Meinl Cymbals - Matt Garstka & Josh De La Victoria - "Kepler"
ฝัง
- เผยแพร่เมื่อ 28 ก.ย. 2024
- You can see demos for each cymbal in Matt’s setup here: bit.ly/33voas1
14” Byzance Equilibrium Hihats
10" Byzance Jazz Splash
18” Byzance Jazz Extra Thin Crash
18” Byzance Extra Thin Hammered Crash
22” Byzance Foundry Reserve Light Ride
Artist Concept Model Fat Stack
20” Byzance Equilibrium China
Written and played by: Josh De La Victoria & Matt Garstka
Directed and edited by: Ivan Chopik
Additional filming by: Isaac Stolzer-Gary & Tony Mancuso
Engineered and mixed by: Francesco Cameli
Mastered by: Dave Collins
Filmed at Sphere Studios in Los Angeles
I love the way Matt manipulates time so effortlessly
are you sipping an 8 dollar coffee right now? ;)
Matt doesn't follow time...time follows Matt.
Whenever he solos I still can’t tell if it’s off time or just super human time
He manipulates me all the time
@@21uziman I'm going to take that response with the most civility and cleanliness possible. :)
I had like 58 different things to do today. It can wait.
Simon Aspsund Drums hey i follow you on Instagram sexy
@@user-id2dx4qd6j thanks for the support man!
Woke
🤘
Joshua De La Victoria
Y’all wrecked shop. Proud of u man.
jvstndrvms thanks bro
Bro I have been waiting for this song for almost a year bro !!!!!!! Thank you guys !!!! You guys slaughter this song !!
@@JoshuaDeLaVictoria your guitar tone is solid. Great performance!
@@tyrbaldur5317 Thanks!
Bedroom Proggggggg, there’s seriously no limit to what these guys can write and play.
Ha bedroom prog, spot on.
Tosin's looking different these days
Can't be Tosin, his glasses aren't big enough.
And there are not a lot of strings on his guitar
Biceps not found.
he hasn't looked the same since he came back from Neverland Ranch
okay I had to laugh at that
This is how you mix drums! Excelling playing by both.
Agreed, although it also helps the mix when your drummer has as much control over his dynamics as Matt does.
I know this comment is old as hell but I think this drum mix sounds a bit strange and unnatural to me
example of a drum mix that sounds much better to me: th-cam.com/video/Adcugb5uKgA/w-d-xo.html&ab_channel=Drumeo
I rate it 9/8.
I rate it 15/16
It's 11/15
136 people can't count ;]
StahlmetallerM
“It’s an 11/8(3332) metric modulation to 15/8(4443) that metrically modulates(555) to 3 👍🏼” - Matt Garstka
I rate this a 4/20
I rate it.
Matt has invented a new level of drumming
Let's not get carried away
@@funkslave9425 Agreed. Matt is clearly a master of technicality, but I feel the only person to reinvent the way people play drums is Zach Hill
@@twobirdsstonedatonce The only person? There's legends that have made extensive contributions. Vinnie, Tony Williams, Bonham. Also check out Larnell Lewis on his statements in soloing.
@@MrDarkstar620 I meant in terms of contemporary drummers
@@twobirdsstonedatonce They're around, believe it or not. Larnell is one of them. Also, living here in NYC, and of the scene, there are some already on their way. This is a phenomenon not confined to music; it lives in every art, and if artists fail to reinvent something, as Ezra Pound the poet once said "Make it new", then one remains stale...almost akin to unmoving.
1:40 that seamless transition from 11 to 15 has me very impressed. Taking the 3+3+3+2 subdivision then shifting it to 4+4+4+3 in a Tigran hamasyan style rhythm change by making it seem like it was only changing from eighth note triplets to sixteenth notes. Fucking beautiful. Then when it stays in 15 stacking the 5+5+5 subdivision, the 3+3+3+3+3 subdivision, and the 4+4+4+3 subdivision, I just ascend to the astral plain
NEEEEEEEEEEERD!!!!!!
No, for real, tho, it's a very cool and helpful breakdown. Just couldn't pass on the comedic opportunity as I spotted it
Im lost..
I think this is the best "Holy Shit" of 2019
agreed!
New Tool album though
@@olsonbryce777 not even close
Up until 4:27, they’re both playing together in 15/16, or 5/8 with a triplet feel. At 4:27, Matt stays steady on the 5/8, while Josh modulates to 9/8 in a shuffle pattern, laying it over Matt’s 5/8 to make a 9:5 polyrhythm (9 partials in the space of 5 partials). Then at 4:41, it’s Matt’s turn to modulate to follow Josh. He switches to 9/8 as well, but he plays in a 5:3 pattern with Josh’s shuffle (In this case 5 8th notes every 3 8th notes of the 9/8 shuffle).
Edit: yes I know it’s 11/8 at the beginning, but that’s not the part I was focusing on
Yo my hero
Hi man, Josh doesn't modulate to 9/8. He stays in 15/16 but plays 3 times a group of 5 which is kinda a 3/4 subdivided in Quintuplets. He plays those Quintuplets as 3+2 which is a "Quintuplet shuffle" that gives a similar feeling like a "normal" (triplet) shuffle but it's still the 15/16 with different accents.
I can count that first part in 11/8 or, how you look at it, 11/16.
The song starts in 11/8, and the B section is technically 11/4 for an "over the bar line" feel.
They continue to switch between 11/8 in the A section and 11/4 in the B section for a while, until they eventually modulate to 15/16 by taking the 3332 accent pattern and morphing it to 4443.
Once that groove opens up, it becomes 15/4, again for that "over the bar line" thing in the drum part.
They go back to 15/16 for a while, then to 31/16 (434334343 accent pattern), which then modulates to a 22/8 (323223232 accent pattern).
The 22/8 accent pattern is then eventually laid over top of the original 11/4 groove, so we've come full circle without any changes that are jarring to the ear.
Then there's a trading section similar to the into, except instead of 11/4, there are two bars of 11/8 and two bars of 15/16 cycling back and forth.
They stay in 15/16 for a while, until Matt modulates to 3/4 in quintuplets, thus maintaining the exact number of 15 notes per bar.
Eventually we reach the solo section in which Matt and Josh trade solos. This can be viewed as 9/8 or 3/4 in triplets, depending on the fills and licks being played.
Hope this helps someone!
@@billmint8122 thank you, I was gonna say this, but you corrected beautifully. That 3332-4443 morph is so dope.
Who ever does the mixing for these videos is a f'ng master.
BEDROOM PROG is officially my new favorite genre.
The more I listen to this song, the more I like it. It's too complex to understand it at first, but it's beautiful when the brain starts to recognize the different melodies within it. It's really soulful. Love it!!
I love that Meinl is producing such incredible content and truly showcasing their artists.
Currently listening to this with my partner to stay zen while my she goes through labour its actually helping so much who'd have thought ❤️❤️
Good luck and congratulations!
Thankyou, he was born today healthy as can be, looking forward to having father son aal jams 👌
@@levikirkpatrick1033 Does he walk with a 5/4-ish limp?
@@8020drummer not quite walking yet man, but he wakes me up all through the night till about 7/8 😉
I could gush about anything in this song but I think I'll just focus on the guitar tone for now cuz damn son
The song starts in 11/8, and the B section is technically 11/4 for an "over the bar line" feel.
They continue to switch between 11/8 in the A section and 11/4 in the B section for a while, until they eventually modulate to 15/16 by taking the 3332 accent pattern and morphing it to 4443.
Once that groove opens up, it becomes 15/4, again for that "over the bar line" thing in the drum part.
They go back to 15/16 for a while, then to 31/16 (434334343 accent pattern), which then modulates to a 22/8 (323223232 accent pattern).
The 22/8 accent pattern is then eventually laid over top of the original 11/4 groove, so we've come full circle without any changes that are jarring to the ear.
Then there's a trading section similar to the into, except instead of 11/4, there are two bars of 11/8 and two bars of 15/16 cycling back and forth.
They stay in 15/16 for a while, until Matt modulates to 3/4 in quintuplets, thus maintaining the exact number of 15 notes per bar.
Eventually we reach the solo section in which Matt and Josh trade solos. This can be viewed as 9/8 or 3/4 in triplets, depending on the fills and licks being played.
Hope this helps someone!
The rhythmic changes just seem so effortless, yet this is freaking complex as fuck :D And then it also just sounds sooo nice, the harmonies, melodies, the sound of both instruments, the creativity in between. As a musician you GOT to love this!
That wear spot on Matt's snare is unreal.
Last time I was this early Navene played with AAL still
That snare sound is just phenomenal what in the world
That guitar tone is bad ass!
Joshua has a very very nice way of moving through the frets, Joshua’s phrasing and tone is very intricate, heard alot of amazing phrasings and Joshua is is nicee also very cleann
Great guitarist
The timing of this song is incredibly impressive. Also a fantastic tune. It is stuck in my head now. keep coming back to this a year later.
Back again! XD
I love how the video fades out 'cause they could really go on forever like this!
The way the drummer moves, I was like “I know this guy!” and then I realized..Animal as Leaders!
Such a good drummer!
This style of drumming takes the craft to a whole different level. To me its almost the equivalent of creating a new letter in the alphabet. Its a skill level reserved for drummers who are meticulously diligent in developing the craft.
Oh my those subdivision changes are so satisfying
The best usage of 11/8 I have ever heard. Holy quac.
Hi Simen! Hahaha 😂
Derrick Schneider hahaha. Hello
It's just perfect! I've been listening to this song for days and I like it more and more!
When this track is my alarm I have to come watch this video. Great way to start the day.
This rules guys. Hope there's more to come.
Love the magic of these two guys playing together.
The king of ghost notes, no one can touch him in that regard.
And this is basically why Matt is my current favorite drummer.
Josh: "Hey Matt, which time signature do you want to use?"
Matt: "Yes"
Terrible meme format
How original.
One of the worst meme formats of all time. It's so lazy.
Oh sheet y'all. Lookout. The meme police are on patrol.
Y'all just don't know how great it feels is to see a 6 string guitar again. I almost forgot what they look like.
one of the best drummers out there !!!!! sound , feel , AND KILLER SNARE HAND !!!!
How does he continue to step up his game even after playing with GEM, I swear the new aal album probably gonna have non-contemplatable drum parts to the point where it's like, "First non-transcribed album ever"
This song really does make me happy
Amazing to witness such ability. Matt really showing the way, always pushing that elusive envelope.
Awesome and amazing music can’t stop listening to this track it takes you on different journeys as they go through different changes love their music 🎼 it inspires me in the studio very much so rock on guys!!!!…
Insane👌🏼👏🏼love the time modulations
Came for Matt stayed for both, wow. I dig this all day
This song is great background music, good job by both guys
There's something about Matt's drumming that blows me away every goddamn time i see him play ...
I usually think Matt tends to play ever so slightly too much, but there are NOT ENOUGH GOOD THINGS to say about his performance here. 110% for the song. Great stuff by both gentlemen.
Musical genius this is an amazing art of work of music and both musicians are so cold let’s go🙏😎
You know what I like more than materialistic things? Knowledge.
Musical illusions to the level!!! Awesome
Everybody is talking about Garstka's polyrhythms, but at 3:46 De La Victoria is playing a 22/8 riff over a syncopated disrupted drum groove, while showing off a super cool 4/4 dancing move. Now, that's hard as hell!!!!
yeah dude there's a 22/8 accent pattern of 323223232 being played over top of an 11/4 accent pattern of 33323332 and Matt is doing both at the same time, lmao! 11/4 on the stack and 22/8 between the kick and snare
@@billmint8122 Wow! I didn't realize that!
Love the timing on this one
My God, its so cool !
The hand to foot split at 5:30 had me drooooollllliiing
@GEEz NUTz yup.. It's that simple.. 😅
This has to be the best video to ever exist
What a masterpiece!
Can anyone tell me what that 4"-6" circle-bell thing is right above his kick drum is?
i’ve been trying to find out for a while, on nearly every video that he has it setup. Sadly never found out.
Cowbell, it’s used in other songs on other videos
@@bromike it’s not a cowbell lmao.
@@bromike I know it's a cowbell, but what is the manufacturer and the cowbell name? I have never seen a perfectly cylindrical cowbell before
Aside from being amazed throughout this entire video, I audibly said “HOOOOOUUUUUU MY GOD” at 3:27. Such an unexpected shift. So sick.
Excellent!
Brilliant tune. Awesome playing. Thanks!
Josh is the kid king...that metric modulation thoo!!!
Sounds similar to Plini, I love it!
matt has achieved timenlightenment
I feel as though everybody around me hates strats. But I love mine and this video shows exactly why the strat will always be on top. It’s a very diverse and capable guitar
I have a guitar tab on my channel for Iris
Brilliant and bad ass! I get it. The basic concept going through the song is 1 measure minus one beat, either a kind of 11/8 or 15/16, and going back and forth, and breaking it up in different ways. Sometimes the 15/16 is played as 4/4 minus 1 sixteenth note. Sometimes it's played as 3 5's or 5 3's. Iris is similar with a 9 meter (a group of 5 then 4 or 3 3's, etc.). Cool math explorations and very artistically and energetically done. It would be great to have more bands doing and expanding this kind of very cool stuff.
New Matt Garstka collab.... nice!!!!!
This is it right here
Omg im insane for this song
This is magical
What a fucking beast! Both of them. 🔥🔥
Okay. So everything Matt Gartska is involved in is beautiful music. Check.
Love the composition!
Absolutely freakin epic!
And he is with the best band n musicians...out their n their playing of style complement each other
Switching from 11/8 triplet to 15/16 is fucking cool
Good Lord what a drummer.
What planet this boy came from???
What a tone coming from a Fender!
That is straight 🔥🔥🔥 right there.
Wonderfully played.
Absolutely incredible ;-;
I’ll take this over aal any day, incredible performance
stunning
I N C R E D I B L E 🔥🥁
Matt is an inter-dimensional being, that has intimate knowledge of quantum mechanics far beyond the human race's comprehension.
Holy shit. Amazing performance!
That's incredible as always🔥
that snare is like a fucking slap to the face goddamn
Who is the 80/20 drummer? He's the best. I always recommend him. I feel stupid because I can't even tell my friends who he is.
awesome
What an experience
I LOVE THIS!
Lo que me gusta este tema no tiene nombre
Más allá del virtuosismo de los dos, la melodía y las armonías son un espectáculo.
What's weird is that I managed to count most parts in 7/8 until the 15/4 shuffle comes along.
The parts in 9/8 can also be counted in 15/16, and vice versa. Those measures fit together in such a nice little triplety way :)
11/8 modulates to 15/6
This is so good
this shit grooves so hard
Я люблю вас !!ребята!!
There are zero things Matt can't play on drums. Think of the craziest polyrhythmic design, the oddest time signature, whatever it is, think of it......
He can already play it
love it!!!