it actually holds quite a lot of meaning in the lore. in the first game, the moon that Gibby ruled from was not a natural sattelite but something he had made to rule from. The sign of the Full Moon probably became a symbol of oppression in anyone who opposed Gibby. So then there's Wayne. The sign of the waning crescent, the image of that power on its way out so we can finally have the new moon of freedom.
I love how gibby's just marching towards you, all intimidatingly, I like to imagine Wayne's party is just inching back, scared of gibby's new form, and trying to push gibby back, but gibby won't stop moving.
I mean, they aren't really scared if they decided to go against the one that tried messing with their shabby world, you can even see it with Wayne's "Gibbyyyyyyy!"
So weird to see chuck salamone on the credits of this game of all places. I went to highschool with him a loooong while back. Good to see him still doing musical stuff.
Honestly adore the way the hylics duology plays out like an ancient myth meant to describe why the moon waxes and wanes but with a sort of cynical detatched bent to it. Absolutely amazing pair of games, obviously intelligemt without becoming utterly masturbatory about it
'Hearken to my words Wayne, and your friends Somnosa, Dedesmuln, and Pongorma, for I have performed an elongated soaking of the body in the fluids excreted by Hylemskylem. Now, if you would be so kind as to direct your field of vision towards myself, I have achieved the powers akin to a celestial being, a state commonly known as "Omnipotence".' - Gibby
One of my absolute favorite differences between Hylics 1 and 2 is how legitimately intimidating Gibby is in the 2nd game. Everything from his revamped design that better shows just how massive he really is, to the way his body parts individually gyrate and twist around each other, to the strange psychic influence he has on the inhabitants of the world, and definitely this music, the way it slowly comes in with that smooth bass, to how it suddenly explodes into this mess of musical euphoria that, along with "Look ma, I fly now!", sounds infinitely more intimidating than anything else in either of the games. Sorry for the long winded comment but i just cant get over my love for this games soundtrack. While i adore how strange and atmospheric the OST for the first game is, this one has music that I legitimately want to listen to outside of the game.
I do think gibby looked much more ominous in the first game tho, the super sunken cheeks and permanently disinterested expression created a real interesting aesthetic
I like how in a world of disturbing and odd looking creatures, you still made Lord Gibby look really creepy and unnatural. Just something about the way it moves and gyrates... super imposing final boss.
@@spinyjustspiny3289 Good point. All the other bosses stay in place and dance to the music, Gibby and his minions are the only ones who march towards you, and the background movement makes it look like Wayne and his crew are backing away from him. He's so intimidating that the crew had to back away as they're fighting him.
Im gonna be honest, old forms of visual media like vhs tape-style, claymation and stuff scare the living crap outta me. But something about Hylics is so charming, so mesmerising...
This is in a weird-ass scale. I showed it to my friend who knows much more about music theory than me and even he could barely make any sense of it. And yet it somehow works! This song blows my mind. Or should I say, it blows my Fancy Meat Computer.
Don’t think to hard about it. There’s a set key (before the two modulations that happen), but it’s more about just playing with pitch alteration/accidentals.
Song: Fancy Meat Computer Gibbys main attack: magically turning a computer into a meaty brain, which then attacks a member of your party. Coincidence? I think not
Would you lose your mind if Mason corroborated that the brain computer animation is far older than this track...and that I had never seen it? I was notified of a meat motif for the battle, but I was not notified of that move, or the corespondent animation. I just about lost my shit when I saw it, too.
The previous Gibby theme was so cool. This game takes it to a whole another level. Love how there's this extreme contrast between any other song in the game, and this one. All the songs are just chill and even a bit goofy and then this one just SLAPS you with tension and the grand finale feel. This contrast is something not very many games try, and rightfully so, but when it works, it works so perfectly within the context and the overall aesthetic of the game.
What I find really weird about Gibby is how drastically different he looks compared to how he looks in Hylics 1. Instead of being this armored guy with this big round head and a mohawk he's this giant made out of floating chunks of meat with a giant coin-like head and realistic hands and feet.
I loved how in your face this theme was, especially for how intimidating second-gibby was in this game. Every song in the first game, even the final boss was pretty relaxed (from what I remember), and every other song is pretty relaxed too, but this is like "Dude, you really did it this time. Here he comes... But don't back away; you've done it before, you can do it again."
This song is genuinely going to be my most listened to song of 2020. I’ve had it on repeat for months. I may have an actual obsession with it, nothing else hits the same for me.
i really really dig the part at around 1:56 where you just take one short, like 4-pluck riff and just ride the hell out of it... it feels like reaching the part of a battle where you can't back off, there's nothing to do but buckle down and fight harder. quality stuff, chuck.
Let me tell you how amazing this final battle is. Gibby returns, revitalizing himself into a supreme being. He resembles an amalgamation of meat and appendages but he is not hindered or ruined. No. He takes the new form well, taking a stride towards our heroes. Across the battle, he creates minions. The tyrant king, once sitting upon a throne before his first demise, now marches with his newly created army. Even worse, he is a colossus of incredible power, sacrificing his soldiers for his powers. A monstrous commander laying ruin to the battlefield. The party has to keep distance as he marches, throwing whatever they can to stop his rampage. You are fighting a supreme being and his army of meat beings. You are the last thing between him and world domination. You must win.
I just randomly found this and this is one of the coolest and most interesting game tracks ive ever heard. And after reading through the comments i 100% have to play these games
If I told you this was the theme to a boss fight against a zombie moon man about to blow up the world, that the battle was fought atop a tower of intertwining meat called Hylemxylem, and that you gained infinite wisdom via the use of a paper cup, you would absolutely believe me without question.
Les Claypool, Adam Jones and everyone from King Gizzard had a baby, named it Chuck. Out of nowhere he bust out this bomb ass soundtrack. Fathers be proud
CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS
Oddly enough, years later i am reminded of this music by Splatoon 3's final boss of all things... Both music pieces demonstrate a audible battle between two sides, as it transitions gradually from the villain to the heroes. This music, being Gibby's theme, starts off entirely chaotic and ever-changing much like his body, and his desired vision of the world. But, as the battle continues, a certain new tune starts to cover up his desired chaos, with a new, more distinct and rhythmic beat of a guitar (and occasionally drums). In a way, this is like the musical embodiment of the desire for identity that Wayne, Snomsosa, Dedusmuln and Pongorma have. They temporarily overwrite most of Gibby's chaotic instruments, and change the music to give it a distinct identity, instead of letting it blend amongst the countless combinations of chaotic tracks that we certainly heard a lot of in Hylics 1. It's literally a battle, going on in both combat and music, fitting since the team also act as a coordinated musical band when together, and Gibby would rather melt it all into chaos. Chuck Salamone, you did a fantastic job of making this music have such a distinct difference to most if not all of the other Hylics 1 and 2 music. And, in a way, we also have the team to thank for it, and Mason Lindroth to thank for the world that this music has been shaped upon. Everything has come together in such a perfect combination, for such a good climax to a mystical and deep series.
Oof, just imagining a fictional character, aware there's more to their world, seeking omnipotence, finding what is truly rare, and still ending up mortal! "I have BATHED in the terrestrial waters. WHERE IS MY OMNIPOTENCE!?"
Right. That thing is huge, disproportionate, and made up of miscellaneous biological parts. The worst part is that it also slowly walks towards you as well, in a threatening manner
As someone who's played countless RPG's (both traditional JRPG's and the quirky EarthBound-inspired variety,) Gibby as a boss was ridiculously easy, but that didn't stop him from being what I think is probably the most enjoyable RPG final boss I've ever faced off against.
This song first caught my attention when I was watching forsen speedrun minecraft and he had this in his doomer/zoomer playlist. Loved this song so much that I bought Hylics 1 & 2, desperately waiting to get to this song and I find out its the Gibbys final boss music. This was such a fun rabbit hole to get into and I'm looking forward to what Chuck & Mason cook up in the future!
I just realized Fancy Meat Computer could just be another way of describing a brain. Which, well, could be a good way of describing many of the fleshy things in this game, including Gibby himself, at least in his final form. It could _also_ be a reference to how Gibby is the _brain_ or mind behind the action of the Hylemxylem.
god im such a fucking sucker for pipe organs in boss themes and theyre utilized fucking EXCELLENTLY here. i think the complete 180 in musical tone really emphasizes the stakes. most of the other themes are relatively laid back, but this one is just pressure incarnate. and the organ provides a great, solid backing to the sort of 'wall of sound' that gives this fight its tension. that and having a giant hulking pseudo-god stomping towards you probably helps
wouldn't a fancy meat computer be a person? Also I swear in my life I had a dream like a year ago where I wrote this in the comments of a video with the same picture wtf
Specifically a person's brain, as the other parts of a person's body would all fulfill the roles of different machines. It's interesting to note that the human brain, to this day, is still regarded as being possibly the most sophisticated computer there is. This is also illustrated in Gibby's move Teardown, where a computer is stripped of its shell to reveal a brain, which then forms a hand to attack you.
This has a really strange, interesting feeling. Most of it is kind of weirdly ominous, but when things really kick into high gear at 1:55 it feels like you get hit by an absolute wall of pressure. The intense part of the song literally makes me imagine Gibby bearing down on top of you, like a huge, powerful presence almost physically crushing you with its weight.
I always thought Gibby's appearance in this fight was a pun on his name, which was originally picked as a pun on moon phase like Wayne, and making a different pun of giblets, a term in games for chunks of meat or robot parts or what have you that burst out of killed enemies. Something we see with each enemy we defeat in this game itself, Gibby included
I can't believe I only recently got around to playing this game, and the soundtrack completely blows me away in such a way I'm not sure any other video game soundtrack quite has. The game's a visual treat and the music's an auditory treat. There's never an urge to skip to the "best part" because the entire thing is the best part; each track from beginning to end is a journey that pulls you in and holds your attention, but not in an overwhelming way. I love the motif usage, and I'm just so floored by how fascinating it all sounds- the textures, the composition, the vibes. And this track is perfect for facing off against such a climactic and intimidating character. Definitely in my all-time favorite soundtracks for things.
I just found out about you and your art 2 days ago. Instantly picked up Hylics 2 on steam. I just got the airship. I love this game, it's music, it's art. This is probably the most soul I've ever seen put into a game. It is definitely the most unique. I love this game.
@@chuck_salamone It's definitely the bass that's AiC, maybe not so much the higher guitar and horror movie sting tones. But now that you say it like that, the rest of it sounds like other 90s rock tropes trying to coexist and it creates an interesting discord. Thank you for the god-tier music!
I appreciate you! I loved composing and performing/recording this piece! It’s very “Rob Zombie,” by design. Mason wanted a “slow goth punk anthem” for this final battle. It is evident that people really enjoy this one, which is so gratifying! Thanks for listening/supporting us.
In terms of voice headcannon, I imagine this resurrected version of Gibby would sound like Gaius van Baelsar from FFXIV. Like Gibby doing the "TELL ME, FOR WHOM DO YOU FIGHT?" quote sounds perfectly in character for him.
this exemplary musical track accompanied by the preternatural gesticulations of the imposing space-tyrant certainly succeeds in galvanizing my fancy meat computer, sterling toil to mason lindroth and his cohort chuck salamone for beholding us such an ethereal experience
TH-cam had that update that gets rid of comments on those album type videos so my comment was lost, so I'll repeat here. This song has the motif from them's fighting words and I'm losing it This motif is also in That's A Big Stick, Xeno Arcadia, and originally was in House in Hylics 1. I'll edit with more instances of the motif if I find/remember them
Thank you for making this pleasing sensation of sound available for acquisition by monetary matter. This is easily one of the most supreme last boss auditories I have ever had my ears be attuned to!
I've already commented once but i seriously can't get over how good of a final boss theme this is, 1:35 really does it for me with its chord progression.
Gibby: Oh? You're approaching me? Instead of running away, you're coming right to me? Wayne: I can't beat the glands out of you without getting closer. Gibby: Oh really...then get as close as you need to.
Can't think of a ffinal boss theme that hypes me up to fight like this one, even if i kinda destroyed Gibby with the amount of overpreparation i did haha
This song alone has made Hylics 2's OST one of my favorite game soundtracks of all time. The other songs are great too, but nothing beats an amazing final boss theme.
![เปิด อาณาจักร หมื่นล้าน "สาระตั้ม" l [Nickynachat]](http://i.ytimg.com/vi/3XE0nPF4YkQ/mqdefault.jpg)
"i've bathed in the terrestrial juice. witness my omnipotence"
Aaron Van Meter And he still lost.
GIBBYYYYYY!
@@joshshrum2764 the same could be said of all gods in rpgs.
Memento Mori Because you have to win in the end.
100th like. This is perfect.
I feel dumb for just realizing wayne is a waning crescent and gibby is a gibbous moon
it actually holds quite a lot of meaning in the lore. in the first game, the moon that Gibby ruled from was not a natural sattelite but something he had made to rule from. The sign of the Full Moon probably became a symbol of oppression in anyone who opposed Gibby. So then there's Wayne. The sign of the waning crescent, the image of that power on its way out so we can finally have the new moon of freedom.
@@Exarian me myself Interneting it as a Hamlet-like plot structure, Wayne as the prince-outcast, and Gibby like an usurper king, quite talented imo
i thought gibby was called like that because of the word gibberish
@@goongalass930 you should stop eating gasoline flavored popsicles. but honestly i didnt know that either
Yoooo, i feel dumb too rn pwq
I love how gibby's just marching towards you, all intimidatingly, I like to imagine Wayne's party is just inching back, scared of gibby's new form, and trying to push gibby back, but gibby won't stop moving.
I saw someone else comment that they like to imagine Wayne and co moon walking backwards in every fight but this also a good interpretation
It’s kinda confirmed
The ground is always moving away, and when the gibs hit the ground, they recede into the distance
I mean, they aren't really scared if they decided to go against the one that tried messing with their shabby world, you can even see it with Wayne's "Gibbyyyyyyy!"
It's just too bad that the fight itself is pretty easy.
he's just marching. MENACINGLY
"Just got my reconstitution taken away can't have shit in Hylemxylem"
Nice of Gibby to invite us over for the reconstitution, eh Somsnosa?
I hope we've got lotsa burritos
A true Lord.
Wayne, look! It's from Gibby.
Dear pesky hylics, Odozeir and I have taken over the hylemxylem.
If you need help operating the airship, check out the enclosed tome of airship.
So weird to see chuck salamone on the credits of this game of all places. I went to highschool with him a loooong while back. Good to see him still doing musical stuff.
Hey there, old friend. Who might you be?
@@chuck_salamone This is Anthony Hernandez.
OMGGGGGGGGG
Yooo
This is wholesome
man gibby looks way different now than he did on icarly 😰
You should check his YT channel Sadworld. You will be surprised
His true form has been unleashed
What's Gibby thinking about?
play rain world
I loved that show. Still do.
Honestly adore the way the hylics duology plays out like an ancient myth meant to describe why the moon waxes and wanes but with a sort of cynical detatched bent to it. Absolutely amazing pair of games, obviously intelligemt without becoming utterly masturbatory about it
You mean waxes and WAYNES
I feel so stupid for not realising this until now.
@Тити Мити Hylics smort, but not shove in your face that it smart.
Pretty sure GIbby is a reference to a gibbous moon as well. Hylics has all sorts of overt references.
@@DM-yl3td
How about the New Moon or even the Blue Moon for Gibby in Hylics 2?
'Hearken to my words Wayne, and your friends Somnosa, Dedesmuln, and Pongorma, for I have performed an elongated soaking of the body in the fluids excreted by Hylemskylem. Now, if you would be so kind as to direct your field of vision towards myself, I have achieved the powers akin to a celestial being, a state commonly known as "Omnipotence".' - Gibby
i love how this doesn't even sound wrong
"yo wayne my homie check this shit i went super saiyan"
‘Hylemskylem’ I love that
One of my absolute favorite differences between Hylics 1 and 2 is how legitimately intimidating Gibby is in the 2nd game. Everything from his revamped design that better shows just how massive he really is, to the way his body parts individually gyrate and twist around each other, to the strange psychic influence he has on the inhabitants of the world, and definitely this music, the way it slowly comes in with that smooth bass, to how it suddenly explodes into this mess of musical euphoria that, along with "Look ma, I fly now!", sounds infinitely more intimidating than anything else in either of the games. Sorry for the long winded comment but i just cant get over my love for this games soundtrack. While i adore how strange and atmospheric the OST for the first game is, this one has music that I legitimately want to listen to outside of the game.
Thank you...again!
I do think gibby looked much more ominous in the first game tho, the super sunken cheeks and permanently disinterested expression created a real interesting aesthetic
@@chistosquisto9079 I dont know, i thought the sunken cheeks, small body, and bulbous head made Gibby look kinda goofy and weak in the first game.
I like how in a world of disturbing and odd looking creatures, you still made Lord Gibby look really creepy and unnatural. Just something about the way it moves and gyrates... super imposing final boss.
Even if the world is full of terrifying things, the one thing that can elevate something above all others is have it be marching directly towards you.
Everytime i see that animation i can only think of the Beatboxing Thanos ***MENACEINGLY*** walking forwards
What really makes the scene for me is that he's walking towards you. Gibby has become so imposing that simply advancing pushes you back.
When his minions dies and their FLESH kept in the floor slowly fading on the horizon, that really sold the atmosphere. This game is amazing.
@@spinyjustspiny3289 Good point. All the other bosses stay in place and dance to the music, Gibby and his minions are the only ones who march towards you, and the background movement makes it look like Wayne and his crew are backing away from him. He's so intimidating that the crew had to back away as they're fighting him.
Mel Gibson: PONGORMA, YOU UNDERSTAND ME RIGHT?
Pongo: *_"Alas, I've become habituated to this shabby planet"_*
Same
P-boy: Fuck grandeur, all my homies relish the mundane.
@@Exarian damn right
seeing this comment without context is giving me a stroke
mood
“fancy meat computer” is basically a brain.
fun fact. The Chinese word for computer "電腦" literally means "Electric Brain" when translated directly.
Made me think of Burroughs' phrase "the soft machine"
That's the "joke".
@@chuck_salamone Is that what Gibby is right now.
Chuck Salamone Where do I go to find a link to the discord server?
Man, I have mad respect for anything that's claymation. The sheer dedication and persistence required is awe-inspiring
Im gonna be honest, old forms of visual media like vhs tape-style, claymation and stuff scare the living crap outta me. But something about Hylics is so charming, so mesmerising...
@@wilson9263 ... You're scared of VHS tapes?
hylics 2 was mostly made in blender
@@wilson9263 You pissed yourself watching Jack Stauber?
@@themanonthepan really? When did mason say that
Gibby's TEARDOWN literally shows what the name of this song means.
🖥👇
@@TheNexDude 🟨🟦🟩🟥
Still, one of the funniest attacks I’ve ever seen, lmao.
🧠💻👇🔥
@@dfquartzidn6151dynamite still has to be my favorite attack
This is in a weird-ass scale. I showed it to my friend who knows much more about music theory than me and even he could barely make any sense of it. And yet it somehow works! This song blows my mind. Or should I say, it blows my Fancy Meat Computer.
Don’t think to hard about it. There’s a set key (before the two modulations that happen), but it’s more about just playing with pitch alteration/accidentals.
@@chuck_salamone ah, ok. Great work by the way, i love this song
play rain world
@@chuck_salamone play rain world
@@TsukiStuffs play rain world
Song: Fancy Meat Computer
Gibbys main attack: magically turning a computer into a meaty
brain, which then attacks a member of your party.
Coincidence? I think not
Would you lose your mind if Mason corroborated that the brain computer animation is far older than this track...and that I had never seen it? I was notified of a meat motif for the battle, but I was not notified of that move, or the corespondent animation. I just about lost my shit when I saw it, too.
@@chuck_salamone That is the greatest fucking thing I have ever heard
ah yes, the meat motif
Whatever would we do without good motif like meat?
@@chuck_salamone You two have some kind of subconscious vibe resonance going on or something.
The previous Gibby theme was so cool.
This game takes it to a whole another level. Love how there's this extreme contrast between any other song in the game, and this one. All the songs are just chill and even a bit goofy and then this one just SLAPS you with tension and the grand finale feel. This contrast is something not very many games try, and rightfully so, but when it works, it works so perfectly within the context and the overall aesthetic of the game.
whats with that boss fight being so friggin epic?? no regard to the fact that you bust in on him taking a bath - rubber duck and everything. love it.
@@badradish2116 A bath in the terrestrial juice, no less!
"witness my omnipotence!" *stands up*
really digging the music btw - nice work
play rain world
@@badradish2116 play rain world
This song comes from the same series where you can chuck a frozen burrito at a piece of sentient broccoli
This song sounds like what crying while angry feels like...
I love it.
That’s actually a really awesome interpretation! I love that.
@@chuck_salamone you're an awesome interpretation............................ ....
drenn YOU AH!
yeah.
I fucking love that. Feels very fitting for every character involved in the situation.
I like that he's not even standing when you confront him, he's in the flesh bathtub as a face
he's just chillin B-)
imagine youre just chilling in a hot tub and a bunch of people come in to beat the shit out of you
If it's a meat bathtub, and gibby is a floating mass of meat, then is gibby made of bathtub, or is the bathtub made of gibby?
Pretezel28 He screams for he does not know
@@KansaswithaK yes
What I find really weird about Gibby is how drastically different he looks compared to how he looks in Hylics 1. Instead of being this armored guy with this big round head and a mohawk he's this giant made out of floating chunks of meat with a giant coin-like head and realistic hands and feet.
I mean he did explode into pieces on the moon, which also exploded. It’s kind of hard to keep your original form after that.
he looks more like an orange in the first one tbh
I imagine hylics 1 and 2 are an earthbound to mother 1 deal, where the sequel is more a soft reboot
I loved how in your face this theme was, especially for how intimidating second-gibby was in this game. Every song in the first game, even the final boss was pretty relaxed (from what I remember), and every other song is pretty relaxed too, but this is like "Dude, you really did it this time. Here he comes... But don't back away; you've done it before, you can do it again."
The continuous build up of this music absolutely HYPES ME UP. Perfect final boss theme!
It was a goal of mine to have it be very "proggy." Mason wanted it to sound dirty, too, so this is a culmination of those two ideas.
This song is genuinely going to be my most listened to song of 2020. I’ve had it on repeat for months. I may have an actual obsession with it, nothing else hits the same for me.
Hell yeah! So glad to read that.
Hylics is the type of game you could take a bite out of, and it would probably taste pretty good.
If hylics was a food it would look gross and sound like it tastes like garbage but is a delicacy
@@seewagg9102 wdym the game looks amazing
It'd probably taste like modeling clay if I were to guess
that opening bassline with the flanger effect... pure drip... 🤌
i really really dig the part at around 1:56 where you just take one short, like 4-pluck riff and just ride the hell out of it... it feels like reaching the part of a battle where you can't back off, there's nothing to do but buckle down and fight harder. quality stuff, chuck.
Thank you for that.
yeah.
Let me tell you how amazing this final battle is.
Gibby returns, revitalizing himself into a supreme being. He resembles an amalgamation of meat and appendages but he is not hindered or ruined. No. He takes the new form well, taking a stride towards our heroes. Across the battle, he creates minions. The tyrant king, once sitting upon a throne before his first demise, now marches with his newly created army. Even worse, he is a colossus of incredible power, sacrificing his soldiers for his powers. A monstrous commander laying ruin to the battlefield.
The party has to keep distance as he marches, throwing whatever they can to stop his rampage. You are fighting a supreme being and his army of meat beings. You are the last thing between him and world domination. You must win.
I just randomly found this and this is one of the coolest and most interesting game tracks ive ever heard. And after reading through the comments i 100% have to play these games
If I told you this was the theme to a boss fight against a zombie moon man about to blow up the world, that the battle was fought atop a tower of intertwining meat called Hylemxylem, and that you gained infinite wisdom via the use of a paper cup, you would absolutely believe me without question.
My like button finger is getting a workout today
thats a bruh moment
Les Claypool, Adam Jones and everyone from King Gizzard had a baby, named it Chuck. Out of nowhere he bust out this bomb ass soundtrack. Fathers be proud
I'm not crying, YOU'RE CRYING.
if i ever make a game i can only hope the final boss music is as rad as this. utterly fantastic work
I have zero desire to play the game but this song has me in a chokehold
Yo, play it!
With love,
Composer
@@chuck_salamoneIt's a spectacular game! I love everything about it, and its soundtrack is one of the best things I've ever heard!
[ Lord Gibby reflexively *SUMMONS MINIONS* ]
gets blasted to oblivion with bombogenesis
@@martinmartinmartinmartinmarti bomboclaat
Lair actions
CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS
Oddly enough, years later i am reminded of this music by Splatoon 3's final boss of all things...
Both music pieces demonstrate a audible battle between two sides, as it transitions gradually from the villain to the heroes.
This music, being Gibby's theme, starts off entirely chaotic and ever-changing much like his body, and his desired vision of the world. But, as the battle continues, a certain new tune starts to cover up his desired chaos, with a new, more distinct and rhythmic beat of a guitar (and occasionally drums).
In a way, this is like the musical embodiment of the desire for identity that Wayne, Snomsosa, Dedusmuln and Pongorma have. They temporarily overwrite most of Gibby's chaotic instruments, and change the music to give it a distinct identity, instead of letting it blend amongst the countless combinations of chaotic tracks that we certainly heard a lot of in Hylics 1.
It's literally a battle, going on in both combat and music, fitting since the team also act as a coordinated musical band when together, and Gibby would rather melt it all into chaos.
Chuck Salamone, you did a fantastic job of making this music have such a distinct difference to most if not all of the other Hylics 1 and 2 music. And, in a way, we also have the team to thank for it, and Mason Lindroth to thank for the world that this music has been shaped upon.
Everything has come together in such a perfect combination, for such a good climax to a mystical and deep series.
Dude if chuck made a vinyl of this game’s soundtrack I would buy the entire stock
"i'll taKe yOur enTirE stOcK"
Thank you Vinny for introducing me to this incredible game
same here
Nitro Rad brought me here
Fancy Meat Computer would make a bitchin band name.
Take it.
Buy it.
Procure it
Drench It.
Drizzle it.
this song literally got me into hylics it randomly played on spotify i learnt it was a game and had an amazing experience
Oof, just imagining a fictional character, aware there's more to their world, seeking omnipotence, finding what is truly rare, and still ending up mortal!
"I have BATHED in the terrestrial waters. WHERE IS MY OMNIPOTENCE!?"
Hylics: Fancy Meat Computer
Microsoft: Now releasing our new "Windows Sirloin Steak"
sure its a meat computer but is it fancy
Gibby is scary AF
Right. That thing is huge, disproportionate, and made up of miscellaneous biological parts. The worst part is that it also slowly walks towards you as well, in a threatening manner
Tf you doin here!
This song slaps and completely satisfies my fancy meat computer.
I don't know why weeks later I only just really processed how freaking awesome this song is, but it's incredible.
brilokuloj I instantly fell in love it after hearing it for the first time.
One of the few boss themes I've heard that actually gives me goosebumps. Love it.
Yo, I'm glad you enjoy it!
The fight where multi-juice was the MVP
As someone who's played countless RPG's (both traditional JRPG's and the quirky EarthBound-inspired variety,) Gibby as a boss was ridiculously easy, but that didn't stop him from being what I think is probably the most enjoyable RPG final boss I've ever faced off against.
this feels like the crown jewel of the whole OST, a diamond atop a mountain of gold
Haha, cheers. It’s a fitting end for sure. Can’t wait to release more Hylics related musical content.
Best final boss music ever. Honestly wtf this shit is POWERFUL
Sorry I'm late. Thank you for the kind words!
@@chuck_salamone Big fan of your work! I listen to the soundtrack all the time, very inspirational. Thanks for replying 😁
The physics rubber duck in Gibby's lair is hilarious to me
Gonna tell my kids this was the Seinfeld bass
I'm still coming back a year later and listening to this soundtrack, so good I put it in my jogging playlist.
This song first caught my attention when I was watching forsen speedrun minecraft and he had this in his doomer/zoomer playlist. Loved this song so much that I bought Hylics 1 & 2, desperately waiting to get to this song and I find out its the Gibbys final boss music. This was such a fun rabbit hole to get into and I'm looking forward to what Chuck & Mason cook up in the future!
I can seriously appreciate just how intimidating this tune alone is. I get goosebumps every so often when I listen.
Make me want to act like a villain
Villain it up, homie.
I SWEAR the crowd is spelling something out.
I think it's just gloves
I think it might be a bunch of gestures that the characters make when they preform.... well, Gestures, but I’m not 100% sure.
Oh my, this pleases my fancy meat computer's overly elaborate hearing apparatuses. This would make for a good psychedelic experience
This is on my list as some of the best final boss tracks I've ever listened to in gaming history. God i love video game music.
I’m so glad you love this one! It’s going to have an even more chaotic and heavy successor. Just wait.
@@chuck_salamone LLLLLLLLLLLLLLLLETTTSFSFFUCKINGGGOOOOOOOOOOOOOOOOOOOOOOO WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
@@chuck_salamoneHYLICS 3??????
@@Sil2iconDreams that's right!
I just realized Fancy Meat Computer could just be another way of describing a brain.
Which, well, could be a good way of describing many of the fleshy things in this game, including Gibby himself, at least in his final form. It could _also_ be a reference to how Gibby is the _brain_ or mind behind the action of the Hylemxylem.
Mildly Entertain the Breadth of Void, That one's Gland may be exalted.
(This song and this comment have been cursed by Gibby.)
Void from Berserk
Pulsating from beneath the Lumen , vibrations Vividly increase .
Damn him and damn his hylemxylem. His truncated wormhole will forever puncture the precipice
Misfortunate. But not ungood.
Who's triangulating the chemicals?
forsenPossessed GuitarTime
god im such a fucking sucker for pipe organs in boss themes and theyre utilized fucking EXCELLENTLY here. i think the complete 180 in musical tone really emphasizes the stakes. most of the other themes are relatively laid back, but this one is just pressure incarnate. and the organ provides a great, solid backing to the sort of 'wall of sound' that gives this fight its tension. that and having a giant hulking pseudo-god stomping towards you probably helps
Theme song of a man who has no idea he's about to get bodied by 4 full-power Bombo-Genesis attacks
this is just so good. Love playing it in the car
Haha, hell yeah, me too!
wouldn't a fancy meat computer be a person? Also I swear in my life I had a dream like a year ago where I wrote this in the comments of a video with the same picture wtf
Deja vu! I've just been in this place before
@@Toasterloaf you guys are finally back. we missed you.
Specifically a person's brain, as the other parts of a person's body would all fulfill the roles of different machines. It's interesting to note that the human brain, to this day, is still regarded as being possibly the most sophisticated computer there is.
This is also illustrated in Gibby's move Teardown, where a computer is stripped of its shell to reveal a brain, which then forms a hand to attack you.
Windows? ❌
Mac?❌
Linux? ❌
*FANCY MEAT?* ✔
This has a really strange, interesting feeling. Most of it is kind of weirdly ominous, but when things really kick into high gear at 1:55 it feels like you get hit by an absolute wall of pressure. The intense part of the song literally makes me imagine Gibby bearing down on top of you, like a huge, powerful presence almost physically crushing you with its weight.
By design.
@@chuck_salamone Late reply, but it's quite the honour to have the artist himself confirm my observations! Thanks for making this awesome song!
I always thought Gibby's appearance in this fight was a pun on his name, which was originally picked as a pun on moon phase like Wayne, and making a different pun of giblets, a term in games for chunks of meat or robot parts or what have you that burst out of killed enemies. Something we see with each enemy we defeat in this game itself, Gibby included
Hylics my beloved ♥️
🙏🏻
forsenInsane GuitarTime
forsenInsane AAAAAAAAA
This song radiates such a chaotic energy... *AND I LOVE IT.*
Lindroth could just start a TH-cam Channel about animations and music.
Didn't expect this to have over 100k views and I'm very happy to see it does.
God this is SO heavy
I love it
I can't believe I only recently got around to playing this game, and the soundtrack completely blows me away in such a way I'm not sure any other video game soundtrack quite has. The game's a visual treat and the music's an auditory treat. There's never an urge to skip to the "best part" because the entire thing is the best part; each track from beginning to end is a journey that pulls you in and holds your attention, but not in an overwhelming way. I love the motif usage, and I'm just so floored by how fascinating it all sounds- the textures, the composition, the vibes. And this track is perfect for facing off against such a climactic and intimidating character. Definitely in my all-time favorite soundtracks for things.
THANK YOU for the kind words!
I just found out about you and your art 2 days ago. Instantly picked up Hylics 2 on steam. I just got the airship. I love this game, it's music, it's art. This is probably the most soul I've ever seen put into a game. It is definitely the most unique. I love this game.
Did ya beat it
Never played the game, but was recommended by my algorithm.
I wish would be available for purchase.
In Steam you can buy both games
But the soundtrack isn't. It is a good work music.
@@padung6018 I heard they're releasing it on Spotify soon
This has some climactic "end of the world" vibes to it, and damn is it funky. Love this whole soundtrack so far.
Gibbbbyyyyyyy!!
G Ï B B Y
ĞÏBBÝ
GRIFFITHHHHHHHHHH
@@Usuariopromedio656 !!!!!!
god I have such a huge crush on gibby, can't stop thinking about him
so you have a crush on an ugly blue pancake with a body made out of floating pieces of meat?
@@rocc9944 who you calling ugly
He really do be walkin tho. Walking towards the end of your life.
This sounds like an Alice in Chains song almost.
Thank you for that. I tried to channel as much “90’s EVERYTHING” into this track as best as I could.
Chuck Salamone You did an AMAZING job on this track!
@@chuck_salamone It's definitely the bass that's AiC, maybe not so much the higher guitar and horror movie sting tones. But now that you say it like that, the rest of it sounds like other 90s rock tropes trying to coexist and it creates an interesting discord. Thank you for the god-tier music!
Starting to hear a bit of Queens of the Stoneage in there too, like that one song from the end of Rated R.
The funk is killing me. Chuck, you genius!
I appreciate you! I loved composing and performing/recording this piece! It’s very “Rob Zombie,” by design. Mason wanted a “slow goth punk anthem” for this final battle. It is evident that people really enjoy this one, which is so gratifying! Thanks for listening/supporting us.
@@chuck_salamoneIT'S INFLUENCED BY ROB ZOMBIE? HELL YEAH!
@@waterPsychiatrist heh heh, that’s right! Thunderkiss ‘65, to be specific.
In terms of voice headcannon, I imagine this resurrected version of Gibby would sound like Gaius van Baelsar from FFXIV. Like Gibby doing the "TELL ME, FOR WHOM DO YOU FIGHT?" quote sounds perfectly in character for him.
this exemplary musical track accompanied by the preternatural gesticulations of the imposing space-tyrant certainly succeeds in galvanizing my fancy meat computer, sterling toil to mason lindroth and his cohort chuck salamone for beholding us such an ethereal experience
Thank you for playing/listening!
I think this is possibly the most intense song I have ever heard
forsenInsane
TH-cam had that update that gets rid of comments on those album type videos so my comment was lost, so I'll repeat here. This song has the motif from them's fighting words and I'm losing it
This motif is also in That's A Big Stick, Xeno Arcadia, and originally was in House in Hylics 1. I'll edit with more instances of the motif if I find/remember them
I love the 70s rock vibes from this. In fact, I get that from a lot of the rest of the soundtrack. The psychedellic art style of the game also helps.
Just finished Hylics 2 and goddamn. Wonderful game Mason, and wonderful music Chuck. Randomly generated text/10
Thanks for playing! So glad you enjoyed it.
Thank you for making this pleasing sensation of sound available for acquisition by monetary matter. This is easily one of the most supreme last boss auditories I have ever had my ears be attuned to!
I've already commented once but i seriously can't get over how good of a final boss theme this is, 1:35 really does it for me with its chord progression.
I’m glad you enjoy that section!
happy 4th birthday hylics 2!
I used to be afraid of Claymation, what you've done with it has actually taken away that fear.
Gibby: Oh? You're approaching me? Instead of running away, you're coming right to me?
Wayne: I can't beat the glands out of you without getting closer.
Gibby: Oh really...then get as close as you need to.
Gibby: starts walking towards Wayne.
Wayne: ...wut
Stand Master: Ｇｉｂｂｙ
Stand: 「Ｆａｎｃｙ Ｍｅａｔ」
I mean the battle did take place in a bathtub so at least some personal space norms were broken...
Shall we compare the speed of our gloves?
@@aarnojamsa3395
ToBeResumedInAFewCarbonCycles/\/\/\/(☞ ͡° ͜ʖ ͡°)☞
This game came from the "fancy meat computer" that is Mason Lindroths brain
Can't think of a ffinal boss theme that hypes me up to fight like this one, even if i kinda destroyed Gibby with the amount of overpreparation i did haha
i know nothing about this game but i am OBSESSED with this
Play the game and find out!
This song alone has made Hylics 2's OST one of my favorite game soundtracks of all time. The other songs are great too, but nothing beats an amazing final boss theme.