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- เผยแพร่เมื่อ 6 ธ.ค. 2010
- Scene from Michelangelo Antonioni's The Passenger including preceding shot and penultimate shot:
"The film's penultimate shot consists of a seven minute long take-tracking shot which begins in Locke's hotel room looking out into a dusty, run-down square, pulls out through the bars in the hotel window into the square, rotates 180 degrees, and finally tracks back into the hotel room."
-wikipedia
en.wikipedia.org/wiki/The_Pass...)
See the full article for an explanation of how this amazing shot was done. - ภาพยนตร์และแอนิเมชัน
One of my top 10 films of all time. Watch it every year. Visually gorgeous.
It's all about how you end the film. Tarkovsky and Antonioni were masters at finding the perfect ending for their work. For those who are interested, check out the end of 'Solaris' (Tarkovsky's version), 'Stalker' and especially 'Nostalghia,' which has one of the most remarkable final shots I've ever seen. Really, it will leave you speechless.
And mirror !!
Great!!!! And what about others from Antonioni? I confess I dont like blow-up but that last scene was genius too… any other recomendation from him??? What a great way to end this movie…
Where I can watch good prints of these Films ?
With Subtitles as well ?
I'll check it out.
Locke's wife didn't speak about Locke, and she answered the question perfectly. She's in shock. Finally understood the end. What a great film. Lets go party.
Amazing work by all concerned. I remember it well watching it in the cinema with my mouth wide open.
In the commentary, Nicholson explained something about then making the set in that they could split it open for the camera for the famous shot and move it back quickly so it looked like the camera moved through the wall.
Pure cinema.
Anyone else triggered by the use of colors in this film, and what could it possibly imply?
During the last stretch of the movie, the colors green and red begin to appear everywhere, from the vegetation even in interiors, to windows and props, as well as the characters clothing. In the ending the protagonist is using a red shirt and the girl is in a light green dress. During this final long take, the girl (in green clothes) starts to walk sideways until she stops in front of a red door. Now, what these colors represent in the movie is up to debate - the green is first introduced with the natural vegetations as the couple is on the run, so it seems that it signifies the act and desire of escaping (from oneself, from the world, from the pursuers, the past, and right at the end the girl can ultimately be considered as Locke's escape, or his temporary refuge). I think the red is quite obvious here, it means danger, an increasingly intense warning that the escape (and Locke's life) is about to end.
Whether it is from one's own identity and past, from people or situations, from truths or lies, every escape will inevitably come to an end, usually in a tragic manner.
You can also see someone come into the room at 3.35. Shown in reflection on right hand side.
Masterpiece...
Oops, forgot to say, great film too. Haunting, understated, and extraordinary. Antonioni.
The ultimate ending is, I think, in Antonioni's 'Identification of a Woman.' I envy whoever gets to watch that film for the first time. When the credits come up at the end you simply feel as if you've left your body and ascended to heaven.
shut up nerd
@@jasonnolasco2826 shut up, nerd
Who is better a “Nerd” or a Troll with 1 Neuron?
Too bad the rest of the movie was an unfocused and unsubtle mess
Great scene, I saw it when was a kid and still remember it
mesmerize.
great shot.
We watched this movie in a foreign film class I took. I watched Children of Men with some great long takes. Made me think of this film again! Great scene. still trying to understand all the imagery :)
Stupendous. Thank you.
アントニオオーニの作品は全て好きだけど、特に欲望とさすらいの2人は大好き。彼のいいところは、他の監督の誰にも似てないところと、終わった後の余韻。
From DVD commentary. the house was constructed for this shot. It breaks up into two as the camera zooms out of the grills.
No. solo abren la reja de la ventana
antonioni, the master!
Bellissima scena
Such a sad ending☹
GRAN PELICULA
What does the driver say to the Girl? They have a kind of a suspicious talk.
You left out a very important part: the Seat driving off at the end, and the cafe (with the Canço del Lladre on guitar). Still got that somewhere?
Beautiful film, all the scenery from each country. Pity he died in the end but it was always going to happen
I saw it when it first came out, at 15.... In-Term-In-Able.. This scene most of all.
The house wasn't constructed for this shot, that's nonsense. The bars on the window were cut and moved apart to allow the camera through, it was then attached to a crane.
So Antonioni and Nicholson are lying but you are telling the truth.
Existentialist, in a two-bit word. But the film is worth watching from the very start. And remember the cinematographer Luciano Tovoli. No simple matter working for Antonioni.
insane..
Very cool, i didn't know that.
I preferred Antonioni's work with The Yardbirds.
I don't think the main character got killed. I think he shot himself.
No he was being enthralled courting with danger and couldn't care or less how to the whole venture come to an end..
The cute tiny 1/2 tonn white car looks like a pizza delivery car from a distance
how did he pass the camera between the bars ??
they moved the bards wide apart and refixed it with another, while the camera passed through the bars and attached to a crane
I'm having trouble placing the audio for when he gets killed. Timestamp anyone?
I'd love someone to please answer this.
I strongly suspected it was this but wanted it confirmed. Amazing to mask the shot with the car, what a scene.
3 years later but here it is: 4:13
When he goes to sleep he's wearing a red shirt > 7 minutes later dead guy in the bed is wearing a black shirt ? messes me up .....
+termikesmike It's the lighting, at 1:05 his shirt is significantly darker because of the dynamic exposure with the outside
+termikesmike you dumb person do you not know what the director is telling you. you totally missed the point from red to black.
+Jesse Akaike Let’s see if you can explain what the director is telling me ?
Movies are made up of exciting two senses, audio and visual and it is a matter of the suspension of disbelief to make you listen that the movie is talking to you. Movies were first black and white (which most people do not consider it be colors but in scientific clarity it is the color of reality And by your summation that you challenged me, "Let's see if you can explain what the director is telling me," which essentially tells me that you already know thet he is telling us to not believe what you see. Information is essentially audio and people confuse the silence of a page with the ultimate silence, death.
+termikesmike Jack has left the room, literally and metaphorically.
Virtuose... mais inutile !
It was done with CGI! Actually, the bars break away in the middle and crew slides them apart. They've been doing that at least since Citizen Kane.
CGI... hahaha... 1975? Try again. Try harder next time.
Citizen Kane CGI?
Ehm...Was it Area 51 technology by the Zeta Reticuli?
CGI? are you stupid?
There is indeed a similar scene in Citizen Kane but this is way more complicated. It took 11 days to shoot with special kind of camera's and cranes ...
Slow
You are, yes
I wouldn't call it amazing when it's so obvious
How about you try taking a 7-minute-long shot with no breaks or errors?
This is a stupidly pretentious comment.
it took me almost half an hour the man in the room got killed