I learn 300% more watching your videos than anyone else’s, you’re helping me understand jazz in a way that’s connecting concepts I couldn’t connect before. SO helpful
Man, you are rocking’. I really love that dominant chord with the flatted 9th and 5th, which was slash cord with a major triad a tritone away. I was digging on that. And the voicing of the open voicing dominant diminished chord with the descending linear diminished scale run. That was really cool. Thank you. Respect.
Beautiful and very educational, thank you for the great video. Please tell us what that melody was? What's the name of the song you played and arranged? Do you have a full tutorial for this song? Greetings Jo
Hey Jo, yes you can find a beginner tutorial on this tune here: www.pianogroove.com/jazz-piano-lessons/nearness-of-you-for-beginners/join/ And this video is part of a 20-lesson course which covers harmony, fills, and improv for this tune, check that out here if you are interested: www.pianogroove.com/jazz-piano-lessons/ballad-voicings-fills-improv/ Enjoy the lesson! PianoGroove
@@PianoGrooveThank you for your quick response! I am happy that I can learn this song from you! I'll do it too, but tonight I'll get close to Eller Fitzgerald and Norah Jones first 😎
Found your channel a while ago and absolutely fell in love with the tone and your improvisation techniques. Just a quick question, so let's say if there's a spot where you can add a fill for example 7:23-7:27, you'd just play it's chord's blues scale or its relative minor scale? Is there any other scale that can fill those sort of gaps too? Looking forward to hearing your response :))
When choosing appropriate blues scales, we can use blues scales that have common tones with the harmony. We can choose the blues scale for the resolution point, in this case Bb major (251 in Bb major) and so the Bbmaj blues scale works well. Also the blues scale of the key of the tune most often works well, in this case it would be the Fmajor blues scale. Here's a lesson on blues scale soloing for the tune "Misty" which goes into more detail on selecting appropriate blues scales www.pianogroove.com/jazz-piano-lessons/blues-scale-licks-embellishment/join/ - I hope that helps! PianoGroove
Should all the notes of the arpeggio harmonise to the melody line (e.g. if you break the C Major into a broken chord C, E, G; does it mean that my melody line should have notes that makes up the chords of C, E and G .. to make sure there is harmony between the arpeggio and the melody line. ? Or they can both run differently?
THey dont necessarily have to be the same, but you should keep dissonances in mind. For example if the chord is Cmajor, containign C E and G, and the melody hits the fourth (ie. F), there will be a semitone between the note in the melody and the third of the chord (the E), and this can be a bit of a rub.
I learn 300% more watching your videos than anyone else’s, you’re helping me understand jazz in a way that’s connecting concepts I couldn’t connect before. SO helpful
Excellent lesson! I learn a lot from your tutorials videos. Really appreciate your teaching and sharing!
Man, you are rocking’. I really love that dominant chord with the flatted 9th and 5th, which was slash cord with a major triad a tritone away. I was digging on that. And the voicing of the open voicing dominant diminished chord with the descending linear diminished scale run. That was really cool. Thank you. Respect.
Great lesson! Can you please tell me the name of the song.
Beautiful and very educational, thank you for the great video. Please tell us what that melody was? What's the name of the song you played and arranged? Do you have a full tutorial for this song? Greetings Jo
The song is called The Nearness of You
Hey Jo, yes you can find a beginner tutorial on this tune here: www.pianogroove.com/jazz-piano-lessons/nearness-of-you-for-beginners/join/
And this video is part of a 20-lesson course which covers harmony, fills, and improv for this tune, check that out here if you are interested: www.pianogroove.com/jazz-piano-lessons/ballad-voicings-fills-improv/
Enjoy the lesson!
PianoGroove
@@Bitesdedust2Thank you! You!, Mr. PianoGroove, Eller Fitzgerald and Norah Jones will now make my evening wonderful! 😘 thank you
@@PianoGrooveThank you for your quick response! I am happy that I can learn this song from you! I'll do it too, but tonight I'll get close to Eller Fitzgerald and Norah Jones first 😎
Thank you maestro from Armenia❤
Hello! Can you explain to us why you use Bb diminished scale? And do you have video about mixolydian, lydian, etc scale? Thanks
I love your videos, please dont stop
Way over my head lol sounds pretty and wish I could do this
thank you
Found your channel a while ago and absolutely fell in love with the tone and your improvisation techniques. Just a quick question, so let's say if there's a spot where you can add a fill for example 7:23-7:27, you'd just play it's chord's blues scale or its relative minor scale? Is there any other scale that can fill those sort of gaps too?
Looking forward to hearing your response :))
When choosing appropriate blues scales, we can use blues scales that have common tones with the harmony. We can choose the blues scale for the resolution point, in this case Bb major (251 in Bb major) and so the Bbmaj blues scale works well. Also the blues scale of the key of the tune most often works well, in this case it would be the Fmajor blues scale. Here's a lesson on blues scale soloing for the tune "Misty" which goes into more detail on selecting appropriate blues scales www.pianogroove.com/jazz-piano-lessons/blues-scale-licks-embellishment/join/ - I hope that helps! PianoGroove
Very, Very, Very GOOD !
do an chords progressions kit pls
Should all the notes of the arpeggio harmonise to the melody line (e.g. if you break the C Major into a broken chord C, E, G; does it mean that my melody line should have notes that makes up the chords of C, E and G .. to make sure there is harmony between the arpeggio and the melody line. ? Or they can both run differently?
THey dont necessarily have to be the same, but you should keep dissonances in mind. For example if the chord is Cmajor, containign C E and G, and the melody hits the fourth (ie. F), there will be a semitone between the note in the melody and the third of the chord (the E), and this can be a bit of a rub.
1:48
3:21
6:16
7:19
7:45
8:23
What’s the song name?
The Nearness Of You
The Nearness Of You?
midi kit
❤