Thanks buddy , great service you are doing to spread the Latin revolution.I am a tenor player playing entirely by ear ,so this will give endless opportunities to jam .Thanks once again
i can hear the F# pretty clearly,, a very cool scale to play over the D7 is the 4th mode of G harmonic minor, in other words, Dm with b2 and #3 .. what i like about this one is you can play Eb diminished arpeggios over it.
About your first question, F# sounds pretty well on D7, your ear might just not be used to it...But I think you should try and play a b9 (Eb) on it, cause a natural 9 would indeed make the 3rd sound bad...As FooTracks suggested and explained you can play the #9 too, but I think b9 is easier to hear to begin with if you're not used to playing chord extensions :) Plus 7b9 chords are very common in Latin style
well D minor is the relative minor of F major, as Dm is chord 6 in Fmajor. So technically this is played in Aeolian mode, the relative minor, so they are the same key.
All theory aside, the best thing you can do is find all the half step resolutions from chord to chord. For instance, D F# A C Eb (b9 is common when going form a dom7 to a minor chord) ------> G Bb D F. You could resolve the F# up or down (although up sounds stronger), the Bb down, or the Eb down. Try all these resolutions and see what you can come up with
I understand that in key of F major, in that case the D7 is a modal interchange but not sure where the D7 was borrowed from.Its like F phrygian but instead of minor 6 there is major 6 and instead of minor 7 there is a major 7.Actually the only thing which is different is one note - F become F#, but the rest of notes in key of FMajor/Dmi is still there - Bb (fourth in FMaj - minor 6 in DMaj) etc....
The way to go through this is Dm- D dorian/ Gm - G dorian/ A7 - Dminor armonic or whatever altered scale you want/ D7- altered scale (is the fifth grade of Gm/ Gm- G dorian/ A7 - Altered (fifth grade of Dm) and finaly back to Dm. Hope it helps, cheers.
Thanks a lot, that really helped but if you don't mind I have another question: Isn't F the 3rd of the D Chord making it minor? I apologize in advance for my ignorance in theory.
In what world does an F resolve to a D? That's not a resolution. The b9 resolves to the 5th of gmin, not the sharp 9 (eb->d=good.... f---x--->d=not a resolution) Did you think about what you were saying at all? Sure, you could use a #9 as a passing tone, or perhaps use it by implying a "D" half-whole diminished scale over the D7... but you simple can't get a strong resolution out of it. yeah, you could resolve it to the 6th of gm... but why would you resolve something to a non chord tone?
Great tutorial! Do you have any tutorials on how to play the Latin piano parts or sheet music for sale? I'm a bassist crossing over to keys and would pay for a transcription or vid.
so i'll use every note from FMaj or Dmi, but instead of F, i'll use F#.combination Major third (in D) and minor 6 (in D) sounds pretty good in my opinion.just correct me (sorry for my english).
Not trying to sound like a dick, but just wanted to point something out. A #9 is common in dominant 7th chords, but not when they resolve to minor. Think about it.....The sharp 9 resolves up a half step from E# to F#. This would only work if you intend to use a harmonic minor scale over the G, The resolution between the F# and the G would sound much stronger than E# to F#. In the case of major, it is more stable and acceptable to land on the 7th.
because the hole thing is in Dm(or F) when you comme to the D7 it sounds bad because its kind of a bluesy thing (minor pentathonic over 7 choards) so the F sharp doesn't fit because its in F, and there ain't no F sharp in the F scale
hi trying practise to your track.i think it is better to use a keyboard instead of a piano as the tuning is slightly out and its annoying to retune all the time or record the track and use a pitch control to bring the tuning in.otherwise very good.
I don't understand D is the 6th note of the Fmajor scale, I chords and VI chords and tonic chords in progression, they can't literally just go back and forth and in boring fashion and someone could call it post rock, or whatever. The D7 invites a little playfulness in my opinion with the F# that allows fer mischief, I don't know whatever, It's a dope track
That's not true actually. The #9 isn't the note resolving to the 7th of the next chord, it's the note resolving to the 5th (or 6th) of the next chord. The third of the dominant is already resolving to the 7th, the #9 would be just too much in that case. So, the F in D7#9 resolves to the D (or E if it is played) in G. Just try it with a piano, resolving the #9 to a major 7th sounds quite ugly, that's because the F# was already there.
you can play the D melodic minor or the D dominant phrigian over the first chord, and you can play the G dorin over the second chord, the A super locrian or the diminished over the third
anass elyaagoubi And over D dominant seventh chord, you can play D whole-tone scale, D diminished scale or the scale derived from these two, so it's D diminished whole-tone scale (known as D super locrian scale) but the best choice over this chord in this genre of music is, in my opinion, D phrygian dominant scale (known as D Spanish scale, D Jewish scale; in jazz classification, it's D dominant 7 flat 9 scale as well - great idea is to play D7b9 arpeggio chord over D7 here, because you don't always have to play a scale over the chord; in this progression when you play D7b9 arpeggio chord, it sounds great when you go to G dorian scale after it - play D7b9 arpeggio chord, go up to g natural note and then descending g dorian scale - that sounds just superb).
Kirk Kimball-Martinez I agree that you have to play what you hear in your head but theory can be helpful in revealing possibilities you wouldn't have thought of. But I'd hate to be on the bandstand having to logically reason out what note to play next!
no idea why he decided to add that D7 chord...but just think of it as standard D minor scale(you can tweak the C to C# at the end of 4 bars to give it that phrygian taste) but I'd suggest that you don't use the F#!
![[BackingTrack] Bossanova 1-6-2-5 in D major](http://i.ytimg.com/vi/jdRbmN-isHQ/mqdefault.jpg)
Thanks buddy , great service you are doing to spread the Latin revolution.I am a tenor player playing entirely by ear ,so this will give endless opportunities to jam .Thanks once again
OMG ! This is soooo gooood for trumpeters. I love it !!! Thanks for sharing and caring !!! From Romania, with a lot of love!
Love this track! Very professionally done.
Excellent!
This ol man is changing up the music a bit and learning a Latin feel for my ol bass.
Lot's od fun playing along.
Thank you Thank you.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
I love this, such a good piano backing. noticeable difference between a computer and the real thing
I love this track, I always listen it.
L
Hi ! Is this song on Spotify ? Do you know its name if there is ?
Ritmo Caliente para mi! What fun for this self-learning 83 y.o., chino viejo. Gracias.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
i can hear the F# pretty clearly,, a very cool scale to play over the D7 is the 4th mode of G harmonic minor, in other words, Dm with b2 and #3 .. what i like about this one is you can play Eb diminished arpeggios over it.
ooooh nice
The F/E# is simply a common tone in every chord in that progression - the A7 is played with the b13. It's kind of like One Note Samba.
That's so cool, whom shall I listen to for music like this?
This is a great track for introducing some simple modulation. Thanks for doing it.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
About your first question, F# sounds pretty well on D7, your ear might just not be used to it...But I think you should try and play a b9 (Eb) on it, cause a natural 9 would indeed make the 3rd sound bad...As FooTracks suggested and explained you can play the #9 too, but I think b9 is easier to hear to begin with if you're not used to playing chord extensions :) Plus 7b9 chords are very common in Latin style
well D minor is the relative minor of F major, as Dm is chord 6 in Fmajor. So technically this is played in Aeolian mode, the relative minor, so they are the same key.
exactly !
Excellent backing track and arrangement.
Nice track. Fun to play with. Thanks for posting!
Thanks, this is a bunch of fun to play to.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
take a key, think of it's relative major scale...the progression goes as that relative major's 6th min, 2nd min, 3rd maj...
hope that helps!
En the V grande of G you can use any altered scale of your choise, its one of the most used chord progression.
This is excellent - You should sell these for solo Sax(Horn players ) doing a solo gig .
Murray Middleman
All theory aside, the best thing you can do is find all the half step resolutions from chord to chord. For instance, D F# A C Eb (b9 is common when going form a dom7 to a minor chord) ------> G Bb D F. You could resolve the F# up or down (although up sounds stronger), the Bb down, or the Eb down. Try all these resolutions and see what you can come up with
I understand that in key of F major, in that case the D7 is a modal interchange but not sure where the D7 was borrowed from.Its like F phrygian but instead of minor 6 there is major 6 and instead of minor 7 there is a major 7.Actually the only thing which is different is one note - F become F#, but the rest of notes in key of FMajor/Dmi is still there - Bb (fourth in FMaj - minor 6 in DMaj) etc....
Good stuff! Thank you.
Wonderfull, just wonderfull bg track!!!
the best way to represent latin emotions
latin fever..
+QuistJam quist i wanna hear you on this! you produce great back track too!
The way to go through this is Dm- D dorian/ Gm - G dorian/ A7 - Dminor armonic or whatever altered scale you want/ D7- altered scale (is the fifth grade of Gm/ Gm- G dorian/ A7 - Altered (fifth grade of Dm) and finaly back to Dm.
Hope it helps, cheers.
Beautifull for bass...great! muy bueno,me gusto mucho!
yes it is but u can use too the Harmonic scale in Dm (the same than "regular" Dm scale but C moves to C#) and u get that latin sound
Awesome backing track ! Is there some Latin jazz standard we can play on this ?
+Maxime Thomy Not Latin Jazz but maybe Minor Swing !
Loving this for guitar.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
Très bon back track
This track is awesome
i like this backing track~~~~~~~~~
Hi, I love this verión of this song. I Wonder if you could alowe me to use the song to creare a cover for my Chanel?
Thanks a lot, that really helped but if you don't mind I have another question:
Isn't F the 3rd of the D Chord making it minor?
I apologize in advance for my ignorance in theory.
In what world does an F resolve to a D? That's not a resolution. The b9 resolves to the 5th of gmin, not the sharp 9 (eb->d=good.... f---x--->d=not a resolution) Did you think about what you were saying at all? Sure, you could use a #9 as a passing tone, or perhaps use it by implying a "D" half-whole diminished scale over the D7... but you simple can't get a strong resolution out of it.
yeah, you could resolve it to the 6th of gm... but why would you resolve something to a non chord tone?
It just need to resolve in your ears,every xmaj7 chord is unresolved
Great tutorial! Do you have any tutorials on how to play the Latin piano parts or sheet music for sale? I'm a bassist crossing over to keys and would pay for a transcription or vid.
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
Could I use this track to improv over on piano on my TH-cam channel?
Which scale do i use to play this?
Chevereee Thank you so much.
so i'll use every note from FMaj or Dmi, but instead of F, i'll use F#.combination Major third (in D) and minor 6 (in D) sounds pretty good in my opinion.just correct me (sorry for my english).
Very nice much thanks
This is good Cabasa practice music
the scale built on the V grade of Dminor armonic (maybe a mixo b2 b6..maybe..) seems to fit the all progression..or seems only to me..
you can think of it as the V thats tonicizing the G. like a minor ii-V-i sort of deal so you get b9/#9 with the voicing hes using.
Not trying to sound like a dick, but just wanted to point something out. A #9 is common in dominant 7th chords, but not when they resolve to minor. Think about it.....The sharp 9 resolves up a half step from E# to F#. This would only work if you intend to use a harmonic minor scale over the G, The resolution between the F# and the G would sound much stronger than E# to F#. In the case of major, it is more stable and acceptable to land on the 7th.
because the hole thing is in Dm(or F) when you comme to the D7 it sounds bad because its kind of a bluesy thing (minor pentathonic over 7 choards) so the F sharp doesn't fit because its in F, and there ain't no F sharp in the F scale
Thanks for the idea :p
th-cam.com/video/acnmF1EBwVc/w-d-xo.html
hi trying practise to your track.i think it is better to use a keyboard instead of a piano as the tuning is slightly out and its annoying to retune all the time or record the track and use a pitch control to bring the tuning in.otherwise very good.
excellent! great to jam on. thanks :-)
Thank YOu so MUch
Nice groove!!!
sheet music rn.👉🏼👈🏼
I don't understand D is the 6th note of the Fmajor scale, I chords and VI chords and tonic chords in progression, they can't literally just go back and forth and in boring fashion and someone could call it post rock, or whatever. The D7 invites a little playfulness in my opinion with the F# that allows fer mischief, I don't know whatever, It's a dope track
Viva Latino America ;)
Love this
magnifico!
So groovy!
This is Hot ! Wepa
Thanks a lot for this. Very inspiring track. As a matter of fact, I just uploaded a video of mine where I improvise over it:)
th-cam.com/video/c1_BE3IPi-8/w-d-xo.html
That's not true actually. The #9 isn't the note resolving to the 7th of the next chord, it's the note resolving to the 5th (or 6th) of the next chord. The third of the dominant is already resolving to the 7th, the #9 would be just too much in that case.
So, the F in D7#9 resolves to the D (or E if it is played) in G. Just try it with a piano, resolving the #9 to a major 7th sounds quite ugly, that's because the F# was already there.
Help me, I feel that F# is just perfect for the D7, am I wrong?
Chords is the D-harmonic scale bro. Hope that helps:))
Superb..
Gracias
me encanto
beautifull!
good track some sheet of music much beter ?
More please
Foarte frumos
what´s the best way to approach this song? I meant best scales for soloing
you can play the D melodic minor or the D dominant phrigian over the first chord, and you can play the G dorin over the second chord, the A super locrian or the diminished over the third
anass elyaagoubi And over D dominant seventh chord, you can play D whole-tone scale, D diminished scale or the scale derived from these two, so it's D diminished whole-tone scale (known as D super locrian scale) but the best choice over this chord in this genre of music is, in my opinion, D phrygian dominant scale (known as D Spanish scale, D Jewish scale; in jazz classification, it's D dominant 7 flat 9 scale as well - great idea is to play D7b9 arpeggio chord over D7 here, because you don't always have to play a scale over the chord; in this progression when you play D7b9 arpeggio chord, it sounds great when you go to G dorian scale after it - play D7b9 arpeggio chord, go up to g natural note and then descending g dorian scale - that sounds just superb).
bemolable For get the Academia Psycho- Bable here. Let the Music come from wth in you. Intercourse wth it, It wll come naturally.
Kirk Kimball-Martinez I agree that you have to play what you hear in your head but theory can be helpful in revealing possibilities you wouldn't have thought of. But I'd hate to be on the bandstand having to logically reason out what note to play next!
bemolable I guess the short answer is D minor?
damn, this is spicy
Burnin !!!!
Why can't I fit a F# in that D7?
Can someone explain that to me please?
no idea why he decided to add that D7 chord...but just think of it as standard D minor scale(you can tweak the C to C# at the end of 4 bars to give it that phrygian taste) but I'd suggest that you don't use the F#!
"They made up their minds, and they started packing..."
❤❤❤❤
nice :)
awesome
la bomba
Mode?
初め情熱大陸にしか聞こえない
hey what rythm pattern this is
BrunoAlhexandro Centro americano.
Yesssssssssssssssss
more .............please
nice grooooove
D harmonic minor...but watch out for the F# in the D7 chord.
Sharpen the 3rd interval.
if F major and D minor are the same, why are they called two different things?
a reason exists. think about it.
Asuca aiboi con mi tres
carlos santana
bpm ??
keren (y)
You dont need help bro, its called music theory not fact.
*can literally whoops lol
THANK YOU. VERY GOOD! MY FACEBOOK PAGE IS NICK DV VARANO. ALL THE BEST FOOTRACKS!
Latin Jazz é de cair o cu da bunda
Organ over this backtrack:
th-cam.com/video/lM2YDFThlh0/w-d-xo.html
where is the rizzy
where is the skibbidi toilet
skibidy rizz
The piano is taking way to strong of a lead in this.
Nuh uh