Schubert - Arpeggione sonata - Feuermann / Moore
ฝัง
- เผยแพร่เมื่อ 20 มิ.ย. 2024
- Franz Schubert
Sonata for arpeggione and piano D.821
I. Allegro moderato 0:00
II. Adagio 7:10
III. Allegretto 11:23
Emanuel Feuermann
Gerald Moore
Studio recording, London (Abbey Road Studio 3), 29-30.VI.1937 - เพลง
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I suppose the best recording of the arpeggione. Feuermann was a genius, he playd cello like a pianist piano.
The greatest cellist of the XXth century. Thank you for sharing!
A recording of the century. Many thanks for posting.
Very big thank you, Mr Contrary Motion. ! It's a wonderful recording. Part of the reason for that is that back then they played their heart out in the studio much in the way of live performance. No remakes, editing, or dubbing.
Merci et toute mon enfance qui revient en musique
Beautiful. Thank you.
Feurmann playing Schumann's Arpeggione Sonata is a feast for both the ears and the mind! Wonderful!!
"Schubert", Mr.!
Most modern recordings sentimentalise the work. Not feuerman who maintains perfect classical poise and balance. Also should be mentioned his extraordinary intonation which is just perfect in its expressiveness -it’s so touching.
Excuse me, for one time, I shall not tell you what for extraordinary hours I had with this recording.
10 or 15 times in the whole night.
Hours of secret, confidence.
Moments of night and desire.
Music not too loud (for one time) , loneliness in the middle of dark forests, quiet fire and shadows in the lonely house
For my mother, a professional cellist in Antonia Brico's New York Women's Symphony Orchestra, Feurmann was a god.
So beautiful, and the great pity is that if you haven't already heard of Feuermann and know to look for this recording, it doesn't come up in TH-cam's browser.
TY
Welch feinnerviges Zusammenspiel dieser beiden Künstler, das Franz Schuberts Melos und Spiritualität in eine unvergesslich historische Klangdimension erhebt! In vain you would look for a modern imitation of such a quality...
Echt tiefempfundene Interpretation dieses romantischen Meisterwerks! Es ist sehr glücklich für uns alle. dass solch eine wunderschöne Aufführung vor dem Ausbruch des zweiten Weltkriegs mit so hoher Tonqualität aufgenommen wurde. Danke fürs wertvolle Hochladen!
I think it is perfect, i like it more then rostropovoch playing
🎉
アルペッジョーネ・ソナタ。LP名曲選で昔から聴いてきた。シューベルト：歌曲の天才故の歌い方である。昔、ピアノを練習して、チェリストと録音したかった。フォイアマンの歌い方、ポルタメントの素晴らしさは独特である。息物主義の前の演奏である。どんな速さでも弾いてしまうい、歌い飛ばすと言う表現ではない。戦争が起きないことを祈る。吉田阿吽旅人。
6:23
Beginning after the Era and influence of, e.g., Feurmn., Primrose, Haifetz-Kogan-Oistr., Moore-Balsomb (sp?), a new but very stupid and insipid way of string instrument and overall ensemble playing came about. I call it the "Moaning Violins". Players started plastering EVERY DAMN bow stroke with a crescendo and a muddy increase in vibrato. Modem Conductors have abetted this. FEURM. represents the old world: grace, linearity/arc of phrase, self composure, and singing-ness!
This is a huge obsession, and I connect it with post-1970 general worldwide drift twd cultural insanity !!!!!!
Это чудо, он лучше ростроповича
この前の文章で、即物主義を息物主義と書いてしまいました。御免なさい。