to Tears And Give a Glimpse of the Divine and the Otherworldly" blah blah blah. "Just take shrooms already" you want to tell them but, alas, that opportune moment when you can gracefully push psychedelics never quite comes and you, being brought up right, have the class and good taste to know that you mustn't force it, that it's bad taste to force it, that if you have to force it then it means it's pretty much over buddy boyo and thereafter you'll be seen as One of Those Who Just Doesn't Get It and Probably Never Will.
So what are you saying? In less than 2 sentences.
This comment is from left field. How many readers understand what this person is saying? It seems that he is caught up in himself!!!!!!
MAGISTRAL interpretación de la célebre Sinfonía Concertante del genial compositor W.A. Mozart por esta orquesta noruega. Mención especial para los prestigiosos solistas el lituano Julian Rachlin y la canadiense Sarah McElravy. BRAVO !!! Saludos desde España,
535th 5AM and I 5553inches 44inches 86yyrd 666t
Beautiful! Love Mozart! ❤️
Every time I listen to you I get excited!!!💔
This beautiful performance is captivating and intriguing and exhilarating
The Wonderfulness and Greatness of Mozart’s music is immeasurable and unspeakable and beyond description
Looks like my teacher's N. Amati Viola!
Thank you
똑같은 감상입니다.
이 곡은 처음 모차르트와의 만남 곡으로,
이 곡에서 모차르트를 좋아졌습니다.
이 악단도 좋은!
都慶洙보다
Just Beautiful!
So the most beautiful woman in the world also plays an amazing violin…Incredible!
😂Parabéns. Saindo no ritmo.
Delightful rendition! Truly Mozartean!
AI can find K206 original of this simfonia concerto K364 from, we lost cello concerto K206. This music is very similar K206. This music is for violin and viola
K206 is only for cello. I wish AI can find it from K364. It must be beautiful.
Bravissimo!!
HERMOSA VERSION DEESTA OBRA, PRECIOSA
Um convite à reflexao e meditação. Um descanso para o corpo e elevação do espirito
Wonderful performance of this beautiful concerto...... Thanks for sharing.....
OMG What a performance!
27:15 wow
Excelente ejecución. El sonido perfectamente. el balance de los instrumentos y Los Solistas superiores
Bravo, un Mozart très pétillant, merci à Sarah McElravy, Julian Rachlin, merci aux musiciens, c'était sublime.
Tout à fait d'accord. Je n'arrive pas à m'en détacher; heureusement que je suis à la retraite.
22:46 to 23:05 uff incredible
Excellent performance , good sound quality . Thank so much !!!
躍動感溢れる響きの中に､1つ1つの楽器から､奏でる音色の美しさに､感無量です。👏👏‼
Mi fa sorridere come i solisti (1 e 2), giustamente, tirino l'orchestra nell'ultimo movimento...
HERMOSA VERSION DE ESTA PRECIOSA OBRA.EXCELENTE INTERPRETACION.
So uplifting! Thank you.
Very good 👍
Esta música despliega la magia que vvifica el espíritu; es uno de los sellos de la maestría de Mozart y a la vez, la cauda infinita de resplandores, insuflados por la energía del eterno compositor austriaco.
Thank you
Amo esta parte con toda mi alma: 4:15 💓✨
Bravi
Excelente versión. Buen desempeño de solista y muy buena la dirección
Julian e Sharah e Mozart
Meravigliosi
Muy buena ka gravacion
Signori ecco la MUSICA!
Simponi sangat indah dimainkan secara amat profesional...❤❤
Beautiful! I wonder if Julian Rachlin has roots in Russia? Natan Rachlin was a great conductor here!
This performance was an absolute masterpiece. I'm no expert in music but I learnt a few things from this video. :
1. That the conductor can be an absolute boss and take part in the performance as well
2. That there's this really cool concept of dual lead violinists playing different pitch which made so much sense in the context of this song (usually there's only one solo musician in the spotlight)
3. And that music can actually move me to tears
How I wish I was there in the hall to experience this spectacle, i'm definitely going to be looking out for any local concerts in my area to hopefully recreate the same emotions this video gave me
i am very happy to hear that!
It is really a pity that God took away Mozart at such a young age
What a surprise, I did not know this piece...
Wonderful
Good
Agree with previous commentary/.
Aahhhh that second movement is sublime 🥰
La sinfonía concertante de Mozart es maravillosa.Siempre la vuelves a oír.Esta fantástica versión hay que felicitar a todos en especial a los dos espléndidos solistas.Siempre sientes al olerla como si tu alma se viera envuelta de una gran fortaleza.Gracias,Mozart.
פ7
ץפ7ץל700תל7
Si fuera posible que alguien me tradujera al español las dos respuestas que me han dado a mi comentario sobre la Concertante de Mozart,lo agradecería muchísimo. Gracias.
Muchas gracias.
So beautiful and so excellent!
This just became my favorite performance of Mozart Sinfonia Concertante.
Bare bra, takk.
I love the sound of the violin, I love this symphony, it is a beautiful work, it relaxes me in a way that makes me feel such satisfaction, thank you very much, the best of Mozart.
自分用
シンフォルニア・コンチェルタンテ(モーツァルト)
Great sound on that viola, did it get mic-ed?
Mozart's music and Mozart's works' spectacular performers' performance are unfathomable, immeasurable and beyond description , and full of admiration, tribute and deep emotion , and comfortable to the ear and the mind .
I just am intoxicated with their inspirational performance in Japan
🤗🌸🙏🌇
@@peterfriedrich7094
Thank you so much to your wonderful Emoji
Do you know Emoji(絵文字) is made in Japan?
@@shin-i-chikozima Yes, a fine idea 👍‼️
@@peterfriedrich7094
Thank you
Good luck
Go for it
Good night
@@shin-i-chikozima Thank you, have a good night✨🌇🍀‼️
Tanti complimenti alla viola, ma come tira l'arco il violino...
👌👌👌👍👍👍🌹🌹🌹🌹🌹
Œuvre de Mozart magnifiquement interprétée . Moment plein d'émotion par la beauté de cette symphonie concertante que j'aime beaucoup . Quel génie ce Mozart , on ne se laisse jamais !
Muchas Gracias, hermoso
Bravissimo 😀
This is absolutely magnificent
I bought a cd years ago. Columbia recording. At the end the viola and violin were rising together like birds circling up like a helix, then coming together. Thank you, nice but not what I was trying to find.
Thank you.
Wonderful performance Julian Rachlin & Sarah McElravy.
Wow! The orchestra plays as if it were one instrument and the soloists are fabulous. Impressive!!! You would make Mozart cry with joy!!!
Sublime
This is a very nice concert😊
Was that the one that permitted composers realize that Mozart copied on Joseph Bologne by its high notes ? But this orchestra is breath taking ! Bravo !