Gabriella Tucci-"E' strano!...Ah, fors'e' lui...Sempre libera", La Traviata, 1966 (exc.3)

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  • เผยแพร่เมื่อ 9 ม.ค. 2025

ความคิดเห็น • 16

  • @WynneAlexander
    @WynneAlexander 6 ปีที่แล้ว +2

    Thank You for adding this exhibit to the Music Spheres. It's important for the world to hear and know forever. Congratulations and thanks to whoever recorded this obviously covert operation at the Academy of Music.

  • @numetutelare
    @numetutelare 4 ปีที่แล้ว +2

    Molto brava...

    • @fabriziomariagarzi5534
      @fabriziomariagarzi5534 7 หลายเดือนก่อน

      Tu dici?

    • @numetutelare
      @numetutelare 7 หลายเดือนก่อน

      @@fabriziomariagarzi5534 insomma... siamo gentili... non sarà un fulmine di guerra ma ha ascoltato le attuali soprano nella "follia..." ??? Certo la Tucci doveva vedersela con i soprani eccellenti dell'epoca... dico sempre quando non ci sono corsieri o cavalli arabi ... un onesto cavallino e pure un mulo spiccano... poi ci sono i somari... pardon le somarelle... e mi pare che ne siamo ammorbati a sufficienza, e... vedremo quanto durano in voce...

    • @numetutelare
      @numetutelare 7 หลายเดือนก่อน

      @@fabriziomariagarzi5534 per
      Il periodo doveva vedersela con soprani dotatissimi... diciamo che oggi ci andrebbe più che bene una Tucci. Per sentire soprani di timbro gradevole e con tecnica esatta bisogna andarle a cercare con la lanterna ... che dire, il medio di allora oggi pare più che accettabile...

  • @beachfanatic2010
    @beachfanatic2010 3 ปีที่แล้ว +3

    Traviata is a role for a dramatic soprano. Not for a lyric, not for a Spinto. However; I must say Tucci has a great vocal weight for the role. Sometimes she is overpowered and drowned though.

    • @fulvioarborio9578
      @fulvioarborio9578 3 ปีที่แล้ว +2

      I don't think she's overpowered, her voice sticks out very well, even in the medium/low range, but her high notes are sometimes a little bit flat, a common problem for spintos (Tebaldi, Caballe and others most of the times lowered the cabaletta half a tone)

    • @kurtgarmaker3719
      @kurtgarmaker3719 ปีที่แล้ว +2

      I agree.. the performance of Trovatore was a bevy of flat notes .. too bad I like many things about her voice

    • @WynneAlexander
      @WynneAlexander ปีที่แล้ว +1

      @@fulvioarborio9578 Also it must be remembered this performance was recorded by one mic, on the one side of the stage, in the mid 1960s.. That means the sound varies from mid-stage to the other side (66%) and the mlc needs to be known and questioned as well

    • @walteranibal8425
      @walteranibal8425 8 หลายเดือนก่อน

      You are drunk, Traviata is a lyrical role. It's not a role for a dramatic soprano the two more dramatic voices that sang Violetta were Ponselle and Tebaldi . All lyrical and lyrical -coloratura sopranos sang it: Sayao, Novotna, Moffo, Cotrubas, Steber, Sills, Zeani, Albanese, Ricciarelli, Scotto

  • @mannail888
    @mannail888 7 ปีที่แล้ว +4

    Superb rendition by the great Tucci. However, I miss the concluding high E.

    • @pabloperdomo5174
      @pabloperdomo5174 4 ปีที่แล้ว +1

      It's not in the original score. She was also a spinto.

    • @kurtgarmaker3719
      @kurtgarmaker3719 ปีที่แล้ว +1

      I am sure she ha high E flat.. listen to di vendetta

    • @mannail888
      @mannail888 ปีที่แล้ว

      @@kurtgarmaker3719 What is "di vendetta"?

    • @kierantinker-casson8888
      @kierantinker-casson8888 5 หลายเดือนก่อน

      Should read Si vendetta Gilda/Rigoletto duet