I don't really fancy its look, but lemme tell ya, this thing is one is one of the best sounding bass to my ears, and for me, it has the best tone among the other musicman basses
Well John was my student at Berklee back in 84 or 85, I don't know if I taught him chords or not. I might have, I was doing that stuff back then.... but I can't remember the details of what we were doing... 25 years is a long time.
@ypagexxxx - "Mid" refers to the midrange frequencies effected by the preamp. The Bongo has two controls - low mids and high mids - which you can boost or cut.
Piezo pickups are set into the bridge saddles and pickup the actual string vibrations. They give the instrument a more "acoustic" tone. I haven't tried a Bongo with the piezo option, but in general, I'm not that into them on electric basses. But that's just me, some people love that sort of thing.
The melodic runs at about 5:40 sounds so amazing in the high register. I admit I haven't played bass much in years. I did however sit in at guitar center on one of these and was mesmerized. I reckon by the end of the year I'll buy one
Go for it! I bought an 5 string stingray, with an maple neck and natural finish some years back. They are very powerful basses with a unique voice, and built to handle any playing style.
I really like these reviews. I see a lot of reviews where they only do slap/pop and/or fingering style to demo it, but don't demonstrate picking. I myself am a pick player, so I'm really grateful for these reviews.
It took me several years to get used to the look of the Bongo, and I finally like it enough to get one. I really like this demo. Ed does a great job of showing what this versatile axe can do. So far, this is my favorite demo of a six string bass. Ed Friedland is such a great player!!
@XaviOrtega1 - Well, they are two completely different instruments, so it's not a fair comparison. But the Bongo is US made, as opposed to whatever part of Asia Ibanez makes that model. That's important to some people. The Bongo is a higher level instrument, but the most important thing is which one you prefer tone and feel-wise. Play both, and decide for yourself.
@PigeonFwaBorgon - Besides the looks, one big difference is the Bongo has 24 frets. Do you want/need the extra notes? If so, get the Bongo. They both sound like MusicMan basses... both are built very well, it's your call. I can't tell you what to buy.
You are right. The stingray that myung used from around 88-92 was where he liked the pickups from. he ended up going back to the stingray widely believed because of its pickups around the year 2002 which was where the pickup ideas came from for his signature models and then started using the bongo five string as well as another stingray on Systematic Chaos. As well as the bongo six on his last album. As for his amps and cabs he usually just goes direct to the mixing board but also uses mesa
@AttitudeCastle - The HH tends to have a more complex tone when all coils are running, a little thicker, and more bottom. Best to try both if you can and decide from your own experience.
Never played the Attitude, though I did review the BB714, the newer Billy bass that is a little less expensive. The Attitude and Bongo are about as different from each other as you can get. It's silly to try to compare them. Play both of them and decide for yourself which you prefer. They are both cool in their own way, but I can't tell you which is going to be better for you.
Leo developed the Stingray and Sabre basses, as well as some cool, under-appreciated guitars and some amps - however, the Bongo, SR5, Sterling, Sterling 5, Big Al, and 25th Anniversary basses were designed by the folks at Ernie Ball. But, they do share some similar characteristics with Fender basses - bolt-on maple necks the most obvious.
@AnEcumenicalMatter - Well, I'm rather partial to the Sterling 5 single H. The three way switch and 3 band eq let me go in many different tonal directions. I have two of them. But any MM bass will give you lots of options too... so best for you to try a lot of them and see which one you like the best.
@nikklazz - 6 strings are great for certain gigs. I play mine if I'm going to solo alot, or if I might have a use for chords. I don't play one all the time though. I'm not a 4, 5, or 6 guy.... I'm all of the above - depending on the situation.
You were right, the B string is killer! And the C string seems to play just like the A. Awesome bass and awesome playing to back it up, thanks a zillion!
@BassGuitarMag Thanks Ed! After an hour od listening carefully (through head phones and all :) ) I have decided the HS is more my thing, Your description in words was veyr true! Thanks for being a swell guy and helping out our bass playing community! All the best, AC
@DarkThoot - You have to get used to it, but I was able to slap with this. I don't need that much room to slap. I believe the pickup spacing is the same on the 5 HS too.
Yes, absolutely it is active. Is it for you? I don't know, you'd have to play it to be sure. It has a humbucker and 6 strings... so if that is your criteria, it fits. I haven't played the ESP, so I can't comment on how it sounds or plays.
Thanks! As far as basses go... it's hard to pick a favorite because I choose which one to use depending on the gig I'm going to play. But... my personal collection is predominantly made up of Laklands and Fenders (5 of each) with a few others thrown in. Amps? I love my Genz Benz rigs, the Shuttle 6.0/12t and the GBE 1200/NeoXT212. I'm also very into Bergantino cabs, I've used them for years.
I don't know about fretless or piezo options for the Bongo 6, that's a question for the EBMM forum. This review was the first one where I recorded the bass direct into proTools, so yes, it does sound better. It takes a lot more time on my end, but.... I'm trying to do the best job I can with these. I've also recently upgraded my lighting, which you will notice on future reviews. I have to say, I was not a fan of the Bongo when it came out, but this 6 changed my tune!
Yes sir, I did look at the site and I'm glad the books are reasonably priced. I'm looking to learn as much as possible. Jazz and rock included. I know you have a job and life to carry on with and I appreciate you talking.
@Ozkharth - Different pickups, different string spacing, different style. If you prefer narrower string spacing, get the Ibanez, if you like wider spacing... MM. If you like the sound of Music Man, get that, if you like the sound of Ibanez, get that. They are both really nice instruments.
@elpactodejohnson1 - I don't know if there is a set distance. It depends on the sound you want. Closer to the string is obviously hotter, further away... the opposite. I try to get the pickups as close as I can without hearing the magnetic pull on the string, and risking hitting a pole piece when slapping.
It's got a lot of advantages, you can play riffs all over the fret board so you're not stuck in awkward positions, tapping is infinetly easier, yopu dont have to move crazy all over the fretboard to switch to lower notes and the high string is good for jazz soloing
@faisalfarissi - I've never heard of it being crumbly. It is a less expensive wood, but they prototyped the Bongo in several different types of wood, and their beta testers picked basswood for the tone. Bottom line - it's a great sounding bass.
To have an extensive range for improvising mainly, for jazz melodies, for making nice solos, for tapping easily, to play full chords, for playing nice proggresive rock songs, for slapping, for play classical songs that requires more notes, and I'm just getting started, Certainly you most be those that underrate bass...
I don't know why but when I play/listen a bass I especially like the bridge pick-up sound and the medium range, just between the bridge and the neck pickup, though only the neck pick-up sounding doesn't quite attract me. Btw that jazz solo at the end was amazing. Another great review Ed!
I've seen written and heard from many bios that The reason why John Myung started to use the bongo was because he had used one earlier in the bands Career and very much enjoyed it. And that bongo early on in the career was the reason why he chose his pickup style on his custom RBXJM models from Yamaha. He eventually ended up going back to the bongo because he missed getting that full bongo tone from his yamaha sig, and he has used the bongo on their last two albums.
@NubeSlayer507 - Either bass is great for slapping. The basswood does not feel cheap to me... the bass sounds fine. It is similar to a Stingray tone... definitely a MM bass, but there are subtle differences. String spacing is the same.
I think they look kinda like the sound proof foam material that people put on walls. I've seen it in someones studio before in similar weird shapes, and they weren't all connected either but work really good.
@ps3fanforever the main difference really is the range of your instrument. more frets gives you a few more higher notes on the G string. on the other strings, you can just find that same note on a different string (ex; 24th fret on E string is the same as 14th fret on the D string). also, the length of the board changes where the pickups are located (slightly) so theres a small tone difference too. Most slap players prefer a board with 21 or 22 frets. hope this helps at all.
Well, it's hard to say - a lot depends on the amp you use, your eq settings, the strings, your technique... So the opinion answer is: I like the HS setup better than the HH. It's just my preference.
Well, the scale length is significant in terms of the B string response. It took me a while to get used to it, but I do agree that 35" has a clearer quality than 34". Though, I like 34" scale in general for the rest of the bass. Yamaha 6s tend to have much wider string spacing than Carvin, and Warwick may be about the same. They are all very different sounding basses, so it's hard to compare. I suggest you try them out and decide for yourself.
@LLroomtempJ - Ibanez' more expensive stuff can be nice, but with the 6 in general... the most important factor for me is the measurments - string spacing, scale length, nut width, etc. If it doesn't feel right to me, it doesn't matter how good it sounds. The Bongo is not everyone's thing visually, but for me the spacing was just a touch too wide to buy one. I like the sound, and the looks? Well, if it was comfortable to me, I would learn to love it.
Not in a Bongo, but I have played the HH Sterling 5 (see review), and an HH 25th Anniversary (which is now mine), and I own two H Sterling 5s. Personally, my preference for MM basses is single H, but they are all cool in their own way. I'm actually really digging the HSS setup you can get only on the 25th right now.
You were right! I wish I had that kind of determination. Any good tips on practicing? Thanks for your time Ed. I know I should be enjoying the bass, but I think I will enjoy it more if I get better and have more substance.
@AttitudeCastle - Hard to describe, but you can try to compare the sound between this and the Sterling 5 HH demo I did. The HH gets a bit thicker when all coils are combined, the front H is a bit deeper tone than the S.... that's the best I can do with words, listen for yourself. Hopefully you can get a sense of the sound that way.
I couldn't find where I wrote down the weight, but it's not particularly heavy for a 6 string. Maybe 10.2lbs... guessing from memory. It's a big bass, and EBs are not typically sub 9lbs anyway.
Well, the Spector does have a big neck. Personally I like that on a 6 string, it's needs to be stiff. But it may or may not be to your liking. I'd try one first. Schecter is not a bass I have any experience with, at least not the 6, and Yamaha makes great stuff, but I've found their 6 neck to be a bit wide for my taste, but I really prefer a narrow 6. Even the Bongo is too wide for me. Check out a Carvin, if you get a 5-piece neck, they can be very stiff and stable.
What you're hearing is the sound of the amp miked in my living room. That's why it sounds acoustic. I don't remember what settings I used when I played that.
There is no longer a BassGuitarmag, but the written reviews I do can be found every month in Guitar World magazine. How much? I don't know, but subscriptions are not expensive.
@batuvan - Well, do you play lots of chords, or solo? If you do, the 6 would be good. Otherwise, get a 5. The C string is not really a "bass" string", but it's great for melodies and chords.
Man, this guy is so laid-back, funny and an incredibly good bass player!
Even when hindered by the sound quality of the past, you manage to adequately present the tonal qualities of this bass in all its varieties.
I don't really fancy its look, but lemme tell ya, this thing is one is one of the best sounding bass to my ears, and for me, it has the best tone among the other musicman basses
Oh Yeah. I have the stealth black. HH6
Is it better than a Stingray?
@@laubowiebass in my opinion it is, it’s one of the most comfortable basses I have ever played
Everyone says it's ugly, I really love it.
Best thing I learnt from all the videos I watched of Ed - it's not about the gear, it's more about the player. Thanks, Ed!
Well John was my student at Berklee back in 84 or 85, I don't know if I taught him chords or not. I might have, I was doing that stuff back then.... but I can't remember the details of what we were doing... 25 years is a long time.
@ypagexxxx - "Mid" refers to the midrange frequencies effected by the preamp. The Bongo has two controls - low mids and high mids - which you can boost or cut.
Beauty is in the eye of the beholder. The Bongo is a gorgeous piece of art.
Piezo pickups are set into the bridge saddles and pickup the actual string vibrations. They give the instrument a more "acoustic" tone. I haven't tried a Bongo with the piezo option, but in general, I'm not that into them on electric basses. But that's just me, some people love that sort of thing.
The melodic runs at about 5:40 sounds so amazing in the high register. I admit I haven't played bass much in years. I did however sit in at guitar center on one of these and was mesmerized. I reckon by the end of the year I'll buy one
Yes, John was my student at Berklee sometime between 84-86. I don't remember exactly what year.... it was a long time ago!
Go for it! I bought an 5 string stingray, with an maple neck and natural finish some years back. They are very powerful basses with a unique voice, and built to handle any playing style.
I really like these reviews. I see a lot of reviews where they only do slap/pop and/or fingering style to demo it, but don't demonstrate picking. I myself am a pick player, so I'm really grateful for these reviews.
It took me several years to get used to the look of the Bongo, and I finally like it enough to get one. I really like this demo. Ed does a great job of showing what this versatile axe can do. So far, this is my favorite demo of a six string bass. Ed Friedland is such a great player!!
+charlie2namon hello consultation please
musicman bongo is 2 pieces of wood the body? or just a whole piece....thank you
+Carlos Sanchez Sorry, I don't know.
I love the tone of the bridge pickup all by itself!
@XaviOrtega1 - Well, they are two completely different instruments, so it's not a fair comparison. But the Bongo is US made, as opposed to whatever part of Asia Ibanez makes that model. That's important to some people. The Bongo is a higher level instrument, but the most important thing is which one you prefer tone and feel-wise. Play both, and decide for yourself.
@PigeonFwaBorgon - Besides the looks, one big difference is the Bongo has 24 frets. Do you want/need the extra notes? If so, get the Bongo. They both sound like MusicMan basses... both are built very well, it's your call. I can't tell you what to buy.
Thank you for the review. Love your journalistic and on-camera style. For what it's worth, you have a fan.
You are right. The stingray that myung used from around 88-92 was where he liked the pickups from. he ended up going back to the stingray widely believed because of its pickups around the year 2002 which was where the pickup ideas came from for his signature models and then started using the bongo five string as well as another stingray on Systematic Chaos. As well as the bongo six on his last album. As for his amps and cabs he usually just goes direct to the mixing board but also uses mesa
Thanks. I may have some EHX stuff coming in soon, so keep your eyes on the channel, if I do them, they will eventually show up here.
fantastic how he describes the colour of the bass
I got my stealth a couple of weeks ago. They are crazy basses, they get awesome tones out of them!
Great stuff, you're a hell of a bassist. Great reviews too, I check this channel all the time. 5* for sure
@AttitudeCastle - The HH tends to have a more complex tone when all coils are running, a little thicker, and more bottom. Best to try both if you can and decide from your own experience.
wow amazing. i might get one of these someday. that jazz thing u played at the end was amazing
Never played the Attitude, though I did review the BB714, the newer Billy bass that is a little less expensive. The Attitude and Bongo are about as different from each other as you can get. It's silly to try to compare them. Play both of them and decide for yourself which you prefer. They are both cool in their own way, but I can't tell you which is going to be better for you.
Leo developed the Stingray and Sabre basses, as well as some cool, under-appreciated guitars and some amps - however, the Bongo, SR5, Sterling, Sterling 5, Big Al, and 25th Anniversary basses were designed by the folks at Ernie Ball. But, they do share some similar characteristics with Fender basses - bolt-on maple necks the most obvious.
@Equipe3v - Yes, it's very different from the Sterling tone, but it's a great bass with a unique voice.
@AnEcumenicalMatter - Well, I'm rather partial to the Sterling 5 single H. The three way switch and 3 band eq let me go in many different tonal directions. I have two of them. But any MM bass will give you lots of options too... so best for you to try a lot of them and see which one you like the best.
love that bit of soloing at the end. and this review really helped. I'm definatly going to make this my next bass soon.
@nikklazz - 6 strings are great for certain gigs. I play mine if I'm going to solo alot, or if I might have a use for chords. I don't play one all the time though. I'm not a 4, 5, or 6 guy.... I'm all of the above - depending on the situation.
You were right, the B string is killer! And the C string seems to play just like the A. Awesome bass and awesome playing to back it up, thanks a zillion!
PLaying this Bass is like writing "I'm AWESOME!!!" on your forehead.
Great Vid! 5 Stars!
@BassGuitarMag
Thanks Ed! After an hour od listening carefully (through head phones and all :) )
I have decided the HS is more my thing, Your description in words was veyr true!
Thanks for being a swell guy and helping out our bass playing community! All the best, AC
@DarkThoot - You have to get used to it, but I was able to slap with this. I don't need that much room to slap. I believe the pickup spacing is the same on the 5 HS too.
Yes, absolutely it is active. Is it for you? I don't know, you'd have to play it to be sure. It has a humbucker and 6 strings... so if that is your criteria, it fits. I haven't played the ESP, so I can't comment on how it sounds or plays.
@Equipe3v - It's narrower than the 4, I believe it's 18mm.
Thanks! As far as basses go... it's hard to pick a favorite because I choose which one to use depending on the gig I'm going to play. But... my personal collection is predominantly made up of Laklands and Fenders (5 of each) with a few others thrown in. Amps? I love my Genz Benz rigs, the Shuttle 6.0/12t and the GBE 1200/NeoXT212. I'm also very into Bergantino cabs, I've used them for years.
Thanks for the compliment!
Fantastic bass player with a fantastic bass!
Ed! thanks to you, I just got this music man bongo 6. Thanks for your vids and advices! Regards from Venezuela!
I don't know about fretless or piezo options for the Bongo 6, that's a question for the EBMM forum. This review was the first one where I recorded the bass direct into proTools, so yes, it does sound better. It takes a lot more time on my end, but.... I'm trying to do the best job I can with these. I've also recently upgraded my lighting, which you will notice on future reviews.
I have to say, I was not a fan of the Bongo when it came out, but this 6 changed my tune!
@RonnyOnBass - Well, thanks. It is a nice bass! Fun to play.
Yes sir, I did look at the site and I'm glad the books are reasonably priced. I'm looking to learn as much as possible. Jazz and rock included. I know you have a job and life to carry on with and I appreciate you talking.
@Ozkharth - Different pickups, different string spacing, different style. If you prefer narrower string spacing, get the Ibanez, if you like wider spacing... MM. If you like the sound of Music Man, get that, if you like the sound of Ibanez, get that. They are both really nice instruments.
@nachospole1 - Every wood vibrates differently. That changes the tone. Alder sounds different than Mahogany - different density, different tone.
Great playing Ed! I also love your sense of humor. Really interests me to watch your videos regardless of the bass.
Funny-looking bass. Great playing. Impressive sound. Ed is the man!
Bongo is 18mm, Carvin is around 16.5mm.
It's a Genz Shuttle 6.0/12t with the 12" extension cab.
@BassGuitarMag cool! that just decided which setup i get for my bongo! thanks again Ed!
@elpactodejohnson1 - I don't know if there is a set distance. It depends on the sound you want. Closer to the string is obviously hotter, further away... the opposite. I try to get the pickups as close as I can without hearing the magnetic pull on the string, and risking hitting a pole piece when slapping.
I believe he credited you in teaching chord shapes. That's quite an honor Ed.
It's got a lot of advantages, you can play riffs all over the fret board so you're not stuck in awkward positions, tapping is infinetly easier, yopu dont have to move crazy all over the fretboard to switch to lower notes and the high string is good for jazz soloing
I've been waiting forever for a 6 string bongo!!!
@faisalfarissi - I've never heard of it being crumbly. It is a less expensive wood, but they prototyped the Bongo in several different types of wood, and their beta testers picked basswood for the tone. Bottom line - it's a great sounding bass.
that bass boost sounds really good
Yeah I love Ed and I love the Bongo. Any suggestions on a similar tone for a cheaper price?
To have an extensive range for improvising mainly, for jazz melodies, for making nice solos, for tapping easily, to play full chords, for playing nice proggresive rock songs, for slapping, for play classical songs that requires more notes, and I'm just getting started, Certainly you most be those that underrate bass...
nice bass nice sound nice playing
I love the look of the Bongo
and Im no longer comfortable with standard 4 strings so this is definitely on my "buy list"
And hell of a job they did, Bongo is so far in my top 3 in bass body designs.
I don't know why but when I play/listen a bass I especially like the bridge pick-up sound and the medium range, just between the bridge and the neck pickup, though only the neck pick-up sounding doesn't quite attract me. Btw that jazz solo at the end was amazing. Another great review Ed!
Yeah, I play fretless. Check out the MXR Octave Deluxe review, and in a few weeks I'll have a Tom Clement fretless 5 review going up.
I've seen written and heard from many bios that The reason why John Myung started to use the bongo was because he had used one earlier in the bands Career and very much enjoyed it. And that bongo early on in the career was the reason why he chose his pickup style on his custom RBXJM models from Yamaha. He eventually ended up going back to the bongo because he missed getting that full bongo tone from his yamaha sig, and he has used the bongo on their last two albums.
Probably my own personal Sterling 5 string. You can see it in my Brown Dog/Agent 00Funk review.
Never played the Hyperbass, though I do have a Zon TJ6 on the way! Love Joe's work, great necks.
Sure they are for sale, I know a few guys that have them. It might be a special order though, I don't know who has them in stock.
@AttitudeCastle - I'm average size, 5' 9", the bass is fairly large. Big body, wide neck.
Did you make it as far as 5:33? I think you'll hear some non-pentatonic stuff there. ;)
@AttitudeCastle - Great, glad to be of help.
I remember his old slap dvd. I used to watch it when I first started out.
@NubeSlayer507 - Either bass is great for slapping. The basswood does not feel cheap to me... the bass sounds fine. It is similar to a Stingray tone... definitely a MM bass, but there are subtle differences. String spacing is the same.
I think they look kinda like the sound proof foam material that people put on walls. I've seen it in someones studio before in similar weird shapes, and they weren't all connected either but work really good.
@ps3fanforever the main difference really is the range of your instrument. more frets gives you a few more higher notes on the G string. on the other strings, you can just find that same note on a different string (ex; 24th fret on E string is the same as 14th fret on the D string). also, the length of the board changes where the pickups are located (slightly) so theres a small tone difference too. Most slap players prefer a board with 21 or 22 frets. hope this helps at all.
Well, it's hard to say - a lot depends on the amp you use, your eq settings, the strings, your technique... So the opinion answer is: I like the HS setup better than the HH. It's just my preference.
Well, the scale length is significant in terms of the B string response. It took me a while to get used to it, but I do agree that 35" has a clearer quality than 34". Though, I like 34" scale in general for the rest of the bass.
Yamaha 6s tend to have much wider string spacing than Carvin, and Warwick may be about the same. They are all very different sounding basses, so it's hard to compare. I suggest you try them out and decide for yourself.
I want that bass. Incredible.
Excellent
This bass is amazing ! Perfect !
@LLroomtempJ - Ibanez' more expensive stuff can be nice, but with the 6 in general... the most important factor for me is the measurments - string spacing, scale length, nut width, etc. If it doesn't feel right to me, it doesn't matter how good it sounds.
The Bongo is not everyone's thing visually, but for me the spacing was just a touch too wide to buy one. I like the sound, and the looks? Well, if it was comfortable to me, I would learn to love it.
Not in a Bongo, but I have played the HH Sterling 5 (see review), and an HH 25th Anniversary (which is now mine), and I own two H Sterling 5s. Personally, my preference for MM basses is single H, but they are all cool in their own way. I'm actually really digging the HSS setup you can get only on the 25th right now.
The Bongo 6 is a beautiful instrument.
@ilovemysr505 - Sorry I don't remember, it was over two years ago.
These videos are so helpful!!! Thanks Ed.
You were right! I wish I had that kind of determination. Any good tips on practicing? Thanks for your time Ed. I know I should be enjoying the bass, but I think I will enjoy it more if I get better and have more substance.
@AttitudeCastle - Hard to describe, but you can try to compare the sound between this and the Sterling 5 HH demo I did. The HH gets a bit thicker when all coils are combined, the front H is a bit deeper tone than the S.... that's the best I can do with words, listen for yourself. Hopefully you can get a sense of the sound that way.
I couldn't find where I wrote down the weight, but it's not particularly heavy for a 6 string. Maybe 10.2lbs... guessing from memory. It's a big bass, and EBs are not typically sub 9lbs anyway.
@batuvan - go to the Ernie Ball forums and read about both basses. There are many comparisons from people that play both.
You play very well Ed. You really sell that instrument.
Well, the Spector does have a big neck. Personally I like that on a 6 string, it's needs to be stiff. But it may or may not be to your liking. I'd try one first. Schecter is not a bass I have any experience with, at least not the 6, and Yamaha makes great stuff, but I've found their 6 neck to be a bit wide for my taste, but I really prefer a narrow 6. Even the Bongo is too wide for me. Check out a Carvin, if you get a 5-piece neck, they can be very stiff and stable.
wonderful sound, wish i could afford one
What you're hearing is the sound of the amp miked in my living room. That's why it sounds acoustic.
I don't remember what settings I used when I played that.
@VenousPlatypus - Essentially yes.
There is no longer a BassGuitarmag, but the written reviews I do can be found every month in Guitar World magazine. How much? I don't know, but subscriptions are not expensive.
About 33 years ago I went to Berklee.
Wow!! This thing is awesome! It's definitely time for fender step up and give us an 6 string J or P bass with a nice wide neck. Long overdue guys.
@batuvan - Well, do you play lots of chords, or solo? If you do, the 6 would be good. Otherwise, get a 5. The C string is not really a "bass" string", but it's great for melodies and chords.
cool thanx 4 the reply i own a musicman stingray 5 i am in love with it.. musicman is the best!
Veeeeery warm sound! Cool!