greaaatttttt! sensacional! muito linda. Ainda bem que eu estava sozinho quando escutei essa música, porque pela cara que eu devo ter feito, eu devia parecer estar chapado... parabéns. Bravo! Bravo! Bravo!
Sure. But I know what that entails: huge amounts of practice and total dedication. I saw the CSO Brass Quintet this past Sunday. Those guys are the very best in the world. What a concert! What amazing playing! 2 hours and zero clunkers. That's almost impossible, but the did it. They always do. They over-prepare instead of under, which is how most of us approach tasks.
Is it really "the hot seat" for Clevenger? He's as much of a giant in the brass world as Perlman is in the string world and Barenboim is in the piano world, so it seems to me more like a gathering of equals than like two giants and "the hot seat."
Amazing. I cant hear horn well but still good. Maybe old recording, and acoustic isnt good. Learn this from Spotify Sarah willis! She is also very good hornist.
¿Es el verdadero volumen y balance del sonido real, o quizás fue un poco ecualizado? Esta es una pregunta que uno siempre se hace cuando escucha grabaciones de esta obra. No obstante, puedo creer que Perlman pudo haber tocado con este grande y amplio sonido, como para competir con el de Clevenger.
Is it the real volume and balance of sound, or maybe it was little equalized? This is a question one always makes when hearing recordings of this work. However I can believe that Perlman could play with this great and big sound, in order to "compete" to Clevenger's one.
Wow! The best of the best together!!!
Clevenger is just insanely good; and he is the critical ingredient that makes this haunting piece work with his otherworldly sound ...
Veľmi sa mi páčila táto hudobná produkcia.
Pekná skladba,výborní interpreti.
Anika
Superb trio, everything is beautiful...!!!
Thank you.
Luz
this evening we had it performed at fmg by joanna bello, alma maria liebrecht & ayumi shigeta. simply beyond all expectations. beautiful:-)
greaaatttttt!
sensacional!
muito linda.
Ainda bem que eu estava sozinho quando escutei essa música, porque pela cara que eu devo ter feito, eu devia parecer estar chapado...
parabéns.
Bravo! Bravo!
Bravo!
Bravo!!!
Sure. But I know what that entails: huge amounts of practice and total dedication.
I saw the CSO Brass Quintet this past Sunday. Those guys are the very best in the world.
What a concert! What amazing playing! 2 hours and zero clunkers. That's almost impossible, but the did it. They always do. They over-prepare instead of under, which is how most of us approach tasks.
Is it really "the hot seat" for Clevenger? He's as much of a giant in the brass world as Perlman is in the string world and Barenboim is in the piano world, so it seems to me more like a gathering of equals than like two giants and "the hot seat."
Amazing. I cant hear horn well but still good. Maybe old recording, and acoustic isnt good. Learn this from Spotify Sarah willis! She is also very good hornist.
¿Es el verdadero volumen y balance del sonido real, o quizás fue un poco ecualizado?
Esta es una pregunta que uno siempre se hace cuando escucha grabaciones de esta obra.
No obstante, puedo creer que Perlman pudo haber tocado con este grande y amplio sonido, como para competir con el de Clevenger.
Is it the real volume and balance of sound, or maybe it was little equalized?
This is a question one always makes when hearing recordings of this work. However I can believe that Perlman could play with this great and big sound, in order to "compete" to Clevenger's one.
'can't even imagine being in the hot seat with these two giants; wow!
Stupefacente!
way better than ligeti
Might as well have recorded it in a barn. Way too boomy. Why????