Yayyyy it's the first Mozart symphony to include clarinets! (and the most fun to play for both parts too, except maybe 40 if you play 1st). Paris apparently had some very good wind players that Mozart finally had a change to use clarients.
I think he redid this symphony because the theme sounds like the one I think it's symphony #39. You can actually see what he's trying o convey here.isnt coming out as well as he wishes that's why he re-did it in my opinion and it sounded much better, that is the symphony 39 I think.
There is another symphony in B flat that was once attributed to Mozart that was written in Paris 1778. It definitely is not Mozart. K. 311a. Technically it’s just an overture but it’s the closest to the other symphony we can get.
@@TheNike0324 It should be at the end of this youtube video, no? I'm pretty sure the replacement I was talking about what was what occurs at the 16 minute mark.
@Wolfgang Amadé Mozart Not a good idea; the most recent research by Mozart scholars suggests that this is the movement he was going to ditch when organising a revival of the symphony in Prague in 1786; the reason probably being that the movement was too conventional.
@@elaineblackhurst1509 " the most recent research by Mozart scholars suggests that this is the movement he was going to ditch when organising a revival of the symphony in Prague in 1786" And where is the source exactly??
@@DanielFahimi Alan Tyson - Mozart: Studies of the Autograph Scores. Harvard University Press, Cambridge Massachusetts, and London (1987). Almost 400 pages of forensic-style detailed investigation into Mozart’s autograph scores, and one of the most important breakthrough works in Mozart scholarship of recent times.
![Mozart - Symphony No. 20 in D, K. 133 [complete]](/img/n.gif)
22 years old, and I was just still in college
Yayyyy it's the first Mozart symphony to include clarinets! (and the most fun to play for both parts too, except maybe 40 if you play 1st). Paris apparently had some very good wind players that Mozart finally had a change to use clarients.
41 has oboes, but not clarinets
@@hjo4104 Sorry I meant 40 the G minor, edited!
one of my favorite
MARVELOUS 💝✨🌍🎹🎁.......!!!
I love reading the comments here! Mozart makes you go deep....... This IS a great performance of this symphony!! What a wonder....
I love it
Capolavoro 😎
although the romantic second theme in the replacement for the second movement is very pretty
I think he redid this symphony because the theme sounds like the one I think it's symphony #39. You can actually see what he's trying o convey here.isnt coming out as well as he wishes that's why he re-did it in my opinion and it sounded much better, that is the symphony 39 I think.
17:03 My personal favorite
Sa 1ere grande symphonie !
I don’t know if Haydn heard this symphony or not but if so he would have been very impressed.
Is there another symphony (although doubtful) written in Paris by Mozart?
None other than his concertante symphonies (K 297B, 320d, 320e)
There is another symphony in B flat that was once attributed to Mozart that was written in Paris 1778. It definitely is not Mozart. K. 311a. Technically it’s just an overture but it’s the closest to the other symphony we can get.
replacement for second movement is much better
Where do we listen to this Andante,second movement in TH-cam? I have searched this piece for long years.
@@TheNike0324 It should be at the end of this youtube video, no? I'm pretty sure the replacement I was talking about what was what occurs at the 16 minute mark.
Both are wonderful
Pitch is low. C# I think
2smartacus it’s baroque tuning.
not his best music
PRETTY CONDASCENDING
its the city where his mother died so ya.. its a slap in the face of cleverness with fluff in between
He was very young when he wrote this and he had to write something quickly. It is pretty IMO.
@Wolfgang Amadé Mozart
Not a good idea; the most recent research by Mozart scholars suggests that this is the movement he was going to ditch when organising a revival of the symphony in Prague in 1786; the reason probably being that the movement was too conventional.
@@elaineblackhurst1509 " the most recent research by Mozart scholars suggests that this is the movement he was going to ditch when organising a revival of the symphony in Prague in 1786"
And where is the source exactly??
@@DanielFahimi
Alan Tyson - Mozart: Studies of the Autograph Scores. Harvard University Press, Cambridge Massachusetts, and London (1987).
Almost 400 pages of forensic-style detailed investigation into Mozart’s autograph scores, and one of the most important breakthrough works in Mozart scholarship of recent times.