Glazing Demo
ฝัง
- เผยแพร่เมื่อ 28 ก.ย. 2024
- Patreon: / marcdalessio
Glazing plein air landscape paintings. This is one of the demos I do on my plein air landscape courses.
The medium I can be acquired in the US from Blue Ridge oil colors (De Mayerne medium) or from Zecchi in Florence (Antichi maestri). My 'Minute Painting Video #3' also has the recipe: • Marc Dalessio's Minute...
I edited the audio in a couple of places as I misspoke during the demo (oil paint expands, not contracts and Boschini, not Vasari, wrote about Titian).
What a fantastic demonstration! Very practical and informative. Probably the best Ive seen online about this subject. Instant sub and like. Thank you for posting this.
Marc, thank you for sharing. I am proud to be the one giving you the first LIKE for this video. =)
Great information. Thank you for sharing this.
Oh! Wow,finally I have found just the right information I have been searching for,driving people nuts with questions. Marc,your presentation is superb,as is the level of information you share.
Maybe now,I can attempt a glaze with my plein air painting of my sheep without causing total ruination. Thank you.
Thank you, Marc. We're indebted to your generosity and dedication to further painting knowledge. Indispensable to any plein air painter!
Nice video, lots of good info.
Never did a painting by glazing, but i have used quick drying mediums to finsh paintings quicker, can't those types of mediums be used to make make the paint dry quicker when you are going to glaze?
I see a lot of painters glazing after its dry to touch then using the fat over lean rule by using linseed oil to make the glaze fat and flexible so it doesn't crack
Yes, I was thinking the exact same thing!
Thank you. I would love to attend when you are teaching.
Marie
one of the best videos about glazing on youtube, the before and after really shows the difference.
Who was it who spoke about Titian at 3:04 ? Unfortunately I didn't catch the name. Would appreciate anyone's help. Thanks :)
Marco Boschini. 17th-century artist and writer: en.wikipedia.org/wiki/Marco_Boschini
Glazing can be done alla prima using putty mediums and varnish in the painting medium. The paint sets up and then with a very light touch, lay the glaze gently over. Love mr. Dalessio's work and his videos.
Check out Tad Spurgeon's website for painting putties.
I think this is one reason why some people use stand oil for glazing: it is slow drying and relatively flexible when dry, so the glaze won't crack that easily (correct me if I'm wrong here).
Marc, a part the technique, I think that your art is really outstanding in terms of composition, colors and emotional rendering. Bravo.
Thank you for the teaching. Here is my question: What if the area (cheek or lips) that you have to glaze are dark enough? By glazing it, it will be too dark. Thanks!
The alizarin glaze is usually really faint but, yes, it can be too dark. Often if you're expecting to glaze an area you will purposely keep it slightly lighter.
Do alkyds cause cracking too?
No idea, sorry.
Thank you for sharing your information can you glaze over a varnished painting? What risks are there if one does glaze over the varnish?
Well, depending on the varnish you used and the glazing medium, is there were thinners in the medium it could strip down the varnish. Plus, varnish is used to protect the painting and is supposed to be removable, so if you glaze over and the painting is later cleaned, the glaze will disappear with the old varnish layer.
Thank you. This was very helpful. Again thank you for making this available. Your teaching is very clear.
I used a medium no. 3 which is an Australian brand Art Spectrum and it creates a glaze affect. Dries overnight.. Not sure if it is real glazing.
I’m sorry but you are the best looking man on the planet with the greatest voice. Lol. Great art videos on a more serious note!
Wtf
Hi Marc! Thank you for this video. Cannot find (sold out through blue ridge, and nobody else seems to carry it)... Blue Ridge oil colors (De Mayerne medium) I heard you say you don't like Linseed Oil. Anything else you could suggest for glazing until it's back in stock? Cheers! = )
You can make your own. There is a recipe in my videos here.
THANK YOU SO MUCH!!!
Excellent demo.
Do you need to add turps to make the glaze? I've seen a lot of glazing mediums that use alkyds which are supposed to be more flexible. Would love to know your thoughts on this
You can add turps if you want it thinner. I've done glazes with and without. I have no experience with alkyds, sorry, but I believe there are lots of painters getting good results with alkyd glazes.
thats so great. thank you for sharing. i like your work.
I just stumbled unto your video demo. it is wonderful! What may I ask is what does your medium consist of? I think I heard you mention Damar varnish. Any Linseed oil in it? Thanks!
There's another video in my channel with the recipe. It's sun-thickened linseed oil and Canada balsam. No varnish, but other artists use the same medium with varnish added.
@@MarcDalessio Thank you for the info.
I must say thanks because you not just taught how but also why.
Do you use turpentine to make dry paint on your pallette usable like watercolors, or do you just add some fresh paint from the tube each session, and it builds up like this over time?
You have to add fresh paint. Oil paint doesn't work like watercolor. It oxidizes, so you can't 'undo' it later with a solvent.
@@MarcDalessio ah ok, thanks! I always wondered about that if it could reactivate.
I didn’t understand what med you are using ..... ?
I would’ve asked what are some good color combinations? do you work from dark to light or light to dark ? does it matter?
Light or dark work fine. For color combinations, the three I mentioned here are the ones I use the most often.
Interesting ....but what is the medium you're using? What else do you use if not linced oil...
This one: th-cam.com/video/aCvvU0QATkA/w-d-xo.html
That was super helpful, thanks.
Hello Marc, do you varnish after glazing? How long do you wait before varnishing?thank you
Yes, I do. Six months for a real final varnish. A couple of weeks or so for just a retouch varnish if I have to send out the picture quickly.
@@MarcDalessio thank you so much!
Thanks for the video. I would like to know where did you get your easel. It seems very practical and easy to move. Great video.
What kind of medium?
Canada balsam and sun-thickened linseed oil. My 'Minute Video #3" has the full recipe (or search my blog).
Wow. period. :)
Great tutorial. Thanks.
Thx. What do you use to vanish a painting?
I use damar if I need to varnish a dry painting.
Marc Dalessio Thx. The sight sizing videos have help me a great deal in my Pleine Air paintings . Would like to do a workshop some day. If you get a chance check out my website petergrab.com it's all pieine air .
Interesting, I never thought of glazes in landscape, still life and portrait, but why not landscape as well. Does open a door that would otherwise be closed in landscape.
Glazes have been used in landscapes since the beginning of landscape painting, even as far back as when landscapes were being done as backgrounds for figures. Its a huge part of studio process regardless of what subject you paint.
Jmw Turner did it alot in landscapes etc.
great information, thanks!
Thank you for sharing! Really great!
Thank you for sharing. Great 👍
Thanks, Marc!
K
Very informative.
rsloma71 thanks for sharing! Very informative!
Awsome tip thanks
Super
Thank you Marc for sharing
Thank you for this. I just tried the milky atmosphere glaze, and it worked like a charm!
Even using Liquin ? My paintings drys faster using a similar method of work !