I'm so glad how you explained how you do the glazing! Thank you so much for that! Gorgeous painting, as the grisaille as well as when you were putting the color choices in.
"If you're green you grow, if you're ripe you rot." Love that nugget. I've discovered, after taking your challenge to really examine what I'm doing, that there is a third state: petrification! I've been drawing / painting since I was 5 so, over 4 decades later and a successful engineering career as my main job, I let ego get in the way of doing anything in case I'm not as good as before! How unrealistic to be so scared stiff. It's not like a professional athlete can do what they do without practise, and art is the same. Thank you for the inspiration to be brave and always push myself. Cheers!
Absolutely gorgeous colors in your painting. I am in awe of how you see them and all the relationships between the colors. I have to work on this on my side and I am grateful for every one of your videos. Thank you
I sit here watching you in complete amazement. I have never contacted you previously, however I've watched for quite some time. I completely 'get you' as a 'realist', I have always held Frederic Edwin Church is complete regard as the artist I most admire. I will readily tell you that I have not a thousandth of your talent, yet appreciate and admire your skill. I am retired and as we speak, am moving to a tropical location, with the desire of improving my painting ability. Thank you for sharing your skill with the world and inspiring me to continually improve as an artist.
Thank you for reminding of the B/W underpainting. I have a few B/W photos that I want to make into paintings. You are very inspiring! Thank you for sharing
You have an amazing talent, no question, but I often wonder if you've always had an abundance of patience or you've acquired it throughout your career. Witch ever it is, it's impressive.
I just listened to the podcast . I’m so excited to hear other professional artists, talking about creation and spirituality and even so-called conspiracy theories. I have so much respect for you even more now and thank you so much for speaking out about stuff like this. You are so talented as you know, but also an amazing person.
Oh man, this technique I used for a digital painting - the most detailed I ever made. This is a great opportunity to try the knowledge acquired there. Thank you so much for nudging us into this technique. It feels like colouring an old b/w photography ;D If I only was courageous enough to do a big painting...
Amazing painting with obvious hard work put into it. I just wonder if the white dots (highlights) are a little distracting from the image as a whole and maybe take a percentage of realism from the painting that is slightly noticeable (just a note)
Thanks Andrew, very informative! I would've also like to have known the location you were painting and the time of day and season, weather conditions etc that you were trying to achieve.. cheers..
Hey Andrew is you have solutions for acrylic paint how to get adjust with it and when the work is complete how to glaze it so that the painting looks fresh.
I’ve been glazing on and off for many years and recently went back to experimenting because I’m seeking that color glow you can’t get otherwise. Wouldn’t you know I’m also using Rublev, I love the way it doesn’t make the glaze too runny. And coincidentally I was at Monument Valley today and captured a ton of references so this is truly great timing! Thanks for all you do, it’s so inspiring.
I have followed your videos now for years and have found them inspiring Andrew. After working most of my life in factories I now spend my days doing what I did as a teenager. Drawing and painting. I only wish you had been about in my younger years. I might have spent my time doing what I loved instead of doing what I thought I had to do. Much respect to your wonderful art. Thanks for sharing
Andrew, once again thank you. I listened, I stopped the video often and reflected on your words, and took notes. Not so much for painting but for Life. Learning to paint- so many life lessons. Art is all illusionary-we seek to represent something three-dimensional on a 2-dimensional surface. So is Life- illusionary. Your 5-step process can be adopted to LIFE itself. QUESTION, EXPERIMENT, BE INSPIRED TO ..., COMMIT TO THE EXPERIMENT (do not live in fear of failure-embrace it, it is how we learn- it does not mean embracing that which is knowingly self-destructive but if you fall down such a rabbit hole, you will figure it out in the next step),ANALYZE THE RESULTS (Like sailing- you may not be going directly to where you want to go but are you on the right tack. The sailing analogy also leads to the next step. MAKE A PLAN - check your internal compass, refer to your maps (the Masters, your Moral self, whatever it was that inspired you). Jib or Come About, work with the wind to get to where you want to go or explore. A friend, recently diagnosed with cancer was asked by his Holistic Doctor 8 questions, the answers of which would provide direction for him to be healthier and thus improve his immune system. I found this fascinating. Diet and exercise are obvious but the one that still has me thinking was, "What brings you JOY ?" Not happiness or pleasure but JOY. It is a tough question. I never allowed myself to embrace the question. Upon reflecting on your 5-Step Plan. It is the same plan I am using to come up with an answer to the question.
Brilliant Nelson! I love this, glad you made notes and I am thrilled this video "landed" with you. I love the sailing analogy too. I'm terrified of the water, but feel called to it somehow, who knows, I may have to take up sailing!
I’m an ok painter, but I’ve taken off huge chunks of time that I’ve deeply regretted. After watching you on and off for years, I think I’m ready to return to painting, as I now have made a dedicated studio. Andrew, you are by far my favorite modern landscape artist, and I just wanted to thank you for being a major source of inspiration that has led me onto a path to continue my creative journey. 🙏
Awesome, as always. I've been in a slump with painting over the last few months and this has inspired me to pick the brush back up tonight and keep going. Thanks for all you do!
I love everything about this video. So many moments where I found myself nodding vigorously 😄 also when you glazed over those grasses I was mesmerised 😮
Hello brother, could you advise me where to buy oleogel I live in Spain and I can't find any reliable site, thanks for your work bro I look forward to each video, a hug from Spain
I am french, and I like how you paint, I fan of tour works but I can't paint the sea because I can't do it .I paint animals, cats, fishs, butterflies and m'y dog. Dommage que vos commentaires ne soient pas en français. Bravo à vous, vous très doué, vous avez un don. Félicitations.
I've also been experimenting with glazing, but mainly with large florals and still life. My first real attempt that worked was a still life of apples in a basket. I've had numerous people ask me how I got the skin to look so real and glow, although I didn't quite manage the same with the basket. I wouldn't say that it was deliberate, but it was an exercise in working from light coloured glazes to darker glazes by adding layers of transparent paint and the magic happened by itself. However, I did thin a lot with a mixture of liquin and oil. That in itself was an experiment because if you don't get the ratio of paint, oil and liquin right, the next layer can bead up. I'm yet to really experiment with glazing in landscapes, so was very excited to see this video pop up on my feed. Now I realise that I have actually been doing some glazing in my landscapes, mainly to create shadows and darken areas, without realising that glazing was what I was doing.
Beautiful painting, amazing information and I am feeling so inspired 😊❤. Keep up the great works Andrew. I have learned so much from you over the years. Thank you so much for these soulful art. One Love
I've used an airbrush all my art life from the 1960's (before Andrew .... you were a gleam in your Daddy's eyes ;) ...) I first applied water colours over water colour painted skys and water reflections intensifying the different colours... plus adding a reduced Payne's grey to landscapes to move items "Back" like with the different mountains. The advantage was not coming back, using a wet brush that would lift the base colour... I love your applications and post.... keep up the good work... I have retired here in Sydney, but move here in 1979 after 9 years US Army... 101st Airborne (Combat tour 2/502 Inf Vietnam) while I also finished my college at night classes.... I've tried oils with the same process as it did work well with Acrylics... but found it too toxic and SLOW! I met Audrey Flack (who airbrushed oils) in the 1970's in Chicago I think (god I'm old) and she told me she wore a spray painters mask all day painting oils.... Unique work, but that mask had to hurt after awhile. Half the fun of being and artist is applying different art fields to create something impressive and unique.
Thank you Andrew for another great and inspiring video ❤! Learning is indeed crucial! I recently noticed a big improvement in my paintings when I realized that oftentimes it's best to lay down the paint just by touching the surface and not painting in a physical way. I've been striving for smooth painting surfaces always painting and softening out with a big brush in order to avoid 3D marks but realized that leaving the marks can actually improve the paintings so, yes, let's be humble, open minded and keep learning 😊!
Just awesome man!... I see some artists work, where they could stop halfway thru or stop after an underpainting and it would still look great. This my friend, takes the cake! 🍰 You could've stopped at ANY point and it would've been great. But when you had that sky and clouds colored in with the "black" & "white" underpainting... that looked bada$$! still one of my most inspiring "teachers" 🤘🏼👽
Thank you Andrew!! Brilliant as always. I've heard a number of artists singing the praises of Oleogel. Must give it a try. Great tips about ration of using the gel and the demonstration of glazing, much appreciated!! 🏆🏅
Spectacular painting and valuable insight working with transparent paints! I learned to paint over a black and white image first by applying glaze over that, making a fluid surface for details to keep working. And yes Rublev is a great medium, slow drying but forgiving which takes patience! Using transparent paints with impasto medium is another experience worth trying! Great video Andrew!
I especially liked your fifth recommendation, to, coming to the end with one painting, to plan for the next one. This seems what's happening naturally to me, as every painting I do leaves me with new ideas, be it technical details, or new compositions, and the like. Having just finished a series of sketches, I take your advise, and outline one of these on a canvas, to kick off a longer painting session to follow later. Thanks!
Thank you for the wonderful videos. Please tell me, are you waiting for each layer of the glazing to dry out? How do you treat the surface before applying the next layer? Thanks🙏
Hi Andrew thanks for your video’s, becouse of you I am working with liquin original but i am struggling with glacing now. (I was used to make the medium water you talked about) do you use liquin original 1/4th part paint for glazing or do you use another medium for this step?
I wonder how many hours it took to complet that painting , i have taken up to 60 hours to do some of my water color paintings am now doing oils gave up water colors
That's hard to really calculate because glazing often means multiple layers of very thin paint and there's drying time in between. Why did you give up watercolours?. I mainly work in oils but have recently begun watercolour. I joined an art society and getting a wet oil painting home without smudging it, getting it all over the car and me in the process was proving impossible. Watercolours are way easier to transport.
@Warped Weft well originally i started out in oils many years before , i needed a change i use pallet knifes and don't try to do realisim as i did with water colors mine were very photographic o its a great change for me to do something different .
Andrew how do decide when the painting is complete? In my unqualified eyes it could have been finished way before you finally cleaned your brushes. Do you sometimes struggle to decide enough is enough?
I do enjoy listening to you and what you because you make sense l 'm way past joining a painting group I'm loosing my eyesight little by little and my favourite arist Claude Monet and like him in my later years I'm born French and Australian from the heart I've painted hundreds if not thoursant paintings now I paint for the pleasure of givings this paintings to anyone and l'm pleased to see your passions and I would like to say well done and keep it up. Michel
i learn how to draw from your videos, i also learn english through these videos. thats interesting! just keep doing what u r doing. maybe my english is not good but thank you so much. From Viet Nam
You are indeed one of the Very best! Master artist. How to be the absolute best? I think it’s more in that each master artist is a bit different. But, you certainly are one of the best!!
so after all this how-to and work-in-progress we get to the end just to see 2/3 of the finished painting with some ads on top of it... very nice..................
Not sure if I can express this clearly. Listening to you, as well as many other artists…… I sense that you are somehow intrinsically connected to, and are as one with the world in which you live - without being too ‘religious’, I think that you love the world and the people in it, on a deeply spiritual level. That deep emotion you feel is what comes out in your work and stirs the viewers hearts. AI will never be able to replace artists.
Wow, what a thoughtful comment. Thanks so much for this. I try to connect with something deeper, as a flawed and hopelessly "human" individual, but yes, connection is key and yes, I do care about others, particularly when it comes to making art!
It's true of a lot of people who paint intuitively. I get sick of people asking me about the "story" of my painting. It's the same story for every one of my paintings. I saw something that I connected with and I wanted to recapture it my way. I can't paint photographically so it always turns out as an interpretation of what I saw. Is there anything wrong with that? Does it have to have a deep mystical meaning behind it? My painting is for my pleasure. If someone wants to buy it, so well and good but I'm not going to "paint to sell" as that just takes away all the pleasure for me.
Thank you for your inspirational videos and especially for this! I've learned glazing technique when i was young, from my Master, and I was so sure that i didn"t need to change anything, but, today i wanna try some new way to create my glazed artworks, thank your words!! Have i nice day Andrew
How does one retain sufficient interest and patience in a painting to complete the detail portion of a painting. Is it because one lacks the skills and technique?
![Creating An Epic 5-foot Landscape [Part 1-Oil Painting DEMO]](http://i.ytimg.com/vi/tCS630yds8U/mqdefault.jpg)
I'm so glad how you explained how you do the glazing! Thank you so much for that!
Gorgeous painting, as the grisaille as well as when you were putting the color choices in.
Thank you! Cheers!
"If you're green you grow, if you're ripe you rot." Love that nugget. I've discovered, after taking your challenge to really examine what I'm doing, that there is a third state: petrification! I've been drawing / painting since I was 5 so, over 4 decades later and a successful engineering career as my main job, I let ego get in the way of doing anything in case I'm not as good as before! How unrealistic to be so scared stiff. It's not like a professional athlete can do what they do without practise, and art is the same. Thank you for the inspiration to be brave and always push myself. Cheers!
Absolutely gorgeous colors in your painting. I am in awe of how you see them and all the relationships between the colors. I have to work on this on my side and I am grateful for every one of your videos. Thank you
Thank you so much!
I sit here watching you in complete amazement. I have never contacted you previously, however I've watched for quite some time. I completely 'get you' as a 'realist', I have always held Frederic Edwin Church is complete regard as the artist I most admire. I will readily tell you that I have not a thousandth of your talent, yet appreciate and admire your skill. I am retired and as we speak, am moving to a tropical location, with the desire of improving my painting ability. Thank you for sharing your skill with the world and inspiring me to continually improve as an artist.
Thank you for reminding of the B/W underpainting. I have a few B/W photos that I want to make into paintings.
You are very inspiring! Thank you for sharing
Thanks so much for all the helpful tips. Brilliant, Thanks Bill
You have an amazing talent, no question, but I often wonder if you've always had an abundance of patience or you've acquired it throughout your career. Witch ever it is, it's impressive.
Unbelievable beauty !
Thats an amazing painting !
Man this is amazing! I’d love to see the length version.
Tree trunk you are painting. Land of the giants.
I just listened to the podcast . I’m so excited to hear other professional artists, talking about creation and spirituality and even so-called conspiracy theories. I have so much respect for you even more now and thank you so much for speaking out about stuff like this. You are so talented as you know, but also an amazing person.
Absolutely inspiring!
Thank you Andrew. This is awesome. I learn such a lot from you. I'm going to try this grisaille technique.
Oh man, this technique I used for a digital painting - the most detailed I ever made. This is a great opportunity to try the knowledge acquired there. Thank you so much for nudging us into this technique. It feels like colouring an old b/w photography ;D
If I only was courageous enough to do a big painting...
Amazing painting with obvious hard work put into it. I just wonder if the white dots (highlights) are a little distracting from the image as a whole and maybe take a percentage of realism from the painting that is slightly noticeable (just a note)
Thanks Andrew, very informative! I would've also like to have known the location you were painting and the time of day and season, weather conditions etc that you were trying to achieve.. cheers..
Hey Andrew is you have solutions for acrylic paint how to get adjust with it and when the work is complete how to glaze it so that the painting looks fresh.
You are so good❤❤❤❤
👍
Man I would love it if you criticised my paintings and tell me some tips.
Top link in the description! I do critiques of my students once a month!
I’ve been glazing on and off for many years and recently went back to experimenting because I’m seeking that color glow you can’t get otherwise. Wouldn’t you know I’m also using Rublev, I love the way it doesn’t make the glaze too runny. And coincidentally I was at Monument Valley today and captured a ton of references so this is truly great timing! Thanks for all you do, it’s so inspiring.
Thank you so much for this comment Cindy! I appreciate it!
What do you mean youre using rublev? @Cindy Compert Fine Art
@@erxfav3197 I’m using the same Rublev Oleogel medium for glazing that Andrew is using.
@@cindycompertfineart7276 ohhh I didn’t get to the part where he said he uses that..
Well that’s probably why it takes forever to dry!
Lol
I have followed your videos now for years and have found them inspiring Andrew. After working most of my life in factories I now spend my days doing what I did as a teenager. Drawing and painting. I only wish you had been about in my younger years. I might have spent my time doing what I loved instead of doing what I thought I had to do. Much respect to your wonderful art. Thanks for sharing
Andrew, once again thank you. I listened, I stopped the video often and reflected on your words, and took notes. Not so much for painting but for Life. Learning to paint- so many life lessons. Art is all illusionary-we seek to represent something three-dimensional on a 2-dimensional surface. So is Life- illusionary. Your 5-step process can be adopted to LIFE itself. QUESTION, EXPERIMENT, BE INSPIRED TO ..., COMMIT TO THE EXPERIMENT (do not live in fear of failure-embrace it, it is how we learn- it does not mean embracing that which is knowingly self-destructive but if you fall down such a rabbit hole, you will figure it out in the next step),ANALYZE THE RESULTS (Like sailing- you may not be going directly to where you want to go but are you on the right tack. The sailing analogy also leads to the next step. MAKE A PLAN - check your internal compass, refer to your maps (the Masters, your Moral self, whatever it was that inspired you). Jib or Come About, work with the wind to get to where you want to go or explore. A friend, recently diagnosed with cancer was asked by his Holistic Doctor 8 questions, the answers of which would provide direction for him to be healthier and thus improve his immune system. I found this fascinating. Diet and exercise are obvious but the one that still has me thinking was, "What brings you JOY ?" Not happiness or pleasure but JOY. It is a tough question. I never allowed myself to embrace the question. Upon reflecting on your 5-Step Plan. It is the same plan I am using to come up with an answer to the question.
Brilliant Nelson! I love this, glad you made notes and I am thrilled this video "landed" with you. I love the sailing analogy too. I'm terrified of the water, but feel called to it somehow, who knows, I may have to take up sailing!
this was EXACTLY the push I needed. Thanks for another amazing session of inspiring thoughts!!!
Welcome, Tish, to the world of illustration techniques!
Stunning!
I’m an ok painter, but I’ve taken off huge chunks of time that I’ve deeply regretted. After watching you on and off for years, I think I’m ready to return to painting, as I now have made a dedicated studio.
Andrew, you are by far my favorite modern landscape artist, and I just wanted to thank you for being a major source of inspiration that has led me onto a path to continue my creative journey. 🙏
Awesome, as always. I've been in a slump with painting over the last few months and this has inspired me to pick the brush back up tonight and keep going. Thanks for all you do!
You can do it!
Thanks Andrew. If you haven't seen him look up Thomas Patrick Keating (1917-1984). I think you would appreciate him.
Unbelievable quality 😱
It is the level of the old masters
👍
I love everything about this video. So many moments where I found myself nodding vigorously 😄 also when you glazed over those grasses I was mesmerised 😮
🖤🔥
Hello brother, could you advise me where to buy oleogel I live in Spain and I can't find any reliable site, thanks for your work bro I look forward to each video, a hug from Spain
Great being back on your channel! Thank you for the encouragement!!! Off to paint!
I am french, and I like how you paint, I fan of tour works but I can't paint the sea because I can't do it .I paint animals, cats, fishs, butterflies and m'y dog. Dommage que vos commentaires ne soient pas en français. Bravo à vous, vous très doué, vous avez un don. Félicitations.
❤yves est mon mari, mais c'est moi qui peint et qui vous a écrit un message auparavant en anglais et fini en français. Vous êtes un grand artiste.
To me it was perfect after the grisaille was done.
That cobalt blue takes a long time to dry. Why didn’t you use liquin?
2 months for the grisaille to dry....wow i thought it is about a week plus max.
Thanks for the vídeo, 🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🙏🏼
I was thinking about how inspired I felt watching you paint those clouds, then I heard tip #2 😂 Your advice and knowledge never fail Andrew!!
Bonjour Andrew. C'est absolument magnifique comme toujours. Je suis un grand fan de votre travail.
I never cease to be amazed by these videos. Now I'm a total beginner in every medium. I've never completed
Beautiful ❤️😍
Always try new, ways, mediums,even back to basics, thanks again for your fantastic work and inspiration
I've also been experimenting with glazing, but mainly with large florals and still life. My first real attempt that worked was a still life of apples in a basket. I've had numerous people ask me how I got the skin to look so real and glow, although I didn't quite manage the same with the basket. I wouldn't say that it was deliberate, but it was an exercise in working from light coloured glazes to darker glazes by adding layers of transparent paint and the magic happened by itself. However, I did thin a lot with a mixture of liquin and oil. That in itself was an experiment because if you don't get the ratio of paint, oil and liquin right, the next layer can bead up.
I'm yet to really experiment with glazing in landscapes, so was very excited to see this video pop up on my feed. Now I realise that I have actually been doing some glazing in my landscapes, mainly to create shadows and darken areas, without realising that glazing was what I was doing.
So SICK..........💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯
Beautiful painting, amazing information and I am feeling so inspired 😊❤. Keep up the great works Andrew. I have learned so much from you over the years. Thank you so much for these soulful art. One Love
I've used an airbrush all my art life from the 1960's (before Andrew .... you were a gleam in your Daddy's eyes ;) ...) I first applied water colours over water colour painted skys and water reflections intensifying the different colours... plus adding a reduced Payne's grey to landscapes to move items "Back" like with the different mountains. The advantage was not coming back, using a wet brush that would lift the base colour... I love your applications and post.... keep up the good work... I have retired here in Sydney, but move here in 1979 after 9 years US Army... 101st Airborne (Combat tour 2/502 Inf Vietnam) while I also finished my college at night classes.... I've tried oils with the same process as it did work well with Acrylics... but found it too toxic and SLOW! I met Audrey Flack (who airbrushed oils) in the 1970's in Chicago I think (god I'm old) and she told me she wore a spray painters mask all day painting oils.... Unique work, but that mask had to hurt after awhile. Half the fun of being and artist is applying different art fields to create something impressive and unique.
Thank you for all the inspiration. Been painting a long time, but this week I got out for the first time to paint en plein air and learned so much!
Hi Andrew, where do I find the podcast?
Thank you!...Very inspiring...
Thank you Andrew for another great and inspiring video ❤! Learning is indeed crucial! I recently noticed a big improvement in my paintings when I realized that oftentimes it's best to lay down the paint just by touching the surface and not painting in a physical way. I've been striving for smooth painting surfaces always painting and softening out with a big brush in order to avoid 3D marks but realized that leaving the marks can actually improve the paintings so, yes, let's be humble, open minded and keep learning 😊!
Your paintings are always incredibly beautiful! This one is stunning as well. You always inspire me to do better. Thanks!
If glazing, surely it’s quicker to use quick-drying alkyd oils , or even acrylics for the underpainting ?
Really gorgeous painting .thank you for this demo .
The paint you applied looked very thick and opaque. Is that glazing? Or do I have to thin my paint out?
You painted on a copper panel??
Sir tischler ,you are my inspiration in fine art field, you are the best ever.
Great work sir. 🙏🏻❤❤❤❤🔥🔥🔥😍😍
جميل جدا ❤
This is just amazing
I love glazing, it's so satisfying and kind of magical seeing it develop the painting subtleties..Your Monument painting is magnificent. 🔥
Just awesome man!... I see some artists work, where they could stop halfway thru or stop after an underpainting and it would still look great. This my friend, takes the cake! 🍰 You could've stopped at ANY point and it would've been great. But when you had that sky and clouds colored in with the "black" & "white" underpainting... that looked bada$$! still one of my most inspiring "teachers" 🤘🏼👽
I like it, b/c different from (composition,areal perspective,brush strokes)what I learned before this another way.
Thank you Andrew!! Brilliant as always. I've heard a number of artists singing the praises of Oleogel. Must give it a try. Great tips about ration of using the gel and the demonstration of glazing, much appreciated!! 🏆🏅
Spectacular painting and valuable insight working with transparent paints! I learned to paint over a black and white image first by applying glaze over that, making a fluid surface for details to keep working. And yes Rublev is a great medium, slow drying but forgiving which takes patience! Using transparent paints with impasto medium is another experience worth trying! Great video Andrew!
Thanks so much Vickie! Glad you enjoyed it!
I especially liked your fifth recommendation, to, coming to the end with one painting, to plan for the next one. This seems what's happening naturally to me, as every painting I do leaves me with new ideas, be it technical details, or new compositions, and the like. Having just finished a series of sketches, I take your advise, and outline one of these on a canvas, to kick off a longer painting session to follow later. Thanks!
This is so inspiring!
Always amazing Beautiful Artworks
Reminds me of Maxfield Parrish, apparently he glazed the primary colors together in different layers to make his colorful landscapes
Thank you for the wonderful videos. Please tell me, are you waiting for each layer of the glazing to dry out? How do you treat the surface before applying the next layer? Thanks🙏
✌
Hi Andrew thanks for your video’s, becouse of you I am working with liquin original but i am struggling with glacing now. (I was used to make the medium water you talked about) do you use liquin original 1/4th part paint for glazing or do you use another medium for this step?
I wonder how many hours it took to complet that painting , i have taken up to 60 hours to do some of my water color paintings am now doing oils gave up water colors
That's hard to really calculate because glazing often means multiple layers of very thin paint and there's drying time in between.
Why did you give up watercolours?. I mainly work in oils but have recently begun watercolour. I joined an art society and getting a wet oil painting home without smudging it, getting it all over the car and me in the process was proving impossible. Watercolours are way easier to transport.
@Warped Weft well originally i started out in oils many years before , i needed a change i use pallet knifes and don't try to do realisim as i did with water colors mine were very photographic o its a great change for me to do something different .
Thanks for the push, I've been procrastinating for a couple of months, while my canvases are just sitting still.
Andrew how do decide when the painting is complete? In my unqualified eyes it could have been finished way before you finally cleaned your brushes. Do you sometimes struggle to decide enough is enough?
Inspiring as always, Andrew! Thanks mate!
I do enjoy listening to you and what you because you make sense l 'm way past joining a painting group I'm loosing my eyesight little by little and my favourite arist Claude Monet and like him in my later years
I'm born French and Australian from the heart I've painted hundreds if not thoursant paintings now I paint for the pleasure of givings this paintings to anyone and l'm pleased to see your passions and I would like to say well done and keep it up. Michel
GOAT 🐐
it was very helpful to see your brush strokes and the buikd of shadow and light thank you. I am building on glazing techniques.
amazing as usual
i learn how to draw from your videos, i also learn english through these videos. thats interesting! just keep doing what u r doing.
maybe my english is not good but thank you so much.
From Viet Nam
Nice
Absolutely enjoyed painting this Thank you I will work with this concept all spring worked rather well
This is one of the most incredible landscape paintings I've ever seen.
You are indeed one of the Very best! Master artist. How to be the absolute best? I think it’s more in that each master artist is a bit different. But, you certainly are one of the best!!
So lovely! You are such an inspiration to so many people, and I am grateful for your videos.
Thank you so much!
so after all this how-to and work-in-progress we get to the end just to see 2/3 of the finished painting with some ads on top of it... very nice..................
Not sure if I can express this clearly. Listening to you, as well as many other artists…… I sense that you are somehow intrinsically connected to, and are as one with the world in which you live - without being too ‘religious’, I think that you love the world and the people in it, on a deeply spiritual level. That deep emotion you feel is what comes out in your work and stirs the viewers hearts. AI will never be able to replace artists.
Wow, what a thoughtful comment. Thanks so much for this. I try to connect with something deeper, as a flawed and hopelessly "human" individual, but yes, connection is key and yes, I do care about others, particularly when it comes to making art!
It's true of a lot of people who paint intuitively. I get sick of people asking me about the "story" of my painting. It's the same story for every one of my paintings. I saw something that I connected with and I wanted to recapture it my way. I can't paint photographically so it always turns out as an interpretation of what I saw. Is there anything wrong with that? Does it have to have a deep mystical meaning behind it? My painting is for my pleasure. If someone wants to buy it, so well and good but I'm not going to "paint to sell" as that just takes away all the pleasure for me.
Thank you for your inspirational videos and especially for this! I've learned glazing technique when i was young, from my Master, and I was so sure that i didn"t need to change anything, but, today i wanna try some new way to create my glazed artworks, thank your words!! Have i nice day Andrew
Absolutely amazing Work ❤
How does one retain sufficient interest and patience in a painting to complete the detail portion of a painting. Is it because one lacks the skills and technique?
instead of oleo, would linseed/alkyd mix be okay to use with the glaze?
Thank you for the advice and inspiration!!
You are an inspiration . I began making studies from your artwork .
Great video...great painting...your advice of taking massive action is a take away for me...thank you!
Thank you so much for the inspiration.
Hey Andrew, I watched the Grisaille video last week, happy to catch part 2 today.