How do great writers manipulate perspective, prejudice, and frame?

How do storytellers manipulate frame and prejudice in order to tell effective stories?
We'll dive into this topic using some examples, like the Handshake in the Stadium and the Loose Dog, as well as a short masterpiece by Edith Wharton, which includes jealously, infidelity, and a double twist.

[@jamesmarcelle1]

Really enjoying working through all your videos. This is another great one! Keep up the great work 👌

[@Keith-zg6lx]

Excellent and very inspired to read the story. Thanks.

[@aaronsalzman]

Thanks for watching - once you read it, let me know what you think!

[@eileenwilliams2105]

Really enjoyed reading this story half way through the video and then following your analysis! They don't write them like they used to!

[@jamesp7588]

A new MFA student here! And your new subscriber!! Really appreciate your videos and insights! Especially your focus on classics… no one reads classics these days.

[@aaronsalzman]

Thanks and welcome, James! It certainly feels that way, but I imagine in an MFA you'll find a number of people with similar tastes. Best of luck to you in your program - I'll be looking forward to seeing your comments and insights on future videos!

[@sheepy11]

good

[@aaronsalzman]

thank

[@salustianoberrios405]

Good video, brother! Keep it up!

[@aaronsalzman]

Thanks man! I'm a couple chapters into Son and Bag - enjoying the read so far!

[@salustianoberrios405]

@@aaronsalzman yippy-skippy! Lol enjoy