Johann Nepomuk Hummel: Bassoon Concerto, WoO. 23/S. 63 (c. 1805)

แชร์
ฝัง
  • เผยแพร่เมื่อ 25 ก.ค. 2024
  • 00:00 - I. Allegro moderato
    10:49 - II. Romanza: Andantino e cantabile
    16:36 - III. Rondo: Vivace
    _____
    Bassoon: Martin Kuuskmann
    Conductor: Risto Joost
    Orchestra: Tallinna Kammerorkester
    Year of Recording: 2014
    _____
    "Hummel composed this work "circa 1805"; there is no record of the first performance. The soloist is accompanied by strings. Hummel's father, director of the Pressburg Imperial School for Military Music, was lured to Vienna in 1785 by Emanuel Schikaneder to conduct the orchestra at his Theater auf der Wieden. Mozart, the impresario's lodge-brother and future Magic Flute collaborator, was so impressed by Johann's pianistic talent that he offered to teach him gratis. Hummel lived in his apartment for the next two years, and in 1787 made his public debut at a Mozart concert in Dresden. Papa Hummel took a cue from Leopold Mozart and toured his boychild from 1788 to 1793. In London, Johann not only studied with Muzio Clementi but played a concert in 1792 directed by Haydn's sagacious impresario, Salomon.
    Back in Vienna, fifteen-year-old Hummel studied with venerable Albrechtsberger (to whom an exasperated Haydn sent the incorrigible Beethoven that same year). He also solicited advice from "Papa" himself, and operatic instruction from Salieri. In 1804, Prince Nicolaus Esterházy II engaged Hummel to succeed the elderly Haydn as Kapellmeister at Eisenstadt, where he remained until his dismissal in 1811 -- for neglect of duties. In addition to solo concerts, Hummel conducted increasingly -- most notably at Weimar beginning in 1819, and retained the title of Kapellmeister until his death. Alive, he was a triple-threat celebrity, composing, conducting, and continuing to play the piano throughout Europe. Carl Czerny became his most celebrated pupil, although Chopin, Schumann, and Liszt were composers whose piano music he influenced. Following his death, however, Hummel was promptly relegated to a footnote in musical history. Seven piano concertos and virtually all of his solo keyboard works gathered dust on library shelves; not one of a dozen operas and ballets survived in the repertoire, nor any of his church music. A sextet for piano and winds and the long-lost trumpet concerto are almost the only works played today.
    This undated "Grand Concerto" for bassoon and strings remained unpublished and unknown until, just recently, the manuscript turned up in the British Library. Hummel's latest biographer, Joel Sachs, has assigned a speculative date: ca. 1805. It was composed, according to the title page, "di Vienna . . . per il Sigr Griesbacher." William Waterhouse has written (for a Philips CD recording) that "the solo part in a number of places has been amended later by the composer; these are mostly in passages of virtuoso writing. . . . It is not possible to identify 'Signor Griesbacher' [although] the likeliest candidate would appear to be Raimund (1751 or 1752 - 1818)," who was appointed instrument-maker to the Imperial Court at Vienna in 1800.
    As a composer Hummel looked backwards, to his disadvantage, to the efflorescence of Romanticism in the wake of Carl Maria von Weber. Echoes of Haydn and Mozart are heard throughout the F major Bassoon Concerto: tuneful, charming and structurally conventional (sonata-form first movement, ternary Romanza in B flat, and 6/8 rondo), but far more difficult to play on the complicated modern bassoon than it was on the seven-key ancestor that Mozart and Weber wrote for, along with Hummel." (Robert Dettmer)
    _____
    © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

ความคิดเห็น • 14

  • @Hairmetallurgist
    @Hairmetallurgist ปีที่แล้ว +16

    A criminally underrated piece that should never take a backseat to the Mozart concerto.

  • @JohannaA.5013
    @JohannaA.5013 2 ปีที่แล้ว +7

    So it was Mozart or Hummel. Hummel gained my heart with this Concerto.

  • @edwinalejandrofernandezrod4457
    @edwinalejandrofernandezrod4457 2 ปีที่แล้ว

    Mi concierto favorito. Saludos desde Trujillo Perú 🇵🇪

  • @ragnarok3187
    @ragnarok3187 3 ปีที่แล้ว +2

    Great video! :)

  • @peterkraxner4627
    @peterkraxner4627 2 ปีที่แล้ว

    weiche Musik - wie liebevoll berührt .

  • @MAXIMBOARD
    @MAXIMBOARD 2 ปีที่แล้ว

    Изумительная вещь!

  • @Fumozart
    @Fumozart 2 ปีที่แล้ว

    Based

  • @eliadolfi
    @eliadolfi 2 ปีที่แล้ว +2

    Does someone know how and where I can get the sheet of the solo part of the bassoon? I'm a bassoonist, thanks

    • @aerka0s760
      @aerka0s760 2 ปีที่แล้ว +1

      I found the same sheet as the one in this video on this french site : www.laflutedepan.com/partition/149110/hummel-grand-concerto-bassoon-piano-partition-basson-piano.html
      If you don't want to click on the link, you can find it on the internet by searching for 'La flûte de pan musique" then you open the web site and search for it Hummel grand concerto basson and you will find the sheet.

    • @laurenjaureguiruthyeo
      @laurenjaureguiruthyeo ปีที่แล้ว

      if you have a nkoda subscription, it is there

    • @stuartmclaren2402
      @stuartmclaren2402 9 หลายเดือนก่อน

      Try your local library if no other luck. If not held in their collection, they can interloan for you

  • @laurenjaureguiruthyeo
    @laurenjaureguiruthyeo ปีที่แล้ว

    where can i get the sheet music for bassoon and piano?

  • @tselmvvn1397
    @tselmvvn1397 ปีที่แล้ว

    i need to this music is sheet plss

  • @OneManBassoonBand
    @OneManBassoonBand หลายเดือนก่อน +1

    Martin's technique is amazing but man, the sound here is so blocky and heavy. This piece is so busy you need that transparency and grace, and that's just not happening here